âCut-Out Sketches Using Skies And Sceneriesâ by Shamekh Al-Bluwi
YOU ARE THE REASON
One Nice Bug Per Day

Love Begins
Cosimo Galluzzi

Product Placement
Xuebing Du

Andulka

pixel skylines
ojovivo

â
dirt enthusiast
Peter Solarz
PUT YOUR BEARD IN MY MOUTH

çĽćĽ / Permanent Vacation
noise dept.
$LAYYYTER

RMH
Today's Document
đŞź
seen from United Kingdom

seen from Malaysia

seen from Czechia
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seen from Italy
seen from Bangladesh

seen from United States
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seen from Brazil
seen from Singapore
seen from United Kingdom

seen from Malaysia
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@ersand
âCut-Out Sketches Using Skies And Sceneriesâ by Shamekh Al-Bluwi

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Jens Ullrich
Berlin-based artist Jens Ullrich creates large-scale collages that make the careful elision between frozen-moment drama in sports photography and the inertia of classical looking sculptures.
âVariations On Normalâ by Dominic Wilcox
âSunday Sketchesâ by Christoph Niemann
âTreats in the Streets" by Jim Bachor
Filling potholes with ice cream mosaics

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âLife Goes Onâ by Frank Kunert
Frank Kunert's "Small Worlds" are, in their symbiosis of idea, image and caption, just as multi-dimensional as excellently-crafted written narratives.Â
On the surface, these photographs confront us with all of the hollow words, catchphrases and banalities we encounter in our daily lives. The stereotypical and senseless aspects of human communication cannot be unveiled more convincingly than in their literal conversion into a visual medium.Â
Kunert deliberately oscillates between humor, wit, scurrility and the grotesque.Â
If, indeed, "Life goes on," then, there is no question about it, it is only with the continued delivery of one's daily paper and mail. The tombstone will, of course, need a mailbox and a doorbell, and Mr. Kunert has naturally taken both into account.Â
On a deeper level, these "Small Worlds" are linked by a reoccurring motif: our deep human desire for security and our fear of loss, as well as our anxiety regarding the transitory nature of life.
âWhite dovesâ by Michael Pendry, Holy Ghost Church, Munich (by M_Strasser)
Michael Craig-Martin
âUntitled (book)â (2014)
âAn Oak Treeâ (1973)
--
âSome objects, such as books, stay much the same over the years. But there are others, such as the iPhone, that did not exist a few years ago and which may disappear from daily life in only a few years. I want this exhibition to offer a picture of contemporary life as we know it today in 2015 â NOW.â
--
âI have always thought that access to everything important is right in front of your nose. We often look for the special in special objects or special events but actually, if we understood the quality of ordinary things, we are closer to the substance of life. I am speaking to you on my iPhone, a mass-produced object â everyone has one, but this one is mine. We imbue a sense of profound personal engagement to objects we see as ours.â
--
âThey also, in their built-in obsolescence, remind us of our mortalityâŚI think there is something valuable in looking at what we choose to make, and also what is discarded.â
Jay DeFeo
âThe Distance to the Eyesâ by Liu Bolin
--
âIn my latest solo show I explore what, in an era of intense virtualization, remains real. Is what we see really what we get? With this new step I am no longer the âInvisible Man,â I am more an art whistleblower trying to raise the awareness of people about the power of images⌠It is the beginning of a new world⌠There is always a deeper meaning to an image, it questions the human soul and spirit. In this new series I challenge the power of the images changing the original ones. It is an attempt to start a war against the images.â
Liu Bolin, âThe Distance to the Eyesâ
--
The only thing one can see is the light in his hand. It is a light he tries to shed on reality.

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Chad Wys
--
âDespite everything, and true to my postmodern roots, in the end as in the beginning I leave the activity, reception, and understanding of my work entirely in the viewer's hands. It is meant to mean different things to different people who are at different stages of understanding.â
Chad Wys
Light in Water
âI applied streaks and blobs of colours onto the canvas with a palette knife and I made them sing with all the intensity I couldâŚ.â
--
"Color Study: Squares with Concentric Rings"
by Wassily Kandinsky
Artist John Baldessari discusses his interest in challenging conventional modes of visual communication. Beginning with his practice of eliminating visually relevant information from a composition, as seen in his paintings in which colorful dots have been strategically placed over human faces, he considers the ways his imagery and text-based paintings engender new ways of looking and engaging with art.
Embroidered art by Faig Ahmed

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No Input (Dark), 2013
by Matt Connors
Concept Drawing, 2010
Kyunghwan Kwon