Excess UNRATED

her tiddies: 

I mean, his doctrine of radical individualism is a sham that ultimately reduces his followers to faceless conformity. This isn’t deep metatextual wankery - it’s the literal text of the film.

In the book Nurture Shock, which is a child psychology book that identifies common parenting mistakes, the author spends a chapter on children’s television. The author specifically talks about how media designed to teach morals often backfires – children who watch morality lessons express *more* behavior problems and become *more* cruel.

Now the author says it’s because of how these programs are structured. First they depict bad behavior, and then they explain why the behavior is bad, showing consequences, and tying up the program with a moral.

Small children aren’t smart enough to understand the moral. Small children learn by emulating behavior they see. They see a bad behavior and they learn the bad behavior. Just exposing children to bad behavior is enough to make them internalize that the behavior is something lots of people do, and therefore something acceptable for people to do to do.

If you try to explain to them after the fact that the behavior is harmful and to be avoided, that message is too complicated and goes right over their heads. You can’t tell little kids “do as I say, not as I do.”

Now the author of this book says “small children aren’t old enough to understand the moral.”

But honestly? Adults have the exact same problem.

Tyler Durden loses in the end. That’s the moral of the movie. Unfortunately that moral is too complicated for the vast majority of the audience. The typical adult audience member does not think critically enough about film media to process this moral.

A critical viewer thinks – the point is that Tyler is wrong! The point is that Tyler is doomed by his own hubris! HOW CAN AUDIENCES HAVE MISSED THE ENTIRE POINT IF THE MOVIE?!?!?

Easily, considering the movie only really devotes 5% of its screen time to explicitly denouncing Tyler’s behavior, and that explicit denouncement only arrives at the very end of the film.

The other 95% of the screen time is spent watching Tyler Durden jerk off.

Look – you can’t film two hours of bareback sex followed by a five minute tutorial on how to correctly use a condom and a 30 second montage of miserable teen parents changing diapers, then call your film a safe sex PSA.

You did not make a safe sex PSA.

You made a porno.

You can try to argue that the bareback sex is an ironic subversive metaphor, and that the “real point” of your film is proper condom usage and an anti-teen pregnancy message, but the fact is, the majority of your audience is going to change the channel the moment the cumshot finishes.

This is why I loved Fury Road so much, and also what I felt was so profoundly revolutionary about the movie. Fury Road is a movie about women escaping violent misogynists. Yet editor Margaret Sixel had the SHEER BRILLIANCE and AUDACITY to cut all the footage of misogynist violence out of the movie. 

Mad Max: Fury Road proved that it is possible to denounce misogynist violence without depicting it.

Mad Max: Fury Road showed that refusal to depict misogynist violence is in and of itself a denouncement of misogynist violence.

We don’t need to show what victims went through to make victims sympathetic. In fact, voyeuristically depicting acts of cruelty only further objectifies victims. George Miller and Margaret Sixel understand this.

Similarly, George Miller made a point of using telling his videographers to use camera angels that focused on the action of the scene, instead of voyeristically zooming in the female castmember’s breasts/asses/legs  – because he understood that when the camera ogles the female characters in an objectifying manner, the audience, who views the movie through the camera’s lens, is forced to ogle and objectify. George understood that sexist camera work creates a sexist perspective, and a sexist perspective tells a sexist narrative.

The thing is that the narrator is always sympathetic. Intimacy and familiarity breed sympathy. The audience is primed  to feel sympathy for the narrator simply because they are speaking more than any other individual character.

No matter how unreliable, or morally dubious you make the narrator, they are still the hero or the story. Every villain is the hero of their own story. And when the villain is the narrator, the audience is hearing the version of the story in which the villain is the hero, and the audience is moved by that perspective.

We can give Fight Club the benefit of hte doubt and look at Fight Club as an intellectual experiment to see whether or not it’s possible to tell a story from the villain’s perspective and still denounce the villain’s actions.

But the fact is, the experiment didn’t work. It was a statistical failure. The vast majority of the audience did not recognize the film as a criticism of toxic masculinity, but rather, a romanticization of it.

Imagine that you’re twenty years old. You were born in 1996. You were five years old on 9/11. For as long as you can remember, the United States has been at war.

When you are twelve, in 2008, the global economy collapses. After years of bluster and bravado from President George W. Bush — who encouragedconsumerism as a response to terror — it seems your country was weaker than you thought.

In America, the bottom falls out fast. The adults who take care of you struggle to take care of themselves. Perhaps your parent loses a job. Perhaps your family loses its home.

In 2009, politicians claim the recession is over, but your hardship is not. Wages are stagnant or falling. The costs of health care, child care, and tuition continue to rise exponentially. Full-time jobs turn into contract positions while benefits are slashed. Middle-class jobs are replaced with low-paying service work. The expectations of American life your parents had when you were born — that a “long boom” will bring about unparalleled prosperity — crumble away.

Baby boomers tell you there is a way out: a college education has always been the key to a good job. But that doesn’t seem to happen anymore. The college graduates you know are drowning in student debt, working for minimum wage, or toiling in unpaid internships. Prestigious jobs are increasinglyclustered in cities where rent has tripled or quadrupled in a decade’s time. You cannot afford to move, and you cannot afford to stay. Outside these cities, newly abandoned malls join long abandoned factories. You inhabit a landscape of ruin. There is nothing left for you.

Capitalism, in other words, holds less appeal in an era when the invisible hand feels like a death grip. Americans under 20 have had little to no adult experience in a pre-Great Recession economy. Things older generations took for granted — promotions, wages that grow over time, a 40-hour work week, unions, benefits, pensions, mutual loyalty between employers and employees — are increasingly rare.

GOP Platform Proposes To Get Rid Of National Parks And National Forests

By Jenny Rowland / Think Progress 7/15 The Republican platform committee met this week to draft the document that defines the party’s official principles and policies. Along with provisions on pornography and LGBT “conversion therapy” is an amendment calling for the indiscriminate and immediate disposal of national public lands.

The inclusion of this provision in the Republican Party’s platform reflects the growing influence of and ideological alliance between several anti-park members of the GOP and anti-government extremists, led by Cliven Bundy, who dispute the federal government’s authority over national public lands.

“Congress shall immediately pass universal legislation providing a timely and orderly mechanism requiring the federal government to convey certain federally controlled public lands to the states,” reads the adopted language. “We call upon all national and state leaders and representatives to exert their utmost power and influence to urge the transfer of those lands identified.”

The provision calls for an immediate full-scale disposal of “certain” public lands, without defining which lands it would apply to, leaving national parks, wilderness areas, wildlife refuges, and national forests apparently up for grabs and vulnerable to development, privatization, or transfer to state ownership.

In the United States there are three types of reserved federal lands:  military, public, and Indian.  A federal Indian reservation is an area of land reserved for a tribe or tribes under treaty or other agreement with the United States, executive order, or federal statute or administrative action as permanent tribal homelands, and where the federal government holds title to the land in trust on behalf of the tribe.

Approximately 56.2 million acres are held in trust by the United States for various Indian tribes and individuals.  There are approximately 326 Indian land areas in the U.S. administered as federal Indian reservations (i.e., reservations, pueblos, rancherias, missions, villages, communities, etc.).  The largest is the 16 million-acre Navajo Nation Reservation located in Arizona, New Mexico, and Utah.  The smallest is a 1.32-acre parcel in California where the Pit River Tribe’s cemetery is located.  Many of the smaller reservations are less than 1,000 acres.

Some reservations are the remnants of a tribe’s original land base.  Others were created by the federal government for the resettling of Indian people forcibly relocated from their homelands.  Not every federally recognized tribe has a reservation.  Federal Indian reservations are generally exempt from state jurisdiction, including taxation, except when Congress specifically authorizes such jurisdiction.

It’s all well and good to claim that the GOP are trying to destroy the environment. But they are also after the few lands left in control of the Native American peoples. This would give them the authority to put oil pipelines through sacred tribal sites and continue the systematic desecration of the native cultures. And we KNOW this is what they want to do. And not just in the midwest, all over the country through a bunch of different reservations. Have some links about that (x, x, x)