THE GOOD PLACE (2016β2020) cr. Michael Schur
Monterey Bay Aquarium
Lint Roller? I Barely Know Her
Sade Olutola
EXPECTATIONS

Game of Thrones Daily
d e v o n
he wasn't even looking at me and he found me
Sweet Seals For You, Always
art blog(derogatory)

izzy's playlists!
π

PR's Tumblrdome

bliss lane
sheepfilms
Not today Justin
The Bowery Presents

Discoholic πͺ©
RMH
taylor price
seen from United States

seen from Israel
seen from Malaysia

seen from Germany
seen from France
seen from United States
seen from Bangladesh
seen from Indonesia

seen from Brazil
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Guernsey
seen from United States
seen from United States
seen from United States
@eyesjustwatching
THE GOOD PLACE (2016β2020) cr. Michael Schur

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
The Birdcage (1996) dir. Mike Nichols
CATHERINE O'HARA (1954-2026)
The Mummy (1999) dir. Stephen Sommers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
I posted this to tiktok but thought I'd post it here too. Whoever is directing Pluto is doing an incredible job, the whole team in fact is smashing it. This video shows the comparison of the Oom May scene from Episode 8 and Episode 11. The way they highlight the difference between how Oom words are perceived by May and how they're actually being said is beautifully done. In episode the framing, the lighting, Namtans acting was all designed to make Oom seem cold because that's how May percieves it. But when we see how Oom remembers it the lighting is softer, she's clearly upset, the framing is different, her posture is different.
I'm a nerd for beautifully excuted scenes and this is a prime example of why Pluto is a work of art not just as a Thai GL but as a TV show in general.
Mamma Mia! (2008) dir. Phyllida Lloyd
The Aristocats (1970) dir. Wolfgang Reitherman
best part of KPop Demon Hunters is all the ridiculous faces the girls make
Nobody remembers right before Frozen came out there was an interview with a Disney animator that said there wasnβt much they could do with womenβs faces because they βneeded to stay pretty"
KPOP DEMON HUNTERS (2025) dir. Maggie Kang and Chris Appelhans
For the fans. For the world. For us.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Um.
i don't think "flex" is a strong enough word for whatever the last three minutes of my life was
That was one of the most beautiful sequences I have ever seen.
Marahute the eagle and her animation are some of my most formative memories of learning to adore animation as a discipline. I wore out our VHS tape of this movie just watching her sequences over and over again.
The speed, scale, weight and accuracy with which lead animator Glen Keane captures her motion and movement, and balances the scales between anthropomorphizing her and keeping her strictly animal... it's just masterful. It is so, so beautiful as a piece of craft.
This was 20 years before How to Train Your Dragon, and that first flight has so much of the same energy.
As a person who usually cites the 1st movie in any series as βthe best oneβ, it was always weird to have to tell people I preferred The Rescuers Down Under. They just read as such different movies, animation style alone. Itβs seriously an /experience/.
I mean in fairness, The Rescuers came out in 1977 and Down Under came out in 1990, which explains the vast difference in animation style, but it really is a trip to go from one to the next. Especially since Rescuers was nominally a musical and Down Under isn't.
Down Under was also the first sequel to a Disney animated movie! Came smack in between Little Mermaid and Beauty and the Beast, was just as good and just as gorgeous, but I barely EVER see it listed with the other Disney Renaissance films and that's a crime, frankly.
House of Flying Daggers ει’εδΌ (2004) dir. Zhang Yimou
THE MUMMY 1999 | dir. Stephen Sommers
Just made myself so so sad thinking about Aang's marble trick because from a physics perspective, keeping dense spherical objects afloat on an airstream is not trivial, and he's doing it in a tiny little space without moving his hands. Bending is usually very gestural. So. Everyone in the era of the show is, at best, impressed THAT it is airbending. But Aang's an incredibly young master airbender. He wouldn't be acting like this was the bestest trick ever if it didn't take at least some skill; he's a goofy kid but he's also a prodigy. I bet other airbenders were absolutely blown away (pun fully intended) at the level of precision and force and minimalism of movement on display and now there's no one who understands at all why he expects accolades.
ALIEN: ROMULUS behind the scenes β’

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
R-R-R-ROLE CALL!
HAIRSPRAY (2007) TEEN BEACH MOVIE (2013)
Death cannot stop true love. All it can do is delay it for a while.
THE PRINCESS BRIDE 1987, dir. Rob Reiner