Hi! I'm Ruth, they/them pronouns, 26, and I enjoy most types of whump! I do art, graphic design and writing.
I try my best to tag, but if I miss a content warning you'd like added, please just shoot me an ask! I won't tag lady whump as a content warning, but anything else I will if you ask.
Whump 2024 advent calendar
Favourite tropes:
RECOVERY WHUMP!!!
Found family
Gagging
Muzzles
Pet whump
Whumper pressing down on whumpee's back to keep them from getting up
Branding
Whipping
Caretaker turned whumpee/whumpee turned caretaker
Hero/villain whump
Tall whumpee/small caretaker (or vice versa)
Tall whumpee/small whumper
G/t whump
Whumpee thinks caretaker is their new whumper
Incompetent/clueless caretaker (they're trying their best but they have no idea they're doing)
General contents: pet whump, dehumanisation, amnesia, PTSD
Sam and Lucan 'verse
In a world where non-humans are enslaved, our characters are just trying to live out their lives in peace. And failing, mostly.
General contents: non-human characters, institutionalised slavery, fantasy racism, dehumanisation, PTSD
A Death in the Family
When his estranged father dies, Tristam, against his better judgement, attends the will reading, and ends up leaving with long-term bloodbag Sunday Afolayan and Eldrida, his father's former employee (and a terribly mistreated one at that, it turns out).
Even with Aileen and Evelyn's expert advice and friendship, it's tricky to bring Sunday back from the depths of his enthrallment, and Eldrida's struggling too. Six years under the cruel fist of Barnabas Sharpe was hard to survive.
It's a difficult recovery for both of them. But surely, things can't get worse now.
Contains: vampire whumper, non-human whumpee (vampire), lady whump, conditioned whumpee, disabled characters (Tristam has ADHD, Eldrida has anophthalmia, and Sunday has joint problems, a badly-healed arm, and an absence epilepsy-like condition), recovery whump, multiple whumpees
Botanist Whumpee
When the rich and powerful Sebastian Beaumont offers Alyssa a place to stay, she doesnât expect to become his captive for three years. And when Silver rescues her at a party⌠well, the only thing sheâs absolutely sure is better is that they donât have a basement. They donât have much of anything, actually. And she doesnât know whether she can trust them or not, but she stays anyway. With no-one left to care about her, and Beaumont using all his money and connections to search for the pair of them, where else is she supposed to go?
Contains: recovery whump, captivity, lady whump, somewhat defiant whumpee, found family, intimate whumper
Cian and Row
In a world where superpowers are real, heroes and villains exist, and there's a large black market in powered people, Rowan's been enslaved for as long as they can remember. They're befriended when they're three by Cian Sinclair, a local empathic five year old, and at the age of eleven is rescued and adopted by the Sinclairs. Years later they become a supervillain, disappear for five years and reappear to reunite with their family, and attract another enemy, one far more powerful than their previous captors and obsessed with their healing powers.
Contains: slavery, PTSD, minor whump, past minor whump, immortal whumpee, discrimination, villain whump
Immortal Cannon Fodder
Masterlist part 2 - character profiles, character asks
Phoenix, an immortal hero, joins a team that hurts them and uses them as cannon fodder. But their teammates are only doing what's necessary to help them all survive. Phoenix's regular sacrifices are necessary. And it's not like they've got anywhere else to go anyway.
It takes the arrival of Kai, a wolf-shifter and telekinetic, to help them see what's going on. But a friendship and a promised eventual transfer can't fix everything.
Contains: hero whump, abuse, past abuse, immortal whumpee
MD-264N
When MD-264N, the government's best weapon, runs to avoid being decommissioned and collapses on the doorstep of a small ragtag team of rebels, it's a surprise to everyone. But despite resistance, the weapon, now known as Morgan, starts to find their place, and the rebels soon find that they'll do anything to keep them free.
Contains: living weapon, found family, dehumanisation/self dehumanisation, team dynamics, reluctant caretaker (not the main caretaker), recovery whump, caretaker whump, disabled caretaker (forearm amputee)
Operation Badger
In the year 2037, Earth is invaded by the Stex. 14 years later, superpowers start appearing in teenagers, and are apparently humanity's best defence against the aliens. What is Earth Security to do but train these people up as weapons?
Contains: sci-fi, living weapons, team whump, multiple whumpees, minor whump, aliens, disabled character
Out of the Frying Pan
Five years ago Elis, former bodyguard and weapon of Lord Wulfric, was rescued from a fiery death by Col and SĂŚwin. He now lives in relative peace with them in Sorestan, a peace that's abruptly disrupted after an unwelcome visitor brings his past colliding with the present.
Contains: medieval whump, fantasy elements, living weapon
Out of the Water
TĂşathal, a merman, is captured and kept prisoner by pirates for his valuable scales. While Robyn, the youngest of the crew and not very popular, takes care of him, the others only bother with his scales (and anything that makes their extraction easier). Especially James. And once the rest of the pirates discover that Robyn and TĂşathal have become fond of each other, things only get worse.
Whumpee is captured by a Whumper who wants to teach them survival skills. Painfully.
Contains: survival skills whump, sadistic whumper
The Greatest Show on Earth
Damon and Pythias are an unwilling two-person sideshow act in The Greatest Show on Earth, Pythias forced to kill Damon multiple times a day for the entertainment of paying circus patrons. Damon has been in captivity since birth, Pythias not quite so long (although certainly long enough), and they're both ready to get out.
But the outside world is even trickier to navigate than they imagined.
Contains: non-human whumpees, multiple whumpees, immortal whumpee, lady whump, circus whump, public whump, captivity, recovery whump, temporary character death (both implied and shown at times), guilty whumpee, whumpee as caretaker
Other writing:
Non-series whump masterlist
Miscellaneous writing, art and graphics
Fanfic/fanart (AO3)
BBC Merlin, Good Omens, Doctor Who, The Sandman, The Murderbot Diaries
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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For requests, what about Elliot getting examined by the doctor or medic on the new ship? He thinks theyâre going to assault him when they ask him to strip and theyâre horrified by how many scars he has and the condition heâs in.
Thank you so much for this ask!!
Worthless Pirate AU - A Transfer of Ownership
Masterlist
Content: slavery whump, mention of past abuse, mention of past noncon, nonsexual nudity, bound and gagged whumpee, whumpee expects/offers noncon
If I missed any content warnings, please let me know!
I got a little carried away with this one too! 4k words
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âThis wasn't the plan, Karine,â an unfamiliar voice said.
Upon stepping aboard the new ship, Elliot was shoved to the ground against a stack of crates, still gagged, bound, and blindfolded. He curled up as much as he could, despite the burning pain in his back. His small body was shaking and his tears were soaking through the dark fabric of his blindfold.
âIt is now,â Karine's voice said. âAnd I will take no criticism on this.â
âI have to agree with Lyra on this one, Captain,â Landon's voice cut in. âThis is insane.â
âThat is not at all what I'm saying,â the first voice said. âI'm not trying to criticize you, Karine. I'm just confused. Who is this boy?â
âA slave Landon found aboard the Serpent's Wrath.â
Elliot whimpered and squirmed in his bonds. He didn't want to listen to this. He just wanted to go home, back to his master. His existence was miserable, but it was all he knew.
âAnd you decided to take him? Why?â
âHe does not need to be present for this conversation. We can discuss this later. Now, back to your posts. And get me Broderick.â
âAye, Captain.â
The floorboards creaked as someone approached the discarded slave. Elliot whined beneath his gag, tensing as he awaited the tug of a fist in his hair. But that didn't come. Instead, his blindfold was torn off and his gag was gingerly untied. Elliot forced his eyes open, despite the glaring sun and yelped when he saw Karine kneeling in front of him. He hunched his shoulders and lowered his head in reverence. âP-Please, d-donât hurt me,â he mumbled.
Karine was silent for a beat and Elliot didn't breathe until she finally said, âWhat's your name?â
Shocked, Elliot lifted his eyes slightly. What game was she playing? Master always said slaves didn't need names. Was she testing him just to punish him right out the gate? Didn't she know that she didn't need a reason to punish him? That he was hers to play with as she pleased? Maybe this was part of the fun for her. Maybe she liked the thought of playing with his anxiety. He might as well find out what her punishments looked like. It would save him more stress in the long run.
âE-Elliot,â he finally answered.
Karine smirked and Elliot's stomach dropped. âNice to meet you, Elliot,â she said, to Elliot's awe. âI'm Captain Karine de la PeĂąa. Pleasure.â
Elliot shuddered. âY-You're Captain de la PeĂąa?
Karine nodded. âAye, but you can call me Karine. Welcome aboard the Relentless.â She made a wide sweep of her arm to gesture across the ship, but Elliotâs eyes remained firmly planted on his lap. He had to be good. He was at the mercy of the infamous pirate king. What other choice did he have?
âCaptain?â a new voice said. Elliot flinched, a sense of dread swelling in his stomach. Karine peered over her shoulder, but didnât stand up from her kneeling position. Elliot was confused. She was the captain, and not only that, but she was also the most feared and respected pirate to ever set sail across these waters. How could she stand to sit lower than her crew? Didnât she know she was meant to be above them? How could they ever remember their place if she allowed herself to kneel beneath them?
âYou wanted to see me?â the stranger said. The man was tall, but not nearly as tall as Landon. He had warm brown eyes and skin to match. His black, tightly coiled hair was cropped close to his scalp and there wasnât a single visible scar on the manâs body. Elliot was astounded. Heâd never seen an unmarred pirate before.
âAye,â de la PeĂąa said, finally standing to her feet. From Elliotâs low vantage point, she and the stranger seemed to be of relatively equal height. Not that it mattered. Elliot was exactly where he belonged, bound and sitting at their feet. He bowed his head again in an attempt to make himself smaller. âThis is Elliot.â Karine gestured toward the prisoner at her feet. âI need you to examine him for injuries and treat any you find.â
The man looked at the shivering boy as though just noticing him for the first time. âOne of Whitlockâs?â the man asked. Karine gave a single curt nod in response. âSince when do we take prisoners?â Elliot flinched again. Was this man seriously questioning his captain? Elliot had borne witness to far too many executions and he squeezed his eyes shut in preparation for another.
But all Karine said in response was, âSince today. Now Iâve given you an order, Broderick. Once the boy is sufficiently treated, I will gather the crew and explain everything. Now, take our guest to the med bay and make sure he is well looked after. I will be hearing no more qualms about this. Savvy?â
The man nodded but said no word in response, even as Karine left the two alone. The stranger fixed his gaze on the bound slave at his feet. Elliot was trembling, terror igniting in the pit of his stomach. He didnât want to go to the med bay. He was too exhausted and his only injuries were the lash marks on his back and the deep purple bruises painting his limbs and torso. Why couldnât they take him to the brig instead?
The stranger sighed. âAll right, little thing. Up you get.â The words were gentle, not spoken in the way of a command, but Elliot knew an order when he heard one. With his hands bound, it was difficult to push himself to his feet. Each movement pulled at the welts on his back, sending fire shooting up the boyâs spine. Just as he nearly managed to scramble to his knees, he slipped, his back crashing against the crates he was propped against. Elliot hissed in pain, a faint whimper escaping his throat. The stranger rushed to his aid, gently taking hold of his shoulders in order to hold him steady. âAh, apologies there, mate. Let me help ya.â The man gingerly guided the slave to his feet. âDonât worry. The med bay is just below deck. Not far at all. Think you can make it?â
Elliot nodded, though his confidence was minimal. With the way his hands were bound, keeping his balance aboard a rocking ship would be difficult. But he didnât have a choice. âY-Yes, Sir,â he said. Elliot didnât look to gauge the manâs reaction to his obedience, but he hoped he was pleasing the pirate. Captain Whitlock had trained him well. He could be good. He could prove himself worthy of serving the pirate king and her crew as a hostage.
The stranger gently nudged Elliot in the direction of the shipâs hatch and helped him below deck. He didnât bother to untie the boyâs hands, but Elliot had expected as much. A slave couldnât be trusted with unchecked use of its appendages.
Elliot let himself be led through the underbelly of the ship until they reached the med bay, at which point, the slave finally looked up from his feet. The med bay was nothing like the one Elliot was used to. This one was clean and well-maintained with glass cupboards fully stocked with multi-colored labeled jars. There was a cot in the center of the room with a thin mattress, atop which lay several white folded sheets. There was a wash basin in the corner, but this one looked to be made of steel, as opposed to the splintered wooden one aboard the Serpentâs Wrath. It was empty, but the cauldron suspended over the furnace along the wall gave Elliot hope that hot water was a possibility. He quickly snuffed out that flicker of hope. Obviously, that wasnât for him. He had never bathed in hot water before. That luxury was reserved for the captain and possibly a lucky first mate. Hot water would be wasted on a slave.
âAll right, just sit there,â the stranger commanded, gesturing to the cot. Elliot did as he was told, wincing at the pressure on the welts along his thighs and buttocks. He sat as still as he could manage while the man dug through one of the lower cabinets in search of something that Elliot couldnât see. âItâs Elliot, right?â the man said, his back still facing the slave.
It had been so long since Elliot had last heard that name. He knew it was his, but it sounded so foreign. âY-Yes, Sir,â he mumbled, his voice soft and quivering.
The man stood to his feet, joints popping as he did so. He turned back to face Elliot, a crooked smile on his face. âIâm Broderick. Ship doctor,â he said. âNice to meet you.â Confusion immersed Elliotâs features, but he didnât have time to dwell on the thought before he noticed the pristine knife in Broderickâs left hand. Elliot paled, suppressing a gasp at the sight of the weapon in the medicâs hand. They were gonna kill him. This wasnât a hostage situation at all. This was revenge.
Broderick didnât seem to notice his terror, moving to kneel behind the slave. Elliot tensed, preparing for the familiar feeling of steel carving through his flesh. What came instead, however, was a gentle tug at his wrists followed by the sound of the knife slicing through his ropes. âSo,â Broderick began as he worked to relieve the boy of his restraints. âThe Serpentâs Wrath, eh? What made you wanna join that crew? Youâre not the kinda pirate they normally take in. You owe money to Whitlock or somethinâ?â
As the pressure around Elliotâs wrists fell away, Broderick stood to his feet and returned the knife to its resting place. Elliot brought his hands out from behind his back and gently rubbed at the raw skin the ropes had left behind. âN-No, Sir.â
Broderick hummed, still facing away from the slave. âAh, just fell for his charm, eh? Canât say I blame ya. The manâs a right bastard, but least heâs nice to look at, eh?â Elliot didnât respond, opting instead to ponder what the medic was talking about. Did he not know that Elliot was a slave? If he could look at the state of the boy and assume he was just a regular pirate, what state did they keep their slaves in aboard this ship? Elliot shivered at the thought.
âRight then,â Broderick said, turning to face the boy once more. âCaptain says I need to check you for injuries. Mind stripping to your undergarments?â
Elliot froze. He wanted to obey, he really did, but⌠âI donât have undergarments.â
Broderick furrowed his brow, a deep blush crawling up his neck. âUhâŚâ his voice shook a little and he nervously scratched the back of his head. âNot really sure how I'm meant to check you for injuries then. Might I ask why not?â
Elliot averted his gaze, choosing instead to focus on the raw skin encircling his wrists. âMaster doesn't allow them. N-Not for me.â
âMaster?â Broderick repeated, a hint of disgust slipping into his voice. âYou mean Whitlock? He makes his crew call him Master?â
Elliot shook his head. The medic seemed confused, but Elliot hadn't been given an order to elaborate. As much as he wanted to explain himself, it was improper of a slave to correct its superior. He had to be good. He just had to be good.
After several long, agonizing moments of awkward silence, Broderick nodded. âRight. I'll fetch you some undergarments. Wait right here, mate.â
Elliot didn't lift his gaze from the floor. âYes, Sir.â
Once the medic had gone, Elliot took the opportunity to finally process what was happening. He was a hostage aboard an enemy ship, at the mercy of de la PeĂąa herself. His master had hardly fought for him, despite claiming that he was his prized possession. He was alone in uncharted territory, surrounded by pirates that seemed to hate the very existence of the man that owned him. What was he supposed to do? What was going to happen to him?
Elliot flinched at the sound of the door swinging open, the medic nervously reentering the room. âSo, uhâŚâ Broderick began. âWe've nothinâ that'll fit you. Sâpose you could leave your trousers on. Do you've any injuries on your lower body?â
Elliot nodded sluggishly. He was exhausted. Whatever this game was that the medic was playing with him, he just wanted to get it over with. He knew what was about to happen to him. It was just cruel to delay the inevitable like this.
âRight,â the medic said. âS'pose we don't have a choice then.â
Elliot wanted to laugh at that, if he were even capable of making such a sound anymore. He never had a choice. That was the whole point of all of this.
He knew what he was supposed to do, and this time, he didn't need instructions to do it.
Elliot pushed himself off of the cot, his insides churning. He didn't want to do this. He really didn't want to do this. But that was the point, wasn't it? That's what made it so exciting for everyone else. That's why it would never stop.
Elliot slowly and deliberately stripped out of his oversized clothes, starting with his poet's blouse. He grasped the hem between his thumb and forefinger, blinking back tears, and methodically pulled the loose, stained garment over his head.
Broderick gasped. The boy's torso was a rainbow of bruises, countless shades of black, blue, purple, red, yellow, green interlacing to create a masterpiece of the midnight sky across the boy's skin. The angles of his body were sharp, bones jutting out in all directions. As the boy leaned over to strip out of his trousers, the medic caught sight of angry red lash marks on his back. His lower body was a similar story. Cuts and slices criss-crossed his skin overtop old scars, hand-shaped bruises painted his thighs, and Broderick could see the whip marks that were wrapped around the back of his thin legs.
The boy didn't even try to cover himself, to retain any semblance of dignity. He just stood there, still as stone, as though waiting to be given an order.
It was only then, as Broderickâs eyes roamed across the poor thing's battered body, that the medic noticed the long-healed scar over top of the boy's heart. The scarâs glossy sheen gave away just what kind of scar it was.
The burn was clearly old, likely several years old, but the image it created was as clear as the day it was burned into the boy's skin.
No, not burned.
Branded.
The insignia of the Serpent's Wrath was branded into this young boy's chest.
Elliot couldn't take the silence any longer. He knew what the man must've been thinking as he took his time gazing upon the slave's naked body. He was wondering how he wanted to use the slave. And Elliot was truthfully thinking the same, though the exact opposite. He was wondering how he'd be forced to repay this man for the medical attention he was about to receive. The ship doctor aboard the Serpent's Wrath always appreciated a simple blow job after treating the slave. Elliot just hoped this one would be as easy to please.
âUmâŚâ Broderick began, voice quivering. âWould you mind turning âround for me?â Elliot did as he was told, almost robotically. He slowly turned on his heel, and Broderick didn't miss the tiny, near invisible wince he gave.
Save for the brand over the boy's heart, his back looked even worse than his front. The myriad of bruises matched those on the front of his torso, but this time they were intersected by long, fresh lashes. The glimpse of the lashes Broderick had spotted before didn't do them justice. The welts were long, jagged, and swollen. They were a bright, angry red, but that could've been attributed to the thin coating of blood covering Elliot's back. But they didn't stop there. The lashes continued downwards, mostly concentrated on the boy's ass, but his thighs hadn't been spared either. The welts below his waistline ended just above his knees and were clearly not as fresh as the ones on his back.
Based on the fact that some were still oozing blood, it was safe to say the lashes spanning from his shoulders to his hips couldn't have been received any longer than an hour ago. While the ones below his waistline must've been given the night before.
Broderick's heart ached for the boy. He silently cursed himself for being too blind to see it before. He'd called Whitlock Master, he was branded with the serpentsâ insignia, all he seemed able to say was âyes, sirâ and âno, sirâ, he was thin as a needlefish, and he wore more wounds than Broderick had ever seen. This wasn't a pirate. However Elliot had ended up aboard the Serpent's Wrath, it wasn't by choice.
Broderickâs stomach twisted into a knot. He'd known Christian for years. The man was an entitled piece of shite, but Broderick could never have imagined he'd do something like this.
Broderick cleared his throat. âUhâŚyou-you can turn back âround now.â Elliot did as he was told, not a flicker of defiance in his small, horribly beaten body. Broderick nervously scratched the back of his neck. âRight then. UmâŚwhy don't you, uh, just sit here a minute? I'll go have a word with the captain.â
Elliot's stomach clenched, but he did as he was told, sinking into the thin cot mattress. Why did he need to speak with the captain? Had Elliot done something wrong? Had his marks turned the man off? No, that couldn't be it. Master always said he was prettier like this.
Broderick paused just in front of the door and turned back to face the slave. âUh, feel free to use one of those sheets to cover up, if you want.â He gestured to the pile of folded linens beside Elliot. âI'll be right back.â With that, he disappeared into the corridor beyond the med bay.
Elliot glanced at the white sheets, contemplating whether that was explicit permission or not. He desperately wanted to be covered, of course, but what he wanted didn't matter. Was the medic simply trying to be polite? He'd seemed genuinely disgusted at the sight of Elliot's body. Perhaps this was his way of telling the slave to cover up without being overtly insulting. That was generous of him. Elliot hesitantly took one of the sheets and draped it over the lower half of his body.
Elliot's attention was stolen by the sound of harsh, muffled voices on the other side of the door. It was difficult to make out the words, but they sounded frantic and stressed and like they were trying their best to keep a hushed tone. Elliot tried his best not to eavesdrop, but the walls were thin and he couldn't help the way the words slipped through the cracks as the voices grew louder.
âYou didn't tell me he was a slave, Karine.â Broderick's voice said. âWhat use have we for this boy?â
âI told you, I would discuss this with the whole crew after you've treated him,â Karine's voice returned. âSo, if you want answers, I suggest you do your job.â
âIt will take me a very long time to treat him. You haven't seen how bad it is.â
âI know how bad it is,â Karine's voice said.
âNo, you don't!â Broderick exclaimed in a whisper-shout. âI've never seen someone in a state like this before. It's horrific.â
Elliot glanced down at his body, at the brush strokes of purple left behind by boots, fists, and anything else the crew was creative enough to see as a weapon. Horrific. Tears welled in his eyes at the thought. Master had always said he looked beautiful like this, like he was their very own work of art. He'd never been described as horrific before. Was he really that repulsive?
The conversation continued, but Elliot's thoughts were too hyper focused on that one word to continue listening.
By the time the door opened again, his tears were flowing freely. He threw himself to his knees at the medic's feet, not noticing the captain lingering behind him. Elliot lowered his head and cried, shoulders shaking with the effort to hold back the loud sobs rising up his throat.
âI-I'm so sorry, Sir,â Elliot said, bowing down until his forehead collided with the salt-stained wood.
Confusion etched onto Broderick's features. He glanced over his shoulder at his equally-confused captain, but she was more focused on the black and purple bruises spanning the boy's torso. Looking back at the kneeling, naked boy, Broderick didn't know what to do. âUhâŚsorry for what, mate?â
Elliot knew what was happening. He'd been through this song and dance more times than he could count. Broderick wanted him to admit what he'd done wrong. He wanted to hear the slave accept how disgusting he was.
âI'm s-sorry I-I've r-repulsed you.â Elliot lifted his head, eyes bloodshot and overflowing with tears. âP-Please don't p-punish me for-for my ugliness. I promise, I-I can still service you.â
Elliot nodded eagerly. âY-Yes, Sir. I-I've done it before, h-hundreds of times. Master's ship doctor r-required it after every-every time he treated me. I-I could use my m-mouth. Or-Or my hands, wh-whatever d-disgusts you the-the least. You-You don't even have to l-look at me. Please, l-let me p-prove to you that-that I'm a good boy.â
Broderick's breathing had ceased somewhere during Elliot's desperate pleas. Surely he wasn't hearing what he thought he was. He wanted to look at Karine, to gauge her reaction to this, but he couldn't tear his eyes from the trembling, naked boy at his feet.
He didn't want to ask. He really didn't, but he had to know for sure what the boy was asking.
âAre youâAre you offering to-to suck me off?â The medic shakily asked.
Elliot's face reddened, his eyes darting from side to side, unable to land squarely on the medic standing above him. He forced a nod. âY-Yes, Sir.â
Broderick didn't know what to say. This was too much. Karine had taken prisoner a slave from an enemy ship, a slave who had clearly been beaten and whipped sometime recently, a slave who had just offered himself up to be raped. It was just too much. âI think I'm gonna be sick,â Broderick mumbled.
Devastation flowed through the boy at the sound of those words. This was all he had. This was all he could offer the medic in return for his treatment, but he was too disgusting. The man was too repulsed by the sight of him, even the thought of using him made Broderick sick. What else was he supposed to do?
Karine watched the scene unfold, mouth agape. She'd known upon seeing the boy for the first time that he had been treated like scum, but this was so far beyond what she could've imagined. The poor boy looked crestfallen. Maybe she was way more in over head than she thought.
Broderick panicked upon seeing the way the boy deflated. âI-I'm sorry, mate. I shouldn't have said that. What-What I meant to say was, I-I'd never do anythinâ like that to you, not because you're ugly, but-but because I-I'm not like your old ship doctor, okay? You don't have to repay me or anythinâ like that. This is my job. This is what I do and I don't expect payment for it.â
Elliot sniffled and wiped his tears, lowering his head in shame. âI'm s-sorry, Sir. I-I shouldn't have a-assumed.â
âNo worries, mate. I just wanna treat your wounds. Savvy?â
Elliot nodded, keeping his face hidden from view. âY-Yes, Sir.â
Broderick nodded. âRight then. UmâŚwhy don't you lay face-down on the cot? I promise, I won't do anything to you. You-You can use the folded sheets as pillows if you'd like, and-and I'll prepare to clean you up.â
âYes, Sir.â As Elliot scrambled to obey, wincing as he did so, Broderick glanced at the horrified expression on Karine's face. Once the boy was settled on the cot, she finally met the ship doctor's gaze, shock and awe visibly displayed on her face. Broderick motioned for her to leave the med bay, but not before shooting her a look that said, What have you gotten us into?
-
Thank you so much for the ask!! This was so much fun to write. I'm having a blast exploring my characters in a new environment.
I know a lot of you were excited for more post-rescue pirate content, so I really hope you enjoyed this!! If anyone else has any suggestions or requests for this au, please send them to me!!
The next couple weeks are gonna be very busy for me, so forgive me if I take a short break from writing. Unless I come up with something that I simply can't ignoređ
everything you share about pale horse planet just makes me buzz with excitement and anticipation đ i already know it's going to be unlike anything i've ever read in the genre đ!!
i know you can't share much as it's still querying, but if there's anything at all you've been wanting to share with us about the story, the characters, or your writing process/thoughts, i'd be so delighted to hear! đŠľ
Eeee thank you for this ask, I love this project so very much and I have Cannot Shut Up Disease so as you can imagine being tight-lipped is uh. Very difficult.
I told myself I would query for a year and see what happens. Publishing is extremely sensitive to the market, and turns out agents and the market are (so far) not interested in a pandemic story, a story where the world is on fire, or a story about a cast that's entirely queer, trans, or characters of color. Who knew. But I still have quite a few agents on my list to query, and quite a few months in 2026, so let's just see how it goes.
This is the first story I've ever written where I started with planning, not pantsing. And hoo boy did that make things difficult for me at the beginning. But I needed to have a consistent mechanic as a through line, otherwise the story was going to fall apart. And that mechanic was the zombie virus.
I am very tired of zombie media that pretends like zombie diseases wouldn't act like, just that, diseases. Yeah, I know, fiction is fiction, but dear GOD I just want something written that actually makes a lick of sense. None of this "everyone who gets bitten turns, the change happens in ten seconds, you lose your mind and go craaaaaaazyyyyy" nonsense. I wanted it to work like an actual disease.
So. There is a real-life virus - I'm not gonna say which one, because it's a spoiler - that causes sores/a rash, and in some cases, can cross the blood-brain barrier to cause inflammation in the brain, called encephalitis. This can cause almost any symptom you can imagine, like confusion, aggression, amnesia, fugue states, you name it. And, in severe viral infections, you can develop something called disseminated intravascular coagulation (DIC). Basically, your blood gets thrown so out of whack that you can get both life-threatening blood clots and life-threatening bleeding at the same time.
Imagine if this virus was kicked up to eleven. Imagine if it caused sores in the mouth, which would only transmit the virus easier if an infected person bit you. But they wouldn't have to bite; it would be transmissible on surfaces, and through sneezes and coughs. Most people would die from the fever, or the DIC. But some would suffer encephalitis, which would leave them confused and aggressive, snapping at anything that moves. Even after the virus had done its damage, the post-viral syndrome and brain fog that would result would leave them a shell of their former self. A body with only instincts left: eat, drink, sleep, keep warm and cool. And, of course, attack when provoked.
Then there are of course the survivors. It's estimated that about a fifth of everyone who gets DIC suffers a stroke, and that's to say nothing about the blood clots that form due to other ways viruses mess with your blood (remember all the strokes and other clots caused by COVID?) So, even if you survive the virus, you're quite likely to be a stroke survivor - and you'd better hope the high fever doesn't damage you in other ways.
I'm tired of zombie fiction so often being a macho, wish-fulfillment violence simulator where anyone not "strong" enough gets left to die. My apocalypse is survived by the disabled, and is almost entirely populated by people who understand that the only way we survive is together.
whumper holding up a camera with one hand and a gun in the other, forcing their two hostage whumpees to make out and touch each other for his fucked up red room porno. making a big show of flicking the safety off. pulling the hammer down to cock the gun when theyâre not sounding pretty enough for him, letting that loud clicking sound scare them into a more enthusiastic performance. making one captive deepthroat the gun while he films it pov style..
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Because his body had decided four thirty-seven was an appropriate time to begin hurting.
The pain started in his left hip, deep and blunt, as though something inside the joint had been packed too tightly during the night. His wrists followed. Then the small bones in his hands. Then the muscles along his ribs where heâd spent too much of the previous day bracing himself on crutches he shouldnât have been using for that many consecutive hours.
He lay still between Kestrel and Dami, staring into the dark while each new ache announced itself with slow, methodical patience.
Kestrel was curled against his chest, one hand tucked beneath his shirt where sheâd left it the night before. Her palm rested flat against his side. Every few breaths, her fingers moved faintly with sleep, as though checking that he remained there.
One of her feet had escaped the blankets and wedged itself beneath his calf.
Cold.
Of course.
Dami had rolled partly over him in their sleep, one heavy forearm across his waist and one knee pressed against his thigh. Their face was tucked into the space between his shoulder and the pillow, breath warm against his neck.
Wick couldâve moved.
Probably.
His hip would object. His ribs would object. Dami would wake immediately, and Kestrel would wake half a second later because Dami had.
He didnât want to. There was something humiliatingly comforting about being pinned beneath two people who wouldâve moved the instant he asked.
The distinction mattered.
He wasnât held because theyâd been told to remain. He wasnât being guarded. He wasnât the center of someoneâs assigned vigilance. Theyâd fallen asleep touching him because they liked touching him.
Wick knew this. His body still held itself carefully around the knowledge, as though too much reliance might turn affection into demand.
He watched the shadows change along the ceiling. A thin bar of streetlight cut through the gap in the curtains. It shifted when a car passed outside, briefly illuminating the framed photograph on the wall.
The coast.
Kestrel disappearing into his scarf.
Dami behind them.
All three laughing into the wind.
Nadiaâs face kept appearing over it.
Not angry.
Worse.
Hurt.
The moment heâd said, Donât make him pay for your hatred of her.
Heâd seen the recognition land.
Not because heâd been wrong.
Liam had still been inside that house. Still preparing lunch for the woman whoâd purchased him. Still convinced the threat of release meant heâd become too expensive to feed.
Nadiaâs anger couldnât be allowed to sever the only path they had to him but Wick had sounded like someone who believed he had the right to teach her what ownership cost. Like someone standing safely on the far side of the word.
He hadnât been. His name had once appeared on documents beside Kestrelâs. Not because heâd purchased her. Not because heâd asked for her. Malcolm and Charlotte had built that arrangement long before Wick had understood what Kestrel was being forced to endure.
Then Wick had found Malcolm punishing her. Heâd defied both his parents. Threatened them. Threatened the company. Threatened to expose every useful secret the Wickham family had ever buried. Heâd taken Kestrel out while Malcolm was still alive, while Charlotte was still capable of calling him ungrateful and hysterical and too sick to understand the consequences of his own decisions.
He had freed her from them. That was true. Then heâd brought her into an apartment where every safe choice was still made by him.
Doctors.
Security.
Food.
Clothing.
Visitors.
Locks.
Heâd opened one door and assumed the door behind it didnât need to open too.
Wick closed his eyes.
Dami shifted. Their hand moved higher along his ribs, fingers spreading beneath the hem of his shirt until their palm rested partly over Kestrelâs.
The two of them touched in their sleep without waking.
Wickâs throat tightened.
âYouâre awake,â Dami murmured. Their voice was rough with sleep.
âSo are you.â
âIâm responding to evidence.â
Wickâs mouth twitched. Kestrelâs fingers flexed against his side.
Without opening her eyes, she said, âWhat time?â
âToo early.â
âThat isnât the time.â
âFour forty-one.â
Kestrel made a quiet sound of disgust and pressed her face more firmly into his chest.
Her hair tickled beneath his chin.
âMorning should be illegal before six,â she muttered.
Dami opened their eyes.
Even in the dark, Wick could feel the directness of their attention.
âYouâre rehearsing.â
Wick looked at them.
âIâm lying here.â
âRehearsing while lying here.â
âI can do two things.â
âYes.â
Kestrel lifted her head just enough to speak.
âHeâs going to apologize six different ways until Nadia has to comfort him.â
âI am not.â
âYou are,â Kestrel said. She opened one eye. âYouâll begin by apologizing for your tone.â
âThat seems reasonable.â
âThen your timing.â
âIt was poor.â
âThen your wording.â
âIt couldâve been better.â
âThen for having made her feel judged.â
âI did judge her.â
âThen for having feelings while judging her.â
Wick exhaled through his nose.
Dami pushed themself up on one elbow. Their hair was flattened badly on one side. A long section stood nearly upright above their ear. Wick reached up without thinking and smoothed it back. Dami leaned into his hand. The movement was small and immediate. Wickâs thumb paused at their temple.
âWhat are you going to say?â they asked.
âThat Iâm sorry.â
âFor what?â
Wick stared at the ceiling again.
The answer heâd prepared during the first twenty minutes of wakefulness returned in full paragraphs.
He rejected most of it.
âFor speaking to her as though I had moral authority over her anger.â
Kestrelâs eyes opened fully.
âThatâs one.â
âFor assuming she couldnât separate her beliefs from her work.â
âTwo,â Dami said.
âFor making the conversation partly about me.â
Kestrel raised an eyebrow.
âYou didnât do that out loud.â
âI was there.â
âThat isnât the same thing.â
âIt felt the same.â
âNo,â she said. âIt felt shameful. Those arenât interchangeable.â
Wickâs jaw tightened. The difference shouldâve been obvious.
It still wasnât.
Dami watched him carefully. They flicked his forehead.
"Don't apologize for feelings.â
âIâm trying not to make them anyone elseâs problem.â
âYou can have feelings without handing them to Nadia.â
Wick glanced between them. Kestrel settled her chin on his chest. Her hair fell across his shirt.
âYouâre allowed to hate being included in the word owner,â she said. âYou were included.â
He looked away. Her hand came up and touched the underside of his jaw. She didnât force him back.
âYouâre allowed to want to be seen as different.â
âThatâs self-serving.â
âYes.â
Wick blinked.
Kestrelâs expression remained calm.
âSelf-serving isnât the same as unforgivable.â
âItâs still ugly.â
âSometimes.â
Dami nodded.
âPeople like good stories about themselves.â
âThank you for that devastating insight.â
âYouâre welcome.â
Kestrel kissed Wickâs sternum through his shirt. The contact lasted only a second. He let his eyes close. The room was warm with all three of them pressed together. The heat from Damiâs body gathered beneath the blankets. Kestrelâs cold foot had finally begun to warm against his leg. For a few minutes, none of them spoke. Wick listened to their breathing.
Damiâs slow and deep.
Kestrelâs shorter, occasionally catching when the position pressed against one of her ribs.
His own still too deliberate.
âShould ask Nadia what she needs.â
âI was planning to.â
âShould accept the answer.â
âI know.â
Kestrel studied him.
âEven if she says distance.â
Wickâs throat tightened.
The word opened a small, sharp space inside him.
âYes.â
âEven if she doesnât forgive you.â
âYes.â
âEven if she says she still thinks youâre irredeemable.â
His answer came more slowly.
âYes.â
Dami lowered themself again, resting partly across him. Wickâs hand found the back of their neck. His fingers moved once into their hair. Kestrel tucked herself beneath his chin.
âYouâre not allowed to punish yourself afterward,â she said.
âI donât punish myself.â
Dami and Kestrel both went silent.
Wick sighed.
âFine. I occasionally make decisions while distressed.â
âYou draft resignations,â Kestrel said.
âI havenât resigned.â
âBecause we stop you.â
âI listen to feedback.â
Dami hummed. Wick closed his eyes again. He wanted to stay there. He wanted to delay the shower, the medication schedule, breakfast, the drive, Nadiaâs face, the Foundation, all of it.
That, too, felt self-serving. This time, he let it. For seven more minutes.
Dami counted.
At four fifty-eight, they lifted their head.
âNeed to move.â
Kestrel made another disgusted sound.
âNo.â
âYes.â
âFoundation doesnât open for hours.â
âHave to eat.â
âI can eat later.â
Dami looked at her.
Kestrel opened both eyes.
âI can eat now.â
Wick laughed softly. It hurt his ribs. He kept laughing anyway.
Dami made breakfast.
Not because Wick or Kestrel couldnât. Wickâs hands were unreliable that morning, and Kestrel had become distracted halfway through fastening her shirt when she noticed a loose hinge on the bathroom cabinet.
Dami confiscated the screwdriver.
âWork,â they said.
âThis is work.â
âItâs a cabinet.â
âItâs deteriorating.â
âBeen loose.â
âThat makes it urgent.â
âNo.â
Kestrel glared at them.
Dami placed the screwdriver on top of the refrigerator. Kestrel stared upward. There was no dignified way for her to retrieve it from a surface Dami could reach without lifting their heels.
âYouâre abusing your height.â
âUsing available resources.â
Wick sat at the kitchen table with both wrists braced again and his head resting briefly in one hand. The exchange loosened something in his chest.
Dami placed toast in front of him. Then eggs. Then his medication.
âI already took medication.â
âTook the early dose.â
Wick looked at the tablets.
âOh.â
Kestrel sat beside him and stole half his toast.
âYou have your own.â
âYours is cut better.â
âTheyâre rectangles.â
âYours are more structurally sound.â
Dami set another piece on Kestrelâs plate.
Wick watched them.
The familiar kitchen. Dami checking the kettle after turning it off. Kestrel tucking one bare foot beneath herself in the chair. The morning light beginning to collect at the edge of the windows. No one was waiting for him to decide what happened next. They were only getting ready for work.
He ate. It wasn't enough for Damiâs satisfaction but enough that they didnât argue.
The drive to the Foundation was quieter.
Kestrel sat beside Wick in the back. Dami drove because Lucky had stayed overnight at the clinic after the threat. Wick kept his hand on Kestrelâs knee. At the second light, she put her hand over his. At the third, Dami reached back between the seats without looking. Wick placed two fingers against their palm. Dami squeezed once and returned their hand to the wheel.
He thought about Nadia. He thought about taking his hand away from Kestrel before they entered the building, so no one would see him arrive flanked by two survivors after being wounded by a conversation about ownership.
Kestrel saw the thought before he acted on it. Her fingers tightened around his.
âDonât perform detachment.â
Wick looked at her.
âI wasnât.â
âYou were about to.â
Dami glanced at them in the mirror.
âNot about your image.â
Wick stared through the windshield.
âYouâre both annoying.â
Kestrel lifted his hand and kissed his knuckles.
âYou married me twice.â
âAn obvious administrative failure.â
âYouâre considering marrying Dami too.â
Damiâs eyes moved to the mirror again.
âUnder review.â
Wickâs face warmed.
Kestrel smiled.
The moment passed before he could become embarrassed enough to defend himself.
By the time they reached the Foundation, his pulse had already begun to climb.
Schlocktober is a month-long writing and drawing event. It was established in 2025 as a response to a kink-free Kinktober calendar that became infamous for having way too many rules.
Its unconventional prompts and loose standards encourage creative freedom and reject morality policing in fandom spaces.
Who's running this thing?
Direct your complaints to patheticfangirl.
Why "schlock"?
It means trash/junk (affectionate), and that's the quality of content I'm striving for with these prompts. It's also fun to say.
But, y'know, if you want to take a prompt and turn it into a masterpiece of a whumpy longfic, go for it. That's creative freedom, baby.
What fandom is this for?
Schlocktober is fandom and ship neutral. At the time of posting, there are 218 different fandoms represented in previous works.
What if I want to combine prompts? What if I want to write or draw things out of order? What if I want to make a video? What if...
Go for it. Get weird. Do an interpretive dance. Mix in last year's prompts if you want to. Let the spirit of schlock move you.
What does [prompt] mean?
You tell me. It's all open to interpretation.
Is RPF okay?
Yes, so long as it's clearly fiction. See rule #3 below.
There are rules?
Just three.
No AI use.
Having the plagiarism machine do your work for you is the opposite of creative. A typo-riddled mess is better than AI-written fanfiction. A stick figure drawn on the back of a napkin is better than soulless AI slop art. Believe in your own ability to produce trashy works.
Tag appropriately.
'Creator Chose Not to Use Archive Warnings' means anything goes. 'No Archive Warnings Apply' means your work is guaranteed not to contain any of the major archive warnings (non-con, major character death, graphic violence, or underage sex).
No irl bigotry or crimes.
Your characters can be as problematic as you'd like, but if you try to post a weird pro-JK Rowling essay or threatening manifesto or something you're not going in the collection. Don't kill the vibes.
Anything else I need to know?
Only the most important thing of all: Have fun.
But someone else is having fun wrong!
Shut the fuck up.
How do I participate?
There's an ao3 collection right here:
Schlocktober on ao3
Otherwise, just tag #schlocktober here or on Bluesky. DMs are open if you tag something and I miss it (I promise it's not intentional).
Will the collection stay open after October?
The collection is open 24/7/365, but you may not get approved as quickly in the off-season as mods don't check often.
I can't read your graphic!
Text version of the prompts under the cut.
Day 1:
Hole Reversal
Fuck and Die and Cry
Sex Robot That Only Speaks Binary
Day 2:
Amateurbation
Neapolitan Sex (Chocolate, Strawberry, and Vanilla)
this was on one of the Anne Rice writing method reblogs and its so good but i know people will take it the wrong way and i want to post it here to preserve and honor it. because theyre right, her writing IS mid. i really really enjoy her work but she is not particularly good at it. and i think that is the most important aspect of conceptualizing of yourself as a creative producer that is performing non-alienated work: how "good" it turns out to be has nothing to do with 1. how much of it you will sell 2. how much people will enjoy it 3. how MANY people will enjoy it and finally 4. the effort you put into making it. developing skill and taste are DIFFERENT tasks from the actual production. let this inspire you
Whumpee curled up in their little corner, barely moving. They couldnât even if they tried, every inch of them sore. Even breathing drained their energy, ribs creaking on every inhale.
One of the Whumpers had tried to fold them backwards a day ago. They sat on Whumpeeâs ankles, pulling their arms back farther and farther until they screamed in pain. Whumpee shivered at the memory, knowing full well that Whumper was strong enough to pull them farther. They could have broken Whumpee for real that time.
Instead, they were just left with a deep ache that made it hard to breathe.
There were footsteps around them, and Whumpee found themself swallowing down a sob. Most of the Whumpers didnât care if they cried, but there were a few who did. They could wait, if only a few seconds, to know who it was. Who was upset or annoyed today. Who had steam they needed to blow off.
Who was feeling particularly sadistic.
âUp.â
Whumpeeâs heart leaped a little. This Whumper, they were the one that fed them every few days. Not very much, but it was better than nothing. Once, after a particularly bad week, this Whumper had supported Whumpeeâs neck when they couldnât hold it up on their own. Elevated them, held the bowl up to their mouth for them to drink.
Whumpee had been so grateful that the feeling stayed even after Whumper dropped their limp form carelessly to the ground and walked away.
They were the nice one, and Whumpee would try their best for them. They tried their best for all the Whumpers, but they tried extra hard for this one.
A few quick breaths to steel themself, and Whumpee planted their palms on the concrete to push themself up. They made it up with a pitiful squeak, breathing a little hard. In the end, they were too slow and Whumper grabbed their arm, pulling them to their feet. Whumpee looked around, trying to find a bowl or a pack or something. Any food.
There was none.
Whumpee curled their shoulders in, fall back a bit to lean against the wall. No food, no help today. Just more pain. They looked up to Whumper, feeling impossibly small and frail as the larger person shed their coat to free their arms.
How much longer could they keep living like this? Absorbing otherâs pain and frustration, abused and mocked, uncared for and left to starve? The Whumpers did it on purpose, they were sure. They like that Whumpee was so pathetic. So easy to push around. It was fun for them.
Whumper came closer, fists already made, and Whumpee closed their eyes as tears spilled down their cheeks. They didnât need to see it, not again. They wanted to keep the memory of this Whumper caring for them, not beating them for their own sadistic enjoyment.
By the time Whumper left, Whumpee was back on the floor barely breathing. Another broken nose, more cracked ribs, new bruises layered over the old ones. Slowly, painfully, impossibly, the dragged themself back to their corner, giving off little whimpers and whines. They leaned their head against the cold stone wall, hoping it could help a bit with their pounding head.
Anything to get them to the next day. To the next time they might be fed. Anything to just keep them around for Whumpers to use.
I love the scenario of a super frail, weak whumpee kept as a punching bag by a group of huge, physically strong whumpers.Â
Like⌠the hopelessness? They couldnât fight back even if they dared to, the whumpers enjoy knowing that their little stress ball is an easy target, and theyâre intentionally kept hungry and tired just to make it worse. In a scenario like that, all the whumpee can do is try to please the whumpers in the hopes theyâll go easy on them, because they know itâd only take a particularly savage punch to kill them.
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Whumper is usually a very calm and caring person. However, their powers cause them to grow corrupt overtime, until they break into a violent meltdown that causes them to hurt and destroy anything near them.
After a while, the team decides to give Whumper their very own punchbag, to try and contain the damage their corrupt form does to only one person.
Whumper feels terrible about it, everytime they regain control and look at the bloodied, bruised form of Whumpee, terrified of them, flinching when they try to patch them up. It becomes so bad that whumper starts to try and delay the corruption as much as possible, even if that makes sick.
However, they can't hold it back forever, and it they refuse to use their powers any longer, their team might start to lose battles and possibly be in danger. If they don't... Well, even when they aren't in their corrupt state, whumpee is just terrified of them, and it breaks their heart.
Poor whumpee!! Can I give them a soft blanket? Also, if the Whumper ever found some other way to help with the meltdowns, would the Whumpee think that Whumper is going to just kill them because Whumpee is no longer of use?
âW-what do you w-want, M-Master? I can do anything for you, make your food or cleanâ Whumpee looked up at their new Master timidly, not looking Master in the eye of course. They knew their place.
âNo, Whumpee.â
âOh, uh, o-okay.â Whumpee gluped, knowing what was going to happen next, âIâll get into position then, if you want to punish me.â
âAbsolutely not, Whumpee.â
âWh-what do you w-want?? I donât u-understand, Mas-Master.â Whumpee was a bit frantic, but was determined to not look ugly or ungrateful.
Caretaker knelt down by Whumpee and took their hand on theirs. âWhumpee,â they said gently, âI want you to be safe and happy. Iâm never going to hurt you, you donât have to be anyoneâs slave anymore.â
Whumpee had messed up. Their Master expected them to be the very best guard dog ever, to protect Master. But Whumpee was so alone and sore, and the kind stranger was offering to rescue them, if only they let them through the gates without an appointment.
Whumpee had been stupid. It was a test and they failed. They were a bad dog, and bad dogs have to learn their lesson.
living weapon usually sleeps away from the rest of the team, but this mission doesn't allow for it. they curl up in their sleeping pack in the farthest corner from everyone else and turn their back to the group, praying that they can have a peaceful night of sleep
they wake up to concerned whispers, a tear-soaked pillow, and more shame than they thought possible
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Inspired by this and this post by @painandrecovery and @defire...
Whumpee Punching Bag (literally).
Just... the dehumanization of it.
Whumper literally hangs whumpee from the ceiling by their wrists, chained in place with nowhere to go, no way to squirm away. No way to fight back as they dangle helplessly.
Maybe, so that Whumper's new punching bag lasts longer, they wrap some padding over Whumpee's body with duct tape (or perhaps sew it on their flesh somehow đ¤). Perfect. Makeshift punching bag!
And maybe Whumper doesn't want a punching bag that screams and yells and whines and insults them, so they just gag them, obviously. So many options, too; classic muzzle with a bit, or maybe a cloth stuffed into the mouth with duct tape/more cloth/both over it to keep it in place. Or maybe even something as brutal as stitching their mouths shut. It's not like they really need to talk. They're a punching bag after all.
After that, your Living Punching Bag is ready, and Whumper can finally release all that pent up anger and stress. Whumpee, of course, is the perfect stress relief, the perfect literal punching bag, and once you're done, maybe you'll get some tears running down their face, or a weak glare! Bonus if they're a defiant Whumpeeâwatch their defiance leave their eyes and slowly make way for resignation!
And sharing is caring. Multiple Whumpers can all take turns, or even have a go at the same time! The sky's the limit!
A whumper with boxing training doing combos and whumpee starts to recognize the lineup ahead of time. When they see a certain pose, they groan and hold their breath, and whumper grins before they start punching.
Kicks. There are kick combos too. Using a person would mean whumper could practice their targeting too, which means they can target whumpee's most sensitive parts.
Practicing their structure, a slow punch that barely touches whumpee, but they flinch and cry out, expecting a full blow. "Calm down, I'm not there yet." Whumper mutters.
Explaining to whumpee how to take punches. "Don't straighten your joints. And stop holding your breath when you get hit in the gut. You'll puke."
Whumpee, on all fours, frantically crawling backwards, eyes wide-tears streaming down their cheeks. They are covered in dirt. In hundreds of tiny cuts and bruises. And the fear on their face and in their body is palpable. You can damn-near taste it in the air. Whumper is like a shark, drawn in via blood in the water. The sobs start. And they rack the little whumpeeâs frame. It doesnât stop the pain. It just sweetens it. Curates it. And Whumper is starved for their pain. They pull back, weapon in hand and slam down onto whumpeeâs knees.
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