strange bird

i'm not as well-versed in literary magazines as i should be (trying to fix that), but here are short story collections i suggest:

lesser known monsters of the 21st century by kim fu (speculative fiction, horror). personal favorite story: "pre-simulation consultation xf007867"

the paper menagerie and other stories by ken liu (speculative fiction). personal favorite story: "the litigation master and the monkey king"

slasher girls and monster boys by various (horror). personal favorite story: "the birds of azalea street"

what we fed to the manticore by talia lakshmi kolluri (literary fiction). personal favorite story: "the hunted, the haunted, the hungry, the tame"

africa risen by various (afrofuturism, speculative fiction). personal favorite story: "a dream of electric mothers"

a small apocalypse by laura chow reeve (literary fiction). personal favorite story: "real bodies"

the secret lives of church ladies by deesha philyaw (literary fiction). personal favorite story: "dear sister"

a phoenix first must burn by various (speculative fiction). personal favorite story: "wherein abigail fields recalls her first death and, subsequently, her best life"

woman hollering creek and other stories by sandra cisneros (literary fiction). personal favorite story: "woman hollering creek"

bliss montage by ling ma (literary fiction). personal favorite story: "yeti lovemaking"

how to love a jamaican by alexia arthurs (literary fiction). personal favorite story: "the ghost of jia yi"

radicalized by cory doctorow (speculative fiction). personal favorite story: "radicalized"

life ceremony by sayaka murata (literary fiction, horror). personal favorite story: "life ceremony"

shit cassandra saw by gwen e. kirby (literary fiction). personal favorite story: "here preached his last"

*banging on your window*

Jacob Lawrence, Street Shadows, 1959. Egg tempera on board.

Jacob Lawrence (1917–2000) was one of the most celebrated African American artists to date. While living in New York, he studied at the Art Students League and at Studio 306 in Harlem and worked under the Works Progress Administration (WPA). Although abstract paintings were in vogue at the time, Lawrence maintained a dedication to creating representational paintings. In Street Shadows, Lawrence depicts a busy urban block. The scene is filled with stylized figures and buildings as well as planes of light and shadow.

* I Have No Mouth and I Must Scream

*The King in Yellow

* The Lottery

* The Masque of the Red Death

* The Monkey’s Paw

* The Most Dangerous Game

* The Nameless City

* The Ones Who Walk Away from Omelas

* There Will Come Soft Rains

*The Yellow Wallpaper

* The Veldt

* “you think those were fucked up? What about [X]!”

I Have No Mouth and I Must Scream by Harlan Ellison

The King in Yellow by Robert W Chambers*

The Lottery by Shirley Jackson**

The Masque of the Red Death by Edgar Allan Poe

The Monkey's Paw by W.W. Jacobs

The Most Dangerous Game by Richard O'Connell

The Nameless City by HP Lovecraft

The Ones Who Walk Away From Omelas by Ursula K LeGuin

There Will Come Soft Rains by Ray Bradbury

The Yellow Wallpaper by Charlotte Perkins Gilman

The Veldt by Ray Bradbury

Honorable Mention from the comments/reblogs:

All Summer in a Day by Ray Bradbury

*note: this is actually a collection of short stories and clocks in at about 72k words

cannot stop thinking abt the paris review’s essay series on the history of significance of certain colours, hue’s hue:

Periwinkle, the Color of Poison, Modernism, and Dusk

Eau de Nil, the Light-Green Color of Egypt-Obsessed Europe

Marian Blue, the Color of Angels, Virgins, and Other Untouchable Things

Incarnadine, the Bloody Red of Fashionable Cosmetics and Shakespearean Poetics

Jonquil, the Light Yellow of Early Flowers, Mad Painters, and Dust Bowl–Era Pottery

Scheele’s Green, the Color of Fake Foliage and Death

Lilac, the Color of Half Mourning, Doomed Hotels, and Fashionable Feelings

Hooker’s Green: The Color of Apple Trees and Envy

Blaze Orange, the Color of Fear, Warnings, and the Artificial

Chartreuse, the Color of Elixirs, Flappers, and Alternate Realities

Living Coral, the Brutal Hue of Climate Change and Brand New iPhones

Mustard, the Color of Millennial Candidates, Problematic Lattes, and Aboriginal Paintings

Russet, the Color of Peasants, Fox Fur, and Penance