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@fagstaff1893
Puccini died when he realized he wrote an opera that has no possible good ending
the good ending would be Turandot chopping Calaf's head off
Calaf dies and Turandot continues her reign of terror but no suitors try to win her over anymore
She should've killed him and lezzed out with liu or some other women
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Turandot x Liu very toxic yuri
Ponchielli's la gioconda would be better if gioconda and laura had toxic hatesex and that bum enzo died
okay
I desperately need more people to watch this production cause it has the gayest renato ever
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Most tragic opera death (but Gilda is not an option this time sorry)?
Liu (Turandot)
Mario (Tosca)
Rodrigo (Don Carlo)
Mimi (La Boheme)
Violetta (La Traviata)
Aida
Leonora (La Forza Del Destino)
Lucia Di Lammermoor
Norma
Andrea Chenier
Manrico (Il Trovatore)
Carmen
Voted for lucia, even tho i don't care as much about her as i do for the other characters in this poll, her mad scene arias always get me
I do not like the ending of Turandot. Sometimes women should just be evil
verdi knew what he was doing when he invented mezzos
idk if it's a real photo or not he is still so cute🥹
Listening to opera is great for anyone that likes spontaneously starting to cry while going about daily activities
I genuinly cannot listen to act 4 otello or the lucia mad scene when i'm outside while wearing headphones because i get mega emotional just remembering them
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This DIVA
I was just thinking of the fact that certain opera characters' birth names are never revealed, because they're only known by a stage name or professional name.
For example, Rigoletto. The libretto emphasizes that Gilda doesn't know her father's name, because he doesn't want her to know that he's Rigoletto, the court jester. But we the audience don't know his real name either, because "Rigoletto" is a professional nickname. It's derived from the French rigolet, "to laugh" or "to giggle." We have no idea what his birth name was.
Or Madame Butterfly, a.k.a. Cio-Cio-San. I think a common misconception is that "Cio-Cio-San" is her birth name, while "Madame Butterfly" is her geisha name. Not so. "Cio-Cio-San," or rather, "Chōchō-san," means "Madame Butterfly" or "Miss Butterfly" in Japanese. They're the same name – her geisha name. We never learn what she was called at birth.
In a subtle way, this adds to the tragedy of these characters. They're both marginalized figures who have no choice but to entertain (in very different way, of course) in order to survive, and cater to people who see them as less than human. Both of their professions force them to go by a name that reflects the role they play: his of comedy, hers of delicate beauty. And not even we, the audience, learn the real names they were given at birth.
@leporellian
Nikolai Rimsky-Korsakov, Моцарт и Сальери ("Mozart and Salieri"), dir. Vladimir Gorikker (1962)
I lowkey have an addiction to terribly translated russian film versions of verdi operas, they always cut out half of the best duets like si per ciel from otello or si vendetta from riggoletto
LOOK HOW ADORABLE HE IS IN THIS
MY BABY BOY🥹❤️🩹❤️🩹
Getting cuteness aggression over this poster
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Tenor Problems: dad married my girlfriend Baritone Problems: have to give my life for tenor Soprano Problems: married my boyfriend's dad Mezzo Problems: in love with tenor who's in love with his stepmum and also nobody around me can be normal about anything
Bass problems: Why doesn't anyone love me?! (continues to treat everyone horribly)
Luca Guadagnino is going to direct Un Ballo in Maschera to open the 27/28 season at La Scala and I am begging him to just go completely off the rails with it
I'm sure we'll get some heinous gay shit, it's Luca, we're all very excited, but I also want everyone to please PLEASE consider what that man, the director of Nuspiria, will do with Ulrica. I cannot wait
