Wassily Kandinsky, Dull Red, 1927
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Wassily Kandinsky, Dull Red, 1927

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Wassily Kandinsky, "Schwarzes Dreieck," (Black Triangle), 1925,
Oil on cardboard, 95 cm x 70.7 cm,
Museum Boijmans Van Beuningen, Rotterdam, Netherlands
To those who are not accustomed to it the inner beauty appears as ugliness because humanity in general inclines to the outer and knows nothing of the inner.
Wassily Kandinsky, Concerning the Spiritual in Art
Wassily Kandinsky, «Triángulo Negro», 1925, Óleo sobre cartón, 95 cm x 70,7 cm, Museum Boijmans Van Beuningen, Rotterdam, Netherlands
Vassily Kandinsky (Russian, 1866 – 1944)
Orange, 1923
Colour lithograph on smooth paper, 40,5 × 38,4 cm

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Wassily Kandinsky - "Succession", 1935. Oil on canvas. The Phillips Collection, Washington DC.
The power of profound meaning is found in blue, and first in its physical movements (1) of retreat from the spectator, (2) of turning in upon its own centre. The inclination of blue to depth is so strong that its inner appeal is stronger when its shade is deeper. Blue is the typical heavenly colour. The ultimate feeling it creates is one of rest. When it sinks almost to black, it echoes a grief that is hardly human. When it rises towards white, a movement little suited to it, its appeal to men grows weaker and more distant. In music a light blue is like a flute, a darker blue a cello; a still darker a thunderous double bass; and the darkest blue of all—an organ.
Wassily Kandinsky, Concerning the Spiritual in Art (translated by M.T.H. Sadler)
Counter Weights
1926
Wassily Kandinsky