(mostly) whump

Reth finally gets a chance to freshen up.

Contents: allusions to past trauma, whumpee/caretaker power imbalance

Masterlist

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Reth closed the bathroom door behind him with shaking hands.

Why was he reacting like this? Nothing had even happened! Very specifically, nothing had happened! Tara hadn't done anything.

The two of them shared a pact, and he had given her his name. She had done nothing, when she easily could do almost anything.

She could easily make him do almost anything.

Taglist: @flowersarefreetherapy @gottawhump @pigeonwhumps @wildfaewhump , @oldspruceinn @styx-n-st0nes @promisedhorrors @flailingfrog @cepheusgalaxy @starryybrained @scoundrelwithboba

Nadia 1

The call came through the Foundation’s public assistance line at eleven seventeen on a Tuesday morning.

It had already been a bad day.

A former Domestic had panicked when a volunteer shut the community kitchen door, convinced the click of the latch meant everyone inside had failed inspection. Charity was still upstairs with them, sitting on the floor beside the pantry because standing over them had made the panic worse.

Someone had left a voicemail threatening to burn down the downtown clinic. Lucky had listened to it twice, extracted the number, and forwarded it to security without letting anyone else hear the way the caller had described the people inside.

The printer had eaten thirty-seven pages of an emergency filing and then produced one perfect sheet containing nothing but the opposing counsel’s letterhead.

Nadia was standing over it with the paper tray in her hands when the phone rang.

“I’m going to kill it,” she said.

Reth finally gets a chance to freshen up.

Contents: allusions to past trauma, whumpee/caretaker power imbalance

Masterlist

---

Reth closed the bathroom door behind him with shaking hands.

Why was he reacting like this? Nothing had even happened! Very specifically, nothing had happened! Tara hadn't done anything.

The two of them shared a pact, and he had given her his name. She had done nothing, when she easily could do almost anything.

She could easily make him do almost anything.

Your whumpee has a hole in each hand - the bindings passing through them.

CW: Feverish, sickness, mentions of symptoms of sickness + references to past noncon/dubcon, plus fucky thought processes around that. Vague references to past torture.

Timeline: Chris’s first week at the shelter.

Tagging:  @burtlederp , @finder-of-rings , @endless-whump , @whumpfigure , @stxckfxck , @slaintetowhump

His bones hurt, but he keeps that to himself. It's just bones, after all, and he's had way more of him hurt much worse than this.

At least, it starts with bones, just in his upper arms and in his thighs, and he thinks maybe it’s because he is always tense in this strange new place. The house seems small compared to Sir’s mansion but he is allowed to move around all of it, not just one hallway of rooms. 

This makes him nervous but he does, anyway, padding silent and still as a mouse around the hallways and down the stairs at night, searching for signs that this will be a life he understands. 

He finds none. 

There is no basement, or if there is, they don’t show him. He doesn’t know what happened, exactly - there was a night where Sir had a party, and then he was put in a car and then another car and then there was this new place, these new people.

No, at first it’s really just his thighs, an ache buried so deep under the skin that no amount of rubbing against it seems to work it out. After that, his arms start to hurt, and then down his calves, and finally it settles in at his hips like two hands are gripped on tight. The ache is familiar, a memory of a life he doesn’t have to live any longer.

They tell him he doesn’t, anyway.

They tell him he doesn’t have to do that, here, but there are two men and three women and he thinks maybe eventually he will have to be good. He’s not trained for women but it can’t be that different, can it? He tries not to think about it very much, and hopes if he just stays quiet, and still, and holds his hands in little stone fists at his sides that no one will notice him.

If they don’t notice him, they won’t ask, and he won’t have to, even though he kind of wants to, but also he doesn’t, and he can’t remember if he ever really did or if it was always a voice inside him that someone put there on purpose to make him like this.

He wants to be held but he is scared of what it means, because it’s never just holding. It always means having to be good. Maybe not right away, but always, sooner or later. 

Does he actually want to be held? Or did they do that to him, with all the time he spent alone, praying someone would open the door to the white room? 

He wants someone to hold him while he feels like this, but… his bones hurt too much for what happens after the holding, and he feels so cold, like being back in the white rooms that have all blurred together. 

Once all the other hurts are joined by a strange, pounding headache that won’t lift, a weight like his brain is solidifying inside his skull, the boy takes a big soft blanket right off the bed of the larger man who lives here and finds a place to hide. 

They're all downstairs, the other people here. 

There’s a storage room at the end of the hallway where all the bedrooms are, and the door isn’t locked - at Sir’s all the doors are locked except the rooms he’s allowed in, so that must mean he’s allowed in here.

He’s having trouble walking, there’s a dizzy lilt to his footsteps and he seems to keep bumping into the wall even though he thought he was walking straight. He trips on the blanket as it trails the floor, over and over again. Somehow it never occurs to him to pick the blanket up.

The door looks wrong, for reasons he can't explain. The boy gets briefly lost in the swirl of the woodgrain, staring at what looks like another set of wood-eyes, frozen in surprise, staring right back. 

He has to blink again and again and again to get the wood-eyes to fade away. 

They are laughing at something downstairs and the sound makes the boy nervous - Sir laughing usually meant things Sir thought were good, and the boy had to be good but he never thought they were good. He has to hide, or they'll see his wobbly legs and play games with him.

Sir likes games, when the boy is tired or sick from the pills or sad. The boy doesn't want to play games, here. They have said they won't hurt him but games don't always hurt the outside. 

He gets the doorknob to turn after three tries, slips into the little storage room, and sees the perfect hiding spot.

There’s a huge wooden desk shoved up against one wall, stacked high with what looks like photo albums, folders stuffed until they’re bursting, loose stacks of paper, brochures and flyers, plus old books and all kinds of things. 

On top of one stack of flyers, there an ancient stuffed puppydog, with floppy arms and legs and floppy ears and a strange bronze yellow no-color fur, threadbare in patches where someone loved it, once. The boy could almost see the way a child must have petted along the back, wearing it to nothing bit by bit, day by day. 

Something about the sight of it makes the boy's throat want to tighten and close. He doesn't know what or why - he's never had a stuffed animal, all he remembers is the white walls and the cold and then the warmth of Sir burning him alive.

He takes a sudden breath, shivering as cold snaps through his body, his muscles contracting like aftershocks from training, chills that roll through him, bounce around inside his skin.

The desk is like Sir's and not like that at all. He doesn't want the desk - he wants the hollow spot in the center under it. It feels safe and familiar, sliding to his knees under a wooden desk, Position Two, effortless as breathing. Tip his head up, chin at rest on Sir's knee, waiting. Making his thoughts stutter-skip to a stop until all his mind is a vast and empty place he never looks too far into. 

He is not empty, now.

The boy does not feel empty at all. Instead he feels too much. He feels the strangely rough carpet under his knees, hard floor through the soft fabric of the pants they gave him to wear. He thinks of the stuffed puppy alone in the room - is he lonely in here? nobody to rub his fur all to gone any longer-

"'Real isn't how you are made,' said the Skin Horse." The voice in his mind is soothing and soft. It is a woman's voice but he doesn't know who it belongs to. He knows there was a book, can almost feel the texture of the cover, slippery-smooth, the shine as it caught the dim, yellowed light. He can feel the warmth of a soft arm around him, a hand ruffling into his hair as chubby fingers tap on his own legs, feet swinging off the side of a tiny toddler bed. "'It's a thing that happens to you.'"

His headache gets worse all at once, a thunderclap of pain, and the boy whimpers and pushes himself until his back is against the other side of the desk, curling knees to his chest with the blanket wrapped around himself. 

The chills roll through, his fingers shaking too hard to do anything but hold onto himself and hope it will stop. Teeth chatter, clattering together like someone is playing dice inside his mouth, and his tongue feels like leaden weight in there, too large for the space. 

Under the desk it is dark, no light in the room but a clouded sense of sunlight finding its way through off-white blinds, covered in dust, cutting stripes of yellow over the opposite wall.

The boy sees tiny dust particles in the air, floating. Dancing. His eyes follow them, and he almost smiles. Sir used to leave him alone for hours and hours locked in the room or the basement with nothing, but there was no such thing as nothing when your brain could follow specks of dust…

He feels no warmer, even as he sits under the blanket. The cold is too deep in him, settling into his bones alongside the pain, which has sharpened, gone from dull sawing to a sharpened blade. He whimpers, curling up even tighter.

Even now, he has hurt worse than this, and for worse reasons. He knows how to stay still, has learned to keep his palms pressed flat against his stomach to stop himself from tapping, to let the lead weights roll around inside his head to keep himself from hitting it on anything to calm down. Silence is better than screaming.

He learned his lesson. Sir may have given him up, but the boy has not forgotten. 

Footsteps move in the hallway, and the boy does not look - does not try to peek out the door and see. Now that he has curled up so tightly, he's not sure he could uncurl. His legs feel locked tightly, every muscle tensed around his hurting bones. 

Where is he? The woman's voice, the older one. The one he thought must be the owner of this household and all its pets. He's not in his room.

He is not in the bathroom, a male voice says, the slightest, barest hint of an accent to it. 

I hope he didn't run away. A girl voice. The boy shivers. 

He's not Kauri, a second girl voice says. He won't just run without saying anything. He's scared, he probably found a crawlspace or something.

A crawlspace, the first girl repeats, a little plaintively. She repeats things a lot, the boy has noticed. 

We should keep looking. The man, the one he thinks must be the Sir. But he doesn't act like one. 

The boy tucks himself back into the corner of the spot under the desk, closing his eyes as they just don't want to be open any longer. 

He wants his Sir, suddenly, so badly it burns under all the chill, like holding a piece of ice to your skin so long that the cells forget they feel cold. Sir would hold him tightly, would wrap him up or give him lukewarm baths or just hold him, in his lap, whispering things into his ear. Reading aloud the news reports, the new poll numbers. Speaking with his friend Mr. Alexander who is like me, in a lot of ways that go beyond just our career aspirations, darlin'. 

Sir would make him feel better, even if it felt awful all the same. 

A different awful. He would trade that awful, now, if he could. At least Sir's did not live so far under his skin, was only in those first few layers he could scrub away if he stayed in the shower long enough. This kind wouldn’t come out, only burrowed deeper and deeper.

He falls asleep - or into something like sleep, anyway - there under the desk, like he has on many afternoons, lulled to boredom by long days where he isn’t allowed to move or feel or think. It’s not the same desk and there is no one to nudge him awake with a perfectly shining leather shoe. 

The boy dreams uneasy dreams of vast bedrooms swathed in navy silk and uncertain worn-out fabric creatures with threadbare patches are peeking from behind the drapes, beckoning to him to come closer and hear what they have to say. Only he can’t move, because the sheets are wrapped too tightly around his wrists. They hold him to the bed or the wall, he can’t think of where he is, lying down and standing up all at once. He has to hear what they want to tell him.

He’s too far away, and they are whispering.

Real isn’t how you are made, said the Skin Horse. It’s a thing that happens to you.

Wake up. Wake up. Wake up-

“Hey.” There’s a hand on his shoulder and the boy jerks awake with a gasp, flinching back so hard his head smacks back into the back of the desk. “Oh, shit, I’m sorry. I didn’t, uh, you were talking and I thought maybe you were already up. Hey, are you okay?”

The boy stares, wide-eyed, at the man he thinks is the Sir of this house. He’s younger, but the others except for the older woman all do what he asks them to do. He has blond hair and blue eyes and he’s so tall the boy has to crane and crane his head to look up at him sometimes. He swallows, as he shivers all over again. “My… bones… hurt.” 

His voice is slow, evenly paced, a little hoarse. He sounds like he’s been screaming, but he hasn’t. When he swallows, his throat hurts, like swallowing glass. He winces and puts a had up to feel at the outside. His throat feels odd on either side, just under his jaw. Sort of lumpy.

“Your bones hurt? What the fuck-... hey, come out so I can see you a little better, okay? Come on, man.” The man grips onto his hands, and the man’s fingers are big and warm and the boy moves almost helplessly towards the solidity and warmth that those hands represent. 

His mind is a woozy swirl of trains, careening back and forth, his eyes drifting over dancing bits of dust and the piles of papers everywhere and old broken computer chairs, that one’s padded, should have slept there, he hears a robin call outside and fights the urge to purse his lips and whistle back. 

When he is out into the dim light in the room, the man’s eyes trail over his face. The boy feels the weight of the look, and thinks he might blush, but his face felt hot before, too, even though the rest of his body feels like it’s carved from blocks of very pretty ice.

He’s much nicer-looking than Sir is, the man. Younger, too, and something about him doesn’t seem uncomfortable and strange, but instead open and genuine. The boy can almost read him, and he never knew what Sir was thinking. But in the look on the man’s face, he thinks he can read a simple concern.

“You look like shit,” The man says - he said his name was Jake, right? - and reaches out to touch the boy’s face. “Oooh, you feel like shit, too. Clammy as hell.”

Is he clammy? The boy hasn’t noticed. He feels too cold for sweat, everywhere but his forehead, his cheeks, his lips. 

The man’s fingers prod just under his jaw, and the boy winces and whimpers when he hits the swollen little circles that seem to have stuck up from his skin there.

“Yep. Your lymph nodes are all fucked up. One more thing, okay? Just here. Right here, and nowhere else.” The man slowly lays a cool hand to his forehead. The boy’s eyes flutter closed at the simple, comforting, soothing touch.

I could be good for him. The thought is brief, there and then gone, carried further down the track with other thoughts he tries not to linger on. 

“Well, I have a diagnosis,” Jake says, sitting back on his heels. “You’re sick as fuck. Come on, we need to get you into an actual bed. And I need to tell Nat you didn’t wander off, she’s losing her shit downstairs about it. Were you scared?” His voice dips down into something soft. It’s a voice the boy wants to fall into. It’s kind of like the voice that belonged to the warm arm around him, in his dreams.

The boy shakes his head. You’re not supposed to admit you’re scared unless they want you to, and he doesn’t think this man wants him to.

He lets the man pull him to his feet. Jake notices the boy’s hands pressed still against his stomach and asks if he needs to throw up, but he shakes his head - he doesn’t, he just doesn’t want to get in trouble. When he can’t keep his hands still, he is punished. 

“Then why were you in here?”

The boy doesn’t speak. He can feel his tongue in his mouth, every one of his teeth. He might speak too quickly, stumble over himself. Silence is better than stammering. He only shrugs, a movement of thin shoulders under the heavy, soft blanket he wears. 

“Okay, fair enough. Come on, let’s get you laid down and get some Tylenol in you.”

He doesn’t remember what Tylenol is, and lets himself be led, shivering and chattering teeth, laid down in the little bed in the room where the other Box Boy sleeps. There is a framed drawing of a bird above the bed he sleeps in, and he looks up at it, feeling dazed by all the colors that want to bleed right out and down the wall and maybe he could get some color in his skin if he catches the paint…

The man is gone, for a few minutes. There are talking-sounds downstairs but the boy can’t understand them. Too muffled or too loud or too something. He gets lost in the bird.

“Here we go.” Jake reappears and gives him a cup of water as he pushes himself up to his elbow and he drinks it obediently, sipping. It’s cool and clean-tasting on his tongue. Then Jake holds out a little cup with a purple liquid in it and the boy stares down, then back up at him. “It’s… not Tylenol. Nat said her contact told her you were drugged, so I figured… maybe no pills?”

The boy shakes, all at once, a full-body shudder that wracks his tensed-up muscles and makes them burn around his bones. He bends himself nearly in half, shaking his head, again and again. “No… no pill, please,” He whispers, barely able to form the words. “Please, please, please-please no, no, no no no no-”

“It’s okay,” Jake says quickly. “No pill. So this is, um, this is like a liquid fever reducer. We keep it for the rescues who can’t… can’t swallow pills. Okay? Just drink it down and you’ll feel better, I promise.”

It could be just like the pills. The boy hesitates, looking up into the man’s eyes. Something in them seems like he can be trusted to tell the truth, and after a long hesitation, the boy takes the tiny plastic cup from his hands and drinks the sticky fake-grape taste down, wrinkling his nose. It clings to his teeth and his tongue, and he washes it away with more water from the glass. 

“Perfect. I had to guess on dosage, but that should be okay… Will you stay in the room, if I go?” The question is there, underneath the words - the boy can read them just fine. Are you going to hide under the desk again?

“I don’t… want to… be alone.” He has to carefully space words. He has to be good, that way. He didn’t understand yet what everyone here wanted. 

“Is that how you really feel, or what you’re saying because you think it’s what I want?” The man asks, his voice still soft, and gentle. “You won’t be in trouble no matter what you say.”

The boy doesn’t know how to answer this - no one ever asks him his wants. What he wants isn’t important, it’s not relevant. He grips the blanket in his fingers and twists the fabric, quilted and so soft it feels like it will float away from him. He stares down into his lap and says nothing, only shaking his head, not quite a yes and not quite a no.

“I’m… very cold,” He offers, finally, in a small voice, when the man doesn’t say anything right away. “And my… bones hurt.”

“Right, you said, your bones-... must be something to do with the fever, maybe? Something… look, lay down and I’ll get you all covered up, there are some more blankets in that storage room you were hiding in. I’m surprised you didn’t just make a nest.”

The boy hadn’t noticed the other blankets then. If he had… he might have. He lets himself be laid on his back, looking up, watching the dust spin and move and dance, as the man leaves the room once more. He hears footsteps in the hall, lighter ones, and looks to catch a glimpse of a swinging ponytail and a heavy sweatshirt and sweatpants. The girl doesn’t look at him. She goes into her own room and shuts the door.

Jake comes back with a heap of folded blankets. “You’ll shove these off once your fever breaks, but they might make you feel a little better while we wait. Oh, and I saw this in there!”

He holds up the stuffed puppy, with beady black eyes barely hanging on from old thread, the little bare patches on the rump part, where somebody petted off all its fur.

His throat closes again. He doesn’t know why looking at the dog makes him feel that way.

“Thank… you,” He says, and holds out his hands like a child, and the man drops the puppy into his arms. The boy makes a sound and rolls onto his side, letting the man cover him in blankets, tuck them in around him, with the puppy’s head tucked securely under his chin.

He feels… better.

“There you go,” Jake says, running a hand across his forehead, pushing some hair away from his eyes. “There you go. That’s better. I’ll leave you to get some sleep. Pretty sure you haven’t slept since you got here, huh? You should think about what name you want, while you sleep.”

“Sir chooses my, my, my name,” The boy says, already starting to drift, forgetting to space out his words, his thoughts. They start to run again on their natural tracks, splitting into a thousand different focuses at once. He thinks about the birds outside and the ones in his wall and the feel of the stuffed animal in his arms, surprisingly solid for its age, heavier than he thought it’d be. He thinks about his dream and how to keep waking up.

“Not here, he doesn’t,” The man says, voice firm, almost commanding. “Your name’s all you, man. Just tell us when you decide, okay?”

“Okay,” The boy whispers, and thinks about a warm arm around him, a woman’s low voice reading him a story with a deliberate, spaced-out rhythm. 

In the great green room there was a telephone and a red balloon and a picture of the cow jumping over the moon

Maybe they read him a story in training. He can’t remember. But he thinks he was too small for that. Someone else, maybe, once.

He winces as his head starts to ache and chases the thought away, sends it rolling down its track to where all the other thoughts stay that make him hurt. 

“I’ll come back to check on you in a few. Just… stay in the bed and get some rest.”

“Okay,” he says again, and his eyes have gone too heavy to open, his grip iron-tight on the stuffed puppy in his arms. He’s too old for stuffed animals - I’m eighteen, all pets are of legal consenting age - but he feels good holding it, anyway.

“Once you are real you can't become unreal again. It lasts for always.” Do you know what that means, T-

“Chris,” He says, without opening his eyes. He hears Jake stop in the doorway, turn to look at him. “I like Chris.”

“Chris it is, then,” Jake replies, sounding pleased. “That’s a good one. I’ll tell Nat. Get some sleep and feel better, Chris. That’s a solid name. I like that name on you.”

Chris waits until he hears the door close, and the sound of the man’s footsteps on the stairs, before he smiles.

I like that name on you.

He likes it, too.

Chris feels like a person. Chris feels real.

The boy falls asleep in the bed in a new place and with new people and for the first time since he got here, he falls asleep without feeling scared of what he’ll see behind his closed eyes. Baldur is scared, and the number boy was scared, but Chris, he decides, is going to live in a totally different way. 

Chris is going to be real, and not be scared of anything. 

So this isn’t exactly what you asked for, but it hits on another ask I received and is very similar! (sorry, other asker, I ended up losing your ask because Tumblr sucks)

CW: References to past whump involving a minor. PTSD/trauma response to stressful stimuli. Includes description of stimming including head banging. VERY vague references to past implied noncon.

Chris’s mind runs fast. Not as fast as his mouth, but that’s okay, he can mostly catch up to himself if he works at it. His mind runs fast but it also derails and crashes on tiny details when he’s trying to finish his chores, and he never had chores before he came to live here but he doesn’t mind them - it’s just hard to get them done when there keep being so many other things to look at.

He’s supposed to be cleaning the living room, and it takes Jake maybe half an hour to do this but Chris has been at it for nearly forty-five minutes, he thinks, maybe longer… and he’s still just trying to finish dusting all the shelves.

The thing is - the TV is on, because he likes the background noise, but words keep catching his attention, little phrases and bits of information his brain wants to add to the constant loop of his thoughts. Plus - plus, on top of the TV and the swirly letters he can’t read on all the books, and the way the throw pillows have kind of a cool texture - on top of all of that, there’s a chipmunk outside.

He knows it’s a chipmunk because Jake told him about how they chirp, which he didn’t know before he came here. Chris mostly didn’t know anything before he came here, but he’s learning, piece by piece.

The chirping keeps catching his attention, drawing him away, slowing him down. He’s no good at cleaning, he can’t think about it long enough, cleaning is too slow and too methodical for his brain. But he likes doing chores, because chores mean he belongs here.

He fluffs a throw pillow, then runs his fingertips over the rough braided texture right down the center, a change from the silky-touch feel of the sides. Silk, rough, silk, rough, silk, rough.

His eyes start to unfocus, go slightly blank.

Silk, rough, just like-

“How’s it going, Chris?” Nat calls from upstairs. She’s turning over all the mattresses and changing the sheets today, Antoni is with her, while Leila works on cleaning the bathroom upstairs and Jake’s down here, in the kitchen, just a few feet away. 

“It’s, it’s, it’s it’s it’s good!” Chris calls back, jerking himself into motion, but he can hear the chipmunk outside still, calling and calling and calling. Is it missing someone?

Do I miss someone?

The thought breaks in, strange and uncertain, hardly his own. It’s plaintive, sad. It’s a thought that belongs to Baldur in the dark nights, and to the numbered boy before that in the flat white room. It’s not a thought that belongs to Chris, who stands next to the window and looks out into  sunny day. It’s not a thought he wants.

So he ignores it.

 Thoughts like that come with headaches that leave him shaking in the dark, and he’s very good at ignoring anything that might bring on the pain again.

He moves to clean around the windowsills, which - who ever heard of doing that, but it’s on the list she reads out to him, and he tries to remember everything. He’s getting better.

The chipmunk chirps outside the window, a kind of throat-swallow sound, and Chris finds himself echoing the noise, making a high-pitched eep-eep-eep sound. It doesn’t sound like the chipmunk at all, but the little animal goes silent outside when he does it, and Chris feels a thrill.

It understood I was trying to talk to it. Maybe it’s listening to me.

That’s a silly thought, and he tries to tell himself it’s stupid, but when he thinks awful things about himself he can kind of hear how Jake would respond if he said them out loud. You’re smart, Chris, you’re smarter than you think you are - you’re brilliant in there, we’re just bringing it back out. Don’t talk down about yourself. The way you think about yourself is how you think about the world.

Chris mostly loves the world, now. So he tries to love himself.

The chipmunk starts back up again, and Chris moves closer, a smile on his face. Slow, and careful, step by step, cleaning forgotten, he tilts his head and-… there it is. Tiny body no bigger than a mouse in a movie, reddish-brown with the black and white stripes across its head and down its back.

Jake says they have stripes like that because the things that eat them don’t see color like people do, and the stripes help them hide.

I wish I had stripes to help me hide.

But the thought doesn’t matter, because Chris doesn’t have to hide anymore. He puts that thought away, too. Lets it sink into the revolving mix of things going on inside his mind at any given moment. Right now it’s mostly the chipmunk.

His hand keeps moving with the rag in it, wiping back and forth across the windowsill, spraying the glass cleaner and wiping at that, too, but it’s half-hearted and he knows he’s leaving streaks. He just… can’t quite stop thinking about the little chipmunk he can just see, hardly a breath of an animal, sitting in Nat’s grass under the white birch tree in her front yard.

If you go to the tree you can peel strips of white and black bark away, easy as cake, like peeling away all his skin to find the real him underneath.

There’s a voice, behind him, from the TV. Smooth, genial, warm and slightly arrogant, the voice of someone who has total and perfect confidence in themselves. 

Chris drops the glass cleaner, the plastic bottle bouncing off the floor. The chipmunk catches some hint of the sudden movement and takes off, disappearing in the blink of an eye.

“Of course, Deborah. But I don’t think it’s fair to remove this right that’s been enshrined in our laws since 1952 just because a few protesters get their, well, I won’t say it in polite company. But just because a few protesters are bothered, that’s no reason to get rid of an entire system that’s working just fine. We need to crack down on abuse, of course, and these nasty rumors about illegal acquisition - which, I know the head of WRU personally, I can tell you that’s all a bunch of nonsense-”

Chris’s constant running barrage of thoughts comes to a stuttering halt.

He turns slowly around, cleaning rag still clutched in his other hand, his heart somewhere trapped around his knees, to stare at the TV.

There’s a woman on the screen right now, with blonde hair shellacked in a kind of circle around her head, wearing bright red lipstick and a dress to match. She tilts her head at a practiced angle, and Chris unconsciously echoes the motion. His free hand twists, fingers twitching in a kind of dance, before they tap against his own side. Tap-tap-tap-tap, the motion soothing him, calming him, a rush of something pleasant that fights the fear.

“Of course, Governor Branch-”

“Oh, how do I love to hear myself called that, still,” The man replies. He sits back, the slight shine of the light off his hair makes Chris dizzy. He can almost smell the hair product that’s in it, can almost feel the smooth fabric of the suit Sir is wearing slipping through his fingers.

That’s the one he wore the night Miss Megan saved me.

“Speaking of illegal acquisitions, there’ve been persistent rumors surrounding WRU and its competing corporations about pet abuse, abductions, even minors being put into the system. What would you say o the protesters and pet liberation groups asking for better, more thorough investigations? Would you support the call for a Congressional investigation?””

Sir laughs - it’s a lovely laugh, pulling a smile onto the woman’s face, it’s a laugh Chris has dreams and nightmares about - and Chris lets out a choked-off sound. 

Baldur, darling, you do know how to make a man laugh, don’t you?

His fingers twist faster, tap harder into his side. He steps away, stumbling gracelessly, until he can find a hard surface, the wall. He taps on it as fast as he can, a constant barrage of tap-tap-tap-tap-tap-tap, holding back the worst of the fear, keeping it at bay.

The rush of the sensation isn’t enough to beat back the fog in his mind. He’s buying time but not enough. He can hear Jake singing to himself in the kitchen, and his mouth opens to call, to say, that’s him, that’s my Sir, that’s him on TV, but no sound comes out.

Outside, the chipmunk starts chirping again.

Chris slides down to the floor, curling himself up into a ball, staring fixedly at the screen. 

“Deborah, I have spoken to my good friend Timothy Rahm - current CEO of WRU, sorry, not all your viewers are going to know that, are they? - and he has assured me again and again that WRU has absolutely no minors in the system. They have strict physical examinations and quality control checks that ensure every single pet is of legal consenting age.”

Sir smiles, flash of bright white teeth. Chris thinks of whitening strips laid out in a little stray next to Sir’s sink. He had to look good for cameras. He does look good, in his suit with his tan and his sparkly amused eyes. 

Darlin’, don’t look upset. You’re going to stay right here in the basement for the party, can’t have anyone getting too good a look, can we?

But, but, but but I don’t like the, the basement, Sir I don’t-

Baldur. You’ll stay in the basement. No arguments.

Yes, Sir.

Chris leans his head over, until it thumps into the wall. Briefly, he feels a burst of better, a wash of something like adrenaline, but soothing, calming. So he does it again. And again. And again.

Thump. Thump. Thump. Thump.

The chipmunk is silent, listening outside to the sound of Chris as his thoughts revolve and focus around the man on the TV.

He can’t hear what they’re saying any longer, he doesn’t try to. He lets the sound of Sir’s voice, melodic and warm, wash over and around him, but if he keeps thumping his head on the wall - if he keeps tapping, too, if he can just do both - he won’t let him in.

Get him to stop doing that thing with his hand, it’s annoying as hell. I don’t care how, tie his fucking hands down. Teach him not to do that anymore.

The voice wants to trickle under his skin, but a good thump - it’s not painful, it doesn’t hurt, it’s only a shake out of his freezing, it’s holding back the sounds that would hurt if they made it too far in - knocks it back out.

Not yours. Not yours. Not yours. Not yours.

He chants along with the thumps of his head, the taps of his fingers. He whispers without sound. 

Better now. Better now. Better now. Better now.

His eyes go unfocused, and Sir is gone, but Chris can’t remember quite how to find his own way back. He doesn’t know how long he floats there, waiting. He doesn’t even know what he’s waiting for.

Someone crouches down in front of him and Chris flinches - no, no, he’s not supposed to touch the walls any longer, he has to stop or he’ll be in trouble again - only to feel Jake’s warm hands on his shoulders, up his neck, on either side of his face.

Jake’s smell, simple clean shower-smell, nothing like Sir’s heavy cologne. Jake smells like soap from the shower and fresh-cut grass from mowing the lawn this morning and the sun that shone in his hair when he did it, while Chris watched from inside.

“Chris?”

“I, I, I, I… I I I saw, I saw, I saw-”

Jake’s eyebrows furrow in concern, a hint of worry lines across his forehead. “What did you see, man? Can you tell me what you saw? Can you tell me what’s in your head right now?”

Sir isn’t on TV anymore. They’ve moved on to talk about something else. Chris swallows, looking up at Jake, then shoves himself forward to push into Jake’s chest, tap-tap-tapping on his side. Jake doesn’t stop him, Jake never ever stops him, he understands the tapping helps. Jake only puts one arm around him and holds him tightly, leaving the other down so Chris can tap, twist-fingers-tap-shirt, again and again.

The simple, clean rush of calm, bit by bit, building a wall to fight back the waves of awful things that want to dig under his skin.

“Chris, I need you to talk to me. What did you see? What happened?”

Chris closes his eyes, thinks of Sir’s smile, just like it always was. His laugh.

Thinks of being good in the dark.

“I saw a chipmunk,” Chris whispers. “Saw, I saw, there was a, a, a-a-a chipmunk, saw a chipmunk, saw-… then the TV, I-… on the, the TV on the tv there was, um, on the TV-”

“Okay. Okay, I know that wasn’t it, but… do you need me to turn off the TV? Would that help?”

Chris nods into Jake’s shirt, clutching hard onto the fabric, tapping his fingers. Hold it back, hold it back, push back the fear and the noise. “Heard, on the TV, I-I-I heard, I heard-”

“It’s okay. Look, I’m going to-… there, if I stretch I can just grab it-” Jake reaches out with his free hand, shakes the side table next to the couch until the remote drops off of it onto the floor within his reach. He turns off the TV and the sudden lack of sound fills the room with a new kind of weight. “No rush, buddy.” Jake squeezes Chris’s shoulders with one arm. “No rush to tell me. Take your time. You’re okay, you’re right here with us, this is Nat’s house. Nobody’s here but us, and we’re safe. I’ve got you, man.”

“You’ve, you’ve got me,” Chris whispers. He feels an urge to thump his head on Jake’s shoulder like he did on the wall, but manages not to. Only just. He can still hear Sir’s voice, like music that won’t stop playing, like when you get a song stuck in your head.

Sir would hate him wearing Jake’s big T-shirt, would hate the silky-mesh basketball shorts he wears all the time. Would hate his knobby knees sticking out from them, his sharp elbows that dig when he doesn’t mean them to. Sir hated his cold feet under the covers.

Jake doesn’t mind any of those things. Jake gives him the shirts he likes, and holds him, and doesn’t stop him from doing the things he has to do to keep his mind from running away too far for him to catch it. Sir was on the screen, but Jake has him here, and only one of those things is real.