I get high off that captaineer âfind each other in every universeâ shit
YOU ARE THE REASON
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@falseroar
I get high off that captaineer âfind each other in every universeâ shit

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Mark said the thing!! đł
Twitter: X
I want to make a poor decision that I have to live with for the next 6 months or so. So, with zero context, have a poll whose results I may or may not respect:
Poor decision time
Pokemon point and click. There's ghosts
Marvel visual novel. There's a cat
Mickey Mouse rhythm game. There's a motorcycle
Make something original, you coward. (There's a ghost in this one too)
I collaborated with the Human Artistry Project to make this strip alongside other web cartoonists to make the point that âStealing isnât Innovationâ when it comes to A.I. usage. It seems to be doing numbers on instagram and elsewhere, so you may also read it here, tumblr.
May the discourse that ensues be long and unhelpful.
Went and saw the Hadestown proshot today, absolutely beautiful, loved every moment, yes I cried, but there were a couple of times there was a rumbling in the distance and I realized Odysseus was going through it next door while Persephone was just trying to get her drink on.

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I look forward to seeing what the community will end up doing with these sorts of screenshots from Mark's latest stream.
Edit, because I remembered transparency is a thing:
The Light Keeper Part 4: Row, Row, Row Your Boat
((William is concerned for his injured friend, but also has a lot of thoughts about boats.
Links to Part 1 and to Part 3: Worth the Price.))
âWeâre going to the shore in that?â William asked as Damien turned the wooden boat over and began his checks to make sure it hadnât been damaged in last nightâs storm.
âItâs small, but should be able to carry all of us just fine,â Damien answered, mistaking his wonder for disbelief. And it was a small boat, so much so that the only reason it hadnât been washed away the night before was because Damien had the presence of mind to stow it closer to the lighthouse and its cottage when he saw how big the waves were beginning to crest. âCould you give me a hand with this?â
William took hold of the aft end of the boat and lifted it easily, so easily in fact that Damien briefly lost his hold on the bow and had to reach up to take hold of it again. Together, they walked the boat to the shoreline to meet Damienâs sister Celine, who was walking there with Y/N already.
the squeakquel
(no worries, this is the last one) (...for now)
as penance, here's that Georgina/Dylla for y'all đ

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Defunctland, 2025
Really good bit from the new defunctland video
mark showing Apple ceo Tim Cook his iron lung render farm kinda goes unbelievably hard
The Light Keeper Part 3: Worth the Price
((A long, long time ago, I wrote a short WKM mer au story. Some stuff happened in between, and now here we are. Safely outside of Mer May, because starting to post this then would have just been silly.
It's the morning after the storm, and Y/N reflects on this less than ideal start to their new life on land even as they're finally reunited with William. Also, there's breakfast to be had.
Here's a link to Part 1, since it's...it's been a while, but we're still picking up right where things left off.))
The cottage at the foot of the lighthouse was not a large building, at least when compared to those in the nearby town. To go from Damienâs bedroom to the front room was only a few steps, and yet even that short of a distance might have required you to stop and rest on the way were it not for the light keeper himself offering an arm for you to lean on.
Pain.
From the injuries you sustained in last nightâs storm, yes, but it wasnât alone. The steady burn from your arm and chest met the daggers lancing from your feet upward, both growing louder in the otherâs presence until it was harder to tell what wasnât hurting.
Writers have two modes and they are "i haven't written in three weeks and i am rotting from the inside and everything feels wrong and i don't know who i am anymore" and "i wrote for four hours straight and forgot to eat and it's dark outside and when did that happen and i feel like a god" and there is nothing in between. no chill. no medium setting. just famine or feast and a very confused nervous system.

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IRON LUNG (2026) dir. Markiplier
âI have this artistic idea but not the skills to achieve it to the standard I want.â
congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!
Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmotherâs house? Two books trying to unravel the complexities of familial relationships?
Donât let the fear of it not being perfect on the first try stop you from being Weird About It!
Please view Hokusai's gradual working towards The Great Wave Off Kanagawa, over a period of 39 years.
An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.
A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.
This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.
And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!
Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint â dot and line â will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.
And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.
It's all there; Mt Fuji, the ocean, the wave. The boats are gone, but replaced with birds, flying with the wave instead of fighting against it. It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success, especially in terms of external success. They're there for you to keep playing with, keep remixing and re-experiencing, for as long as you think you have something to say.
You can always redraw a concept :)
"It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success"
As someone who's a bit of a perfectionist about my writing, this sentiment was very much appreciated.