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For those of you who don’t know anything about Hollow Knight or its upcoming sequel, Silksong, there is some drama of astronomical potential that is going to be hilarious to see how it shakes out.
Three things. First, as you may already know, Hollow Knight is one of those hardcore games that attracts a certain type of cishet “gamer guy”: I’m sure you know the type. They can be more or less overtly bigoted, but either way, they’re all kind of That Guy. Second, Princess Hornet is one of the major characters in Hollow Knight, and the player character in Silksong. Third, every character in the Hollow Knight world is a bug, and aren’t depicted as having sexually dysmorphic traits that humans have: there are no insects with tits in this game, despite being bipedal and anthropomorphic. (Despite that, Hornet is frequently drawn with tits anyway, because the aforementioned demographic is outrageously horny for her. This is important later.)
In Silksong, Hornet is strongly implied to have a rival/deuteragonist, Lace! Not much is known about Lace, except she’s described as sadistic and set up as Hornet’s rival. And gamer dudebros hate her.
Maybe not full on hate, but they don’t like her. “Too mean and dislikable,” if memory serves. If I had to guess, they’re subconsciously picking up on the subtext and being homophobic about it: Hornet is the waifu of many a gamer bro, and between the subtext and Lace’s implied importance in the narrative/sadism/independence/backhandedness, Lace does not have a lot of love in that half of the community.
(As for the other half of the community, the player character of Hollow Knight is canonically agender. There are two canon gay couples within the game, and while not required, completing their side quests is essential to 100%ing the game. Despite being a couple of Cishet Male Gamers themselves, the Hollow Knight team is gracefully supportive of the LGBT+ community, and much of the fan base is LGBTQ+!)
But back to Lace: Lace and her subtext. Lace has insane amounts of wedding and romantic subtext despite only having 2 trailers and a demo’s worth of content. Off the top of my head:
association with white & gold, particularly white roses
Lots of church imagery, especially an emphasis on ringing bells
Lace’s and Hornet’s VAs are both Japanese, and Lace is straight up wearing a Japanese wedding garment while dressed head to toe in white
Visual design and presentation wise, Lace is framed as an equal and opposite to Hornet. Lace is likely to play the rival-won-over role that Hornet had in Hollow Knight, to the point of leaving the arena the same way as Hornet when her first fight ends
Calls Hornet delicious when first introduced. Then says she likes her when Hornet tells her to fuck off
Strongly implied to have saved Hornet in the opening trailer
And, last but certainly not least: the original Silksong announcement, with Lace’s introduction, came out on February 14th.
And that’s just off the top of my head!
I don’t want to get my hopes up, much less expect anything and get disappointed, but in my heart I am hoping gamer bros take the BIGGEST L when Silksong comes out. I hope Lace is complex and engaging and still sadistic. I hope Lace is the Vriska of Silksong. I hope Lace and Hornet have so much subtext it’s practically text. I hope the good end is locked behind a lesbian wedding.
I don’t hope for that last one specifically, but just imagine. Go on, pair off the one character that cishet male fans go “hhhurngh… female character” and draw with massive balloon tits to the character they hate the most. Do it. I believe in you
But seriously: The main character of the most wishlisted game on Steam confirmed in a wlw relationship, effectively alienating half or more than half of the fan base. Hollow Knight: Silksong has the potential to be the funniest lesbian W in the universe and I cannot wait to see how it all goes down.
I suppose it might be the space I inhabit, but the people I know generally are thrilled about having so much Gender and Not Gender to identify with, as well as the three canon gay couples and the hinted queer people. (Lurien is in love with his king, a lot of people headcanon Dryya/Root, our favorite fan girl expresses attraction to Hornet, etc.)
A lot of my set are all aboard the Lacenet train but are trying to hold their horses until the game's release for multiple reasons.
Hornet as a lesbian is a very widespread fanon to the point several people are convinced that it's canon. (It's not stated either way.)
I look forward to the whirlwind enemies to lovers arc of Silksong. Let's all drink dudebro tears when the time comes!
It's even funnier when you know that Hornet's VA is the wife of one of the developers and that she designed the grubs.
to me the funniest part of Laios is a character is the fact that he's genuinely really good at what he does. it would be one thing if he was just a monster geek in a way other people find really offputting, but he can also bisect something twice his size in a single blow
in this way, like so many others, he and marcille are secretly The Same
dungeon meshi has the Mob Psycho Sauce where it's funny even when its serious and serious even when its funny. like, this is a hilarious thing about laios — but also ties into the fundamental logic of the story.
Laois is not good at what he does AND a monster geek. he is good at what he does BECAUSE he is a monster geek. in dungeon meshi, survival in the dungeon isn't due to physical strength or dnd-style party balance or asskicking ability or Willpower. the narrative takes great pains to show that it is respect, knowledge and love of a place that gives one the ability to survive and thrive in that place. that's why we see people like Kabru's party, who are clearly very skilled warriors in their own right, look like absolute CLOWNS in their encounters with dungeon dangers that are barely a hiccup for laois's party
Like, Laois can't bisect something twice his size in a single blow because he's a Strong Cool Protagonist, but because all the things he's fighting are things he deeply loves, respects, and is autistically insane about enough to know their weaknesses. the special interest that makes him a weirdo on the surface makes the dungeon his natural habitat.
YALL 😭💚💚
hi that's me. :) YlGACLAN is my fandom account on Twitter and inkky was my cat! ☺️
I accidentally stumbled upon this elderly gay man’s website last night, it’s been active since the 90s and has pages talking about his personal life as a gay cowboy it’s super interesting! he has webcams running on it that refresh every minute or so and pages about his experiences with HIV and cancer - he also has a massive archive of gay magazine scans from the 70s up to the 90s!

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Mis Balchder Hapus! / Happy Pride Month!
Here's a wonderful little Welsh lesson covering key lgbt vocabulary by bfdavies on TikTok.
Here is the original creator!
Please support them and check more of their videos with the same characters. They are beautifully animated and have a very endearing charm to them.
Being abused made me such a “good kid.”
I was
Always polite
Never acted without permission
Never spoke out of turn
Always did what I was told
And it’s shitty that I was considered mature and praised for those things, and all of those characteristics have translated into me being an immature, “bad adult.”
Now I
Have difficulty making a keeping friends
Can’t act without permission/am dependent on others for direction
Am terrible at communicating
Have no agency/personal compass
It’s a really difficult thing for people who were abused as children to grapple with. What made us good children make us bad adults.
This is Important
THIS IS MY LIFE WOW
Conversely, while 90% of the time we’re kind and polite and accommodating, we get super fucking angry and have major outbursts when we feel threatened Which is not a good look either
Wow. This is an eye-opener
I literally have just made the connection between how being an obedient child has ruined the way I proceed as an adult. And everyone makes me think Im blaming my childhood trauma for everything
SO YES the golf bag is real and it is so much better than I could have imagined.
1. It’s the most awful pattern of black and white. I hope this isn’t something they actually market, because…look at that. Also, it lacks gold trim or red highlights–both of which we know a certain someone is a fan of.
2. His name is on it in freaking impact font like it’s some sort of garbage meme.
3. His name is President Trump–meaning that if/when he leaves, it’s either going to stick with him as a reminder of his failures and the worst four-or-fewer years of his life, or it’s going to be sold and discarded like the rubbish that is his tenure.
4. His name is on a golf bag. This is his legacy.
5. They have the “Stanley Cup Champions” there to remind him of what quality looks like. They’re tooting their own horn, signing this piece of magnificent trolling like a professional graffiti artist tagging their work.
6. I can’t get over the Adidas logo for some reason. It’s just…up there at the top. Garish, gaudy, another piece of product placement along with everything else. Trump doesn’t even get to have his name adorning this thing along, it’s crowded in there with two other logos.
7. They gave him a golf bag instead of a jersey. They broke with a longstanding tradition to give him a half-joke, half-insult.
I’m proud of them for this. It’s so hideous.
BUT WAIT. THERE’S MORE. THIS IS ALL JUST THE OBVIOUS.
It looks like golf bags are symbolic in hockey of when you lose in the playoffs.
It makes sense, because if you have time to golf, it means your season is over. Especially because hockey season ends early in the summer, so that’s ideal golfing time. I’m sure a lot of die-hard hockey fans are rolling their eyes because of course that’s what it means, you scrub, but I have tried Googling this and all I get are shopping results.
In other words, they not only gave him a reminder of what he does, but also a warning that he’s probably going to leave the White House early.
This was planned.
Summer is for anise popsicles and suffering
he’s on full rest today, so he won’t use his eyes either
I honestly didn't recognize our dry-eyed fellow. I saw it and thought "why the fuck is Karkat Vantas hanging out with Present Mic and All Might without trying to strangle either?"

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man it’s amazing how microsoft managed to completely fuck themselves out of the best position they could possibly have been in in the gaming industry
like, back in 2008, “Xbox” was synonymous with “video games.” you didn’t say “wanna come over and play video games,” you said “wanna come over and play xbox”
then the xbone incident happened and that just fuckin’ flew out the window. like, almost overnight all of their brand recognition and loyalty just dropped. it’s wild.
tbh that’s more a reflection on the consumers than anything
video games is a business where most of the base will ditch you the moment one thing doesn’t happen one minute after it’s said it was supposed to be done
companies may fuck up, but there’s really no loyalty or general logic anymore. it’s just “what’s the most perfect thing I can get at this moment in time” and “if it isn’t 110% perfect, fuck it all”
I feel like you’re underestimating the power of console brand loyalty, as well as how severely Microsoft fucked up with the announcement and launch of the Xbox One. (If anything is a powerful testament to the power of brand loyalty, for instance, it’s the never ending Nintendo apologia even during the low days of the WiiU.)
Deep brand loyalty has been ingrained into videogame culture since the days of the SNES and the Genesis. An entire generation of marketing was built on taking potshots across the road at the other company, trying to make them look bad while making yourself look cool. Things got a bit muddied when the aborted Nintendo+Sony deal resulted in Sony entering the console market on their own in earnest, but the folding of Sega and Nintendo’s refusal to stop doing their own thing (the graphical prowess of the Gamecube was kneecapped by their insistence on using weird proprietary discs based on mini-DVDs) meant that we eventually wound up once again with a heated two-horse race between Sony’s PlayStation 2 and Microsoft’s new Xbox. PS2 had the library advantage, but Xbox had superior hardware and much better online support, not to mention Halo.
The tension between the two only grew stronger in the following generation, where Sony fell into the same trap that Nintendo did (weird proprietary hardware in the form of the Cell Processor that wound up scaring developers away) and lost ground to the Xbox 360, with Nintendo not even pretending to compete on account of going for the grandma audience with the Wii. This left the core console market as a two-sided affair, which is the perfect recipe for an “us versus them” brand war. The Blu-Ray/HD-DVD format war also factored into a strengthening of the battle lines, as did the general perceived demographics of the consoles. The PS3 was the Japanese anime game device, whereas the Xbox 360 was the American multiplayer shooter platform. You either picked one or the other, and brand loyalty shitposting hit an all-time high, with arguments about consoles exploding or having no games on them.
As much as I love the PS3, there’s no denying that the Xbox 360 was the clear winner in the North American market. The only reasons the PS3 didn’t crash and burn with its disastrous price and lack of library were because it got Metal Gear Solid 4 and because the early Xbox 360s had a catastrophic overheat failure rate, which made the expensive PS3 a slightly more appealing option once word of the overheats got out. By the time Microsoft ironed out the hardware problems, the PS3 had finally gotten more games on it, but it still wasn’t enough to defeat the 360 in terms of sheer popularity. 360 was easier to develop for and had the killer app of Halo 3, and the rest is history.
The Kinect is partially to blame for Xbox’s downfall, but not just for existing. The Kinect circa Xbox 360 wasn’t a massive success, but neither was the PS3′s Move controller+EyeToy setup. It was a case of both companies experimenting with motion controls after the Wii struck gold, but doing it too little and too late. Where the problems hit was when Kinect was included as a mandatory part of the Xbox One. In theory this was a good idea for developers since they could count on the Kinect being part of every unit and thus develop for it more confidently, but this backfired due to the Kinect itself being unpopular with the Xbox’s core demographic and inflating the price of the Xbox One, making it $100 more expensive than it would be without. On its own, this would have been an awkward handicap, but not insurmountable. The biggest shot in the foot for Microsoft was that they paired it with absolutely anti-consumer policies.
When the Xbox One was announced, the plan was that it had to be always-online to work, and wouldn’t support used games. Always online is a tall order for some customers (especially those with data caps), and always online with a mandatory camera+microphone device is extra skeezy. The used-games lockout was also very anti-consumer, since it would also potentially prevent you from sharing games with your friends. The real kicker though was when consumers asked about an offline option for the Xbox One, they were told that Microsoft already had a product for people who couldn’t have a constant internet connection: The Xbox 360. They essentially told all their customers to fuck off and stick with the old hardware if they didn’t want to be constantly online. The fact that marketing focused more on TV apps, sports, and media box stuff instead of gaming only further seemed to tell the core gaming audience to piss off.
The sum of all this is that Microsoft was announcing a console that was more expensive than it needed to be to accommodate a peripheral that the core audience didn’t want, all the while seeming to actively antagonize the core gaming audience who would buy it in the first place. That’s enough to give people pause about where their loyalties lie.
The final nail in the coffin was Sony’s response to Microsoft’s tone-deaf announcement. Having been humbled down from their high-horse during the PS3 days and eager to regain ground, the PS4′s announcement was pretty much a direct “take that” at Microsoft. Their console was announced at a price $100 below the Xbox One with no mandatory motion bullshit, and their presentation on how to share games on the PS4 was a simple 3 second demonstration of physically passing the disc from one person to another. There was no used games lockout, no always online bullshit, and no wasting time on sports and TV to the detriment of games. Hardware wasn’t a limitation either, since both the PS4 and Xbox One were based on x86 PC architecture and had more or less comparable specs. Microsoft couldn’t even rely on Halo to move consoles because the IP got handed over to 343 Industries, who proceeded to shit on the lore and alienate Halo fans. It could also be argued that the popularity of multiplayer shooters had given way to what we now know as the Soulsborne genre, and PS4 had Bloodborne as its killer app for added incentive.
As one might expect, the combined effect of Microsoft pushing their audience away and Sony eagerly pulling them in resulted in many people flipping to PS4, leaving Xbox One in the dust. While Microsoft eventually realized the error of their ways and tried to reverse course by axing the Kinect and disabling always-online via a patch (ironic considering you need internet to download a patch in the first place), the damage had already been done and they lost loads of market share.
To add insult to injury, Microsoft since then seems to have been intent on digging their grave even further. While Halo has lost the draw it used to have, Microsoft still had some tantalizing exclusives up its sleeve, such as the Remake and Remaster of the cult hit Phantom Dust, Crackdown 3, Cuphead, and the Platinum-developed Scalebound. Microsoft evidently decided this gave them too much of a chance to recover, so they cancelled the Phantom Dust Remake after sabotaging it with changing goalposts (reports say they cancelled it BEFORE announcing it publicly, which is extra baffling), released the Remaster for free on Windows 10 (probably to get people to upgrade to Windows 10, which was facing its own consumer crisis), released Cuphead on Steam instead of as an Xbox exclusive after a long status of being MIA and presumed cancelled, left Crackdown 3 also MIA, and most terrible of all cancelled Scalebound and ended their partnership with Platinum only to later announce it was un-cancelled and being developed internally by what we can only assume is a much less capable mercenary crew of devs frankensteining together the existing assets into some kind of shambling mess.
The Xbox One’s downfall isn’t just consumers being fickle, impatient, or impossible to please. This is quite possibly an example of full on corporate suicide, where a company completely out of touch with what their core demographic wants proceeds to push that demographic away, and burn any possible bridges back for good measure.
For people really interested in this type of thing, this reminds me a lot about Atari and FF14 1.0, both of which have great documentaries. The FF14 doc came out more recently and is available on YouTube.
ive been reading a book that basically explains how so-called “brain differences” between the genders is the result of gendered socialization and not the cause of it. i honestly expected the book to be very cis-centric but its actually the opposite, the author stresses that testimony from trans ppl is actually indispensable because we’ve, in a sense, “lived both experiences”
more cis feminists should have this mindset
one of the first examples that she uses to introduce her point about how perception by others can shape a person’s performance actually uses a trans woman. it explains that as a certain trans woman became to be seen as a woman more and more frequently, the ppl arond her eventually started viewing her as being ill equipped for tasks that they did not bother her about pre-transition. eventually she even found herself underperforming in these tasks herself.
whats the name of the book
Delusions of Gender by Cordelia Fine
Here’s a pdf, babes <3
I remember reading a very thick and technical book. Written by two gay male researchers. I can't recall the title, but it covered the actual science of being gay-but also trans. One of the things they mentioned is they bemoaned the lack of research into trans males and women, how they treat gender and serious studies into how women's sexuality. There was just not much extant at the time. But god bless the march of science.
Why Yui Ikari is the most fascinating (and terrifying) character of Evangelion
Yui Ikari is a trope subversion - it’s just very easy to miss. She is, at first glance, your typical refrigerated mom character, her cherished memory locked within Shinji and Gendo’s hearts, but there’s much more to our favourite scientist mom turned bio-weapon.
Yui’s core philosophy is what I would describe as sort of humanitarian and existentialist but taken to the extreme; as absurd positivity mixed with intense admiration for humanity. She loves humanity, both as a struggling collective and as struggling individuals each full of worth or potential for worth. It’s a love that’s not so much an emotional love than it is an intellectual one.
Paradoxically, she will do anything within her power, whether moral or not, to pursue this philosophy. Yui Ikari is ruthless, ripping Angels to shreds and devouring their S2 engine as well as deliberately emotionally traumatising Shinji and Gendo, all while subverting the refrigeration of her archetype.
She’s a subversion in that she not so much emotionally fulfils Shinji and Gendo, as most dead mother figures do in media, but rather leaves an aching hole in their hearts that’s never really filled. This emotional damage she very deliberately lays upon them is paramount in her plan to defying SEELE and preventing instrumentality (the unification of humans into a flawless God being, which goes against everything about her philosophy of the inherent value of humans).
Let’s explore her relationship to Gendo a bit. We know Gendo approached her since she was a daughter of SEELE but…. well…, we all know how that turned out, right? He came to love her deeply, Yui soon becoming Gendo’s sole reason to live. And I’m sure Yui was fond of him too, probably not to the same extent that Gendo is and certainly not in the conventional way a Wife would be, but at the very least more than most other humans. However, there will always be that part of Gendo that Yui found useful for her plan in defying SEELE. She got to know the guy and thought "Hey, this man is suitably emotionally needy and power hungry enough for my plan to work.” And he, by fault of his very human desire for love and validation, unwittingly follows through the role that Yui designed for him as a stagehand for instrumentality’s prevention. Yui very deliberately lets herself become Unit 01 in part to leave Gendo emotionally needy, lonely and driven enough to the pursue a plan that is later overtaken by her’s.
Her relationship with Shinji is also unusual. She doesn’t love him as his Mother, but instead sees him as..more of a.protege of sorts, a vessel to inherit her ideals. He’s her case study against SEELE, that humanity CAN find meaning in their lives, no matter the horribleness of their situations. Situations she deliberately manufactures - letting her toddler son watch her perish and cursing him to a life of misery, loneliness and (likely accounted for) rejection by his father.
So if you thought Gendo was the sociopath of Evangelion, then you’d be wrong. Yui was, but the good(?) kind. She’s Rei foil in this regard, in that while Rei is extremely empathetic but does not have the social skills to express it, Yui lacks empathy but has the social skills to emulate an appearance of empathy. And it’s this maternal benevolence that betrays a Machiavellian ruthlessness that is itself another subversion.
tldr; Yui Ikari is a terrifying woman, willing to sacrifice the well-being of family (and arguably the entire cast) for her ideals.
Some spoiler P5 thoughts
There’s some folks who defend Goro Akechi and I kinda understand. Keep in my mind that I’m only up to post-Futaba and only know a few spoilery things.
Concept: taking the basic tropes of transhuman literature and mashing them up with some other genre so that the technological breakthrough that erases the boundary between people and their tools is something totally off the wall.
Like, usually it’s immortality nanobots or cheap cybertech or people uploading their brains into computers or whatever, but instead let’s make it…
… oh, say, magical girl transformations.
No, seriously: the breakthrough is that somebody figured out how to open-source transformation wands. You can download the plans off the Internet, and knock one together in your garage using readily available materials. Now everybody can transform into sparkly love-powered versions of themselves, and the transformations are getting steadily stranger as millions upon millions of people experiment and push the boundaries of what’s possible.
Where does that take us?
(I was initially going to go with “anime-style martial arts”, but halfway through writing the post I realised that Shaolin Soccer already did that one, so obviously the only solution was to go full shoujo.)
Fielding a few questions from the notes:
1. No going grimdark. No global apocalypses that kill off 90% of the human population, no Akira style body horror, no everybody inevitably transforming into rampaging monsters, none of that. Framing a moral that it’s wrong to aspire to be other than what you are is counter to the core themes of both transhuman literature and magical girl anime.
(Yes, I’m looking at you, Puella Magi Madoka Magica!)
2. That doesn’t mean you can never have people monsterising themselves, mind. Exploring the inevitable growing pains of transformative technologies is very much in keeping with our core themes; the technology in question simply happens to take the “transformative” part considerably more literally than is ordinarily the case.
(Maybe stay away from monster-of-the-week plots, though, unless your premise is, like, a team of magical girl social workers who track down people who’ve made unwise modifications to their wands and get them counseling. These are love-powered transformations, after all; you don’t turn into a face-eating monster out of love unless you’ve got some gnarly issues to work through!)
3. Talking animal companions are admittedly a sticking point. There’s not a huge amount of room for them in the setting as described. Maybe they’re a built-in feature of transformation wands, like magical personal assistant software, and everybody gets their own. Maybe they’ve been thrown for a loop by the open source revolution as much as anyone, and figuring out their place in the new social order is your main plot. Maybe they just aren’t a feature of this particular milieu.
Or you could go with raina-of-winter’s suggestion and run a cyberpunk prequel where talking animal companions are basically pulling a reverse Kyuubey, masterminding a conspiracy to keep transformation wand technology out of the hands of the masses. That also works!
4. No, you don’t have to wear a dress in particular, but were it up to me, a flamboyant, sparkly outfit of some sort would be mandatory. It seems to be an inextricable feature of transformation wands. If you tried to go for a nice, subdued tuxedo, you’d probably end up with a purple brocade tailcoat and matching spats, or something to that effect. Fancy a uniform? It starts at “marching band leader” and just gets showier from there - we’re talking shiny brass buttons for miles.
5. If I were the one writing it, I’d be inclined to say that yes, boys can play too. A transhuman setting where the core transformative technology only works for 50% of the population can easily go to some very weird places, and since I’m coming at this from the perspective of a tabletop game designer, I’m inclined to favour a setup that accommodates a wider range of character concepts.
(That said, there’s always room for a spot of gender fuckery. Perhaps it’s not unheard of for one’s transformed state to involve some degree of gender bending. For some, this an expected and desired outcome; for others, well, they get to learn something about themselves!)
6. I was about to say “no, of course you can’t transform into a car”, but then I reconsidered: if it’s good enough for Revolutionary Girl Utena, who am I to argue? Sure, you can transform into a car. You can have a whole underground racing circuit where people turn into pretty pretty racecars.
(People will probably think you’re a weirdo, though.)

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Illustrations by Ayami Kojima
inktober 2017
Babes buddies pals!
It’s nearly time for the Big Autumn Creative Challenges! I’m talking about NaNoWriMo (for the writers) and Inktober (for the visual art squad)! Who’s participating? Is anyone doing both??
Since it’s just around the corner, let’s talk about Inktober! It’s a challenge created by Jake Parker back in 2009. (Check out the official page here).
The official rules are, as per Mr. Parker:
(text reads: 1) Make a drawing in ink (you can do a pencil under-drawing if you want). 2) Post it online 3) Hashtag it with #inktober and #inktober2017 4) Repeat Note: you can do it daily, or go the half-marathon route and post every other day, or just do the 5K and post once a week. What ever you decide, just be consistent with it. INKtober is about growing and improving and forming positive habits, so the more you’re consistent the better.That’s it! Now go make something beautiful.)
It’s a super fun and challenging way to level up your inks, your creativity, and your tenacity! The first year I tried it I crashed and burned, and last year I won by the skin of my teeth, and I can attest that I leveled the heck up in skill. It’s also a really rewarding community thing to do– it’s fantastic to see what other people are doing in the tag or who you follow, and to connect and commiserate and help each other get inspired when we’re feeling stuck.
(I’ll be doing inktober (here on tumblr) and on instagram (@teeth_in_the_inkwell), and if any of you wanna drop me a line I am SO HYPED and SO READY to encourage and support anyone else doing the challenge too!)
Some people like to follow a series of prompts for the month, which can really help get your creativity flowing! There’s an official set every year, but a lot of people make themed ones, and I know people who like to make their own personal prompt list so it’s 100% to their taste (I would LOVE to see one based on character design!).
I can’t wait! Hope to see you all in the inktober 2017 tag!
-Evvy