Hi! I'm Ruth, they/them pronouns, 26, and I enjoy most types of whump! I do art, graphic design and writing.
I try my best to tag, but if I miss a content warning you'd like added, please just shoot me an ask! I won't tag lady whump as a content warning, but anything else I will if you ask.
Whump 2024 advent calendar
Favourite tropes:
RECOVERY WHUMP!!!
Found family
Gagging
Muzzles
Pet whump
Whumper pressing down on whumpee's back to keep them from getting up
Branding
Whipping
Caretaker turned whumpee/whumpee turned caretaker
Hero/villain whump
Tall whumpee/small caretaker (or vice versa)
Tall whumpee/small whumper
G/t whump
Whumpee thinks caretaker is their new whumper
Incompetent/clueless caretaker (they're trying their best but they have no idea they're doing)
General contents: pet whump, dehumanisation, amnesia, PTSD
Sam and Lucan 'verse
In a world where non-humans are enslaved, our characters are just trying to live out their lives in peace. And failing, mostly.
General contents: non-human characters, institutionalised slavery, fantasy racism, dehumanisation, PTSD
A Death in the Family
When his estranged father dies, Tristam, against his better judgement, attends the will reading, and ends up leaving with long-term bloodbag Sunday Afolayan and Eldrida, his father's former employee (and a terribly mistreated one at that, it turns out).
Even with Aileen and Evelyn's expert advice and friendship, it's tricky to bring Sunday back from the depths of his enthrallment, and Eldrida's struggling too. Six years under the cruel fist of Barnabas Sharpe was hard to survive.
It's a difficult recovery for both of them. But surely, things can't get worse now.
Contains: vampire whumper, non-human whumpee (vampire), lady whump, conditioned whumpee, disabled characters (Tristam has ADHD, Eldrida has anophthalmia, and Sunday has joint problems, a badly-healed arm, and an absence epilepsy-like condition), recovery whump, multiple whumpees
Botanist Whumpee
When the rich and powerful Sebastian Beaumont offers Alyssa a place to stay, she doesnât expect to become his captive for three years. And when Silver rescues her at a party⌠well, the only thing sheâs absolutely sure is better is that they donât have a basement. They donât have much of anything, actually. And she doesnât know whether she can trust them or not, but she stays anyway. With no-one left to care about her, and Beaumont using all his money and connections to search for the pair of them, where else is she supposed to go?
Contains: recovery whump, captivity, lady whump, somewhat defiant whumpee, found family, intimate whumper
Cian and Row
In a world where superpowers are real, heroes and villains exist, and there's a large black market in powered people, Rowan's been enslaved for as long as they can remember. They're befriended when they're three by Cian Sinclair, a local empathic five year old, and at the age of eleven is rescued and adopted by the Sinclairs. Years later they become a supervillain, disappear for five years and reappear to reunite with their family, and attract another enemy, one far more powerful than their previous captors and obsessed with their healing powers.
Contains: slavery, PTSD, minor whump, past minor whump, immortal whumpee, discrimination, villain whump
Immortal Cannon Fodder
Masterlist part 2 - character profiles, character asks
Phoenix, an immortal hero, joins a team that hurts them and uses them as cannon fodder. But their teammates are only doing what's necessary to help them all survive. Phoenix's regular sacrifices are necessary. And it's not like they've got anywhere else to go anyway.
It takes the arrival of Kai, a wolf-shifter and telekinetic, to help them see what's going on. But a friendship and a promised eventual transfer can't fix everything.
Contains: hero whump, abuse, past abuse, immortal whumpee
MD-264N
When MD-264N, the government's best weapon, runs to avoid being decommissioned and collapses on the doorstep of a small ragtag team of rebels, it's a surprise to everyone. But despite resistance, the weapon, now known as Morgan, starts to find their place, and the rebels soon find that they'll do anything to keep them free.
Contains: living weapon, found family, dehumanisation/self dehumanisation, team dynamics, reluctant caretaker (not the main caretaker), recovery whump, caretaker whump, disabled caretaker (forearm amputee)
Operation Badger
In the year 2037, Earth is invaded by the Stex. 14 years later, superpowers start appearing in teenagers, and are apparently humanity's best defence against the aliens. What is Earth Security to do but train these people up as weapons?
Contains: sci-fi, living weapons, team whump, multiple whumpees, minor whump, aliens, disabled character
Out of the Frying Pan
Five years ago Elis, former bodyguard and weapon of Lord Wulfric, was rescued from a fiery death by Col and SĂŚwin. He now lives in relative peace with them in Sorestan, a peace that's abruptly disrupted after an unwelcome visitor brings his past colliding with the present.
Contains: medieval whump, fantasy elements, living weapon
Out of the Water
TĂşathal, a merman, is captured and kept prisoner by pirates for his valuable scales. While Robyn, the youngest of the crew and not very popular, takes care of him, the others only bother with his scales (and anything that makes their extraction easier). Especially James. And once the rest of the pirates discover that Robyn and TĂşathal have become fond of each other, things only get worse.
Whumpee is captured by a Whumper who wants to teach them survival skills. Painfully.
Contains: survival skills whump, sadistic whumper
The Greatest Show on Earth
Damon and Pythias are an unwilling two-person sideshow act in The Greatest Show on Earth, Pythias forced to kill Damon multiple times a day for the entertainment of paying circus patrons. Damon has been in captivity since birth, Pythias not quite so long (although certainly long enough), and they're both ready to get out.
But the outside world is even trickier to navigate than they imagined.
Contains: non-human whumpees, multiple whumpees, immortal whumpee, lady whump, circus whump, public whump, captivity, recovery whump, temporary character death (both implied and shown at times), guilty whumpee, whumpee as caretaker
Other writing:
Non-series whump masterlist
Miscellaneous writing, art and graphics
Fanfic/fanart (AO3)
BBC Merlin, Good Omens, Doctor Who, The Sandman, The Murderbot Diaries
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
(going through some old prompts just... collecting cobwebs in my inbox)
CW: Drunk whumpee, trauma references, trauma memories, past abduction, past noncon, past abuse, very brief emeto reference, nausea reference, BRIEF pet whump reference, this is Kauri at his most fucked-up but it ends nicely I promise, content warning for some serious fucking yearning
The walk back in the dark is a little... wobblier than usual, but Kauri doesnât care. He stepped off the bus and stumbled when his ankle turned as he hit the sidewalk, rolling forward and finding himself in a bush, a bit of landscaping carefully kept up by some guy who drives a truck around cleaning up the bus stops.
Kauri giggles, then pushes his hands over his mouth to quiet himself, fails, giggles some more. His hair gets caught in a little bit of branch and he winces as he yanks it free and loses a curl.
The bush gets to keep that one. Maybe the guy who trims the bushes will find it tomorrow and fall madly in love with him, like Cinderellaâs glass slipper. Kauri starts laughing at the idea of the guy in his big neon orange-and-yellow reflective vest and his stupid button-up shirt with the city seal embroidered on it holding up a curl of black hair to this person or that, looking for its match.
âHey, man,â A woman says, crouching in front of him. Sheâs older than he is, maybe by ten years, maybe less. Kauri canât tell and sheâs lit only by the harsh pale streetlight, adding definition to beginning wrinkles around her mouth. Or heâs making that up. Her face is kind of blurred anyway, spinning a little like everything else. Sheâs wearing hospital scrubs under a coat, her hair pulled into a no-nonsense bun at the nape of her neck. She reminds him of Natâs neighbor lady, only a bunch younger. âYou gonna make it home?â
Home. What the fuck is a home? Home is where they lock the doors, home is where you get the shit kicked out of you for trying to leave. Home is where he holds you down on the bed until you cry because it hurts, and itâs always going to hurt unless you want me, Kor-Bore, you know that-
Kauriâs giggles hiccup into something like a sob.
The bus is still idling along the curb next to the stop, and the bus driver knows Kauri - sees him two or three times a week in variations on drunk or high or scared or elated. She leans down and calls out, âYou gonna be okay, Kauri?â
Maybe one day he wonât. Maybe one day someone will murder him in a dark alley instead of hooking up or shove him into the trunk of a car or-
into a white van with no windows and the needleâs in his skin and his sister is screaming and thereâs a hand over his mouth wearing black leather gloves and a man smiles at him and there are other men and zipties on his wrists and they tell him sucks to be you, gorgeous, but you couldnât hide a face like that and then his head drops as whatever they gave him hits and Liamâs head drops onto the plastic mat that lines the vanâs floor, his eyes close, and heâs gone-
Kauri lays there staring up at the spinning stars with his had pounding at the memory, but not enough to make it stop. When heâs really drunk, sometimes he can roll with the pain, let it wash through him and change nothing, mean nothing, do nothing at all.
He feels the way the earth rotates around the sun, every motion of the giant planet but itâs not big - itâs tiny, really, the Earth and all its purple mountains majesty, and Kauri is tinier, and whatever life lives in his head, somewhere underneath the layers of pain and fear, never mattered at all.
ââm fine,â He slurs, trying to focus on one single star. Just one.
Please, just one star.Â
âNo, youâre not,â The woman says with a soft sigh. She glances back at the bus driver. âIâll figure something out, Virginia,â She says, and waves one hand. âIâll see you tomorrow.â
âGânight, Sadie,â The bus driver calls out over the low rumble of the big engines, then adds, âGet home safe, Kauri.â
Kauri closes his eyes. Why does everyone always want there to be a home?
âWhereâm I taking you, then, Mr. Whiskey Breath?â
âT-Tequila,â Kauri corrects her, then gives a pale shadow of his effortless, airy smile. She takes him by the arm and pulls him to his feet and he overcorrects as he stumbles again, smacking into her side. She stays standing, if only just, and holds him more firmly. ââS... tequila. Good, good stuff, too, good...â His head drops against her shoulder, and he giggles again.
âOh, honey,â She murmurs. They stand for a second while she thinks this through, and Kauri sees himself through her eyes - gorgeous and hammered, barely able to stand on his own, a piece of shit who canât take care of himself or wonât or chooses not to, anyway.Â
He tries to feel something, like maybe shame, but nothing happens.
Heâs too numb for that.
âDâyou have a phone?â Sadie asks after a pause.Â
âMmmmnyes,â Kauri responds, suddenly aware he hasnât lifted his head off her shoulder yet. âI do have a phone. âs a very nice phone, too.â
âNo doubt. Is there anyone we can call for you? I donât-... I donât think youâll make it far on your own, um, Kauri? Did you say your name is Kauri?â
Kauri tilts his head back to look at her, and the world suddenly crashes hard to one side. His knees buckle and she quickly throws an arm around his waist to keep him up. He starts giggling again, shaking his head, mumbling what he hopes are apologies until he manages to locate his cell phone and pull it out of his back pocket. âMânameâs whatever you want it to be,â He says with his most charming, beautiful smile.
Sadie quirks an eyebrow as Kauri struggles to unlock his phone, then takes it once he manages, tapping over to his contacts list and scrolling. âWho do I call?â She asks, looking at the photos Kauri uses to identify everyone instead of names. âWho can I call to come get you?â
A wash of sadness so strong it feels like being hit by a wave made from bricks hits him and tears prick at his eyes, burning hot behind his eyelids. He feels a sudden wild urge to say Owen Grant, call Owen Grant, just take me back where I belong, this is too hard and I donât want to do it anymore, being a person is just too hard but fights it off and instead, shaky and uncertain, he offers, âThâ photo of thâ guy in thâ blue, blue shirt. Thatâs... thassss... Jake.â
âAnd heâll come get you?â Sadieâs thumb hovers over the image, a picture Jake took of himself and sent to Kauri once, smiling over his iced coffee studying at school. âThis guy will come get you, this Jake?â
Kauri whispers, âI hope so.â
Sadie looks at him, tilting her head. âDid you guys have a fight or something? Is that why youâre out here like blackout drunk?â
âNo,â Kauri mumbles. âFight... I fight with mâself.â
Sadie gives a soft sigh and a nod. âWell, Iâve been there done that. Okay.â She taps the photo of Jake, gives a low whistle and mumbles a soft damn, that guyâs hot, I see why youâre out here being schmoopy about him, and before Kauri can correct her that it doesnât work that way, sheâs got the phone up to her ear and Kauri can hear it softly ringing.
Jake must pick up because the ringing stops and Sadie says, âNo, this isnât-... Iâm Sadie Williams, Iâm on his phone. Weâre at the bus stop on Penntuck Drive, do you know where-... oh, okay. Yeah, I live a couple blocks from here and this, uh, Kauri is way too drunk to go anywhere.â
âAm not,â Kauri protests, and his stomach suddenly flips and he swallows, eyes slightly widening. Oh no.
Sadie sighs and says wryly, âTrust me. Too drunk to get home on his own. Can you-... oh, okay. Cool. Weâll be here.â She hangs up the phone. âOkay, your buddyâs coming to get you. Letâs just sit on the bench in the bus stop, all right?â
Kauri nods, not trusting himself to speak, and lets Sadie maneuver him, fighting ripples of nausea that follow every movement, to sit down on the cold metal bench inside the shelter at the bus stop. As soon as she lets go, Kauri flops onto his side on the bench, letting the metal chill the sudden heat he feels, the sweat breaking out all over his body.Â
âThere we go. Just stay here for a while.â Sadie pats him on the shoulder and he wishes she would pet his head, suddenly, tell him heâs a good boy, good pet, and he turns his face to the bench to hide the tears that finally escape and drip down to pool there. Sadie stands and leans against the side of the shelter, scrolling through her own phone. Kauri twists to look at her and, after his dazed vision stops spinning and settles enough to focus, he thinks... sheâs tired.
Sheâs tired, because itâs two oâclock in the fucking morning, and she probably just got off of work and rode the bus home in her scrubs still under her coat, and watched a drunk boy fall laughing into a bush, and decided to stay with him and make sure he didnât get found there in the morning by a cop or the bus driver who does the early morning shift, Andrew something, and...Â
ââm okay,â Kauri says, and she doesnât look up, but one eyebrow slowly quirks upward. âYou could... go home. Heâs cominâ. Iâm okay.â
âOh, you are the exact opposite of that,â She says without looking at him. âWhateverâs got you fucking yourself up, Iâm not gonna be the one who walks away from you. Iâve seen too many people like you wind up in the ER.âÂ
Is it his imagination, or do her eyes briefly drop to the thick leather bracelet Kauri always wears around his left wrist to cover up his barcode?
âYou donât know me,â He protests.
âI know enough,â She says, flatly, and he stops trying to argue. He knows that voice - Nat uses that voice when sheâs getting you to do things, a voice that brooks no appeal. Kauri calls it her mom-voice, even though she doesnât have kids and never will. It makes him think of TV moms, and maybe of his own, who must have existed, and is maybe still missing her dead son, whoever the fuck he was.
Kauri winces at the headache that pings around his skull and curls up on the bench on his left side. Thereâs silence, for a while, and then the sound of a car engine coming closer, the bright flash of headlights against Kauriâs closed eyes.
Jakeâs new beat-up four-door - well, new to him, but itâs a Subaru that has seen better decades, not just better days - pulls up alongside the curb, idling as he opens the door and unfolds himself. Sadie, Kauri sees from the bench, tenses slightly at the sight of him, and Kauri wonders if sheâs got her phone ready to dial for help.
He wouldnât blame her - if you donât know Jake and just see all that height and muscle alone with you in the middle of the night, you could see the threat, in that. If you didnât know that Jakeâs the guy who beats up your attacker, not the attacker himself.
Jake seems well aware of her tension and puts up both hands. âIâm Jake. Youâre Sadie? You called for Kauri?â
Some of Sadieâs tension dissipates. âThatâs me. Mind if I get a little distance while you pick him up?â
âYeah, no problem. Go ahead.â Jake waits for Sadie to step away, and Kauri watches her hand move to her purse. He never thinks about stuff like that - she probably has pepper spray or a gun in there, and here is Kauri blackout drunk half-passed out on a bus bench, here is Kauri who passes out on park benches and underneath that big black box that doesnât do anything over by downtown, Kauri who sleeps in alleys and grassy lawns and anywhere he thinks heâll get a couple hours, here and there.
Sheâs careful - and Kauri is lucky.
âSo fuckinâ lucky,â Kauri mumbles, then coughs out a bitter laugh, and Jake sighs as he moves over to him, sliding big arms gently between Kauriâs body and the bench. The world spins again as Jake picks him up and Kauriâs arms go around his neck, suddenly terrified heâll fall and not hit the ground but fall up, up and up and up, and end up somewhere high above the clouds.
âD-donât, donâ-... let me-â
âI got you, Kaur,â Jake says, and his voice is low and it rumbles against Kauri in his chest and he relaxes, a little, but his hands tighten behind Jakeâs neck. âThanks for waiting with him,â He says to Sadie, moving Kauri to the passenger side of the car and leaning over to help him slide him in. Kauri flops to one side, eyes sliding closed.
âNo problem. Iâm going to head home. Take care of him.â
Jake gives a huff of laughter as he closes the door for Kauri. âI always do,â Kauri hears him say, a little muffled. Thereâs a pause and then Jake sits back down in the driverâs seat, leaning across to buckle Kauriâs seat belt for him as he half-sits, half-lays limp against the seat.Â
âWeâre going to get you home and youâre gonna drink some water,â Jake says firmly, slipping a hand behind Kauriâs head to help him reorient himself. Kauri shivers at the simple pleasure of the affectionate touch, eyes sliding closed, and turns his head, just barely pressing a kiss to Jakeâs wrist.
Jake doesnât pull away - Kauri will lose his balance if he does - but he goes still. âHey. No, Kauri. The answer is still no.â
Kauri sniffs, nuzzles at his arm, and then pulls away, turning away from Jake to clumsily curl up against the carâs door, as far as he can get. âI know. But-... I just-...â
âI know. But we canât, ever, not like this.â
Kauri tries to feel something other than the spin of the earth, his stomach flipping at the motion of the car as Jake slowly pulls his hand back and drives down the dark street, every house silent, everywhere around them still and quiet.
Jakeâs speakers play music, softly, a manâs voice singing, well, let that lonely feeling wash away - maybe there's a reason to believe you'll be okay over the press of piano keys and hint of strings.Â
"What is this?â Kauri asks, tries to point, fails.
âUm, Chrisâs shit,â Jake says, but he doesnât change the song. âI drove him to get some hair dye today, he must have put his playlist on. Musical shit.â
And oh, someone will come running and I know theyâll take you home
âWhen can it?â Kauri asks, softly. âWhen can it happen?â
âWhat?â
âUs. When can us happen, Jake?â
Even when the dark comes crashing through, when you need a friend to carry you and when you're broken on the ground, you will be found
âI hate this song,â Kauri mutters.
Jake doesnât look at him as he signals a turn - Kauri fights a laugh at the sight of Jake, totally and utterly alone on the road in the earliest hours of the morning, fucking putting on his turn signal a careful distance back from the intersection - and takes a right.
âJake-... I want you,â Kauri says, the last vestiges of tequila pressing the words onto his tongue, rolling them off and out into the soft air between them. âWhen can I stop wanting and-â
âKauri.â Jakeâs voice goes softer, not harder. Itâs not chiding him, itâs not angry, but laced with something very different.Â
He wants me, too, I know he does, I know it.
âJake, I-â
âIt canât ever happen,â Jake says in that same soft voice, lost in something that some dim part of Kauri recognizes as an echo of his own feelings, âuntil itâs not like this.â
Jake reaches down to grab his phone, hits a button, and the song changes. Kauri fights back a laugh when he realizes itâs just a different song from the same fucking musical.
âFucking Chris,â Kauri says, trapped between laughter and tears.Â
Jakeâs hand moves to rest on the console between the seats, and after a second, Kauriâs hand remembers how to listen to his brain and he lays his cold, thin, long fingers over Jakeâs larger, warmer ones.
Jake doesnât pull away from him.
By the time they get back to Natâs house, their fingers have wrapped around each other, and Kauri feels a little warmer than he felt before.Â
When youâre falling in a forest and thereâs nobody around, all you want is for somebody to find you
âNext time, can it be your music playing?â Kauri asks, voice a little huskier and rougher than he means it to be. All the numbness that came with the drinking is gone, and Kauri hurts, inside himself, in a way heâs almost grateful for.
When youâre falling in a forest and when you hit the ground, all you need is for somebody to find you
âUh, um, yeah,â Jake manages, and his voice is rough, too.
No one deserves to be forgotten, no one deserves to fade away
âI can get better, Jake,â Kauri says, voice low. âI can. But Iâm never-... Iâm never gonna be whoever was me before.â
No one deserves to disappear
âI know,â Jake says. âThat isnât who I care about, anyway, Kaur... I care about you.â
No one deserves to disappear
They sit in the driveway until the song ends. And through the next song, and the next. The streetlights shine down and the dark is otherwise total and the world slowly steadies in its constant spin around the sun. Kauri lets his head slowly lean back against the headrest.
âIâm-... so fucking lucky you found me,â Kauri whispers. Jakeâs fingers twitch in his, and his eyes are locked on Natâs front door, up on the porch.Â
âNo,â Jake says, softly. âWeâre-... Iâm lucky you found us.â
Neither of them wants to be the first to let go of the other oneâs hand.
Uh⌠I had an hour before work, was thinking about post-freedom Kauri and what I said to an ask yesterday about what heâll be like post-escape, and⌠this happened. Consider this loosely âcanonâ for Kauriâs future.
This is the last Kauri update for while, as I have some other stuff to work on, but heâll be back in a week or so!
CW: Kauri is an abuse survivor and is still stuck in a fucky thought pattern about it. Includes thoughts about returning to the abuser. Stay safe.
This was entirely written along to Dear Evan Hansenâs Disappear and You Will Be Found on repeat, so⌠blame musicals for this.
âWhat are you doing?â
Kauri doesnât look up, picking up the neatly folded, laundered long-sleeved t-shirts and laying them carefully flat in the bottom of the faded, ripped-up, duct-taped old backpack. âIâm not doing anything, Nat.â
âYeah, you are. Youâre leaving. Again Look at me, Kaur. Whatâs up?âÂ
He pauses, glancing over at her. Nat leans against the doorway, resting her arm and hip against the frame, arms crossed in front of herself just below her chest. The long brown hair in its usual no-nonsense braid hung midway down her back and she wore a plain brown T-shirt and jeans, looking every inch the get-things-done house manager she is.Â
Thereâs a scattering of wrinkles around her eyes and her mouth, which Kauri thinks are beautiful. Sometimes he wonders if maybe heâd liked art, too, not just writing, poetry.
In the life he remembers and forgets, the knowledge of his interests and loves sliding back underneath the wall inside his head as swiftly as it came. Theyâd made him see a doctor, at the first place, who worked with people like him.
The doctor had told him when you find somewhere safe to settle down, it will come back more quickly.Â
Which seems kind of funny, in retrospect, since Kauri is pretty sure no such place exists.
No⌠he was right, in the end, when he said, you donât even know who you are.
âNothingâs up,â He answers tightly. On the bed next to the clean boxers and two pairs of pants heâll take with him, Keira beeps reprovingly, but he ignores her. Sheâs starting to be a little too good at beeping at him judgmentally. âI just need to get moving.â
âKauri.â He turns back away from her, wiping at his eyes with the back of one hand furiously, trying to look angry instead of how he really felt. âKauri, honey, you need to stay a few more days-â
âNo, I donât. I shouldnât, I-⌠I canât.â His voice trembles, just a little, on the last word - and Nat must catch it, because sheâs quiet for a while, watching as he packs in the rest of his clothes, grabs an extra few pairs of socks. Toothbrush, toothpaste, a couple little travel bottles of shampoo and conditioner. Heâs made a kind of small nest, and when he lifts Keira up, he settles her carefully into it.
Gratitude expressing, Keira says, and Kauri finds a watery, uncertain smile for her. Kauri good.
âNot so much,â He whispers to her, aware Nat can hear, but he doesnât care anymore. âKauri doesnât know who he is.â
What I am isnât really a person, isnât good enough. Just a collection of responses they taught me and the shit that breaks through.
And I donât even know if all of that is real, either.
âHoney⌠youâre Kauri.â Nat sighs. âYou are. Whoever you decide that is, itâs up to you, now. Or you can go back to being-â
âNo,â Kauri interrupts her before she can say it. âI still canât.â
âLet us work with you. We can make the headaches stop when you hear your name, I promise.â Nat moves into the room now - there are four beds in here, four pets sharing space to sleep, all of them with bags packed under their beds for moving quickly if things go wrong. âEvery time you run you stall out your recovery.â
Kauri zips up the backpack, listening to Keiraâs soft little chirp. He doesnât look up at first, just staring at the black zipper - the actual pull part came off a while ago, but a guy he met gave him a safety pin and heâs been using that, it works well enough. âI donât need that name, anyway. Owenâs still looking for me. If I donât, heâll hunt me down.â
âThere are other safehouses-â
âI donât want to stay in a safehouse any longer!â Kauri carefully pulled the sleeves of his shirt down, hiding the barcode and number on the inside of his wrist. Heâd cut little thumb holes in the sleeve to make sure it didnât ride up, and he liked to think it looked like he did it just to look cool. The neckline was high enough to hide the awful scar all along his collarbone on the right side.
He did kind of think wearing shirts like this looked cool.
Maybe he wore shirts like this before? Keira might know, the real Keira, but-
Kauri slides the hoodie on next, then pulls the backpack straps over his shoulders. When he turns to look at her, thereâs a hard set to his jaw, a flash to his bright blue eyes, that have her backing slightly up to give him room. Still, her brown eyes are warm and understanding.
âIf you walk out, you wonât have anywhere to sleep tonight. We canât find you another bed anywhere else in time.â
âI donât want another bed. Iâll meet someone somewhere, Iâll crash with them.â Kauri flashes her a smile, the best he can manage. It barely counted as a twitch of his lips, but itâs something. It didnât hide the glitter in his eyes.Â
âKauri, you canât keep doing this. Youâre going to run into the wrong people, or someone will turn you in. Weâre worried about you.â
His heart stops, and then starts, and somehow the world kept turning. âWhoâs âweâ, Nat?â
She sighs, and gives him a soft, sad smile. âYou know who âweâ is, Kauri.â
Itâs petulant (why do I know the word petulant? couldnât make me as stupid as you wanted to, Owen) but Kauri rolls his eyes. âI know who you mean, and I donât⌠I donât think that matters anymore.â
He moves past her into the hallway but she follows him, refusing to give up, even as he walks past the other rescues in the kitchen and living room, carefully avoiding him and each other except for a bonded pair sitting together on the couch, curled around each other like he used to curl himself up around Owen on the couch.
Kauri misses Owen so much it hurts, nearly as much as it hurt when he thought he was going to die with Owenâs hands around his neck.
Iâm so fucking lonely.
Nat presses something into his hand, and he looks down to find a small green cell phone, the cool plastic that his fingers curve naturally around. His body still knows how to use phones even though he doesnât remember it. Some things just come like nature, physical motions, routines and movements that he should know but doesnât.
So his body knows it for him, and Keira tells him the rest.
âCall us,â Nat says softly. âI have my number in there already. I give phones like this to a lot of rescues who donât stay still.â She hesitates, something he rarely sees her do, and then reaches out to lay a hand on his shoulder.
It feels so good. No one wants to touch the rescues, theyâre not supposed to want to be touched, but Kauri is so starved for it that he nearly leans against her even though heâs trying very hard to be angry at her. Heâs never been good at being angry, never been one to hold grudges- has he?
Was that a memory? Or just something heâd made up?
âCanât stay still. Too recognizable.â He smiles at her, but she doesnât smile back.
âAre you okay?â She asks, softly.
He wants to tell her yes. He wants to tell her of course he is, heâs free. He wants to tell her to mind her own fucking business. He wants to tell her that he canât stay here, thereâs too much weight in the air, the things he canât say and the things he wonât say. He wants to tell her anything at all.
Instead, he just turns and pulls away - and itâs so hard to pull away from her hand, from her warmth and welcome, from the thin veneer of safety these houses provide - and walks towards the back door.
âKauri, nothing gets better if you never stop moving.â
He pauses with his hand on the doorknob.Â
âListen to me. Iâve seen rescues come through like you before. If you never stop running away, you wonât get better, and you wonât be safer. Please trust me. Please. You shouldnât be out there all by yourself, you donât-⌠you donât have the skills.â
The other rescues are looking, now. They donât like Kauri, or donât care about him, and he wouldnât blame them either way. Theyâre mostly Domestics and Platonics. Kauriâs the whore in the house, and it looks so easy when itâs not what you have to be.Â
He doesnât blame them.
It probably looked really good, if you were standing outside of it, if you werenât the one they made fall in love with a monster.
âIâll be fine,â He says without looking back at her. âI have Keira.â
âKauri⌠Keira is a robot. I know she helps you, but-â
âIâll be fine,â He repeats, opening the back door, slipping out into the yard. Thereâs a fence he can climb - all that yoga and cardio and flexibility training came in handy - and he can stick to bushes, to the sides of houses, until heâs sure no one is watching, following, writing things down with the words they get to have but Kauri has to fear.
âHey.â
Just before he reaches the fence, he stops again. âWhat, Nat? Iâm not coming back in.â
âI wonât ask you to, just⌠do you want me to give⌠him⌠your number? I know which one heâs at right now. What about⌠what about your sister?â
He swallows against about a thousand words that want to tumble out, all at once. How much he wants to turn around and walk back inside, pretend heâs safe, pretend this is normal and heâs okay.Â
Are you okay?
No.
Itâd be an easy as saying the word, turning around, letting her hold onto him and keep him here just a little bit longer. Itâd be as easy as saying Iâm tired, I donât want to run anymore, I just want to go home but the only home I remember is with the man who might kill me if I go back, or erase me, and Iâm so scared to lose whatâs left.
But I miss Owen so much.
And⌠he was right, I donât know who I am without him.Â
Instead, Kauri steadies his shoulders, clips the little front part together on his backpack to hold it steady while he climbs, and says, âYeah, give him the number. Give them both the number. Tell them⌠tell him to call me, if he wants. Iâll answer the phone.â
Thereâs a him who isnât Owen. There are so many hims who arenât Owen now, but there is the one him, too, and for now, Kauri is running from them all.
âAny idea where youâll be sleeping tonight?â
Kauri sets his feet just right, takes a run at the fence, jumps at just the right second to use his feet for purchase and get himself the height he needs to grab the top and pull himself up. He pauses halfway over, straddling with a leg on either side, and looks back down at her.
Nat has been the nicest shelter worker heâs met so far. Sheâs always there when Kauri appears hungry and dirty asking to do some laundry and maybe eat some dinner. Thereâs always a place found for him to sleep.
And sheâs always, always asking him to stay.
To stop moving.
To stop trying to disappear.
âNat, come on,â He tries for levity, isnât quite sure it lands. âYou know I never know who Iâm going to sleep with until I find them.â
âI didnât say who, Kauri,â Nat says firmly, shielding her eyes from the setting sun with one hand and looking up at him. âI said where. You need to stop doing this, youâre going to get hurt.â
âToo late for that,â Kauri says softly, and slips over the other side of the fence, landing on the ground with a thump.Â
Calculating route, Keira says, muffled, from inside the backpack. Turn north, one mile to Richardson Street, turn right, three-quarters mile to Fifth Street.
The little green phone thumps against his leg in the cargo pocket on the side as he takes off running along the fence line, sticking to bushes and trees, putting plenty of distance between himself and the safe house before heâll let himself be seen on the street.Â
âWhere are we going, Keira?â He asks over his shoulder, knowing her sensors pick up his voice even with all the other noise. Sheâs tuned to him, she always hears him.
Yennaâs Cafe. Locally-owned cafe serving small plates and drinks-
âI have like thirty dollars and nearly all of thatâs in ones,â Kauri says, not even a little out of breath, dodging a tricycle and some other toys in a yard. âWhy there?â
Most people in this neighborhood know what the house does, or suspect. No one minds the sight of a short, thin barely-a-man in oversized clothing and a torn-up old backpack sneaking through their yards.
Elizabeth Caradel poetry reading. Keira thought this appropriate for Kauriâs interests.
Kauri finds a small smile on his face - the first real one heâs had all day. âGot it. Perfect. Thank you, Keira. I think I can buy myself dinner and coffee for that.â
No one in the houses even looks at him. They donât worry about him, all those people living their nice free lives with their memories intact know heâll be gone soon enough. Heâs just a blur of curly black hair and the black hoodie he never zips up, the long-sleeved shirts he never takes off, the beaten-up old sneakers that heâll get rid of when the soles separate from the rest of the shoe, head to a Goodwill, buy some new used shoes.
And heâll never stop moving. Heâs always gone, always going. They can call him if they want and know heâll pick up the phone, but maybe heâll be sleeping in an alley, on a bus, in a homeless shelter, a new pet rescue, on someoneâs bed, or just not sleeping at all.
Heâs always finding someone new who will hold onto him, somewhere new to sleep, some new way to run from the voice of Owen Grant inside his head, calling him home.
No one will ever want you but me. They rewrote you for me. They made you new, just for me.
CW: Blood (like a lot of blood), implications of gore but no actual real gore, infected wound, referenced/implied past noncon/dubcon, referenced past abuse, referenced abusive relationship, very sick whumpee. Pet whump and dehumanization (referenced).
TIMELINE: Comes just after The Freedom to Run in Kauriâs story, right after Jenna kicks him out of the first safehouse he tries. References events in The Surgery . Blink-and-youâll miss it character details for a side character.
The Jack referenced belongs to @spiffythespook and the Tara referenced belongs to @fairybean101
Most people might have been a bit more surprised to discover a young man curled into a tiny ball underneath the line of heavy landscaping that went around her property, but Nat had been at this a long, long time - eighteen years, give or take - and this wasnât the first time sheâd found a runaway curled up asleep in the shade of the leaves.
Sometimes they werenât even runaway pets, just kids who needed to escape the rain, on their own or on the run from bad home lives. Kids the shelters turned away or who had maxed out their time, needed somewhere to crash for a day or two before they made the rounds again.
She didnât care - Nat took care of anyone who came to her for help. Only the pets ever came into the house, though.
âI thought he was⌠I donât know, an animal or something at first,â one of the rescues whispered, wringing her hands together.Â
She stood hunched over with narrow shoulders curved forward, drowning in a T-shirt at least three sizes too large, but it was all the poor thing ever wanted to wear. That and sweatpants that covered every inch. It was all the rescues ever wore, until they started to feel like their bodies belonged to them again. âI came to check to see if the bushes had flowers yet and I found him and I thought he was dead? I thought, I thought I should come g-g-get you, but then when I, um, I was going to get you the shovel because if it, if it was dead⌠but then he made a sound and he wasnât an animal, and-â
âI understand, Krista,â Nat soothed, rubbing a hand in a slow circle on the young womanâs back. Krista relaxed at the touch and leaned back into it - the rescues usually came either horrified by touch or desperate for it, with no in-between. âIâll take care of him from here. You did the right thing coming to get me. Now, maybe you should head inside.â
Krista nodded quickly, one hand to her mouth, chewing at her fingernails nervously. She hadnât done that when she first showed up, too thin and nearly mute. Sheâd been dumped by her owner and found by a good Samaritan who took the time to find a storefront and drop her off.
The storefront had called Nat and Krista had been here ever since, going on three months now. She was a pretty thing, if faded and harried-looking, and she was fairly sure she was from somewhere near Tennessee - nearly across the country.
And sheâd started biting her nails.
While biting fingernails wasnât a habit Nat would normally encourage, she had a feeling it was parts of who Krista had been starting to show themselves, so she didnât stop her.
CW: Blood (like a lot of blood), implications of gore but no actual real gore, infected wound, referenced/implied past noncon/dubcon, referenced past abuse, referenced abusive relationship, very sick whumpee. Pet whump and dehumanization (referenced).
TIMELINE: Comes just after The Freedom to Run in Kauriâs story, right after Jenna kicks him out of the first safehouse he tries. References events in The Surgery . Blink-and-youâll miss it character details for a side character.
The Jack referenced belongs to @spiffythespook and the Tara referenced belongs to @fairybean101
Most people might have been a bit more surprised to discover a young man curled into a tiny ball underneath the line of heavy landscaping that went around her property, but Nat had been at this a long, long time - eighteen years, give or take - and this wasnât the first time sheâd found a runaway curled up asleep in the shade of the leaves.
Sometimes they werenât even runaway pets, just kids who needed to escape the rain, on their own or on the run from bad home lives. Kids the shelters turned away or who had maxed out their time, needed somewhere to crash for a day or two before they made the rounds again.
She didnât care - Nat took care of anyone who came to her for help. Only the pets ever came into the house, though.
âI thought he was⌠I donât know, an animal or something at first,â one of the rescues whispered, wringing her hands together.Â
She stood hunched over with narrow shoulders curved forward, drowning in a T-shirt at least three sizes too large, but it was all the poor thing ever wanted to wear. That and sweatpants that covered every inch. It was all the rescues ever wore, until they started to feel like their bodies belonged to them again. âI came to check to see if the bushes had flowers yet and I found him and I thought he was dead? I thought, I thought I should come g-g-get you, but then when I, um, I was going to get you the shovel because if it, if it was dead⌠but then he made a sound and he wasnât an animal, and-â
âI understand, Krista,â Nat soothed, rubbing a hand in a slow circle on the young womanâs back. Krista relaxed at the touch and leaned back into it - the rescues usually came either horrified by touch or desperate for it, with no in-between. âIâll take care of him from here. You did the right thing coming to get me. Now, maybe you should head inside.â
Krista nodded quickly, one hand to her mouth, chewing at her fingernails nervously. She hadnât done that when she first showed up, too thin and nearly mute. Sheâd been dumped by her owner and found by a good Samaritan who took the time to find a storefront and drop her off.
The storefront had called Nat and Krista had been here ever since, going on three months now. She was a pretty thing, if faded and harried-looking, and she was fairly sure she was from somewhere near Tennessee - nearly across the country.
And sheâd started biting her nails.
While biting fingernails wasnât a habit Nat would normally encourage, she had a feeling it was parts of who Krista had been starting to show themselves, so she didnât stop her.
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CW: Recovering whumpee, referenced past intimate whumper
Itâs lonely, but... itâs better, too.
The days pass more slowly, with no time spent in first glass sipping champagne he pretended to like with a man he was forced to love, but he has learned again to love the quiet march of time, the seconds ticking by as he reads or tries to draw Nineâs face from memory or simply chooses to breathe.
No opera nights, no slight smiles for photographers at the Met Ball, no listening to the crowd of his friends speak over and around Eliâs head. No veiled compliments to set his teeth on edge, no lifting his chin to let them ooh and aah over the newest constriction circling his neck.Â
No one beside him in the dark, when the time between each second draws out, when he can nearly hear the ticking of the ancient clock that doesnât exist in the tiny room heâs taken for himself.
No one to lean over his shoulder and murmur about enrichment while he paints the stained-glass pieces, chuckling in his ear, setting his teeth on edge.
On the other hand, there is no one he must lie to, now.
There is nothing left for him to lose.
There is only one thought he focuses on, one ambition, a singular goal. There is one man left, that he has lost before.
This is sort of a short sweet epilogue to this post right here
-
"Did you ever meet anyone?" Eli asks the question idly, as he toys with soft brown hair between his fingertips, pulling a lock straight and then watching it fall back against the other man's scalp.
Nine's head rests on his stomach.
Eli's bed is big enough for the two of them, just barely - and it's so different than his memory of Master's enormous bed, how dwarfed even the two of them had been in it on the days they'd spent together, talking in low voices just like this.
There's a bottle of some kind of cold and flu medicine on the bedside table, a little cup beside it with the dregs of purple syrup lining the bottom.
Eli has never taken a single dose of medicine that Nine did not coax down his throat, and this is no different. It was perhaps the third thing Nine did, after hugging him, after crying.
After they both cried, and Antoni mercifully pretended he did not notice.
Beside the medicine is his steaming, fresh fourth mug of elaichi chai and a half-empty Gatorade, and that was Eli's contribution to his own healthcare.
His throat hurts, when he swallows, but it's a pain gone distant thanks to the medicine and the heat of the tea.
He thinks his fever has broken - there is a cool sweat broken out across his brow and his upper lip, and it feels like heaven.
"There isn't anyone else," Nine whispers.
His lips barely move, his eyes are closed. Eli lets his head rest back on the pillow, his own gaze moving slowly over the ceiling. He draws nonsense circles on Nine's skin as he looks.
There's an old water stain there, over in the corner. Eli's thick eyebrows furrow slightly in thought. It looks ancient, fixed but no one bothered to hide it.
His Master would have died before staying in a place with a visible water stain.
Those days with Nine in the Master's house... Nine had been a spark of color, bright life and humor, in a place devoid of it. A delightful imperfection in a place that was so perfectly wrought it seemed everything was icicles.
Clear as glass, and deadly if you couldn't escape its chill.
Here, the sun shines warm through his window. Light chases itself through the cheap paint in the make-your-own-suncatcher that hangs there. His blanket is a quilt made of a thousand ridiculous colors he'd asked for at a thrift store when he went with Kauri, once. There's a couple of squares that remind him of the shadowy woman in his mind. They feel like her clothes, they look like her.
It seems like a sort of respect, to the idea of her, to keep something that reminds him this close.
Eli's eyes trace rainbows bouncing around the ceiling, thrown by the prisms, light broken by the window and the glass. The very makeup of light is heat and joy, messy layers of color.
There is nothing particularly clean, Eli thinks, about sunlight. Not compared to his memories of cold white lights from the ceiling. How long he went having forgotten sunlight entirely, until they he and Nine had been given to his master to go home.
Here, he never closes the curtains. He always welcomes the sun.
"It's been years," Eli says, gently. He rests his hand over the back of Nine's neck, and finds what he's looking for with his thumb - just beneath his ear, a notch of scarring that is invisible unless you know how to find it by touch alone. "Since we were separated. It would be natural to-"
"There isn't anything natural about it," Nine interrupts, rolling slightly onto his back so he can look up towards Eli without looking his place resting on his stomach. "About us. It doesn't matter. Eli... I've been looking for you. Everything else... was just wasting time until I found you again."
Eli's heart twists, a little. It flutters, perhaps. He locks it down as best he can, behind its protective walls. But he can't stop himself from the slight, quiet smile.
It's been so long since he's had a smile in him to give.
"Come now," He says, not quite teasing. "All this time?"
"Yes." It's spoken with Nine's unending sincerity, without hesitation, and those sharp warm eyes are on his own without looking away. "Yes, of course, all that time. I learned computers, I scoured every safehouse, all the records I could find. I learned how to break into WRU looking for you."
"Master hid me," Eli says, and looks away finally. His eyes travel over the silvered edges of the suncatcher. It hangs off a little suction cup stuck to the window, bumping into it occasionally with a soft click when the air being moved by the ceiling fan hits it just right. "We kept moving. He didn't trust WRU. He thought someone helped us escape, that time, someone from inside WRU."
"Bullshit." Nine snorts. "We took a chance, that's all."
"I know, but he did not know that. When I was brought back to him, he was sure we had been freed by someone. That we could not have done it ourselves. I didn't try very hard to prove him wrong." Eli sighs. "I thought it best to be underestimated."
"I still couldn't find you. I was always too late. A week, maybe a month too late. Every place, every time. But I kept trying." Nine rolls over in a sudden rush, and he's still all long limbs and a hint of awkward sharp elbows and knees as he moves up, tucking his head into the side of Eli's neck and sliding arms around his waist.
He isn't any taller than the boy Eli was trained alongside, but he's filled out some. There's a softness to his shoulders now, his cheekbones have blended in with the rest of his face. There's a hint of round along his stomach. Eli shifts, running a hand over it through the fabric of Nine's t-shirt. No longer stick-skinny, now. He's a man who has enough food to eat, and a little more besides.
Tears strike him, with sudden vehement gratitude, that Nine has all the food he needs now.
He turns his head to breathe in the scent of Nine's shampoo. "I found you once."
"I know. I still have it, the suncatcher you sent, I-"
"You said that on the phone before." Eli closes his eyes, and the two of them bask in each other's warmth. Once the only constant in their lives, now they've gone so, so long without.
There is a long pause, comfortable silence.
Finally, but reluctantly, Eli must break it.
"Nine-... what happens now?"
"I don't care," Nine mutters, and he grabs blindly at the edge of a blanket without looking, pulling the many-colored quilt up over the two of them like they used to in Master's house, hiding in the warmth and the dark they had made and lying together, speaking and laughing for hours.
"I can't see you now," Eli protests, but it's half-hearted and both of them know it. There's a hint of light filtering through the squares, and he catches a hint of Nine's nose, the curve of his lips.
"You never needed to see me, before," Nine says, and there's a question, there. Something worried. Maybe a little frightened. "We knew each other better than needing to see."
"We still do, I think," Eli says, a little soothing, and relaxes into the mattress even as he throws his arms around Nine, too. "We are older now. We have been apart. What are we, really, now? Are we friends? People who once knew each other? Nine, please, tell me-"
"Bonded," Nine breathes, with painful relief. "We're bonded, Eli. We always were. You're mine and I'm yours. Remember our promise? They made our hearts the same."
"Of course. I whispered it to myself every single night." Eli turns to speak, lips moving against Nine's hair. "'Before I belong to a master, I belong to you.'"
"I belong to you," Nine replies. He matches the cadence, perfectly. "'Before I am my master's pet'..."
"'I am yours'," Eli finishes, whispering in the dark. "Even now."
"'Before I am alive,'" Nine murmurs, "'I am your bonded."'
This is sort of a short sweet epilogue to this post right here
-
"Did you ever meet anyone?" Eli asks the question idly, as he toys with soft brown hair between his fingertips, pulling a lock straight and then watching it fall back against the other man's scalp.
Nine's head rests on his stomach.
Eli's bed is big enough for the two of them, just barely - and it's so different than his memory of Master's enormous bed, how dwarfed even the two of them had been in it on the days they'd spent together, talking in low voices just like this.
There's a bottle of some kind of cold and flu medicine on the bedside table, a little cup beside it with the dregs of purple syrup lining the bottom.
Eli has never taken a single dose of medicine that Nine did not coax down his throat, and this is no different. It was perhaps the third thing Nine did, after hugging him, after crying.
After they both cried, and Antoni mercifully pretended he did not notice.
Beside the medicine is his steaming, fresh fourth mug of elaichi chai and a half-empty Gatorade, and that was Eli's contribution to his own healthcare.
His throat hurts, when he swallows, but it's a pain gone distant thanks to the medicine and the heat of the tea.
He thinks his fever has broken - there is a cool sweat broken out across his brow and his upper lip, and it feels like heaven.
"There isn't anyone else," Nine whispers.
His lips barely move, his eyes are closed. Eli lets his head rest back on the pillow, his own gaze moving slowly over the ceiling. He draws nonsense circles on Nine's skin as he looks.
There's an old water stain there, over in the corner. Eli's thick eyebrows furrow slightly in thought. It looks ancient, fixed but no one bothered to hide it.
His Master would have died before staying in a place with a visible water stain.
Those days with Nine in the Master's house... Nine had been a spark of color, bright life and humor, in a place devoid of it. A delightful imperfection in a place that was so perfectly wrought it seemed everything was icicles.
Clear as glass, and deadly if you couldn't escape its chill.
Here, the sun shines warm through his window. Light chases itself through the cheap paint in the make-your-own-suncatcher that hangs there. His blanket is a quilt made of a thousand ridiculous colors he'd asked for at a thrift store when he went with Kauri, once. There's a couple of squares that remind him of the shadowy woman in his mind. They feel like her clothes, they look like her.
It seems like a sort of respect, to the idea of her, to keep something that reminds him this close.
Eli's eyes trace rainbows bouncing around the ceiling, thrown by the prisms, light broken by the window and the glass. The very makeup of light is heat and joy, messy layers of color.
There is nothing particularly clean, Eli thinks, about sunlight. Not compared to his memories of cold white lights from the ceiling. How long he went having forgotten sunlight entirely, until they he and Nine had been given to his master to go home.
Here, he never closes the curtains. He always welcomes the sun.
"It's been years," Eli says, gently. He rests his hand over the back of Nine's neck, and finds what he's looking for with his thumb - just beneath his ear, a notch of scarring that is invisible unless you know how to find it by touch alone. "Since we were separated. It would be natural to-"
"There isn't anything natural about it," Nine interrupts, rolling slightly onto his back so he can look up towards Eli without looking his place resting on his stomach. "About us. It doesn't matter. Eli... I've been looking for you. Everything else... was just wasting time until I found you again."
Eli's heart twists, a little. It flutters, perhaps. He locks it down as best he can, behind its protective walls. But he can't stop himself from the slight, quiet smile.
It's been so long since he's had a smile in him to give.
"Come now," He says, not quite teasing. "All this time?"
"Yes." It's spoken with Nine's unending sincerity, without hesitation, and those sharp warm eyes are on his own without looking away. "Yes, of course, all that time. I learned computers, I scoured every safehouse, all the records I could find. I learned how to break into WRU looking for you."
"Master hid me," Eli says, and looks away finally. His eyes travel over the silvered edges of the suncatcher. It hangs off a little suction cup stuck to the window, bumping into it occasionally with a soft click when the air being moved by the ceiling fan hits it just right. "We kept moving. He didn't trust WRU. He thought someone helped us escape, that time, someone from inside WRU."
"Bullshit." Nine snorts. "We took a chance, that's all."
"I know, but he did not know that. When I was brought back to him, he was sure we had been freed by someone. That we could not have done it ourselves. I didn't try very hard to prove him wrong." Eli sighs. "I thought it best to be underestimated."
"I still couldn't find you. I was always too late. A week, maybe a month too late. Every place, every time. But I kept trying." Nine rolls over in a sudden rush, and he's still all long limbs and a hint of awkward sharp elbows and knees as he moves up, tucking his head into the side of Eli's neck and sliding arms around his waist.
He isn't any taller than the boy Eli was trained alongside, but he's filled out some. There's a softness to his shoulders now, his cheekbones have blended in with the rest of his face. There's a hint of round along his stomach. Eli shifts, running a hand over it through the fabric of Nine's t-shirt. No longer stick-skinny, now. He's a man who has enough food to eat, and a little more besides.
Tears strike him, with sudden vehement gratitude, that Nine has all the food he needs now.
He turns his head to breathe in the scent of Nine's shampoo. "I found you once."
"I know. I still have it, the suncatcher you sent, I-"
"You said that on the phone before." Eli closes his eyes, and the two of them bask in each other's warmth. Once the only constant in their lives, now they've gone so, so long without.
There is a long pause, comfortable silence.
Finally, but reluctantly, Eli must break it.
"Nine-... what happens now?"
"I don't care," Nine mutters, and he grabs blindly at the edge of a blanket without looking, pulling the many-colored quilt up over the two of them like they used to in Master's house, hiding in the warmth and the dark they had made and lying together, speaking and laughing for hours.
"I can't see you now," Eli protests, but it's half-hearted and both of them know it. There's a hint of light filtering through the squares, and he catches a hint of Nine's nose, the curve of his lips.
"You never needed to see me, before," Nine says, and there's a question, there. Something worried. Maybe a little frightened. "We knew each other better than needing to see."
"We still do, I think," Eli says, a little soothing, and relaxes into the mattress even as he throws his arms around Nine, too. "We are older now. We have been apart. What are we, really, now? Are we friends? People who once knew each other? Nine, please, tell me-"
"Bonded," Nine breathes, with painful relief. "We're bonded, Eli. We always were. You're mine and I'm yours. Remember our promise? They made our hearts the same."
"Of course. I whispered it to myself every single night." Eli turns to speak, lips moving against Nine's hair. "'Before I belong to a master, I belong to you.'"
"I belong to you," Nine replies. He matches the cadence, perfectly. "'Before I am my master's pet'..."
"'I am yours'," Eli finishes, whispering in the dark. "Even now."
"'Before I am alive,'" Nine murmurs, "'I am your bonded."'
One of Jakeâs rescues becoming ill, but managing to keep their condition to themself by mostly sticking to their room. Until their fever spikes, and half the safehouse witnesses them collapse when on their way to the kitchen for water.
CW: Sickfic, feverish whumpee, sick whumpee, memory loss, BBU, past pet whump referenced, caretaker and whumpee
This is for @vickytokio who has been so patient in waiting for this moment.
-
There is a hand at his elbow, and he shakes it off, shifting to press his back to the wall. It's cool, cold enough to make him shiver, and his shirt sticks to the sweat on his lower back as he tips his head back.
"Eli?" Antoni leans over him, eyebrows furrowed in a slight, soft concern.
Better him than anyone else, Eli thinks.
"I'm fine," Eli says, voice low. The music of his natural singsong, the softest hint of an accent from the mystery of his birth, is buried beneath a hoarse, husky overlay. His throat aches, stabbing sharp pains with every swallow, making him wince. "Just thirsty."
Antoniâs lips thin, and thereâs a tension to him. Eliâs eyes roam slowly over the lines of his shoulder beneath the heavy sweater he wears, linger on the single ancient round scar on one side of his neck. âYou are sick,â He says, softly. âI know sick.â
âOh, do you.â Eli pushes himself to his feet, using the wall for balance, and when Antoni wordlessly offers a hand he pulls away from it, moving further down the hall towards the kitchen.
He wishes he didnât have to shuffle not to feel like heâll fall over. It doesnât help him seem as fine as heâd like.
âYou should⌠you should rest,â Antoni says, a little helplessly, as he shadows Eli down the hallway. Eli sets his jaw and ignores him. The rough touch of the hallway along his fingertips hurts. His skin feels stretched over empty air inside him, and he shivers at something like a breeze.
âI want a drink of water,â He says. He canât keep his voice low enough to disguise the roughness of it. Thereâs a pressure above and beneath his eyes, throbbing as it pushes against the bone beneath. He has to squint against the ache of the light. âIâll lay down after that, An-... Antoni.â
âPlease,â Antoni says, and thereâs something tentative and nearly tremulous in his own voice. âPozhaluysta, Eli, let me help you.â
Eli pauses, and the corner of his mouth twitches, the faintest, faded hint of a smile. âMne ne nuzhna tvoya pomoshch', Antoni.â
He risks the dizziness to turn, just so he can see the look of shock on the other manâs face. âYou-... you-... ty govorish' po-russki?â
âDa.â Eli laughs, raspy and barely-there, and wanders into the kitchen. It feels like itâs taken weeks, months, ages just to walk from his room in the back into here. Sunlight streams in from outside, and he shudders against the stabbing pain of a memory of a warmer sun in a hotter place, of a different kind of hand pressed to his forehead. A whisper of a womanâs voice, Asahaay bachcha. Ab so jao, Jairaj.
Her eyes and skin and hair were all so dark, blocking out the hated, hurtful sun when he burned, warm as a blanket when he froze. Warm hands on cold skin, cool palm to sweating forehead or the back of his neck.
He tries to forget it as quickly as he can, to let her voice slip back and away. He canât take the migraine that comes with memories, on top of all his other hurts. The bones of his very thighs ache as he makes his shuffling way to the fridge, opening it up.
âSince-... since when do you-â
âMy master,â Eli says, pulling out a bottle of vaguely-gray-blue Gatorade, twisting off the top and drinking the cool, sweet liquid until it runs out of either side of his mouth. âLoved opera. We went to the Bolshoi at least once a year, the two of us. He had friends who were Russian. I learned to pass the time. There wasâŚâ He hesitates, staring at the Gatorade. Somehow, half of it is already gone. âThere was so much time.â
Antoni is quiet, but he moves to the side, setting the kettle on the stove full of water to boil, pulling down two mugs. Eli watches him with hazy eyes as he opens two different boxes of tea, the elaichithat Eli prefers, heavy and sweet with cardamom and ginger, his own strong black tea. âThe day gets away from you,â Antoni says without looking at him.
Eli considers escaping back to his room from this⌠this moment that comes between them, uncomfortable intimacy.
Instead, he turns and leans against the fridge, lets the cold of it soothe the burn of his skin right through his shirt. âThere are too many days,â He says, wiping at his mouth, looking down to find drips of Gatorade soaked into his shirt. Oh, well. It can join the sweat, canât it? âEspecially after my bonded was gone-... after I came back to my master. What else did I have to do, but learn while locked into my masterâs bedroom?â
âYour bonded must miss you,â Antoni says, quietly. He stays on the other side of the room the span of the table and chairs between them, and Eli could cry with gratitude at the air Antoni gives him to breathe, so unlike the suffocating concern of therapists and doctors and Jakob Stanton.
âI assume he is dead,â Eli says, voice flat. âWe donât live long, away from each other. Everyone knows that.â
âBut you are here,â Antoni counters, voice gentle. âYou are still here, Eli.â
Eli raises his chin, jaw set, dark eyes flashing beneath the fog of his fever. âI am stronger than others.â
âStronger than your bonded?â
His heart flutters, deep down, beneath the solid breastplate of bone where it is carefully shielded. He can withstand the blows.
âHe was never the same kind of strong as I. Why are you making me tea?â
Antoni doesnât answer at first, turning away to pull down honey in a little plastic jar shaped like a bear, tipping it upside down to add the cloying syrup first to Eliâs mug, then his own. Without looking back, he says quietly, âHow else will you allow me to show you that we care if you are ill?â
âI donât get sick,â Eli says, but he knows his appearance - pale, clammy, with the deep circles beneath his eyes - gives away his lie. âGood pets donât-â
âWe are neither of us very good pets,â Antoni says, and he smiles over his shoulder. Eli canât help but return it, somehow.
He must be sicker than he thought.
âThis is true. But I have always kept to myself, Antoni. I do not intend to stop now-â
âWhat was your bondedâs name?â
Eli stiffens all over again. âWhy do you want to know?â
âBecause⌠becauseâŚâ The water in the kettle is starting to make a soft sound, as bubbles form on the bottom and break the surface. Not quite boiling, but close. âBecause I think everyone should be remembered, this is all. I think we all of us deserve our names, and to be thought of.â
âI never stop thinking about him.â Eli looks down at his fingernails, still carefully filed and trimmed and cared for. âThey donât know what theyâve done to us, when they make us bonded. That it doesnât stop, that you canât turn it off. They donât know what theyâve done-â
âYes, they do.â The whistle of the kettle starts up, soft as a song, and Antoni pulls it off the stove immediately, pouring the steaming clear water into the mugs, one by one. Thereâs a silence, as he does it, the strong smell of cardamom rising in the air almost immediately. âThey know exactly what they have done.â
âYes.â Eli sighs heavily, and finally allows himself to sit at a chair at the kitchen table. His legs are nearly weak with relief, and he finds himself resting his forehead on his arms, slumped. Some part of him screams to straighten his posture, keep his chin up, smile warmly when heâs looked at, be seen and not heard, no one cares about his thoughts, recite the words heâs learning in his mind while they talk around and over him. After all, heâs just there to decorate.
Just there to be his masterâs exotic trophy, as lifeless as the head of a lion on the wall.
But heâs not there any longer.
âI found him once, I was able-... able to send a package. But then he was gone again, the house was empty. I donât know where he went. If he hurts as much as I do at not having each other⌠maybe he is dead.â
âI am sorry,â Antoni says, softly.
âNe izvinyaysya.â
ââDo not be sorry,ââ Antoni echoes, opening the fridge. âI could hardly understand that one.â
âWell, I am sick, arenât I? You canât blame me for screwing up the emphasis.â
Antoni laughs. Thereâs an odd warmth in Eli at the sound. âThat is fair.â
âIn any case⌠Nine,â Eli says, muffled by the dark soothing prison of his own arms. âHis name is-... it was Nine.â
Thereâs a thunk, the gurgle of liquid pouring out, and Eli looks up from his arms to see Antoni staring at him as milk pours onto the kitchen floor from the half-gallon tipped onto his side at his feet. âDid you say Nine?â
âMy master never gave him a name,â Eli says, confused. He stumbles to his feet to grab at a towel, which seems to break Antoni from his strange trance, as he jerks back into motion and picks up the milk, splashing it into the cups before stashing it back in the fridge, nearly empty now.
He drops to a crouch to help Eli clean up the spreading pale liquid, shaking his head. âEli-â
âI think I did not smile, after we were found,â Eli says, looking at the soaked-through towel, a pale cream with blue stripes. Itâs spotted with old stains that never came out in the wash. His master would demand the towel be replaced when the first stain stuck, but here everything is kept until it is threadbare. âWhat did I have to smile about? Do you see?â
âI-â
âWhat will I ever have to smile about again?â Eli chuckles, then winces as his throat punishes him for even a hint of cynical, unhappy humor. âThis is more than you have heard me speak ever before, I guess. He does that to me. Thinking about-... he could always get me talking when nothing else could. Even if heâs gone⌠even if heâs gone, heâs still here.â
Antoni is quiet, and then shifts to his feet. He drops a damp towel into the sink. âEli, he is not gone.â
âNo, I know. Memory is-â
âHe was good with devices,â Antoni says, suddenly. âWas he not? Good at looking at a phone, a computer, and knowing how it would work inside? Good at knowing how to use them?â
âWhat? No, we were never allowed to touch anything like that.â Eli pauses. His brain feels too full of fog and his eyes ache too much to fully understand what Antoni is saying. The smell of cardamom is stronger, and it seeps into his mind, brings back to his thoughts the shadowy woman, the scent of her own teas steeping, the steaming samosas on the table, the way she would bring home mangos when he was sad without him having to ask, piling them high and watching as he demolished them-
The pain rises, and he puts his hands over his face, trying to force her back down again, but she doesnât want to go. Her lips thinned with disappointment, her soft subtle proud smile when she didnât think he would see it. She loved him in the things she did, not the things she said.
He has a sense of them both covered in color, vibrant as paint, a small boy in a womanâs arms.
His master never wanted him to wear colors at all.
His master talked about adoration but it was only in his words, and his actions were always suffocating and buried Eli, alone.
âI think I know your Nine,â Antoni says, a hand at Eliâs back. It hovers, not quite touching, but Eli can feel the weight of it even so, feel the pressure of the near-contact. He swallows the lump in his throat, pushes past how it hurts.
âMy Nine,â He says, a breath. A sigh and nothing more. He doesnât want to believe it, and so he doesnât. Itâs as simple as that. âIt was years ago, Antoni. I was taken back to my master. I was alone for years, and the days were⌠so long. Iâm sure youâve met people like him. There are so many of us, there must be others who feel like me.â
âNo, Eli. Nyet, listen to me, I know your Nine. He is hiding in a place north of the city, he is-... he is-... he helps us all now. Your Nine, I know it must be yours, he told me once he knew what it means to lose, and he asked if I had a bonded, then. I did not understand that he meant he had one.â
Eliâs body is frozen, torn with equal strength between denying it - he cannot grieve Nine all over again, his heart wonât withstand the pain of the loss, if it isnât him Eli may lose his mind this time - and wanting to ask.
He settles on the question.
âWhat does he look like?â
âThis Nine that I know is tall, but he slouches. His hair is brown-â
âEveryoneâs hair is brown,â Eli says, acid-laced, his eyes closing at the memory of Nine and his wide bright smile, slouching in the heavy oversized sweats he wore day-in and day-out in shades of beige or gray, compared to Eliâs perfectly tailored suits and silk pajama sets. âIt is a common color of hair and it means nothing-â
âHe wears a brace when he works,â Antoni says, âand he is telling me once it is because his arm was broken so many times by his master that it never healed right in the end. He has scars-â
âStop,â Eli says, and the heels of his hands push into his closed eyes, sparking bright colors behind the darkness of his eyelids. âDo not say-â
âHis bonded loved stained glass, he tells me, one day we are working together. His bonded loved color but could not have any of his own, his bonded had dark eyes and dark hair, his bonded would sing sometimes in-â
âHindi,â Eli cuts him off, and his voice sounds strangled. Hands around his throat that are nothing but memories of those bare moments of happiness they had together, lying on his masterâs bed whiling away the day, teaching his bonded the songs he couldnât forget, child rhymes from a home he couldnât remember. "I like to sing in Hindi."
âDa,â Antoni breathes, and Eli opens his eyes to find Antoni setting the mug down in front of him, milky and pale brown, looking at him with his deep brown eyes, an urgent expression.
âChto, yesli eto ne on?â It seems safer to ask in a language that isnât his in any way.
âIt is him,â Antoni whispers, and puts his cool hands over Eliâs. To be touched directly by Antoni is so rare that it occurs to Eli he has never seen Antoni touch anyone first, only react to be touched by others. But now, he puts his hands on Eliâs, and his fingers are cold but they warm to Eliâs skin quickly.
The sleeve of his sweater pulls back at the motion, and Eli seems circle-scars along the inside of his wrist, disappearing up inside his sleeve. When his eyes raise, he can see more through the shadowed neckline of Antoniâs shirt, traveling down his collarbone until the shadows overtake them.
âEli, I am sure it is him.â
âIf it isnât, I wonât survive it,â Eli admits, voice cracking, his smooth soft singsong shattering beneath the insistence. âI wonât. I canât lose him again, even if it is only a dream of him, I cannot lose him again-â
âBut what if you find him, instead?â Antoni meets his gaze, his messy dark hair falling over his own eyes in contrast to how neatly short Eli keeps his. There is an uncertain, hopeful smile on his face. âWill you survive that?â
âI might.â Eli is whispering, now. âI might. But-â
âThen I will call him.â Antoni pulls out his cell phone, and Eli exhales, closing his eyes. Heâs too sick to say no to hope, when he has kept himself safe by doing exactly that, over and over again, ever since he lost Nine in the first place.
The ring of the phone is audible, just barely, against Antoniâs ear.
Nothing will come of it.
Nothing has ever come of his hopes-
âI know I am waking you,â Antoni says, cutting off whoever is speaking on the other end. âI know.â
Eli looks to the clock over the oven, and it reads 11:34. Nine always could stay up all night and sleep the day away, if allowed to.
He fights the way his heart starts to flutter, as if trying to escape how tightly he has caged it under the stone of his skeleton to keep it safe. It isnât him, he tells himself, desperate not to feel the tearing, screaming grief he has felt once before. It isnât him, it isnât him, it isnât him.
âJust bear with me. I will put you on speaker.â Antoni sets the phone down in front of Eli on the table. âSay hello to one of our residents.â
Thereâs a pause. Then, tired and hazy, a familiar voice. A little deeper, with time, but still⌠familiar. âHello? Is there a reason Iâm saying hello to-â
âNine,â Eli breathes, his fingers twitching towards the phone and stopping themselves. His vision blurs, and it takes him a few seconds to realize itâs because he canât see through his tears. âNine. Nine, my Nine, my Nine, itâs me.â
Thereâs a silence, and then a thunk, and a curse comes through the phone. Eli puts his hands over his mouth to hide the way he wants to laugh, high and crazy, because he knows exactly what happened.
âYou fell out of bed, didnât you?â
âI sleep on a mattress on the floor, but I managed to fall out of that anyway,â comes the voice on the other end. âI always-... is this really Eli?â
âItâs me,â He manages. âDid you g-... did you get my gift when I sent it-â
âYes. Donât leave that fucking house, Iâm coming to you.â He can hear Nine moving, shuffling and rustling through the speakerphone, the jingle of keys. âDonât you dare leave, donât you dare, itâs going to take me like five hours to get to you, donât you fucking leave-â
âI w-wonât, Iâll be right here, Nine, Iâm right h-here-â He lets out a single, uncontrolled sob before he tightens himself, before he forces the emotion as deep down as he can force it to go.
âIâve been keeping that stained glass in the window of my last four houses,â Nine says, breathless. Eli closes his eyes and imagines his bonded running down the stairs of some house somewhere, the focus on his face.
How has his face changed? Has it? Or will he look just the same?
âI couldnât find you again,â He says, voice shaking still. Cautiously - he allows his heart to beat fast. He lets the cage of his emotions crack, just the slightest bit, open. Lets himself breathe. âYou should know, I am very sick-â
âLet me guess, youâre telling all of them youâre fine and you can handle it and do it all yourself, like always.â
Eli laughs, startled into the freedom of the sound. âYes.â
âGood to know I still know you as well as I used to.â
âWe always knew each other best,â Eli says, and then his voice dips, and he leans forward to whisper. âI missed you so much.â
âI thought of you every day, Eli. Every damn day. Iâve been looking for you, every single day.â
âWell⌠here I am.â
âDonât hang up the phone.â Eli hears Nineâs ignition start, the rumble of some ancient car. âPlease. Please just keep talking to me, Iâm afraid if you hang up Iâll wake up and this was just dreaming about you again.â
âDo you dream about me?â
âAlways. Do you remember how we used to sing?â
âYes.â
Antoni taps the back of Eliâs hand, lightly. His smile is wide, and there is a shimmer in his own eyes, too. âTake my phone to your room with your tea,â He offers. âI will bring you the charger.â
âThank you,â Eli says, and he doesnât just mean about the phone.
Antoni only turns away, leaving to head for his own room. Eli stands, balancing phone in one hand and mug in the other, moving slowly down the hall. Nine starts to talk to him about where heâs staying now, and Eli lets the familiarity of that voice wash over him. The empty spot they made inside of him during training starts to refill.
His bonded, after all, always meant far more to him than any master he was meant to love.
They didnât know what they had done, when they came up with bonded pairs. They didnât just give Eli a built-in nursemaid, companion, or servant. They didnât make him a weakness.
They gave him a way to break through the love he was supposed to feel and remember what actual love felt like. They gave him the first steps towards escape, they made it so they couldnât paint over the person he is with someone else he was supposed to be. Not entirely.
He showed through, an oil painting with a second one hidden just beneath the first.
Nine made it out earlier, but the love of Nine had led Eli here anyway.
âI canât wait to see you again,â Nine says as Eli drops onto his bed, closing his eyes, letting the phone rest warm just beneath his collarbone.
Over his heart.
His fever burns, but the knowledge that Nine is coming burns brighter.
I love willing guard dogs <3 I love characters who devote themselves to someone to an all consuming and unhealthy extent and are aware of it and decide they don't care. I love when characters will tear the world apart for the ones they love regardless of whether or not they have any feelings about it. I love when a characters morals mean nothing next to the person they love. I love when they are fully capable of taking care of themselves and want to be owned and doted on anyway. I love when they brutally murder someone and the other looks at them with silent approval and they preen just a little, knowing they're doing a good job. I love. Guard dogs <3
I love when they look to their companion/handler for instructions on what to do subconsciously. I love when they're covered in blood and burying their face in their chest saying they're so glad they're safe. I love when they could be free and choose not to be, because why would they ever want that when their Person is right here? I love when someone refers to them as that persons attack dog and they don't even deny it. I love horrible toxic and mutually obsessive attack dog and handler dynamics hello hello hello-
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CW: Captivity, brief religion and alcoholism talk, some big old stabbing fun, explicit noncon (marked at beginning and end with -), derogatory/dehumanizing language, blood, victim-blaming/self-blame/survivorâs guilt, choking
The Same Bed: Part One: Jake | Part Two: Krista | Part Three: Chris | Part Four: Vincent | Part Five: Antoni | Interlude | Part Six: Nat | Part Seven: Owen | Part Eight: Tonight | Part Nine: Reunion | Part Ten: Too Late | Epilogue
-
Somehow, through some miracle, Vince falls asleep for a while.Â
With his arms back up over his head, he isnât sure how itâs possible. They ache, and throb, the pain winding its way down into his ribcage and up to his forearms, but⌠somehow he settles in just the right way, and the hurt fades just enough, that he finds his eyes slipping closed - and that heâs struggling a little more with every blink to open them again.
He doesnât know how long he sleeps - Owen pulled the curtains shut over the windows and he has no idea what time it is, day or night. Only that Owen hasnât come back with Kauri yet, and Vince finds himself hoping as he shifts around in the bed that thereâs been a terrible accident that Kauri somehow walked away from unharmed. Just Owen, twisted and mangled in the wreckage and no longer anyoneâs problem but Godâs.
Not that Vince is all that sure thereâs someone watching over all this bullshit - his sponsor thinks so, full on atheist-to-believer story when they met alone for the first time. I donât know shit for certain, Vince, heâd said, smiling at him over a cup of cheap scalding coffee, in a diner where the waitress thought he was Kauri and looked genuinely disappointed to find out he was just some movie star instead. Dime a dozen in this town, where Kauri⌠is unique. All I know is before I had God, I had beer. It cost me my wife, my kids, and my job. And after I found God, I didnât drink another drop. Took a couple more years of AA and therapy after that, but now my ex and I share custody. I figure even if it turns out thereâs nothing up there, the belief got me my kids back, so thatâs no small thing, yeah?
Yeah. Vince had smiled, a sort of sidelong half-way expression. But⌠Iâm sorry, I donât believe-
You donât have to. Iâm not asking you to, and Iâll never bring it up again if it makes things uncomfortable for you. Itâs just part of my story on why I stopped drinking, and not even all of it. Look on my wifeâs face when I showed up drunk to my eldestâs graduation, thatâs the biggest reason. God just helped fill in the cracks. If you got something else to do that, thatâs good, too.
I donât know what I have. Vince had water and a coffee in front of him, the ice clinking softly. He couldnât stop sipping things, trying to bury his need for alcohol in a flood of other liquids that at least wouldnât tear his liver apart from the inside out. The waitress set their food down in front of them, flat diner burger and french fries, and sighed heavily in a way that told him that she was still deeply regretful he had the audacity to not be Kauri Grant. I like to help out with charity, I do a lot of that. I work with-⌠with pet lib groupsâŚ
So hold onto that, then. It had been a test, to see how his sponsor would react, but the man just smiled and nodded, took another drink of coffee. Vince tried his - it was bitter as hell, and he started pouring creamers into it just to take the edge off. I know the âhigher powerâ stuff can bother people, but you just need to think that a higher power can be anything that helps you. Anything that moves you forward. So maybe in your case itâs that you can be more help to those runaway pets if youâre sober. Yeah? Thatâs a higher power - doing good in the world. You can hold onto that. Your higher power can be the idea of leaving the world better than you found it.
Yeah. Vince thought of Kauri, having apparently been here before - he lives in a whole other city, hours away from the bright lights and raging monotony of Hollywood, but somehow heâs been down here, and often enough that the waitress had thought she recognized him. What did Kauri do, in all these years since heâd escaped being Vinceâs stand-in clone for Owen to tear apart piece by piece?
His throat tried to close, and he gulped burning hot coffee to punish it for the attempt.Â
Yeah, he said again, after a long momentâs thought. He thought about Kauriâs face, how it had gone from soft around the edges with shadowed, scared eyes to more angular, stronger, more determined. How he had gone from hiding from Vince to shouting him down to once or twice even offering him a drink when he showed up with a check for the safehouse. Youâre right. Thatâs something to hold onto - doing good in the world. Making it better for having had me in it.
Doing good, whenever he could, even if it was only to help someone whose only sin had been looking entirely too much like Vincent Shield. Making things better for Kauri would leave the world better all on its own, right? So Vince chose doing good. Doing good, and covering his entire house in so many bottles of water it was a wonder there was any place to set down the books he wasnât reading.
Vinceâs eyes pop back open.
Shit, had all those thoughts just been him dreaming?
His arms are still aching, and the slow throb of all the other injured places is increasing as the very last of Owenâs very special drugs wear off. Vince frowns as he hears some movement downstairs - it mustâve been what woke him up. Might be Nat and that Jameson guy, who for the record Vince finds vaguely terrifying. Maybe, exceptâŚ
No, he hears Owenâs low laughter.Â
Theyâre back.
Vince closes his eyes and takes a deep breath.
Showtime, he thinks, and tries to loosen up, shifting a little and gritting his teeth against the spike of pain deep inside of him. How much can he bleed, he wonders, before itâs too much for even Owen to handle?
Handler Peterson told 363 about the assessment while fastening a matte-black tracking cuff around their wrist. She spoke with the brisk, almost cheerful efficiency she used whenever sheâd already decided they had no reason to object. âItâs straightforward,â she said.
âYouâll be given a scent article, a starting location, and a limited search radius. Youâll identify the target, approach without attracting civilian attention, and hold them until the recovery team arrives. Think of it as a practical examination.â
363 lowered their gaze to the cuff. The narrow display showed their pulse, location, and the amount of time remaining, but no identifying information about the target.
âHuman?â
Peterson smiled faintly. âYouâve tracked people before.â
âThat wasnât the question.â
Her fingers tightened around their wrist just enough to make the warning clear.
âYes, 363. Human.â
She gave them a gray cotton shirt sealed inside a clear evidence bag. It smelled of sweat, antiseptic, stale fear, and the sharp chemical residue that clung to everything inside WRU facilities. Beneath those dominant scents, 363 found the subtler traces Peterson expected them to isolate: cheap soap, damp concrete, blood, and something faintly citrus, perhaps shampoo used days earlier. They catalogued each detail without visibly reacting.
The target had been frightened when they wore the shirt. The blood smelled old enough to have dried before the fabric had been sealed. There was too much antiseptic around the collar and cuffs, as though someone had scrubbed the wearer without giving them clean clothing afterward.
Peterson watched their face. âProblem?â
âNo.â
âGood.â She patted their cheek with proprietary approval. âI want clean work today.â
They left the facility in an unmarked black vehicle with Peterson, two armed handlers, and a driver. The windows had been darkened so heavily that 363 could barely distinguish the industrial streets passing outside. They counted turns anyway. Seven minutes south. Hard right. Three traffic lights. An overpass. A left turn onto older pavement. Rail lines nearby, judging by the vibration and intermittent metallic shriek beneath the tires.
Peterson spent most of the drive reviewing assessment criteria as though they were heading toward a controlled exercise yard. Speed. Discretion. Accuracy. Minimal property damage. No unnecessary civilian contact. 363 listened with their hands resting motionless on their thighs and their spine held precisely straight. They expected a WRU employee pretending to flee, perhaps a handler carrying the scent articleâs match beneath their uniform. The facility enjoyed elaborate tests. Sometimes the lesson mattered less than whether the trainee noticed which rules had quietly changed.
The vehicle stopped behind an abandoned distribution warehouse near the freight tracks. Rain had passed through recently, leaving the cracked asphalt dark and the weeds along the fence burdened with water. Peterson opened the door and gestured for 363 to step out.
Cold air struck their face. They drew one careful breath.
The scent from the shirt was here.
It clung to the rusted fence, the wet weeds, and the corner of the warehouse where someone had pressed close to the brick before moving east. The trail didnât follow the pattern of a planted exercise. It staggered. Doubled back. Paused beside places that offered momentary shelter. Drops of diluted blood marked the pavement beyond the fence, nearly erased by the rain.
363 crouched beside one of them. They didnât touch it.
The blood was fresh.
Behind them, one of the handlers shifted his rifle against his chest. Peterson remained beneath a black umbrella, immaculate in her tailored coat and polished shoes.
âWhen did they leave?â 363 asked.
Peterson tilted her head. âYou donât need that information.â
âTheyâre injured.â
âThen they should be easier to find.â
363 looked past the warehouse toward the narrow streets beyond it. A laundromat. A closed auto shop. Apartment buildings with exterior staircases. Farther east, traffic moved steadily across a raised highway. There were too many uncontrolled variables for a training exercise and too many handlers for a harmless actor.
They rose slowly. âThey escaped.â
Petersonâs smile sharpened.
The answer settled inside 363 with an unpleasant clarity. The target wasnât an employee. They werenât pretending. Somewhere beyond the warehouse, an injured captive believed theyâd gotten away.
âThis is a retrieval,â 363 said.
âThis is an assessment,â Peterson corrected. âYour assessment.â
363 looked toward the nearest cross street. The trail went east, but a scuffed patch of mud suggested the escapee had considered turning south. A smear of blood marked the brick at shoulder height. Theyâd been using the wall for support.
Peterson touched the center of 363âs back. âGo on.â
363 followed the trail.
At first, they delayed only by seconds. They examined prints already clear enough to read. They paused at intersections and tested the air from multiple angles despite knowing which way the target had gone. They checked behind a dumpster the escapee couldnât possibly have reached without leaving blood on the surrounding pavement. Each wasted moment remained small enough to defend as caution.
Peterson noticed anyway.
âYouâre moving slowly,â she said through the earpiece.
âRain disrupted the trail.â
âYou identified the direction immediately.â
âThere may be deliberate misdirection.â
A brief silence followed. 363 imagined Peterson reviewing the live feed from the device mounted against their collar, searching for the difference between methodical work and disobedience.
âYour target is frightened, injured, and untrained,â she said. âDonât invent competence where there isnât any.â
363 continued east.
The captive had crossed behind the laundromat, slipped through a gap in a chain-link fence, and entered an alley littered with shattered bottles and swollen cardboard. One footprint landed unevenly. The next dragged at the toe. Their right leg had begun failing. Theyâd stopped beside a drainpipe long enough to leave a handprint in the grime.
363 stood over the mark and listened.
Traffic. Water dripping from fire escapes. A washing machine thudding unevenly through the laundromat wall. A dog barking from an apartment window. The handlersâ footsteps stayed behind them, distant but never far enough. Peterson had ordered the team to give 363 room to work, not freedom to choose what happened when they succeeded.
The trail bent north.
363 went south.
They walked half a block before stopping beneath a rusted staircase and pretending to study a scrap of bloody fabric caught on a nail. It didnât belong to the captive. Wrong color. Wrong blood. Too old.
âIncorrect direction,â Peterson said.
363 removed the fabric and held it toward the camera. âPossible transfer.â
âNo.â
They let the scrap fall.
âNorth,â Peterson ordered.
The word carried the subtle cadence of a command drilled too deeply to ignore without consequence. 363 turned north.
The captive had made it another four blocks before slipping through the warped door of a condemned row house. The city had boarded the front windows, but someone had torn away part of the plywood over a basement entrance. Mud and blood marked the concrete steps. 363 could hear uneven breathing beyond the door before they touched it.
They stopped.
Behind them, the closest handler waited at the mouth of the alley with one hand near his weapon. Another circled toward the rear of the building. Peterson remained in the vehicle, watching through 363âs camera and tracking every movement through the cuff.
âTarget located,â 363 said.
âConfirm visually.â
They opened the door.
The basement smelled of mold, wet plaster, rodents, and fresh blood. Light entered through narrow gaps in the boards overhead, laying thin gray stripes across the debris. A mattress had collapsed against one wall. Broken pipes protruded from the ceiling. There was a rear window, but it was too small for a quick exit, and a rusted metal grille covered it from outside.
The captive crouched behind an overturned table.
They wore WRU-issued gray trousers and a thin white undershirt stained brown-red along one side. One ankle had swollen above a bare foot. Bruises covered their arms in several stages of healing, and a restraint burn circled their left wrist. Someone had clipped their hair close to the scalp, leaving uneven patches where the blades had caught skin. Their eyes fixed on 363âs black uniform, then dropped immediately to the insignia at their collar.
The hope vanished from their face.
âNo,â they whispered.
363 stepped inside and closed the door behind them.
The captive scrambled backward. Their injured ankle folded, and they struck the wall with a strangled sound. They grabbed a length of broken pipe from the floor, but their hand shook too violently to hold it steady.
âDonât,â 363 said.
âStay away.â
âThere are two handlers outside.â
The captiveâs gaze flicked toward the boarded windows.
âOne at the alley entrance,â 363 continued. âOne moving around the rear. Peterson has my location. Additional team in the vehicle.â
âYouâre telling me that so Iâll give up?â
363 evaluated the room again.
Front door behind them. Rear stairs, mostly collapsed. Basement window barred. A narrow coal chute in the corner, sealed with concrete years ago.
The building next door shared a wall, but the masonry had no visible breach. Even if 363 disabled the handler at the alley entrance, the second would cut them off from the rear. Peterson could activate the tracking cuffâs compliance mechanism before they crossed the next street. The captive couldnât run on the damaged ankle. Carrying them would reduce speed and leave 363 without a free hand.
One person might escape if the other stayed behind.
Not both.
âPlease,â the captive said.
363 didnât move.
The captiveâs grip slipped on the pipe. It struck the concrete with a hollow clang, and they flinched as though the noise itself might summon the handlers. âPlease. I didnât do anything. I didnât hurt anybody. I just left.â
363âs eyes settled on the restraint burn around their wrist.
âI got through a laundry vent,â the captive continued, words tumbling faster now. âThere was a cart, and the door wasnât locked, and I ran. Thatâs all I did. I didnât steal anything. I didnât attack anyone. I just ran.â
âYouâre bleeding.â
âI know.â
âYour ankle may be fractured.â
âI know.â Their voice cracked. âI can still move. Iâll crawl if I have to.â
363 calculated distances. Twenty-three feet to the door. Forty feet through the alley. Roughly eighty to the nearest intersecting street. The handler outside carried a rifle and restraint cable. The second carried a sidearm. Peterson likely had four more personnel waiting beyond visible range. Civilian traffic created witnesses, but WRU documentation would identify both captives as property and 363 as an authorized retrieval asset. Police involvement wouldnât guarantee release. It might only make the return more public.
They could attack the first handler. Perhaps the second. They couldnât neutralize Petersonâs control over the cuff before she used it. They couldnât keep the captive upright. They couldnât manufacture a viable route merely because the alternative was unbearable.
The captive studied their silence and seemed to understand that calculations were happening behind it.
âYouâre like me,â they said.
363âs jaw tightened.
âYou are.â The captive pushed themself higher against the wall, desperation briefly overpowering the pain in their ankle. âI saw your number. You belong to them too.â
âDonât use that word.â
âWhat word? Belong?â
363 took one step closer.
The captive recoiled but didnât stop. âThey made you come after me. They put that thing on your wrist. You think I canât see it?â
âItâs a tracker.â
âItâs a leash.â
363 heard a faint click through the earpiece as Peterson opened the communication channel, but she didnât speak. She wanted to hear how they handled this. The assessment hadnât ended when 363 found the target. This conversation was part of it.
The captiveâs eyes darted toward the door. âYou could say I wasnât here.â
âThey already know.â
âThen let me get past you.â
âYou wonât get past them.â
âHelp me.â
363 looked at the swollen ankle, the shallow breathing, and the blood soaking slowly through the captiveâs shirt. They imagined supporting their weight through the alley. They imagined the first handler raising his weapon. They imagined twisting his wrist, driving him into the brick, taking the rifle before the second handler cleared the corner. They imagined the cuff locking every muscle in their body before they reached the street. They imagined falling while still holding the captive and leaving them both on the pavement.
Every route ended with retrieval.
Some ended with the captive more badly injured.
363 reached for them.
The captive swung the pipe.
363 caught their wrist before the blow landed. They used minimal force, turning the arm until the fingers opened. The pipe fell. The captive gasped and struck at them with the other hand, weakly at first and then with frantic, ragged fury. Their nails dragged across 363âs cheek. Their fist hit 363âs shoulder. They tried to bite when 363 secured both wrists.
363 absorbed every attempt without retaliation.
âStop,â they said.
âLet me go!â
âYouâll worsen your injuries.â
âI donât care!â
âYou will when youâre returned.â
The captive went still for half a second. The terror in their face deepened into something raw and absolute.
âThatâs why I canât go back.â
363 knew.
They tightened their hold anyway.
The captive fought until their injured ankle slipped, then collapsed against 363âs chest. 363 caught them automatically. They weighed less than expected. Beneath the damp shirt, their ribs stood out sharply enough to count. Their breath came in panicked bursts against 363âs throat.
âPlease,â they whispered again. âPlease donât make me go back.â
363 placed one arm behind their knees and lifted them.
The captive screamed.
The sound tore through the ruined basement and brought the handler at the alley entrance to the door. He opened it with his weapon ready, then relaxed when he saw the target in 363âs arms.
âConfirmed,â he said into his radio.
363 carried the captive into the alley.
Rainwater dripped from the fire escapes and struck the captiveâs face. They twisted once, searching past 363âs shoulder for an opening that wasnât there. The second handler emerged at the far end of the building, sealing the only remaining route. A reinforced transport van rolled slowly into view.
The captive stopped struggling.
That surrender felt worse than the fight.
They stared up at 363. Their face had gone strangely calm, although tears continued slipping toward their ears. âHow can you do this?â
363 kept walking.
âHow can you do this to someone like you?â
Their steps remained even. Their grip stayed secure. Their expression didnât change, because Peterson watched through the camera and the handlers watched from both sides.
Inside, something recoiled.
363 couldnât remember their own escape, if there had ever been one. They couldnât remember a home, a family, or a name that hadnât been stamped into paperwork. When they searched for the person theyâd been before WRU, they found only blanknessâa vast, chemically scoured absence surrounded by fragments that didnât belong to a life. Languages without teachers. Skills without beginnings. Fear without its first cause.
They didnât remember enough to tell the captive who they were.
They remembered enough to know they shouldâve been better than this.
âI donât know,â 363 said.
The captive looked at them as though the answer had confirmed something terrible.
The van doors opened. One handler reached for the captive, but they clutched suddenly at the front of 363âs uniform. Their fingers curled into the fabric with surprising strength.
âNo. No, donât give me to them. Please. You donât have to. You donâtââ
The handler pried their fingers away one at a time.
363 allowed it.
They transferred the captive into waiting arms. The team forced them onto a padded bench and secured their wrists, ankles, chest, and throat with practiced efficiency. The captive didnât look away from 363 until the doors closed between them.
The final thing 363 saw was their expression.
They knew exactly what 363 had chosen.
Peterson arrived a few minutes later. She stepped out of the black vehicle and approached beneath her umbrella, looking pleased.
âExcellent work.â
363 stared at the van.
âYou compensated for poor weather, identified an attempted false trail, found a concealed target, and completed the retrieval with no civilian exposure.â She brushed a wet strand of hair away from their forehead. Her thumb passed over the scratch on their cheek. âAnd you controlled your strength beautifully. No unnecessary damage. I knew you could manage it.â
âThey need medical treatment.â
âTheyâll receive whatever treatment is appropriate.â
âThe ankle may be fractured.â
âI heard you the first time.â Petersonâs voice stayed indulgent, as though 363 had expressed concern about a damaged piece of equipment. âYou did very well. Donât ruin it by fixating.â
The captive struck the inside of the van once. The impact sounded dull beneath the reinforced metal.
363 flinched so slightly that an ordinary observer mightâve missed it.
Peterson didnât.
Her smile widened. âYouâre getting a reward.â
âNo.â
The single word fell between them.
One of the nearby handlers turned his head. Petersonâs expression remained pleasant, but her hand closed around 363âs chin.
âWhat did you say?â
âI donât want one.â
âRewards arenât always about what you want. They reinforce successful behavior.â
363 looked directly at her. âThen donât reinforce it.â
For one suspended moment, only rain filled the alley.
Peterson studied them with a new, intent stillness. Pride hadnât left her face. It had merely changed shape, sharpening into fascination with a problem she intended to correct. Her thumb pressed into the hinge of their jaw.
âYou located the target,â she said softly. âYou overcame resistance. You completed the return. Whatever little moral objection youâre building now doesnât change what you did.â
âI know.â
That answer pleased her most of all.
Peterson released their chin and patted their cheek. âGood. Then we agree the assessment was successful.â
She turned toward the vehicle and expected 363 to follow.
Behind them, the captive struck the van wall again.
363 stood in the rain for one second longer than permitted, staring at the closed doors and listening to a person like them beg from inside a locked box.
Then the tracking cuff tightened around their wrist.
CW: Intimate whumper, creepy whumper POV, noncon touching, some brief vague references to past dubcon/noncon, derogatory language/dehumanizing language, whumpee recaptured, drugging
 The Same Bed: Part One: Jake | Part Two: Krista | Part Three: Chris | Part Four: Vincent | Part Five: Antoni | Interlude | Part Six: Nat | Part Seven: Owen | Part Eight: Tonight | Part Nine: Reunion |
-
When Owen arrives, Kauri is sitting on a park bench.Â
The setting sun is a brilliant bloody red. You canât smell the smoke from the wildfires in San Francisco, theyâre farther away than that and the wind isnât blowing the right direction, but you can see them reflected in the sunsets and the wisps of clouds that try to block it out. The light has an eerie orange-gold quality, and Owen pulls into a parking spot and just sits, looking over the man who ran from him almost ten years ago.
Light like this calls for a soundtrack, some low and rumbling. Building tension for the killer to leap out of the nearby bushes. But the only soundtrack is the radio, playing a cheery 80's dance-pop song Owen only vaguely recognizes.
It's jarring, unsettling, and he turns the radio off entirely.
Sitting on a park bench next to the path, a scattering of trees behind him and a field of grass whispering to itself as the blades shift in the salt-sea breeze, is Kauri. The bay is vaguely audible, somewhere close by but not quite in sight, not from here. Just a soft rush of water, reminding the world that it is here, cutting away the land, second by second pulling sand back to itself, deep into the sea.
Kauriâs jaw is less soft and subtle now, it looks carved nearly from stone. His hair falls in the usual messy mop of wild black curls, but itâs a little shorter than it used to be. Back then, Owen decided his hairâs length and style, he had liked it longer than this.
Too bad there probably wonât be time to grow it out again.
He sits with his hands in his lap, spine straight, wearing an oversized hoodie and charcoal-black jeans with holes worn in the knees, battered and beat-up black-and-white checked shoes on his feet. He looks⌠so much like Vince. Or like Vinceâs homeless younger brother, fallen on hard times.Â
âThatâs him?â Hansonâs voice breaks Owen out of his reverie.Â
âThatâs him,â Owen confirms. His hands are gripped white-knuckle tight to the steering wheel. He has to carefully uncurl his fingers one by one by one by one, aching as the tension is released. âHeâll have someone around, so keep an eye out. Probably the one fucking him. Easy to get too attached once youâve had your dick in my Kor-Bore.â
Thereâs a pause, and then Hanson says, âClearly,â in a carefully neutral voice.
Owen ignores the flare of rage at the judgment heâs sure Hanson is hiding. It doesnât matter - heâll have both his Vinces soon enough, he can give Hanson the last third of his payment and never see him again. He looks around, carefully, and sees a beat-up car a few spots down with a man inside. He doesnât know the guy, not from this angle and from this far away, but he knows the boiling rage that opens and closes the manâs hands. He knows the intensity of the stare leveled Kauriâs way.Â
âThere he is,â Owen murmurs, and Hanson nods. He gets out of the passenger side, a hand on the gun carefully worn at his belt, ready to draw. Owen has one, too, just in case - not that heâs great with guns, but he does well enough. Goes to the range every week or so, tries to unload his stress there.Â
It doesnât help.
Not until he started picturing Vinceâs face with every pull of the trigger.
When Owen steps out of the car, straightening up and heading that direction, Kauriâs pretty blue eyes swing to him. His hands tighten into fists where they sit carefully on his thighs, his shoulders lower and his chin raises. But Owen thinks he sees Kauriâs jaw trembling, just a little bit.Â
How much will he shake, later, under Owenâs hands? How hard will he fight for air? It won't make any difference. He'll still be Owen's, in the end, right to the very last second and even afterward.
âHey, Kor-Bore,â Owen says, keeping his voice casual, uncaring. He watches the shudder run through Kauriâs body from head to toe with a mix of delight and irritation - Kauri used to love that nickname. Didnât he?
Didnât he always say he loved it?
âWhereâs Nat?â Kauri asks, instead of greeting him. He doesnât move from the bench, but his eyes flicker to the side and back, catching the sight of Hanson lurking, watching the other car without trying to hide it. âYou-... you said-â
âWhen I get you back,â Owen says, putting his hands up, showing how harmless he is, never mind the gun tucked into the back of his pants under his shirt. âThen we drive her and her pet to the outskirts of Berras and dump her at a bus stop.â
âHeâs not her pet-â
âShut up, Iâm talking. Are you supposed to interrupt me? Were you trained to interrupt me, Romantic?"
Kauri swallows, hard. Owen watches his Adamâs apple bob. â... no.â
âDamn straight. In any case, youâll be busy, but donât worry, Kauri, you know I donât mind letting you get in a goodbye. And you know I donât want to kill anyone, or hurt anyone, if I can just have you. No one else has to get hurt if you come along with me.â
âYouâll hurt me, though.â
âYeah.â Owen smiles, flashing perfect white teeth, obscenely perfect, in a wide smile. âI will. But just until Iâm done.â
"When you're... when you're done?"
"Yeah. But then you won't hurt anymore, so that's good, right?"
"Sure." Kauri's voice is faint, and he has to clear his throat to find it again. His head tips to one side. "And... and Vince? Will you hurt him, too?"
âToo late for that, you should see what he looks like right now. Fucking hot shit like blood running down his face, you know? Just like I remembered... but nobody else gets hurt. Just you two." He holds out a hand, like when he would urge Kauri out of bed, folding those long thin fingers in his own larger hand, pulling Kauri to him for a good morning kiss, enjoying the soft laughter heâd receive and thinking of Vince, wondering why Vince never laughed that way, with him.Â
Sometimes heâd push Kauri right back into bed and slot himself between those pretty legs, feel Kauriâs ankles hook behind his back, and listen to him laugh and moan and whimper and beg. It had been an amazing way to start the day.
Kauriâs eyes close, slowly. He takes a deep breath.
Owen wonders if heâs thinking about the mornings, too. How much fun they'd had, before Kauri got all those fucking ideas and took them all way too far.
Kauri pushes himself up to his feet, moving forward with the inevitability of any death, and puts his hand in Owenâs.
His fingers are cold.
Owen pulls them to his lips, breathing hot and feeling them twitch in his grip. âYour man over there going to try and fuck this up?â He asks, in a whisper. He kisses Kauriâs fingertips one by one, and his eyes are locked on the wide, warm blue.
Almost identical to Vince.
Almost.
Heâll cut them out, he thinks, before he lets Kauri die. Only Vince should get to die with those eyes.Â
âNo,â Kauri whispers.Â
Dark eyelashes lay long enough to just brush his cheek when he closes his eyes. One black curl hangs over his thick eyebrow on one side, breaking the line of his pale forehead. Owen leans forward to kiss the little furrow between his eyes, just above his nose.
Kauriâs nose wrinkles, but he doesnât pull away. âHe knows how important Nat is.â
âMore important than you,â Owen says, voice low. He trails his mouth down, pressing a kiss to the tip of Kauriâs nose, to his cheek. He keeps it all light, grazing, just enjoying Kauriâs stillness, his acceptance.Â
âMore important than me,â Kauri agrees, and when Owen pulls back thereâs a slight, sad, wry smile on his beautiful face. âSheâs saved a lot of lives, Owen. Iâm just-... just-â
âJust a whore with delusions of grandeur,â Owen finishes for him, cutting him off and pressing a thumb to his lower lip.Â
âI-I wouldnât have phrased it that way-â Owen pushes the thumb into his mouth and it cuts off his words, makes him choke and gag a little before he pulls it back out.
âDoesnât matter. I paid for a slut, and you stayed one, huh? I mean, look at you. How much are you fucking the guy in the car?â
â... as often as he wants to.â Kauri, the little shit, doesnât even look ashamed of himself for it.
"And who else?"
"Jesus, is this really the time-"
"I said, who else?"
âHim. Antoni." Kauri's eyes suddenly flare into a wildness, a defiance that sends rage boiling through Owen's blood. "Chris. Everybody, I fuck anybody and everybody, Owen, that's how much I fucking love being away from you. It's been, what, about a hundred guys in the past ten years or so? Maybe two hundred? Or three?â Kauriâs lips twist, and itâs like heâs trying to hold it back but canât. Like he canât stop himself. âCan't even keep them all straight, I don't even know what half of their names were any longer. They bought me drinks and I paid the way you trained me to pay, didn't I? Spread my legs, because I couldn't read and I couldn't get a job and I couldn't-... do anything else! You paid for a slut, right, you told me that all the time. You paid for a fucking whore who couldnât say no, what the fuck did you think I would do if I escaped you? Illiterate sluts canât exactly spend their time playing Scrabble, now can they? What was I supposed to do to stay alive, Owen?! What did you think-â
Owen grabs his throat, thumb pressing into the racing pulse under his jaw, watching his eyes widen in alarm and his defiance cut off like a switched-off radio. Hearing the soft cry of surprise and fear that escapes around his constricted airway. His hands come up to grab at Owenâs, at his wrist, scrabbling and digging bitten fingernails in, but he was never strong enough to stop him and that, at least, hasnât changed.Â
âI never liked it when you got a tone with me, Kor-Bore,â He says, leaning forward until his forehead rests against Kauriâs. Until his wide blue eyes take up all of his vision, until he knows his own eyes are all that Kauri can see. He watches Kauri blink, rapidly, watches a tear run down his cheek on one side and then the other. "And I sure as fuck don't like you holding all that shit up to brag about it."
"I-I'm sorry-" Kauri whimpers, and Owen feels that familiar heat in his stomach again, pleasure just at the sound of his fear. "I'm sorry, Mr. Owen, I'm sorry-"
Behind him, he hears a car door slam. âHey!â A deep voice calls out. âWhat the fuck are you doing?â
âStay right the fuck where you are,â Hanson snaps. âGet back in your fucking car.â
âIâm not here so I can watch him choke Kauri out right here, asshole!â
âI said get back in your fucking car!â
âOh, Prince Charming got pissed off,â Owen teases, and there - for just a second, thereâs anger again in Kauriâs eyes. But itâs gone as fast as it came, replaced by the fear.
Always, by the fear.
Owen loves the fear. He always did, even when he pretended otherwise. It had felt so good to see Vince afraid of him, over and over and over again, afraid and unable to escape like he had in real life. To reenact the story, and this time have it end Owenâs way, with someone beautiful in bed, underneath him, existing in a kind of limbo until he walked in the door.Â
Winking out of existence whenever Owen wasnât looking directly at him. Curling into a ball whenever he wasnât wanted.Â
âIâm sorry,â Kauri whispers, âThat I s-spoke to you that way. Just-... just get me in the car, please. I want to see-... to say g-goodbye to Nat. Iâve already said goodbye to-... to him. Them."
âRight. One second. Just need to checkâŚâ Owen lets go, and works his hands into Kauriâs hair, fingers over his scalp. He works his way down to his neck, noting the way his pale skin is already reddening from Owenâs brief grip on it, and then he pats him down, along the arms and the sides. He lingers a little longer around the hips than altogether necessary, maybe lets his hand stray while heâs touching the insides of his thighs. Kauri holds perfectly still for him, eyes closed now.
He accepts the touch, but he doesnât enjoy it.
Heâs ruined for that, Owen thinks, but thatâs okay. Kauri isnât supposed to survive very long after he gets him back to Vinceâs house anyway.
He doesnât find any hidden weapons. Not even a phone.Â
Owen stands back up, leading Kauri to his car, opening the passenger door for him to slip inside. Once heâs there as well, he twists around to pull a box out of the backseat and flips open the top. Kauri sits with his hands in his lap again, staring fixedly at the bench he was on. Somewhere nearby, the bay is sparkling with reflected embers, the last hints of red light fading into the starless night.
He has to turn the dash light on, and watches Kauri jerk when he sees whatâs inside the little cardboard box. âOwen-â
âItâs Mr. Owen, Kor-Bore.â Owen pulls the syringe out. Itâs pre-loaded, he and Hanson had made sure it would be ready to go. The liquid inside is suspiciously, alarmingly clear. It could be anything. It could be death itself, and Kauri wonât know until he feels it in his veins.Â
âI-... Mr. Owen, what is-... Iâm not going to try and run-... pl-please donât-â
âShut the fuck up. Itâs a five-hour drive where weâre going, Kor-Bore, and youâre going to take a little nap for the journey.â He taps, making sure there arenât any bubbles. âTake out that little packet and wipe the inside of your elbow with it. How long since youâve had a needle in your arm, huh?â
Kauriâs jaw tightens, briefly, and then he looks away, opening the single-use antiseptic wipe and drawing it across the inside of his right elbow, eyes closed. He shivers at the feeling. âSince I-... since the last⌠since my surgery.â
âReally? You never got into any of the hard shit while you were slutting it up all over California?â
âNot needles. Only-... only pills, drinking...â
âGood choice. Iâd just kill you right now if you got into that dirty needle shit. Here we go.â Owen takes Kauriâs arm in his hand, pulling it out straight. Kauri closes his hand into a fist as Owen ties it off below his bicep and feels for the vein. He knows how to do this, sort of, in theory. Heâs acted in some medical shows, played a drug addict a time or two, and heâs had it done to him for blood draws at the doctor.Â
The needle slides into the skin easily enough, and heâs about⌠seventy percent sure he definitely hit the vein.
He depresses the plunger, and Kauri gasps, eyes opening wide, whites around the pretty blue. âItâs-... thatâs from WRU-â
âCold as shit when they go in, huh?â Owen laughs, and discards the needle back into the box, dumping the whole thing into the backseat. A drop of red blood sits at the crease of Kauriâs elbow, nearly black in the near-darkness, the dash light the only thing that adds a hint of red. Owen wipes it away and rubs it off on Kauriâs cheekbone, smearing a streak of red there through the drying tear tracks. âThey do that on purpose, you know. Itâs part of the development process. They want you to know youâre being drugged.â
Kauri licks at his lips, pulling his arm back to his side. âI know⌠I know that. My handler... my handler told me that."
âAll right, Kor-Bore. Here we go.â His pretty Vince clone sits, silently, as Owen buckles him safely into his seatbelt. He stares back at the park bench when Owenâs hand touches his face and does nothing more than shiver a little when Owenâs fingers trace the side of his neck, find his collarbone, toy with the neckline of his hoodie. Owen has to pull it down to see the twisted scar.Â
âWas it worth it?â Owen asks, voice low. He leans forward and his lips move against Kauriâs hair. Soft, the heat of his body warming them when you get close to his scalp. Owen inhales deeply, the scent of Kauriâs inexpensive shampoo and whatever product heâs using these days. Kisses down to his earlobe, toying with a piercing there, lips around the small black hoop. âGoing on TV, telling everybody all that bullshit, was it worth it? Was it worth it, to have to come back home with me?â
Kauri holds still for him, even when Owenâs hand drops, even when it moves between his legs, palming him idly. He even spreads his knees apart, slightly, in an easy conditioned obedience that heâs never entirely lost. âSeventy-eight,â He says, voice hoarse.
âWhat?â Owenâs hand pauses, a weight pressing over the fly of Kauriâs jeans. He pulls back and away from his ear. Â
âThatâs how many people have been released since we did it. Another sixty-something investigations, theyâll probably get freed, too. Thereâs a law theyâre going to pass making it not illegal anymore to help us. Making what Nat does, what Jake does⌠legit. Hell, they even found that one guy from Germany who was some guyâs homemade pet because of it a couple weeks ago.â Kauri shakes his head. âChris is safe now, too. Really, truly safe. It was worth it.â
âBut you arenât safe.â
âNo, but... but I wasn't going to be. It wasn't about making me safe, I lied about that. I lied to Jake, I knew I wasnât ever safe. Not with you still⌠still looking for me. I wasnât ever safe.â
âNo. I never stopped looking for you.â Owenâs voice is low and loving, but Kauri doesnât react to it like he used to. Those big eyes donât search his for sincerity, he doesnât blush or smile or seem pleased. He only tips his head back against the seat, slowly closing his eyes.Â
âI know,â He says. âItâs-... itâs kickinâ in, now. Just take me wherever youâre going. Just get it over with.â
Something about this isnât right - Kauri was supposed to fight more than this, maybe. Or show more feeling, more emotion. This isnât the script Owen had written. Instead, the drug makes him limp and he looks like heâs being dragged to a concert for a band he doesnât like, not taken somewhere to go right back to the life he was designed for, made for, at least until Owen is done with him.
 Itâs with irritation that he rolls his window down. âHanson, get in the car. Weâre going.â
Hanson backs up until heâs at the door and gets in with the gun still in his hand. Owen looks over and sees a tall, muscular blond man leaning back against the hood of his own beat-up little junker of a shitty car, arms crossed, watching them.Â
Just... staring, as Owen backs up and out of the spot. Then he stands up, and walks with deliberate slowness to his own driverâs side door as Owen pulls out of the small parking lot, leaving him behind.
âMake sure he doesnât follow us,â Owen says, under his breath. Hanson nods and twists around to look out the back windshield. But no headlights pull out behind them. Nothing happens.
Theyâre on the interstate in minutes, headed south, back towards Hollywood. They donât notice an entirely different car that falls in with them, because it isnât the car theyâre watching for or any of the ones they've taken care to find out about over the past few weeks prepping for this. Just another vehicle on the road.Â
Beside him, Kauriâs breath goes slow and deep, and he slips under, the sedatives helping him into a heavy, unnatural sleep. He looks already dead, like this, except for the rise and fall of his chest.Â
Itâs a practice run.
Owen takes glances at him, so he can kind of⌠prepare, for what itâs going to look like when even that chest isnât moving any longer. Thinking over how heâll arrange him, then, where heâll keep him until heâs done with Vince, too.Â
âWhat do you think?â Hanson asks, settling back in to relax now that the initial danger is passed. Owen has to shake himself out of his daydream. âThat guy going to leave us alone?â
âOh, fuck no. Heâs fucking Kauri, he wonât want to give that up. Kauri probably told him to go my condo, go rescue him there. I guarantee heâs going to drive like the goddamn devil and thinks heâll surprise me when we get there.â He laughs, switching lanes without a signal, earning an angry honk from an SUV behind him. He flips his middle finger up automatically, even though itâs dark and she almost certainly canât see him do it.Â
âHe knows where your condo is?â
âYeah, I bet he does. I mean. Theyâre not that hard to find.â Owen shrugs. âBut thatâll be their plan. Pretend to be all good and easy like he used to be, and then a big strong man comes to save him.â He chuckles, dropping one hand to rest it on Kauriâs thigh. Thereâs no resistance, nothing but the slow and steady breathing beside him.
âOh, Kor-Bore⌠Youâre going to be so surprised,â Owen whispers to himself with a smile. âWhen I get you in that door and you realize itâs not my house I took you to. Who's going to save you when your Prince Charming goes to the wrong fucking house?"
Kauriâs head tips to the side, he hitches in a breath and exhales. Owen looks back at the road.
He doesnât see the way Kauri smiles, reflected against the window.Â
CW: Drugged whumpee, implied noncon (brief, fade to black type), alcoholism/alcoholic trying to stay sober, stalker, held captive, description of wounds and internal injury, brief reference to hand whump
 The Same Bed: Part One: Jake | Part Two: Krista | Part Three: Chris | Part Four: Vincent | Part Five: Antoni | Interlude | Part Six: Nat | Part Seven: Owen | Part Eight: Tonight
-
Heâd told Tamara to handle it, is the thing. Heâd finally called her back, staring at the flowers on his table like they were made of hissing, spitting snakes, and told her that he trusted her. He knew she would handle this, that she could make it⌠maybe not go away, but make it something better.
He told her that he and Owen had a fight and never spoke again, when they were 21 and 17. That Owen wanted a relationship and Vince didnât. That heâs lying now.Â
He told her to release a statement that brought up the NDA in implications, and he didnât answer Tamaraâs question as to whose idea the NDA was. He let that one linger in the air, knowing it might imply he had come up with it. He didnât care.
He chugged water from the bottles around his house, desperate for a drink he couldnât bear to let himself have. Not after only a few weeks of sobriety, not now when he was only starting to know what it felt like to be sober at 8 pm again.
Eventually, he ordered some kind of bottled âmocktailâ sample set, and a boy in a car came and brought them by and then left again. Then he chugged those down, too, sugar trying gamely to replace alcohol and doing nothing but leaving his teeth sticky and fuzzy, his stomach flipping when he couldnât bring himself to eat.
He went back to the water after that.
He sat, staring at his phone, trying to tell himself not to order the bottles of 12-year-old scotch he was scrolling past, not to beg for vodka, not to give up and give in and drown his terrors in the only remedy that had ever worked for him.
Eventually, he texted Tamara that he would be off the radar for a few days, that he needed to think. He told her to make up whatever she thought he would say and give that out as statements, if asked.
Outside the gate, paparazzi lingered, but he ignored them. They didnât matter. They had been there like vultures over a carcass since he bought this house years ago, and they never seemed to leave. Sometimes the flock was bigger, sometimes smaller, but all of them were patiently ready to wait for him to stumble, to screw up, so they could feast on the corpse of someone famous in flashbulbs and shouted questions.
He texted his sponsor, letting him know there was a lot of temptation and he needed to disconnect to get away from it.Â
I want a drink so badly, he typed, and sent. It felt so good to have someone he could say it to.
Hold strong, came the reply. Youâre doing so good, Vince. Our next meetingâs in four days. Just take it one day at a time, and weâll talk at the meeting. Do you need to meet up before that?
No, I can make it that long. Vince took a deep breath. Four days. One two three four.
You can do it, his sponsor replied. I know you can. I trust that you will.Â
As long as one of us trusts me, Vince typed with a wry smile, and sent a goodnight.Â
He turned his phone off, armed his security system, and went to bed. He tried to read, but the words floated across the page. They just⌠refused to stay still, and he gave up with a frustrated groan and threw the book across the room, putting his hands over his face.
Why did Owen get to keep ruining his life, over and over and over again, no matter how hard heâd tried to live it? Heâd done everything he ever dreamed of doing and it all felt hollowed-out, a tree eaten alive by termites, ready to shatter at the first strong gust of wind.Â
He picked up a half-drunk bottle of water, opening it up. He chugged, making a face. There was an odd taste to the water, kind of a bitter chalky aftertaste, but it was subtle and honestly the water all started to waste weird if it took him a few days to finish it.
His skin was fucking clear as glass, though, he had that going for him. Drink enough water and youâre nearly made of it, after a while.Â
He finished the bottle and thought maybe tomorrow heâd light all those flowers on fire in his backyard, but then⌠no, maybe not. The wildfires were burning outside the city, razing huge chunks of California to the ground. Chasing men, women, children, and the animals that had once felt safe out of their own homes and dens and burrows.
The fires werenât anywhere near the Canyon, granted, butâŚ
Best to not take chances. And to not get a reputation for setting fires while the state burns when too many eyes are always on him.
Heâd watched a little television, just a show about a guy driving from place to place and eating at the kind of little, local diners Vince couldnât safely visit any longer. Not that heâd ever eaten at them often. His parents had given up all that quiet-life shit to encourage him, to push him, into the movies.Â
Oh, Vince just always wanted to act, his mother said in interviews, giving a natural-sounding little laugh. Vince, next to her, would always just smile. She would act like she and his dad were just brought along for the ride, like seven-year-old Vince was the one at the wheel.
God, he was exhausted.
Vince rubbed a thumb and forefinger over his temples. A headache was starting to pound, and he felt foggy, almost disconnected from himself. He stood up too fast from the bed, dizzy and putting a hand to the wall to stabilize. Time for bed, he figured, if he was this tired. Not that heâd sleep for long, he never did any longer.
He took a couple of steps towards his bathroom, planning to brush his teeth, and then his knees buckled and he just⌠dropped.
CW: EXPLICIT NONCON (Only in the second half. I have marked its beginning with *** for those who want to read the rest with Nat and Jameson but who want to drop out when noncon comes into play), bruises, creepy whumper, sadistic whumper, intimate whump, captivity, derogatory language, dehumanizing language, death threats
The Same Bed: Part One: Jake | Part Two: Krista | Part Three: Chris | Part Four: Vincent | Part Five: Antoni | Interlude | Part Six: Nat | Part Seven: Owen
-
Owen studies her face while she speaks. Brown hair streaked with silver falls loose around her shoulders, tangled from the events of the night. Heâs placed the phone on the table between them, and although she doesnât have to - itâs on speaker - she leans forward slightly as if to ensure sheâll be heard. There are crowâs-feet lines around the edges of her eyes, laugh lines around her mouth, age settling in around her jaw and the line of her neck.Â
She looks up at him, flashing eyes that burn with hatred, but Owen only smiles back at her. She was probably pretty - she still could be, there are treatments to take care of those wrinkles, to smooth away the lines and to plump up those thinning lips.Â
He gets the sense, though, that being pretty is the least of this womanâs interests in life.Â
What does Vince see in her, anyway?
He slides a piece of paper across the table, and he watches her eyes flicker down to it and then back up again. âHeâs giving me an-⌠an address,â She says, voice quiet and calm. Her eyes narrow as Owen gestures, and she adds, âHe-⌠wants you to write it down.â
âWhy canât he speak for himself?âÂ
Kauriâs voice is wavering, but audible, and Owen feels saliva flood his mouth at the sound. Heâs been looking for his beautiful little whore for so long, and here he is, close enough to hear, not yet close enough to touch.Â
Natalie Yoder looks at him, waiting, but Owen only shakes his head. âI-I donât know, but he wonât. Heâs shaking his head. Um, do you have-⌠something to write with-â
âAntoni is getting something,â Kauri says. Thereâs a silence, heavy with weight and meaning, that stretches out between them all. Owen has always thought people who got more than one pet were idiots taking on too much responsibility, but he gets it now - the idea of so many people dancing to his tune, taking his direction so the scene plays out as planned, yeah. Itâs as much fun to do this in a house as it would be on set.Â
Natalie Yoder licks her lips. âKauri, is Keira there?â
âAlways,â Kauri answers. Owenâs eyebrows furrow at he listens to an odd clicking sound, mechanical. He mouths whoâs keira but Natalie Yoder isnât looking at him.Â
That nameâs familiar, right? Has he heard that name before?
âGood. Okay, glad you have her with you. You and she have always been hand in hand.â Thereâs an odd emphasis to those last three words. Owen doesnât like that, he doesnât like that at all.
He leans forward, and smacks his hand into the tabletop. Natalie Yoder jumps in surprise, then glares at him. Her hair falls in her face and he thinks, briefly, of Jamie Lee Curtis in Halloweenâs most recent movie, the older woman steeled with hatred.Â
Jamie Lee worked with Owen, once, on a documentary she narrated. He heard later on she thought he was too exacting for too little in results, but whatever, the movie did well and made money.Â
He mouths donât use fucking code, and Natalie Yoder rolls her eyes at him, as if sheâs not afraid at all.
Bitch.
Kauri is quiet for a second, but then he just says, âIâve got the pen and paper. Antoniâs going to write it for me, my-⌠my hands wonât hold anything right now. I canât see⌠words.â
Those hands must be shaking, Owen thinks, and smiles. Good. They should be shaking, Kauri ran away from him and thought he could just⌠stay gone, and now heâs going to learn that it doesnât fucking work that way.Â
Natalie Yoder reads out the address piece by piece, slowly, checking to make sure theyâve taken it down accurately. At the end, she reads the time, too. âKauri, honey-â
Owen leans over. For the first time, he speaks, exactly as planned.
âYou have fifteen hours before our meeting time,â He says, keeping his voice low. âThen I had best see you there alone, Kor-Bore, or you donât see Ms. Yoder or the little pitbull she brought with her again.â
âIf I meet you-â Kauri stops, and thereâs a pause. Then he tries again. âIf I meet you, youâll take me. I wonât s-see her again anyway.â
âNo, thatâs true, youâre right. But, hey, look.â Owen tips his head to one side. âDonât you want the dicks youâve been riding to get the chance to see her again, at least? You being a little slut passing yourself around shouldnât mean anyone has to die for you, right? I mean, youâre not worth that, are you?â
Another pause. Sounds in the background, a low deep voice spitting invective, just far enough away that Owen canât understand what heâs saying. He grins, knowing someone over there is nice and pissed off and canât do a fucking thing about it.Â
Finally, Kauri comes back on the line. âIâll be there, Owen.â
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CW: Burning, beating, some derogatory language, ptsd, references to murder
Part One: Jake | Part Two: Krista | Part Three: Chris | Part Four: Vincent
-
The sun is setting as Antoni pushes the shopping cart out of the store, throwing a kind of golden haze over the dozen or so cars in the parking lot. The water in the bay will be glittering, he thinks, appearing streaked with reddish gold. To the north, the sky is turning orange, the legacy of wildfires up in the canyons far from Berras, fires that won't stop burning.
If he stops, he can smell smoke in the air, just a little.
The fires arenât coming south, they say, but it doesnât matter. Antoniâs carefully rebuilt life is on fire without their help. The people he loves are being set aflame and he canât do anything but offer to go buy groceries while Jake holds a shaking, sobbing Kauri and the new one, Rafael, tries to talk to a nearly-silent, perfectly-still Chris.
Heat sticks his shirt to his shoulder blades, makes his scars itch all over his arms and his torso, has the dark brown curls at the nape of his neck tickling his skin. He wears long sleeves no matter the season, but that gets its own kind of unwelcome attention in blistering dry heat like this.
One wheel on his cart sticks and he has to constantly course-correct, pulling the cart back slightly and then pushing forward again, bumping off the walkway into the pavement. The cart rattles, the plastic rustles, and Antoni is going to lose his mind with the anger he can do nothing about.
A woman with a little girl holding her hand walks past him, the little girl singing something vaguely familiar. They look at him - and whatever the woman sees in his face, she tightens her grip and hurries the girl along.
Jakeâs ancient car doesnât unlock from a key fob, and Antoni has to feed the key into the lock on the trunk physically to get it open. The trunk groans in protest, but Antoni pushes it up anyway, and feels a brief burst of something like delight when it stays up instead of trying to crash back down on his head like usual.
The trunk is huge, at least, and thereâs plenty of space for everything he needs to put in there. Chrisâs favorite cereals and some chocolate nutrition shakes - he stops eating when heâs like this, unless you force him to, and then what he can eat narrows to a tiny sliver of options. Antoni did his best - the cereal and the shakes, the frozen chicken nuggets and french fries, loaves of plain white bread - thatâs all for Chris, to coax food into him when his body is too frightened for anything but whatever it reads as safe.
He has cat food and litter for Krista's little old man Pepperjack, too, while she stays with them for a few days. Jake's called some people to check her apartment over and change the locks, but Antoni thinks Krista will move, soon, anyway. Her lease is almost up and she won't feel safe in that space any longer.
Even if she wasn't the actual target.
His chest twists in anger and nerves, but Antoni is solid, and he is quiet, and he loads the bags without allowing his anger to take root. They'll deal with it all as it comes, like they always have. Antoni will handle it, if he can, and let the rest of them heal themselves with contact and touch and soft words.
Antoni will handle the other things, the things that would make them have to leave the safety of their home.Â
Above him, the light has dimmed enough that the big streetlights in the parking lot click on, and a low soft buzzing sound settles under the calls of birds and distant human voices, the rumble of traffic down the highway.
If it werenât for the slight scent of smoke that prickles across every visible centimeter of skin, it would be a lovely night.
He drops the last bag inside and slams the trunk door shut so itâll catch, turning to push the shopping cart to the little cart corral on the next row, about ten spots down. Heâs vaguely aware of another car door opening, clicking shut quietly, but the rattling of the wheels and metal of the cart mostly cover up the sound of footsteps behind him.
He pushes the cart into the corral, watching it crash against the back and come to a rough stop. He exhales, sticking one hand in his pocket to pull Jakeâs keys back out.
And then thereâs something immensely, awfully familiar shoved against the small of his back. Antoni tenses, spine ramrod-straight, and the solid muzzle of the gun - thatâs what it is, heâs had guns pushed against every part of him with Mr. Davies, knows the feel of a gun more intimately than any kiss - pushes harder, bruising through his shirt.Â
âWalk,â The owner of the gun says softly.
Antoni hears the safety click off.
He walks.Â
Thereâs an arm around his waist as the man comes up beside him, looking like two people taking a stroll towards the alley next to the grocery store, the thin strip of pavement and trash and feral cats that separates it from the restaurant and hippie boutique beside it. Antoni chances a glance to the side, but the gun jams hard against his ribs and the man says, softly, âDonât fucking look until I tell you to look.â
Antoni tells himself heâll take the bullet if they leave the alley. Never, ever allow yourself to be taken, itâs taught at every group safety class, again and again. Never let them remove you from where you are, or you will never come home.
Never let WRU put you in a van.
He can take a beating, but he isn't going to let himself be taken, not again.
With each step, he steels himself for what heâll have to do next. Elbow the man in the side, knock the gun away, turn on a dime and then run without hesitation. Once theyâre in the alley, heâll do it. Once there arenât other people who might get hurt.
But as soon as theyâre shielded by the rise of brick walls and the shadows, the man shoves his back up against the wall, blocked from view by a dumpster. Antoni sees green eyes, shaggy ash-blond hair, and the man pulls the facemask heâs wearing down to reveal sneering lips, too-white, too-perfect teeth.Â
âAre you the one fucking him?â The man's voice is breathless, as if heâs been holding the viciously snapped words inside too long, eating away at him. Acid corroding the inside of his lungs. Antoni stares, simply not comprehending the question, but then the gun jabs harder into his ribs and he coughs at the flash of pain, the ache.
And he knows.
â... you are Owen Grant,â Antoni says.Â
The perfect calm in his voice enrages the man, he can tell - those pupils get smaller, his face flushes, and the gun jams itself right underneath his chin. Antoni tips his head back but it follows him, metal warmed by contact with his skin. If the trigger pulls this angle won't kill him, but it will leave him with the front part of his face simply obliterated, shatter his teeth to shards of glass.
The scent of smoke is stronger, more acrid, and thereâs a sweetness threading in underneath.
He closes his eyes, feeling his heart shudder to a stop before it beats again. Wildfires burning don't smell like this.
âIâm asking a question.âÂ
âNo,â Antoni answers, letting his hands drop, pressing the palms to the wall behind him. Decay and trash flood his senses, and remind him too much of-
moving the body, misha grumbling about how much harder it was to handle after a week, artyom snapping at his little brother that it wouldnât have been so difficult if heâd only told him earlier, the smell makes him vomit along the roots of a tree before they wrap the body in a tarp to drag up the hill to his waiting car, misha goes back with a shovel to bury the remnants of artyomâs dinner so it canât be tracked back to him, the smell wonât come out of his trunk for weeks no matter what he does
-something he doesnât want to remember, not now. Not when he needs to be able to think.
âNo,â he repeats, shivering, suddenly cold even while the air is still an oven baking the world around him. âI do not have sex with Kauri.â
âSo itâs the other one, then,â Owen Grant says, thinking now, his eyes searching Antoniâs face. âThe big one. Heâs the one fucking him.â
Antoni doesnât answer. He doesnât have to, itâs not really a question at all.Â
Owen makes a sound of frustrated fury and then Antoniâs world cracks white. He goes down hard, falling into a puddle made from something that definitely isnât rainwater that smells like freezer burnt food and asphalt. The throbbing in the side of his face is the way he knows he was just hit with the gun itself.Â
The last person to pistol-whip me-
A boot slams into his side and he grunts, curling up protectively, the thought gone before it can finish. The butt of the gun comes down on the top of his head, and Antoni sees stars, going suddenly limp. He might⌠go away for a second. He might not.Â
No, he does.
He does, because he smells a different smoke entirely when he comes back to himself.Â
His breath hitches, heart racing, adrenaline screaming at him to run, and dares to look up. He can smell Mr. Davies, the scent of his clove cigarette heavy like a hand holding the nameless pet down, pushing the heat into his back, laughing while he burns.Â
But itâs only Owen, looking down at him, lighting the clove cigarette and then dropping it.
It falls on Antoni and he scrambles backwards in clothes soaked in dirty water to get away. It sizzles out when it hits the puddle, too. Owen grins, and lights another.
Thereâs a mad light in his eyes that makes Antoni think-
of misha, bent over someone struggling to live, his hands wrapped around the victimâs neck, their eyes bulging while their lips move begging not to die but misha doesnât need anyone to live he never leaves a survivor he always wants to see every last moment of love and life and light leave the eyes of whoever was unfortunate enough to be his chosen and artyom watches, dulled heavy-lidded eyes taking in the murder he will help to cover up
-of some faint faded memory hidden so far back within him, better left buried there with all the other graves Antoniâs life has created.
âScream for help,â Owen says, watching Antoni push himself back against the wall. He pulls out another clove cigarette, lighting it slowly, idly. This one he lets burn for a while. The cloying sweet smell pushes its fingers into Antoniâs mouth, lingers on his tongue and down his throat, filling all the space he needs for breathing. âGo ahead. Scream.â
Antoni stares up at him. His phoneâs in his pocket. He could grab it, he could call. He could scream, he-
He canât.
If he screams, someone might call the police, which means they might find out too much. Kauri and Chris are safe, after going on TV, but the rest of them⌠the other rescues, some of them might be genuinely willing sign-ups, which means going right back into that hell.Â
He canât risk it.
His mouth closes with a snap.
âYeah, thatâs what I thought.â Owen flicks the cigarette at him, watching him flinch violently and sweep it off of himself as fast as he can. Ash is on his shirt now, smeared like blood, marking his fingertips.Â
Owen considers.
Lights another cigarette.
âI want back whatâs mine,â Owen says, almost conversationally. âI do. None of you had to be a part of this, but youâre all protecting him, and thatâs bullshit. Heâs mine. Thanks to that little stunt he pulled, I know who you all are. I have my own ways of finding out shit, you know? Made some calls, paid some people. I know who you all are.â
âYou do not kn-know me,â Antoni says, but his voice falters, and he holds on with desperate internal white knuckles to his identity, his understanding of himself. âYou do not-â
âSorry about your brother,â Owen interrupts. He lights a third cigarette, watching as Antoni goes still, prey in the sights of a larger predator. âBy the way. He got what was coming to him, though, donât you think?â
âMy brothers are all alive,â Antoni says. His accent is getting thicker, heavier, as he starts to panic. âMy brothers-â
âYour brother was shot dead by cops. You should be in prison, too, I bet, but instead you-... what? Ran away to WRU to escape the consequences? Fucking pathetic. All of you, thatâs all you know how to do, run run run. Run away, run away from me. All you⌠all of you.â Owenâs gaze goes distant, and Antoniâs eyes shift. He can see the lights of the parking lot, so very very close. If he makes a break for it and goes for his car-
He doesnât see the kick coming.
Owenâs foot slams down directly between his legs and the pain explodes through every nerve, followed on its heels by a new burst of white when he is hit in the face again, forced onto his stomach on the dirty pavement. He chokes, gags on pain that tries to force him to throw up everything heâs eaten, somehow he doesnât. Somehow he manages.
Owen drops onto him and Antoni gasps, breathless, vaguely aware through the haze of pain that his shirt is being shoved up, baring the skin of his back. He throbs, between his legs, inside his head, along his cheekbone.
âHoly shit,â Owen whispers. Antoni canât help his soft, whimpered whine as rough fingers press into old, old scars.Â
âThatâs fucking hideous,â Owen says, then gives an odd little giggle. His fingers are tracing little designs, like making constellations out of stars. âNo wonder my Kor-Bore doesnât fuck you. I wouldn't either."
Antoniâs face burns, and he gets his hands under him, trying to push himself up onto to have Owenâs fingers tangle in his messy hair and shove his face back into the pavement so hard he feels skin scrape off his cheekbone, the sting of gravel being forced into a new wound. His nose pulses in time with his heartbeat.Â
âNo worries, man,â Owen says, running his palm over Antoniâs lower back, around to his side, just feeling the bumps and texture of his uneven scars. âI don't care about you. I just want my slut back, you know? Thatâs all I want. So this is a message.â
âI wonât-... will not give the message,â Antoni manages, muffled against the ground.
âOh, you will. It's not a message that really needs words."
Owen uses the grip on his hair to pull his head back, then slams it forward into the ground. Antoni sees white flashes and black, red against the inside of his eye lids. Another slam into the ground, a burst of something from his nose, and he canât remember how to use his arms and legs anymore. Heâs limp, and hears only distantly the sound of the lighter again.
The edge of a cigarette presses into the back of his neck, directly where a collar once covered his skin, and the pet burns. He whines like an animal, jerks against the weight on top of him, but it does nothing. Heâs too weak, his head spinning and throbbing. He fights-
they fight, mishaâs victims, they thrash and struggle and sometimes get a scratch in along his cheekbone or the side of his neck and in the winter he wears turtlenecks to hide any signs of those who tried to live and in the summer he blames the cat, who has never scratched anyone but who mishaâs mother believes is vicious thanks to mishaâs lies and artyom watches them die and buries the dead and cuts them apart and doesnât say, that was a fingernail and not a claw, he doesnât say this one had daughters or this one had a brother or their parents probably loved them, they had so much to fight for but misha thinks
-but he canât fight hard enough.
âIâm going to hurt everyone around him,â Owen whispers, and presses a new burn just below the last. He starts to make a perfect straight line down the center of the petâs spine, laughter in his smug voice as the pet jerks and whimpers and canât make enough noise to get anyoneâs attention. Time draws out, terrible impossible seconds that feel like hours. âOne by one by one." Each use of 'one' is another bright new burn. "Until he comes back to me. And Iâm not done yet, do you hear me? Iâm not remotely done. No⌠but he can stop it. He can come to me, and he can stop it. If he doesnâtâŚâ
The hand in his hair moves, fingers scratching lightly at his scalp, watching the pet shudder in disgust at the touch.Â
âIf he doesnât, thereâs still more I can do. Worse than Iâve done. Iâll give him a couple days to come back to me, and then Iâll show him just how much I missed him, you know? Iâll show him he still belongs to me, they both do, Vincent Shield is mine.â
âKauri-... Kauri is not-â
âSsssshhhh. He might as well be, right? But thatâs okay. That's just fine." One last burn, and then the cigarette is dropped right next to the petâs face, the heady smoke up his nose and over his tongue. Owen ruffles his hair, and then pushes himself up to standing. âGo home, youâre a fucking mess.â
Owen walks away, leaving the pet lying there.
Time passes. The pet doesn't know how much.
Eventually he staggers up and to his feet, the world spinning sickly around him. A headache throbs behind his temples, blood trickling down his face. His nose might be broken again. He can still smell the smoke.Â
He can still smell-
misha takes a pack of cigarettes out of the bodyâs pocket and lights one, the trail of bitter smoke rising into the air, tobacco and chemicals stinging artyomâs own nose, making him wrinkle it as he lays out the plastic tarp and misha looks over at him, smiling and sated for the moment, his eyes sparkling, artyomâs sickly younger brother all grown up into a monster that must be sacrificed to to keep their family intact and the smoke makes artyom cough
The pet coughs as he stumbles back out of the alleyway into the evening light, moving mindlessly back to Jakeâs car, the smell of decay, dirty water, and clove cigarettes clinging to his body, new burns itching and aching all the way down his spine.Â
He stares at four flat tires, slashed open, the gleam of metal along the side where someone had keyed through the paint.
Owen Grant isn't working alone, he catalogues dully. Someone is helping him. Someone did this while he was hurting the pet in an alley.
He can't go home.
The pet remembers his phone only when heâs sitting in the driverâs seat, looking sightlessly through the windshield wondering if the cold things will have gone warm and started going bad in the trunk.
He looks at Jakeâs number for a while, thinks about the small plain bands the three of them wear for each other, and then slowly leans his aching head against the steering wheel.
Jake picks up on the second ring. "Antoni?"
Right. That's his name.
"I need you to call Nat," Antoni says, his voice rough. He pushes down the tears that try to prick his eyes. There is no time for crying, not now. No time at all.
"Why? Ant, you're late coming back from-"
"I met Owen," Antoni says, voice heavy. He feels dizzy, still, and a little sleepy. "I need you to come get me."
There's a pause. "Fuck. And you have my car."
"Mmmhmm." Antoni's going to fall asleep right here and now, the crash of adrenaline and the pulse of pain throughout his body working together to drag him into the dark.
He always liked the darkness best anyway.
"Well... okay, Laken's here and they have a car, we'll be there in fifteen minutes, okay?"
"Okay," Antoni manages, and then hangs up. He doesn't move his head from the steering wheel.
Inside of him, determination grows.
Owen Grant cannot have Kauri.
Not ever again.
Antoni has never allowed his family to come to harm if he could prevent it, and he will not allow this.
CW: Stalking, harassment, references to alcoholism/addiction, creepy whumper
His house is covered in water bottles.
Vince picks them up as he walks by - on his end tables, the countertops, near the door. Dozens of them, but at least they're glass bottles and he sends them back to be sanitized and reused to the tiny bespoke fucking water company he buys them from.
Jesus, he has too much money and not enough sense.
But he needs the sensation of the bottle. He needs the cool glass in his hand, against his lips. It had to feel like something other than water.
He takes a drink, settling the urge to have something making its way towards his liver, then closes the cap and sets it down again. He keeps moving.
He's never been so goddamn hydrated in his entire life.
He has fifteen messages on his phone - his agent, the PR person, the social media intern for the PR person who runs his social accounts, his parents back in Ohio, a producer, a different producer, three news outlets... It's exhausting.
They all want to know what has Vincent Shield holed up at home. They want a glimpse of his face for the public. They want to consume him a little bit more.
Vincent Shield just wants a drink.
He opens a bottle of water and chugs half of it in one go, but the last bit goes down wrong and he ends up coughing so hard he has to grab onto the back of a chair for balance, white spots flashing and dancing in front of his eyes.
Vincent Shield, found dead at his California mansion of an apparent drowning by alkaline water, he thinks, and starts laughing, which just sets off a whole new coughing fit.
Eventually, he stands back up, airways clearing, and moves over to look out the floor-to-ceiling glass windows that face his backyard, his pool. He can't stand to be in the pool sober, they're tied so inextricably in his mind.
It's a wonder he didn't die out there before he tried getting sober.
His phone rings again. His PR person's face stares up at him from the screen, and he sighs and answers it. Why the fuck not. "Hey, Tamara."
"Vince. Honey. Darling. Light of my life, love of my bank account. What. The fuck. I have been calling all day-"
"Yeah, I know, I've been not answering all day. What's going on?"
"We need a statement. We need to put something together."
His doorbell rings, and Vince ignores it, rubbing at his temples with thumb and forefinger. "Statement on what?"
"You haven't seen?! Vince, open your goddamn news apps once in a while! Google your own name!"
"I pay you to Google to my name, Tamara. Just tell me what's going on."
"Vince. I need you to know it wasn't me. It wasn't Cyndi, it wasn't anyone that I can think of. We're still asking for source identities, but we need to put a response together."
His heart goes cold. Mouth suddenly dry, Vince turns, tucking the phone between his ear and his shoulder and opening that bottle of water again. "What, Tam, you have to just tell me-"
The doorbell rings again.
Vince turns and walks towards the door, breath shallow, gulping down water like he could become Christ and turn it to vodka if he just drank it fast enough.
As he swings it open to find nobody there, Tamara says quietly, "Did you have a sexual relationship with Owen Grant when you were 21, Vince? Did you introduce him to drugs? And blacklist him from acting when he ended your-... When he ended it?"
"When he-"
There's a bouquet of flowers on the steps, and the security gate to the drive in front of his house is wide open. Vince looks up - in a set of deep blue cashmere pajamas, and Jesus thank God they match - and sees a crowd of reporter's, paparazzi, and a few scumbags just here to stare taking photos on cameras and cell phones.
"Oh, fuck Christ," Vince whispers.
They start shouting, and he grabs the flowers and ducks inside, heart racing.
"Vince, talk to me-"
He's kept it for almost two decades, Owen's fucking secret. And now it isn't even the truth that will ruin him. No, it's a lie, and he knows who's telling it.
The flowers are tulips in a riot of colors, orange and blue and pink and purple. They'd be beautiful if he could see them clearly through his tears.
He kept his mouth shut. He signed the NDA, he refused to tell anyone how his teeth were knocked out, he made up some story about a mugging. He lied and lied, to protect himself.
To protect his career.
To protect Owen.
He did everything Owen and his mother wanted... except for letting Owen kill him.
He opens the card attached to the bouquet, the distant shouting filtering in through his windows. A helicopter drones by overhead.
He's not surprised by the handwriting, or by the simple message.
"Vince-"
He hangs up the phone, ignores when she calls back. He just sits staring at the card, eyes scanning the jagged handwritten words again and again and again.
I've let you say no to me too many times, Vince. Not anymore. Not ever again. I've never stopped loving you. You don't need AA. You just need to realize you need me.
How the fuck does he know about Vince going to meetings?
He's still stalking him. It's the only possible answer. And he wants Vince to know it.
Carlotta Grant died of a stroke a month ago, he thinks dully. He'd sent some sympathy flowers to... someone. Just out of sheer professional image-maintenance courtesy. She'd dropped right on the floor of the fucking Senate in the middle of a vote on something to do with "widowed pets". It had been her idea, the NDA, keeping secrets, paying his medical bills to buy his silence and using her connections to jump-start Vince's solo acting career... all of it.
She's gotten him away from Owen, her precious fucked-up rapist baby boy, and she'd kept Owen away from him.
But... she isn't here to make Owen stay home anymore.
Vince turns the card over to find one more message on the back.
You're still mine.
Vince puts his hands over his face, pressing his palms against his burning eyes, and from somewhere deep inside of him comes all the screaming he couldn't do when he was tied to that bed.
He's still tied to that bed, isn't he? The years meant nothing. Owen is going to come back into the room, and-
You're still mine.
He grabs one of the glass bottles and throws it as hard as he can, watching it shatter against the wall.
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