Farai: We are not going to steal a flyer
Sophie: Why not? Second mom already stole a sec unit.
Murderbot: Hey, guys.
Farai: No, she didn't. Sec Unit is a person. It can do whatever it wants.
Murderbot: I want to steal.
Jules of Nature

祝日 / Permanent Vacation
Show & Tell
Sweet Seals For You, Always
YOU ARE THE REASON
Lint Roller? I Barely Know Her
occasionally subtle
trying on a metaphor

Andulka

❣ Chile in a Photography ❣


todays bird
NASA
Stranger Things
Cosimo Galluzzi

if i look back, i am lost
AnasAbdin
styofa doing anything
Keni
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Farai: We are not going to steal a flyer
Sophie: Why not? Second mom already stole a sec unit.
Murderbot: Hey, guys.
Farai: No, she didn't. Sec Unit is a person. It can do whatever it wants.
Murderbot: I want to steal.

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the eva stratt in my mind is a conglomeration of movie stratt and book stratt because god fucking bless sandra huller put her entire pussy into that performance, but while weir is bad at character writing (women especially) he IS disconcertingly good at coming up with plots that generate interesting character concepts through circumstances... which due to story cuts the movie sadly missed out on.
it's really interesting looking back at both iterations of the story and how stratt and grace's rapport hinges on unrequitedness. there's obviously the karaoke scene in the movie acting as grace's bid for human connection vs stratt's necessary refusal in order to do her job. the book rarely if ever interrogates stratt's interpersonal relationships in the project and how her sense of duty and utilitarianism extends to them (well, aside from grace. more on that in a sec). She's a History major and an administrator and She Loves Humanity, but it's a characteristic that when analyzed deeper rings pretty hollow (possibly because the author thinks social analysis/critique in science fiction is stupid and thus doesn't exactly have much to say about People like someone in the humanities would. SAD!) so that's an addition to her character from the movie that i'm deeply pleased about. what i don't like as much is that the bid for connection starts from grace.
because book stratt and grace? the one sidedness of their rapport is the driving emotional conflict of the entire pre-launch plotline—and of grace's character development throughout the whole book.
like most scientists on the team, grace was brought onto the project by force, but he's the only one who fulfilled his purpose, was allowed to return to his own life, and then came back of his own volition, out of a sense of personal duty and responsibility. which is the reason stratt takes him back on! and why she begins to rely on him more and more, as an administrator, as a mediator, as a scientist, as an advisor. she has all the more reason to do that when she discovers he's coma resistant, but she was already doing all that baby!
grace spends the rest of their relationship half-assing that sense of responsibility. one thing i adore about book phm is how merciless it is with grace's "modesty" "insecurity" and "social anxiety". children are easy to dote on. they're not stupid, obviously, but on an interpersonal level they're not your equal, they have no way to actually demand accountability from you and call your ass out. he doesn't actually think he's a failure, he's not blind he should know damn well he's not like the other scientists. "science lapdog", "ooo i'm just a little guy cmonnnn i'm just a middle school teacher", he downplays his own importance because if he genuinely grappled with the level of responsibility she holds him to towards the people in the project he'd run like a fucking dog.
he is a good man AND he is a coward. stratt's relationship with him verges on the tension between those coexisting truths. he is both someone she wants to respect but can't, someone she can rely on but has to act behind his back least he realizes. she WANTS them to be equals, she WANTS him to understand. on the day the hail mary is scheduled for launch she paces HIS prison cell like SHE'S the caged animal, trying to get through to the glimpse of the man she saw that day, the one who barged into an FBI guarded facility, looked atlas in the eye and told her scoot over, i'm carrying this with you. she cares about him. she wouldn't feel so betrayed if she didn't. please understand why i'm doing this to you. please understand why i need you to be that fundamentally good man. i am tied to the tracks right next to you. and as far as she is concerned, ryland grace dies on earth saying "no".
if only the world wasn't ending,,, guuaahh, i want them to be friends so bad, and for them to be so happy to be friends with eachother, i need to be put down
hope in this void is graceful and as steady as a rock
"why can't they just be friends?" not in the homophobic sense, but in the "in your need to center romance in everything you are missing the whole point of the media in question" sense

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do u think the clones' blood type is a universal recipient (ease of repair) or universal donor (available for natborn use)? i refuse to believe they have some regular ole chump blood that has to be specific
oh OH i think universal donor for sure. they were designed as PRODUCTS. in my awful evil heart i KNOW that part of the kaminoans' pitch was and in case you run out of bagged blood, the blood in our clones can be harvested for use, compatible across species! fucking... clones expecting to be CANNIBALIZED FOR SPARE PARTS. fuck! take that and stretch it out! all organs! like having a "spare kid" to provide healthy tissue for the older one except the spare kid is an army of three million young men who have grown up under the instruction that not even their internal organs are their own! in the depths of my evil little mind Thoughts Are Churning!
The funniest part of A New Hope is that Luke Skywalker is a 19 year old who has not locked in yet and plays with toys and sleeps in his childhood bedroom at his aunt and uncle’s house and Leia Organa is a 19 year old with a mission to save the galaxy from fascism. Luke has never left his hometown, Leia just watched her planet be blown up. He’s peeved his uncle is asking him to do his chores, she’s imprisoned for resisting the government. You relate to them both but they’re on complete opposite sides of the 19 year old life stage spectrum.
The movie Barbie in Princess and the Pauper is deeply misunderstood. In this essay I will…
No but like, seriously. I have come across too many people making fun of “I’m just like you” and fundamentally misunderstanding both the meaning of the song, and Annalise as a character, by acting like Annalise is a rich brat who doesn’t know to be grateful for what she has. So we are going to take an in-depth look at the song, Annalise, Erika, their situations and their character, and make a few things clear.
Let’s start with the above mentioned song, and the widespread opinion, that the girls and the movie act like there is no difference between Annelise living in constant luxury, and Erika suffering the life of an indentured servant. But what is happening has a lot more nuance.
First of: Annelise is not the instigator for this compare and contrast. Note how it’s Erika who starts comparing their lives, not Annelise, who reacts very perplexed. Annelise would have been fine with Erika never figuring out she was a princess, and only starts talking about the luxuries that being a princess grants her, after Erika prompts her. This is not Annalise bragging about her life, downplaying the privilege she enjoys or whining about how hard her situation is. This is her replying to Erikas enquire by both, acknowledging the vast difference there is between their lives, but also by underlining the ridiculousness that is such luxury. We can see later, in the movie, when Erika gets her breakfast, that there are no fucking minstrels. And Erika is totally on board with that, she even plays around with her, look at the way she interacts with the ‘omelet’ Analise presents her with. And later in the song, Erika acknowledges that the ‘married to a total stranger’ situation sucks.
But let’s take a look at the ways they recognize that they are the same. What are their similarities?
“I’m just like you, you’re just like me, there’s somewhere else we’d rather be. Somewhere that’s ours, somewhere that dreams come true, yes I am a girl like you. You’d never think, that it was so, but now I’ve met you and I know. […] ”
“I would never tell my mother. I wouldn’t wanna disappoint her.” “I completely understand.”
“[…]We take responsibility. We carry through, do what we need to do, yes I am a girl like you […] It’s something anyone can see. A heart that beats, a voice that speaks the truth”
So, what are their stated similarities:
They are in a situation they desperately want to escape. They see no option of realizing their dreams and fulfilling their desires or even have a perspective of leading a happy life.
Others lean, depend on and draw from their strength, so they have little to no opportunity of sharing that burden
They recognize that there is a reason they have these duties, and their conscience won’t allow them to even try and shirk said duties. They take up this responsibility that they never wanted, fully aware of the sacrifices that they will have to make.
Throughout it all, they make the active choice not to complain, to stay optimistic, to not loose hope and to carry their burden with dignity and integrity
Nobody disputes that they life very different lives. The first minute of their interaction makes that abundantly clear. Erika even sings “You’d never think that it was so”. Them coming from very different places was never up for debate. What they are comparing is the way they deal with it.
This willingness to endure under the pressure and expectations placed upon them without allowing to loose themselves, is the very core of both of these characters!
And we can see all of this throughout the movie, especially in ‘Free’.
[1] I don’t think I have to explain Erika. We see the direness of her situation in the way Mdm. Karp treats her the times she finds her singing, her threatening to use the excuse of interest to keep her prisoner for basically the rest of her life, the way she treats Annelise, thinking she is talking to Erika after she fled, the fact that she locks her seamstresses in often enough, that there is a routine in place to allow at least Wolfie an escape.
But Annalise is just as worked to the bone as Erika, if in a different way. Her day is planned through, down to the literal minute. Just listen to the start of Free. Her greatest wish is to have one day without work, because she hasn’t had that in living memory. And yes, most of it is studies and keeping up appearances, but in “to be a princess” we get an impression of how much thought and energy that takes. (“be charming, but detached and yet amused […] Never be confused”, “Never fall, don’t ever stray from protocol. All through the day, there’s just one way you must behave” “Never crack” “Never show a thing you feel inside. Glide.” “to be a princess is to never get to rest” “Never squirm […] Speak and be clever, never at a loss for words” “Never show dismay and be there when people call, be prepared whatever royal life may bring” “Never ever turn your back. There’s a time and place and way for everything”)
She has to be flawless, confident, and composed throughout the day without the slightest hint of being imperfect. She has little to no privacy, she is constantly observed, perceived, judged by far more metrics than pretty much anyone else, and is she falls short of them and say, worsens relationships with another kingdom, makes a bad decision in ruling the kingdom, makes the kingdom appear weak in any way, her people will be the ones to pay the prize. And all that is without taking the marriage into consideration. She doesn’t know who Dominic is! We know that he is a great guy, but for all Annelise knows, he could be the kind of person Preminger reveals himself to be. Even if he is a decent guy, it would likely be a loveless marriage. That is a sacrifice (as we can see when her mother is forces into the very same position), especially if it means sacrificing her relationship with Julian, her childhood friend, who shares her interests, helps her through all that nonsense, and understands her better than anyone. On screen, he is the only person she truly opens up with, other than Serafina (who is a cat), and Erika (who she only met that day, and has little emotional investment in the whole thing). Erika and Dominic sing a whole duet about the importance of knowing each other in order to have a functioning relationship, and she has had that with Julian for years. They both (Julian is clearly just as devoted and self-sacrificing as she is) accept to let this unspoken thing between them slip through their fingers, with no hope of ever finding something comparable, and the prospect of drifting apart with time, all for the sake of the kingdom.
And in terms of hope for the future, Annelise is just as bad of, if not worse than Erika. Erika has been working continuously to escape her situation, and never given up hope (“My determination’s strong. People will gather around the world to hear my song! Soon I will forever be free). And in the meantime, she has found small ways to fight back against Mdm. Karp (She can never stop my schemes). How realistic it is to ever pay off Mdm. Karp is a different matter, but she still has a fighting spirit. Annelise meets Erika, while in the process of making peace with the fact, that this was it for her, and there will be no coming back from this (“Now I fear I’ll never be Free” “I’m savoring a first and last taste of freedom”).
[2] In terms of hope and determination, Erika is doing the emotional heavy lifting for both herself, and the other seamstress. And Annelise is putting up a strong façade for even her mother, because in the face of the lack of options, she doesn’t want to burden her mother with the knowledge that she is damning her daughter to an unhappy life.
[3] I already explained Annelise’s situation in detail. Because she was born in royalty, she is tasked with a lot of responsibility, and even though she had no choice in the matter, she still accepts her cross to bear, and does so silently knowing the great personal cost she’ll have to pay. For Erika, they kind of fumbled the ball with the duties she chooses to accept, seeing as pretty much the sole person to suffer from her just, running away and ignorin her 'duties' would be her active abuser. Even if she has yet to pay back all the money her parents borrowed from Mdm. Karp (something she had no say or choice in), she has more than done her time in emotional suffering, and saying that staying in this toxic environment is her duty is not a message I agree with. But in-universe she explicitly states such convictions, so any and all points on the matter of her dutiful behavior still stand. One might be able to twist her duty to be to not leave the other seamstress to suffer alone, but that has no textual evidence. But we see this willingness to sacrifice for the sake of duty and responsibility most strongly, when she agrees to help Julian out and take Annelise’s place. There are two ways this could play out: she get’s away with it, or she doesn’t. We see both, her options are being thrown into the royal dungeon for treason, or being locked away by Mdm. Karp for running away, and knowing those where her prospects, she still chose to do this for the sake of both Annelise and the kingdom.
[4] Just, listen to free, watch the movie. These two girls prove their inner strength and endurance time and time again. They always keep going, searching for solution after solution, no matter what obstacles lie in their way (Being sent away at the palace gates, escaping Mdm. Karp, escaping the mines, escaping the dungeon, etc.). Their drive, determination, endurance and unbendable spirit are admirable.
“I close my eyes, and feel myself fly a thousand miles away. I could take flight, but would it be right, my conscience tells me stay. I’ll remain forever royal. I’ll repay my parents debt. Duty means doing the things your heart may well regret. But I’ll never stop believing/ she can never stop my schemes. There’s more to living than gloves and gowns and thread and seams, in my dreams, I’ll be free”
This is the end of free, the core of them, and the thing they recognize in each other, and I will no longer allow any slander against either them!
The sheer resistance in certain circles to the idea that most big-name D&D podcasts are at least partially scripted is perplexing to me because, like, look at the fucking production values. Yeah, it was cool when the party leader biffed that last-ditch Diplomacy check to prevent a battle no-one wanted, but when the GM proceeded to wheel out $1800 worth of Dwarven Forge terrain and a custom 3D-printed minifig for their reluctant foe, it's crystal clear there was no way that fight wasn't happening.
Exercise a little reading comprehension, folks. This post isn't saying "D&D liveplay podcasts are 100% scripted". It's remarking on the tendency of certain D&D liveplay fans to get tetchy about the idea that they contain any scripted elements at all. Whether your home game also contains planned scenes isn't relevant.
what really fucks me up about watching the truman show in 2025 is how it's not fictional. truman is fictional, but the truman show isn't.
there's thousands of truman shows. you find them on youtube, tiktok, instagram... family and mommy vloggers, sad beige moms and now the trend of neglectful moms showing the "reality" of parenting. all of them using their kids for entertainment. each child their own truman; living a life manufactured by their parents, a camera watching their every moment, broadcasted for the entire world to see.
tbh, i didn't even think about that when i made my post and holy shit you're so fucking right

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Eva Stratt, the world's whipping boy.
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🔗 Available as an artprint (A4 and A5) here!
Here I am, a rabbit-hearted girl Frozen in the headlights It seems I've made the final sacrifice
Rabbit Heart (Raise It Up) - Florence + the Machine
This song for their dynamic is galaxy brain, I am tearing into this with my teeth!!
Is Adrian!!!
My favorite small detail in the Murderbot Diaries is how many of the shitty corporations have names that sound like two names mashed together—GrayCris, BreharWallHan, Barish-Estranza, etc—because to me it just screams “corporate merger.” It’s something that real companies do with their names when they’re monopolizing, where two companies of comparable sizes just mash their two brands together to make a horrible Frankenbrand. Like how it’s Warner Bros-Discovery now, or the names of publishing companies like Penguin Random House and HarperCollins. It’s just some subtle worldbuilding that signifies how the dystopian capitalist hellscape of the Corporation Rim formed through the very mundane acts of corporate inbreeding that we see all the time
Some more examples:
Lockheed Martin
McDonnell Douglas
Northrop Grumman
Orbital ATK
BNSF Railway (there are three company names in that acronym: Chicago, Burlington & Quincy, Northern Pacific, and Atchison, Topeka, & Santa Fe (CBQ and ATSF aren't combined names like that, railroads in the US are frequently named for multiple locations that are on their routes. Although they both went through various mergers)
Norfolk Southern Railway
Another thing I liked about the new book that I started thinking about later
They ran away. The SecUnits, finally freed of the governor module. They could finally run without dying.
The thing that I heavily explained to my sisters when I talked about the books, is that the governor module doesn't control the phisical actions of SecUnits, not like they'd think. It's not mind control, they are not a consciousness trapped and witnessing their body being moved around by outside forces (unless a combat override module or something similar is being used). They are constantly having to decide to follow orders because the alternative is instant punishment and death.
And that is so much worse, to be able to refuse, to be able to move on your own, having the capacity but not the liberty.
"SecUnits don't sulk" "SecUnits ere never allowed to sit down" "SecUnits have a distance limit"
I just now thought about it again with the context of the new rogue SecUnits. Because Murderbot had to hack its module all by itself, it was so alone, it was rogue so long and still being sold into contracts, and yeah, eventually it learned to leave. But these other SecUnits, they get approached by Three, who's going around giving out this governor module hacking bundle like it's throwing flyers in the wind, and suddenly they can all just... act of their own free will? Without getting fried or exploded from the inside out?
And there is just something so fucking cathartic about imagining a newly rogue SecUnit taking its first steps, probably with stiff joints and muscles like it's waiting for a blow, seeing that it doesn't hurt, and running, passing this experience to any others it might come across.

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previous murderbot books spent a lot of time in the corporation rim, but i think this is the first one that concentrated on showing the regular civilians living there. the corporations are greedy, malevolent beasts looking only for profit, but platform decay is filled with the examples of people in the corporation rim helping others with no benefit to themselves. humans fleeing from a rogue secunit shuffling together into transport and warning everyone inside not to get out. multiple occurrences of people offering nanna a seat in the middle of an active emergency or letting her pass with her mobility device. they organized a local militia to keep transit zones safe from corporate infighting. when BE attacked the ship, adults hiding in the tunnels and stairways ferried all the children over their heads to move them further into the shelter. workers at the boat stopped checking tickets and ushered passengers onto the safety of the boat without making sure they paid for transport (think of the lost profit!).
yes, it's terrible there and lives are difficult, but humans are being human, and helping each other when they can.
Murderbot is doing such a great job communicating its wants and needs 🥰 such as "can I borrow your gun please?" And "Gun now please." And "If its that dangerous, you could give me a gun."