If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
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the long term captivity trope, to me, heavily resonates with the disabled experience. being bedbound or housebound, often at the mercy of your caretakers, who have almost unlimited leeway to abuse or neglect you as they see fit (often while denying that it's actually happening). going out in public very rarely and for short periods of time, always accompanied. being confined to certain areas due to fatigue or inaccessibility of the rest of the house. only able to do low-energy activities like watching tv or listening to audiobooks or music. and sometimes not even that - sometimes just lying in bed staring at the ceiling because it's all you're able to do. pain and fatigue in general.
mind-numbing boredom and reliance on others for basic needs are the biggest common themes, i think, but it all resonates.
Taking the worst thing that ever happened to Blorbo and making it happen again, only worse this time, AND by their own choice.
Their most traumatic memory is being buried alive? Now they are buried alive again to protect someone they love.
They finally escaped Whumper after years? Now they walk back into Whumper’s loving arms because otherwise someone they love would be there instead.
That horrible thing done to them that they swore to themself they’d never do, ever, no matter what? Now it’s the only option to save a loved one.
They have a thing about a specific animal squicking them out? Turns out loved one is temporarily transformed into said animal and in intense distress. Are you just going to leave them suffering or are you going to touch that animal you hate and fear?
“If I do X, will you leave Team alone?” “Only one way to find out.”
Fiction makes, implicitly or explicitly, some kind of argument. A fictional portrayal of a guy simply going for a walk might make the argument that walking is a nice activity to do. This might not be a particularly earth-shattering message, but messages like this are implicit within the literary tools we use in how we portray characters, behavior, settings, and relationships. This underlying argument – a theme – is present in all of fiction. It’s why you’ll often see people make the statement that “all art is political”. And when it comes to torture – a subject which in and of itself has been the topic of political debate for millenia – how we approach the ideas and arguments made within fictional depictions of torture warrant, in my opinion, a degree of care. Torture isn’t just something that happens in movies. It is something that happens today, to real people, on a global scale. It’s not even particularly rare.
The difficulty with the subject of torture specifically is that for the past two decades, the public perception of torture has shifted on a global scale, seen most clearly in how torture is presented in contemporary media, fiction or otherwise. Everybody believes these myths. And getting indoctrinated into having reactionary takes on a topic is nobody’s fault, considering that almost every source outside of academia feeds you misinformation. But that’s, y’know, kinda why I made this blog: in the hopes that I might be able to get people to consider what ideas they’re presenting in their writing.
I want to start out by briefly reitorating some basics of how torture apologia typically works within political discussions, because this very much is relevant to how you can avoid accidentally sending the wrong message.
The first thing you need to understand is that the real-life debate surrounding torture isn’t framed in terms of whether or not torture is good or bad – everybody, including torturers themselves, will concede that it is bad. The more insidious argument is that torture is useful for achieving certain goals, and that it is therefore justified in extreme emergencies. Not only does this argument try to soften the usually rigid negative framing of torture in moral discussions, but it also seeks to poke holes in the international laws which ban the use of torture outright. It’s a moral, political and legal argument all wrapped up in one reactionary package. For this reason, having the theme of “torture is bad” doesn’t always mean a piece of writing isn’t making use of torture apologia. “Torture is useful” serves that goal just fine.
Torture is also often discussed in terms of civility – not the civility of the torturers, but the civility of the victims. It’s the argument that the people who are being tortured are bad people, and therefore don’t warrant the respect and dignity we usually offer to other human beings; they are so bad, essentially, that it’s fine for us civilized people to war crime them. Whenever I’ve encountered this argument, it has usually been presented in a way that was, shall we say, sussy as fuck – some even give up the pretense and straight up call their victims “savages” or “degenerates”. I hope I don’t need to explain why this line of thinking is insane, but in any case, it’s just my way of getting you to consider that a lot of the myths surrounding torture are rooted in broader sociopolitical issues, often racism and religious discrimination, and historically, most often within the context of colonialism.
With that in mind, let’s get into the myths, starting with the most obvious one.
"Torture for information works."
Every study I’ve read has concluded that torture is counterproductive when it comes to gathering intel from reluctant sources. Under severe pain or distress, victims are more focused on saying whatever they think the torturer wants to hear to make the torture stop, as opposed to providing accurate information. On a neurophysiological level, severe pain or distress actually interferes with the pathways of the brain relating to long- and short-term memory; this means that torture in and of itself is likely to destroy the very evidence it sets out to gather. Furthermore, victims are less likely to cooperate if subjected to physical abuse, including torture, and nothing in the infliction of pain itself works as some kind of truth serum. Lying and defiance are more likely under torture.
To a large minority of people, portraying torture as a reliable tool for gathering accurate information will make the implicit argument that torture, although usually bad, can hold utilitarian value in certain exceptional cases. I’ve written about this more in depth here.
"Under torture, everyone cooperates sooner or later."
French prosecutors used torture in the events leading up to the French revolution, as a way to gain forced confessions from suspects. Their failures and successes were jotted down, leading us with a pretty revealing insight – the highest success rate for gathering forced confessions was in Toulouse, an exceptionally high 14%. In Paris, only 3% of suspects cooperated long enough to sign their name – the rest did not. This is one of the primary reasons that the French criminal justice system eventually dropped using torture for intelligentsia. To quote Darius Rejali, who wrote The Book on torture: “Torture the clumsiest method available to organizations.”
So no, not everybody talks – in fact, rough estimate, 90% of torture victims never do. Defiance is by far the norm with torture.
"When the bad guy does it, it’s torture – when the good guy does it, it’s a tough, but morally justifiable decision."
The road to hell is paved with good intentions. Heroes of stories, especially in the action genre, often engage in the use of torture for information, usually following the framework of the ticking bomb scenario, a thought experiment based on the false notion that torture works as an interrogation method. Here, torture is turned into a heroicact, one that speaks to the toughness of the person who uses it. Ask yourself if you want to frame torturers though this lens – because if you do, you are literally justifying the act torture, and, y’know, you do you, but I am gonna call you stupid and reactionary. Torture done by a “good” person is just as abhorrent as torture done by anybody else.
"Some methods of torture are less severe than others."
This myth stems from governments trying to downplay the use of certain methods of torture, and usually goes hand in hand with euphemistic redefinitions of the concept, such as the CIA’s “enhanced interrogation methods,” also known as “torture lite,” or the Israeli “coercive interrogation.” The methods that have been proposed in this supposed less severe category of torture includes stimulated drowning, also known as waterboarding, as well as caning, beatings, limbs being broken with clubs, sleep deprivation, stress positions (ex. forcing a person to crouch against a wall for extended periods of time,) mock executions, sexual assault, and more. If these things all just sound like torture to you, it’s because they are. There is zero evidence to suggest that any torture methods, including those that leave no physical mark on the body, have less severe outcomes than those that do not – on the contrary, non-physical torture methods, including mock executions, or witnessing the torture of a loved one, have been ranked by victims as causing equal amounts of psychological distress as physical torture.
"Torture only causes harm to the person who is being tortured."
This is incredibly unrealistic. Torture is an act that is destructive in all directions, causing trauma to victims, their family, witnesses, and even torturers themselves. It disintegrates the structure of the organizations that use it, it breeds resentment and hatred in the communities around it, and it radicalizes people into extremism. Pretending that consequences like this don’t exist isn’t torture apologia per se, but if your aim is to show the realistic outcomes of torture, these are some of the things you need to consider.
Torture is portrayed as “scientific”; torturers are “skilled” in the “art” of torture.
The most common methods of torture in use today are: hitting people, sleep deprivation, and starvation. These don’t require a whole lot of brain power to conjure up, in fact the infliction of intense suffering is very straightforward. Human beings are full of nerves. Stick a knife anywhere, and I’d be more impressed if it didn’t cause pain.
Not to mention, portraying torture as “scientific” or something that “requires technical skill” makes the implicit argument that torture works for its intended use, here under the condition that you should at least do it right – which brings us right back to that utilitarian fallacy.
"Torturers are expert interrogators, and possess an extraordinary ability to detect lies in their victims."
Studies have been done on the ability of police officers to detect lies for about four decades now. The average person will have a 57% accuracy rate, meaning they’re barely better at spotting deception than a coin toss. For police officers, the highest estimate is around 65% - but it might also be as low as 45%, meaning they might be less accurate than a coin toss – even though police officers tend to think of themselves as exceptional at spotting deception. The same trend is seen in torturers.
In fact, this myth in particular originated from torturers’ accounts of how they conceptualize themselves, which is not only false, but also cringe. When an interrogator starts making use of torture, their focus tends to shift away from gathering reliable information, and more towards “perfecting” the infliction of pain, which means that over time, those interrogative skills are substantially degraded – they are terrible interrogators. So torturers are no better at spotting lies than your average person; they might actually be worse. They can’t read minds, and they don’t possess some secret mystical knowledge about the psychology of their victims.
"You can train someone to resist torture."
Loads of intelligence agencies and revolutionary groups around the world have published material that supposedly serves as manuals for resisting torture, but the truth is, torture is so extreme, there really is no way to prepare or train someone to “resist” it; this is something that even the CIA has acknowledged. Everybody’s reaction to pain will be different. There is no way to predict how torture will affect anyone, much less give them instructions beforehand that will somehow magically negate those effects.
"Brainwashing through torture works."
Torturers can’t change the emotional framework of a person through the infliction of pain. They cannot change the strongly held beliefs and opinions held by their victims through the infliction of pain. They can’t erase someone’s entire personality or make them a ‘blank slate’ through the infliction of pain. They can’t predict how a victim responds to torture, much less direct that response to their own benefit. This is not how pain works.
This is not only an implicit argument for the usefulness of torture to change someone’s behavior or force religious conversions, but the myth that torturers have some form of control of their victims even after the torture has ended is also used in real life to paint survivors as dangerous or unstable, and thereby bar them from treatment and aid, and even to allow access into countries to escape the circumstances that facilitated their torture in the first place. That last point is why you often see the advocacy of refugee rights in organizations that work to prevent torture; these two branches of activism have a huge overlap.
Torture victims cannot be controlled by their torturers. Brainwashing isn’t real.
"Stockholm syndrome is real."
This is a derivative of the brainwashing myth, which means all the connotations previously mentioned remain, but as a cherry on top, Stockholm syndrome as a trope can also serve as an implicit argument for the utility of domestic abuse. So that’s cool.
If you deliberately inflict suffering on someone, that is guaranteed to make that person dislike you. In real life, torture survivors not only tend to be extremely resentful of their torturers, but they also tend to be resentful of anyone belonging to the same demographic as their torturers, whether that be ethnicity, nationality, or even gender or general appearance. Like I said, torture radicalizes people.
"Torture makes people obedient."
Any physical abuse or neglect, including bad cell conditions, access to medical aid, decent food and clean water, is likely to breed resentment in victims and makes them far more reluctant to cooperate with their aggressors. With torture, defiance is the norm, by far. You saw this on a larger scale in the war on terror, for example – turns out that carpet bombing a country to deter terrorism only radicalizes the civilian population, producing more terrorists. No form of violence exists that will make a person particularly eager to shut up and do what you want them to do. It will just make them hate you.
The notion that torture makes people obedient is also an implicit argument for the use of corporal punishment or as crime deterrence, something that along with capital punishment has repeatedly been proven false by sociological studies. People just do not function like this. If you want to create obedience in your story – violence is the last thing you should use.
"People “break” under torture."
Victims of torture sometimes make the conscious decision to do what their torturer wants them to do, and this often serves as a means to buy enough time to plan an escape, or mount up whatever act of defiance they can manage. Sometimes they simply do it to get the torture to stop – this, too, is a tough, conscious decision. If you want to consider this a form of “breaking”, by all means go ahead, but implying personal weakness or lack of willpower in torture victims rubs me the wrong way. I personally see it as a rational choice made by a person who is in an otherwise impossible situation.
"Torture survivors are “broken”."
Torture certainly can lead to extreme psychological distress, but again, the term “broken” here implicitly makes the argument that torture victims simply lacked the mental fortitude to withstand their trauma. In my opinion, there’s a certain degree of victim blaming involved with framing torture survivors in this way, and certainly, it’s a framing that inherently strips away their agency.
Another thing that rubs me the wrong way is the fact “brokenness” implies a degree of permanence and rigidity to human beings that simply isn’t there, as if we are solid objects that, once shattered, can never regain the function we once had. It’s a nitpick, but I view people as organic things, capable of healing and growth – not as glassware.
Conclusion
I’d wager that while reading this, a good portion of you recognized some of these myths from depictions of torture in fiction; that’s not particularly surprising to me. These myths aren’t just widespread, they’ve been engrained in the global public perception of torture by decades of political debate and government propaganda, and as a result, have seeped into popular culture.
Torture isn’t rare, and neither is torture apologia. According to Amnesty International, 31% of the global population believes that torture is justified “in some cases”; as of 2014, AI had also reported on torture or other ill treatment in 141 different countries, despite the fact that torture is internationally recognized as a war crime.
In an ideal world, the subject of torture in fiction is treated with the same due diligence with which we have learned to portray subjects like homophobia, sexual assault, and racism; because, to be fair, all of these things have the capacity to intersect, and very often do. The first step in that regard is to spread awareness about how torture actually functions, which is what I hope to slowly start doing on this blog. At the very least, I hope I can make people more aware of how they choose to portray torture in their writing.
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wanting to see more Black whumpees like me just absolutely getting it like really being shattered to the ground and kicked while they're down then crying their hollow eyes out for my sadistic pleasure vs not wanting to perpetuate the fetishizing glorification of violence towards Black bodies by colonialism&racism 😍
anyways it is very important to be aware of that kind of stuff bc we live in a racist society and its very easy to perpetuate systemic violence even in the little ways (im not perfect myself and like im somewhat more lighter-skinned than my peers even so i dont feel the hit of racism as roughly as some of them do) BUT for what its worth i think its a very worthwhile line to walk. whump is also about the validation of pain & exploring suffering while humanizing your unlucky main character and Black (+ other nonwhite) characters should get that too. make your nonwhite whumpees cry their eyeballs out and feel hollow in face of the world today #myagenda
they also deserve tragic backstories + sweet caretakers + the reclamation of bodily autonomy in recovery + identity issues + drowning in the puts of utter despair + generally have the worst time of their lives while an audience sympathizes with them. it shouldnt be just the white boys who get it. hold my hand. let's put our Black characters through such hellish torment that they come out on the other side feeling a tangible gab between who they became vs who they used to be. together.
(still on the same vein, this post by @/creatingblackcharacters is a pretty nice resource to start out i think every now and then i reread it i think it has nice things to keep in mind)
💬 17 🔁 815 ❤️ 1387 · “The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror · TRIGGER WARNING: mentions of de
so it's basically like, we've got this character, right, and they're foundationally dehumanised and alienated from humanity (the "weapon" part), but, equally foundationally, they're a person, with agency and interiority ("living"). their story is thematically very interested in the nature and bounds of humanity and why a severely dehumanised person might want, or not want, to be human. they have a narrow skillset, with hypercompetency within it but limited skills outside it. perhaps, in particular, they struggle to adapt to a civilian social environment. perhaps they're accustomed to functioning within a framework of explicit, clear-cut rules, or to literal and objective speech. they almost certainly don't express their emotions and sensations in a normative way, if at all. and at one point they might also have struggled to adapt to the expectations of a living weapon. they might have been molded and forced to mold themself into an unnatural shape, had their internal experiences invalidated and their natural self-expression suppressed. we've got this character who is alienated from their body and emotions because of what they are, or how they've been treated, or (most likely) both. this character who must fight for dignity and autonomy, who is, perhaps, framed by others in-universe as either a helpless child or a dangerous beast. well! you know. there are parallels.
i feel like i was overly depressing in my analysis here but this is a torture blog where i blog about torture. so yknow. #mywheelhouse. 😅 i think there's more to be said about neutral or positive points of comparison when looking at living weapon stories outside the whump genre, but i'm not familiar enough with those to say it.
LISTEN! I am CRAVING whumpee and whumper who have history together 💓 Like, I don’t want them to be strangers. I need them to have yearssss of baggage between them 😏
I want them to have been childhood best friends, or old war comrades who survived the trenches together, or ohmygod, former lovers?! 🦋
whumper knowing exactly what whumpee’s breaking point is because whumpee confessed it to them over late-night whispers years ago when they still trusted them.
whumpee reflexively leaning into whumper's touch seeking comfort when they're hurt, only to flinch back and remember a second later that whumper is the one who caused them pain.
whumper gently wiping blood off whumpee's skin with the exact same tenderness they used to use when brushing hair out of their eyes.
"please," whumpee sobs, using that nickname no one else has ever called them, that name they haven't heard in years. And it tugs at whumpers heartstrings, makes them weak at the knees.
Orororor whumpee who, as much as they hate themselves for it, still loves whumper despite it all. Is so hurt, and angry and terrified - but they still care for whumper.
just... I'm actually chomping at the bit for the sheer betrayal of looking up at your captor/tormentor and realising it’s the person you used to feel safe with. The person you used to love.
I am so normal about this. (i am not normal about this at all and must consume this immediately).
visual. they might see bugs crawling all over them. or they might see shadows from the corner of their eye. or they might see whumper where whumper isn't actually. or they might see gore where there isn't
auditory. they might hear their name being called. the voice might sound like whumper. or a completely other person
in that vein, command hallucinations. after so many commands being barked at them it wouldn't be far-fetched to think the command hallucinations would be similar
olfactory. they might smell something foul, but what could've gone bad in their bare cell? or they might smell smoke. what if they think the whole building is on fire and they're locked in the basement, unable to escape?
delusions
what if they start thinking they're more important than they are? they're the second coming of the messiah, that's why whumper is keeping them locked up. or they might have secret superpowers
what if they start thinking it's the government that's out to get them, and whumper is just an agent? they can't go to the cops either, they're in on it
what if their family has made a pact with whumper and that's why whumper had access to them to kidnap and torture them? nobody is looking for them, they're all in on it
what if everything they're presented with, food, water, is spiked and drugged and poisonous? especially if it has happened before
severe derealisation
nothing around them is actually real
everything is just shapes and colours
whumper is a moving talking mass of flesh
severe depersonalisation
this isn't happening to them
this body doesn't belong to them
the voice they're speaking and begging in doesn't sound like them
they don't know who they are or where they are
please please please i don't know who i am but i'm not this
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Check out this whump quiz!!
It tells you what whump you should write more, and I think that's a super cool idea to maybe try and get people to write for tropes and things they dont usually write for!!
Because whump
I go soft hurt/comfort the first time and environmental whump the second time :3 It makes sense because I'm a huge fan of major character death and hurt/no comfort, so its obvious that I need to write something a liiiiiittle bit calmer haha <3
Just a Whumpee who has been trapped in a cold dark cell for who knows how long and then wakes up one day in a soft bed, next to an open window. The feeling of sun and wind on their face as the birds sing.
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Imagine a snake-like whumper that coils around and hypnotizes his whumpee into a dreamlike stupor just before depositing his venom into their system. What does the venom do? That's up to you! But it'll be hours before it wears off...
Okay but imagine if the venom caused temporary blindness. So the hypnosis that snake whumper used is bound within whumpee's clouded eyes.
They can hear Whumper, they can feel Whumper but their vision tells them they're still lost in a dream.
And even if they manage to wriggle away, they can't get far. Whumper will watch them stumble around, trying to find the way out, until they've exhausted themselves.
Then snake whumper will gently slip 'round whumpee again, capture them in his coils again.
Of course they're afraid, they protest, but can't escape. And Whumper soothes them, promising it's all just a dream and they'll wake up soon.
Very, very soon...