Hi! I'm Ruth, they/them pronouns, 26, and I enjoy most types of whump! I do art, graphic design and writing.
I try my best to tag, but if I miss a content warning you'd like added, please just shoot me an ask! I won't tag lady whump as a content warning, but anything else I will if you ask.
Whump 2024 advent calendar
Favourite tropes:
RECOVERY WHUMP!!!
Found family
Gagging
Muzzles
Pet whump
Whumper pressing down on whumpee's back to keep them from getting up
Branding
Whipping
Caretaker turned whumpee/whumpee turned caretaker
Hero/villain whump
Tall whumpee/small caretaker (or vice versa)
Tall whumpee/small whumper
G/t whump
Whumpee thinks caretaker is their new whumper
Incompetent/clueless caretaker (they're trying their best but they have no idea they're doing)
General contents: pet whump, dehumanisation, amnesia, PTSD
Sam and Lucan 'verse
In a world where non-humans are enslaved, our characters are just trying to live out their lives in peace. And failing, mostly.
General contents: non-human characters, institutionalised slavery, fantasy racism, dehumanisation, PTSD
A Death in the Family
When his estranged father dies, Tristam, against his better judgement, attends the will reading, and ends up leaving with long-term bloodbag Sunday Afolayan and Eldrida, his father's former employee (and a terribly mistreated one at that, it turns out).
Even with Aileen and Evelyn's expert advice and friendship, it's tricky to bring Sunday back from the depths of his enthrallment, and Eldrida's struggling too. Six years under the cruel fist of Barnabas Sharpe was hard to survive.
It's a difficult recovery for both of them. But surely, things can't get worse now.
Contains: vampire whumper, non-human whumpee (vampire), lady whump, conditioned whumpee, disabled characters (Tristam has ADHD, Eldrida has anophthalmia, and Sunday has joint problems, a badly-healed arm, and an absence epilepsy-like condition), recovery whump, multiple whumpees
Botanist Whumpee
When the rich and powerful Sebastian Beaumont offers Alyssa a place to stay, she doesnât expect to become his captive for three years. And when Silver rescues her at a party⊠well, the only thing sheâs absolutely sure is better is that they donât have a basement. They donât have much of anything, actually. And she doesnât know whether she can trust them or not, but she stays anyway. With no-one left to care about her, and Beaumont using all his money and connections to search for the pair of them, where else is she supposed to go?
Contains: recovery whump, captivity, lady whump, somewhat defiant whumpee, found family, intimate whumper
Cian and Row
In a world where superpowers are real, heroes and villains exist, and there's a large black market in powered people, Rowan's been enslaved for as long as they can remember. They're befriended when they're three by Cian Sinclair, a local empathic five year old, and at the age of eleven is rescued and adopted by the Sinclairs. Years later they become a supervillain, disappear for five years and reappear to reunite with their family, and attract another enemy, one far more powerful than their previous captors and obsessed with their healing powers.
Contains: slavery, PTSD, minor whump, past minor whump, immortal whumpee, discrimination, villain whump
Immortal Cannon Fodder
Masterlist part 2 - character profiles, character asks
Phoenix, an immortal hero, joins a team that hurts them and uses them as cannon fodder. But their teammates are only doing what's necessary to help them all survive. Phoenix's regular sacrifices are necessary. And it's not like they've got anywhere else to go anyway.
It takes the arrival of Kai, a wolf-shifter and telekinetic, to help them see what's going on. But a friendship and a promised eventual transfer can't fix everything.
Contains: hero whump, abuse, past abuse, immortal whumpee
MD-264N
When MD-264N, the government's best weapon, runs to avoid being decommissioned and collapses on the doorstep of a small ragtag team of rebels, it's a surprise to everyone. But despite resistance, the weapon, now known as Morgan, starts to find their place, and the rebels soon find that they'll do anything to keep them free.
Contains: living weapon, found family, dehumanisation/self dehumanisation, team dynamics, reluctant caretaker (not the main caretaker), recovery whump, caretaker whump, disabled caretaker (forearm amputee)
Operation Badger
In the year 2037, Earth is invaded by the Stex. 14 years later, superpowers start appearing in teenagers, and are apparently humanity's best defence against the aliens. What is Earth Security to do but train these people up as weapons?
Contains: sci-fi, living weapons, team whump, multiple whumpees, minor whump, aliens, disabled character
Out of the Frying Pan
Five years ago Elis, former bodyguard and weapon of Lord Wulfric, was rescued from a fiery death by Col and SĂŠwin. He now lives in relative peace with them in Sorestan, a peace that's abruptly disrupted after an unwelcome visitor brings his past colliding with the present.
Contains: medieval whump, fantasy elements, living weapon
Out of the Water
TĂșathal, a merman, is captured and kept prisoner by pirates for his valuable scales. While Robyn, the youngest of the crew and not very popular, takes care of him, the others only bother with his scales (and anything that makes their extraction easier). Especially James. And once the rest of the pirates discover that Robyn and TĂșathal have become fond of each other, things only get worse.
Whumpee is captured by a Whumper who wants to teach them survival skills. Painfully.
Contains: survival skills whump, sadistic whumper
The Greatest Show on Earth
Damon and Pythias are an unwilling two-person sideshow act in The Greatest Show on Earth, Pythias forced to kill Damon multiple times a day for the entertainment of paying circus patrons. Damon has been in captivity since birth, Pythias not quite so long (although certainly long enough), and they're both ready to get out.
But the outside world is even trickier to navigate than they imagined.
Contains: non-human whumpees, multiple whumpees, immortal whumpee, lady whump, circus whump, public whump, captivity, recovery whump, temporary character death (both implied and shown at times), guilty whumpee, whumpee as caretaker
Other writing:
Non-series whump masterlist
Miscellaneous writing, art and graphics
Fanfic/fanart (AO3)
BBC Merlin, Good Omens, Doctor Who, The Sandman, The Murderbot Diaries
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch âą No registration required âą HD streaming
CW: Burning, beating, some derogatory language, ptsd, references to murder
Part One: Jake | Part Two: Krista | Part Three: Chris | Part Four: Vincent
-
The sun is setting as Antoni pushes the shopping cart out of the store, throwing a kind of golden haze over the dozen or so cars in the parking lot. The water in the bay will be glittering, he thinks, appearing streaked with reddish gold. To the north, the sky is turning orange, the legacy of wildfires up in the canyons far from Berras, fires that won't stop burning.
If he stops, he can smell smoke in the air, just a little.
The fires arenât coming south, they say, but it doesnât matter. Antoniâs carefully rebuilt life is on fire without their help. The people he loves are being set aflame and he canât do anything but offer to go buy groceries while Jake holds a shaking, sobbing Kauri and the new one, Rafael, tries to talk to a nearly-silent, perfectly-still Chris.
Heat sticks his shirt to his shoulder blades, makes his scars itch all over his arms and his torso, has the dark brown curls at the nape of his neck tickling his skin. He wears long sleeves no matter the season, but that gets its own kind of unwelcome attention in blistering dry heat like this.
One wheel on his cart sticks and he has to constantly course-correct, pulling the cart back slightly and then pushing forward again, bumping off the walkway into the pavement. The cart rattles, the plastic rustles, and Antoni is going to lose his mind with the anger he can do nothing about.
A woman with a little girl holding her hand walks past him, the little girl singing something vaguely familiar. They look at him - and whatever the woman sees in his face, she tightens her grip and hurries the girl along.
Jakeâs ancient car doesnât unlock from a key fob, and Antoni has to feed the key into the lock on the trunk physically to get it open. The trunk groans in protest, but Antoni pushes it up anyway, and feels a brief burst of something like delight when it stays up instead of trying to crash back down on his head like usual.
The trunk is huge, at least, and thereâs plenty of space for everything he needs to put in there. Chrisâs favorite cereals and some chocolate nutrition shakes - he stops eating when heâs like this, unless you force him to, and then what he can eat narrows to a tiny sliver of options. Antoni did his best - the cereal and the shakes, the frozen chicken nuggets and french fries, loaves of plain white bread - thatâs all for Chris, to coax food into him when his body is too frightened for anything but whatever it reads as safe.
He has cat food and litter for Krista's little old man Pepperjack, too, while she stays with them for a few days. Jake's called some people to check her apartment over and change the locks, but Antoni thinks Krista will move, soon, anyway. Her lease is almost up and she won't feel safe in that space any longer.
Even if she wasn't the actual target.
His chest twists in anger and nerves, but Antoni is solid, and he is quiet, and he loads the bags without allowing his anger to take root. They'll deal with it all as it comes, like they always have. Antoni will handle it, if he can, and let the rest of them heal themselves with contact and touch and soft words.
Antoni will handle the other things, the things that would make them have to leave the safety of their home.Â
Above him, the light has dimmed enough that the big streetlights in the parking lot click on, and a low soft buzzing sound settles under the calls of birds and distant human voices, the rumble of traffic down the highway.
If it werenât for the slight scent of smoke that prickles across every visible centimeter of skin, it would be a lovely night.
He drops the last bag inside and slams the trunk door shut so itâll catch, turning to push the shopping cart to the little cart corral on the next row, about ten spots down. Heâs vaguely aware of another car door opening, clicking shut quietly, but the rattling of the wheels and metal of the cart mostly cover up the sound of footsteps behind him.
He pushes the cart into the corral, watching it crash against the back and come to a rough stop. He exhales, sticking one hand in his pocket to pull Jakeâs keys back out.
And then thereâs something immensely, awfully familiar shoved against the small of his back. Antoni tenses, spine ramrod-straight, and the solid muzzle of the gun - thatâs what it is, heâs had guns pushed against every part of him with Mr. Davies, knows the feel of a gun more intimately than any kiss - pushes harder, bruising through his shirt.Â
âWalk,â The owner of the gun says softly.
Antoni hears the safety click off.
He walks.Â
Thereâs an arm around his waist as the man comes up beside him, looking like two people taking a stroll towards the alley next to the grocery store, the thin strip of pavement and trash and feral cats that separates it from the restaurant and hippie boutique beside it. Antoni chances a glance to the side, but the gun jams hard against his ribs and the man says, softly, âDonât fucking look until I tell you to look.â
Antoni tells himself heâll take the bullet if they leave the alley. Never, ever allow yourself to be taken, itâs taught at every group safety class, again and again. Never let them remove you from where you are, or you will never come home.
Never let WRU put you in a van.
He can take a beating, but he isn't going to let himself be taken, not again.
With each step, he steels himself for what heâll have to do next. Elbow the man in the side, knock the gun away, turn on a dime and then run without hesitation. Once theyâre in the alley, heâll do it. Once there arenât other people who might get hurt.
But as soon as theyâre shielded by the rise of brick walls and the shadows, the man shoves his back up against the wall, blocked from view by a dumpster. Antoni sees green eyes, shaggy ash-blond hair, and the man pulls the facemask heâs wearing down to reveal sneering lips, too-white, too-perfect teeth.Â
âAre you the one fucking him?â The man's voice is breathless, as if heâs been holding the viciously snapped words inside too long, eating away at him. Acid corroding the inside of his lungs. Antoni stares, simply not comprehending the question, but then the gun jabs harder into his ribs and he coughs at the flash of pain, the ache.
And he knows.
â... you are Owen Grant,â Antoni says.Â
The perfect calm in his voice enrages the man, he can tell - those pupils get smaller, his face flushes, and the gun jams itself right underneath his chin. Antoni tips his head back but it follows him, metal warmed by contact with his skin. If the trigger pulls this angle won't kill him, but it will leave him with the front part of his face simply obliterated, shatter his teeth to shards of glass.
The scent of smoke is stronger, more acrid, and thereâs a sweetness threading in underneath.
He closes his eyes, feeling his heart shudder to a stop before it beats again. Wildfires burning don't smell like this.
âIâm asking a question.âÂ
âNo,â Antoni answers, letting his hands drop, pressing the palms to the wall behind him. Decay and trash flood his senses, and remind him too much of-
moving the body, misha grumbling about how much harder it was to handle after a week, artyom snapping at his little brother that it wouldnât have been so difficult if heâd only told him earlier, the smell makes him vomit along the roots of a tree before they wrap the body in a tarp to drag up the hill to his waiting car, misha goes back with a shovel to bury the remnants of artyomâs dinner so it canât be tracked back to him, the smell wonât come out of his trunk for weeks no matter what he does
-something he doesnât want to remember, not now. Not when he needs to be able to think.
âNo,â he repeats, shivering, suddenly cold even while the air is still an oven baking the world around him. âI do not have sex with Kauri.â
âSo itâs the other one, then,â Owen Grant says, thinking now, his eyes searching Antoniâs face. âThe big one. Heâs the one fucking him.â
Antoni doesnât answer. He doesnât have to, itâs not really a question at all.Â
Owen makes a sound of frustrated fury and then Antoniâs world cracks white. He goes down hard, falling into a puddle made from something that definitely isnât rainwater that smells like freezer burnt food and asphalt. The throbbing in the side of his face is the way he knows he was just hit with the gun itself.Â
The last person to pistol-whip me-
A boot slams into his side and he grunts, curling up protectively, the thought gone before it can finish. The butt of the gun comes down on the top of his head, and Antoni sees stars, going suddenly limp. He might⊠go away for a second. He might not.Â
No, he does.
He does, because he smells a different smoke entirely when he comes back to himself.Â
His breath hitches, heart racing, adrenaline screaming at him to run, and dares to look up. He can smell Mr. Davies, the scent of his clove cigarette heavy like a hand holding the nameless pet down, pushing the heat into his back, laughing while he burns.Â
But itâs only Owen, looking down at him, lighting the clove cigarette and then dropping it.
It falls on Antoni and he scrambles backwards in clothes soaked in dirty water to get away. It sizzles out when it hits the puddle, too. Owen grins, and lights another.
Thereâs a mad light in his eyes that makes Antoni think-
of misha, bent over someone struggling to live, his hands wrapped around the victimâs neck, their eyes bulging while their lips move begging not to die but misha doesnât need anyone to live he never leaves a survivor he always wants to see every last moment of love and life and light leave the eyes of whoever was unfortunate enough to be his chosen and artyom watches, dulled heavy-lidded eyes taking in the murder he will help to cover up
-of some faint faded memory hidden so far back within him, better left buried there with all the other graves Antoniâs life has created.
âScream for help,â Owen says, watching Antoni push himself back against the wall. He pulls out another clove cigarette, lighting it slowly, idly. This one he lets burn for a while. The cloying sweet smell pushes its fingers into Antoniâs mouth, lingers on his tongue and down his throat, filling all the space he needs for breathing. âGo ahead. Scream.â
Antoni stares up at him. His phoneâs in his pocket. He could grab it, he could call. He could scream, he-
He canât.
If he screams, someone might call the police, which means they might find out too much. Kauri and Chris are safe, after going on TV, but the rest of them⊠the other rescues, some of them might be genuinely willing sign-ups, which means going right back into that hell.Â
He canât risk it.
His mouth closes with a snap.
âYeah, thatâs what I thought.â Owen flicks the cigarette at him, watching him flinch violently and sweep it off of himself as fast as he can. Ash is on his shirt now, smeared like blood, marking his fingertips.Â
Owen considers.
Lights another cigarette.
âI want back whatâs mine,â Owen says, almost conversationally. âI do. None of you had to be a part of this, but youâre all protecting him, and thatâs bullshit. Heâs mine. Thanks to that little stunt he pulled, I know who you all are. I have my own ways of finding out shit, you know? Made some calls, paid some people. I know who you all are.â
âYou do not kn-know me,â Antoni says, but his voice falters, and he holds on with desperate internal white knuckles to his identity, his understanding of himself. âYou do not-â
âSorry about your brother,â Owen interrupts. He lights a third cigarette, watching as Antoni goes still, prey in the sights of a larger predator. âBy the way. He got what was coming to him, though, donât you think?â
âMy brothers are all alive,â Antoni says. His accent is getting thicker, heavier, as he starts to panic. âMy brothers-â
âYour brother was shot dead by cops. You should be in prison, too, I bet, but instead you-... what? Ran away to WRU to escape the consequences? Fucking pathetic. All of you, thatâs all you know how to do, run run run. Run away, run away from me. All you⊠all of you.â Owenâs gaze goes distant, and Antoniâs eyes shift. He can see the lights of the parking lot, so very very close. If he makes a break for it and goes for his car-
He doesnât see the kick coming.
Owenâs foot slams down directly between his legs and the pain explodes through every nerve, followed on its heels by a new burst of white when he is hit in the face again, forced onto his stomach on the dirty pavement. He chokes, gags on pain that tries to force him to throw up everything heâs eaten, somehow he doesnât. Somehow he manages.
Owen drops onto him and Antoni gasps, breathless, vaguely aware through the haze of pain that his shirt is being shoved up, baring the skin of his back. He throbs, between his legs, inside his head, along his cheekbone.
âHoly shit,â Owen whispers. Antoni canât help his soft, whimpered whine as rough fingers press into old, old scars.Â
âThatâs fucking hideous,â Owen says, then gives an odd little giggle. His fingers are tracing little designs, like making constellations out of stars. âNo wonder my Kor-Bore doesnât fuck you. I wouldn't either."
Antoniâs face burns, and he gets his hands under him, trying to push himself up onto to have Owenâs fingers tangle in his messy hair and shove his face back into the pavement so hard he feels skin scrape off his cheekbone, the sting of gravel being forced into a new wound. His nose pulses in time with his heartbeat.Â
âNo worries, man,â Owen says, running his palm over Antoniâs lower back, around to his side, just feeling the bumps and texture of his uneven scars. âI don't care about you. I just want my slut back, you know? Thatâs all I want. So this is a message.â
âI wonât-... will not give the message,â Antoni manages, muffled against the ground.
âOh, you will. It's not a message that really needs words."
Owen uses the grip on his hair to pull his head back, then slams it forward into the ground. Antoni sees white flashes and black, red against the inside of his eye lids. Another slam into the ground, a burst of something from his nose, and he canât remember how to use his arms and legs anymore. Heâs limp, and hears only distantly the sound of the lighter again.
The edge of a cigarette presses into the back of his neck, directly where a collar once covered his skin, and the pet burns. He whines like an animal, jerks against the weight on top of him, but it does nothing. Heâs too weak, his head spinning and throbbing. He fights-
they fight, mishaâs victims, they thrash and struggle and sometimes get a scratch in along his cheekbone or the side of his neck and in the winter he wears turtlenecks to hide any signs of those who tried to live and in the summer he blames the cat, who has never scratched anyone but who mishaâs mother believes is vicious thanks to mishaâs lies and artyom watches them die and buries the dead and cuts them apart and doesnât say, that was a fingernail and not a claw, he doesnât say this one had daughters or this one had a brother or their parents probably loved them, they had so much to fight for but misha thinks
-but he canât fight hard enough.
âIâm going to hurt everyone around him,â Owen whispers, and presses a new burn just below the last. He starts to make a perfect straight line down the center of the petâs spine, laughter in his smug voice as the pet jerks and whimpers and canât make enough noise to get anyoneâs attention. Time draws out, terrible impossible seconds that feel like hours. âOne by one by one." Each use of 'one' is another bright new burn. "Until he comes back to me. And Iâm not done yet, do you hear me? Iâm not remotely done. No⊠but he can stop it. He can come to me, and he can stop it. If he doesnâtâŠâ
The hand in his hair moves, fingers scratching lightly at his scalp, watching the pet shudder in disgust at the touch.Â
âIf he doesnât, thereâs still more I can do. Worse than Iâve done. Iâll give him a couple days to come back to me, and then Iâll show him just how much I missed him, you know? Iâll show him he still belongs to me, they both do, Vincent Shield is mine.â
âKauri-... Kauri is not-â
âSsssshhhh. He might as well be, right? But thatâs okay. That's just fine." One last burn, and then the cigarette is dropped right next to the petâs face, the heady smoke up his nose and over his tongue. Owen ruffles his hair, and then pushes himself up to standing. âGo home, youâre a fucking mess.â
Owen walks away, leaving the pet lying there.
Time passes. The pet doesn't know how much.
Eventually he staggers up and to his feet, the world spinning sickly around him. A headache throbs behind his temples, blood trickling down his face. His nose might be broken again. He can still smell the smoke.Â
He can still smell-
misha takes a pack of cigarettes out of the bodyâs pocket and lights one, the trail of bitter smoke rising into the air, tobacco and chemicals stinging artyomâs own nose, making him wrinkle it as he lays out the plastic tarp and misha looks over at him, smiling and sated for the moment, his eyes sparkling, artyomâs sickly younger brother all grown up into a monster that must be sacrificed to to keep their family intact and the smoke makes artyom cough
The pet coughs as he stumbles back out of the alleyway into the evening light, moving mindlessly back to Jakeâs car, the smell of decay, dirty water, and clove cigarettes clinging to his body, new burns itching and aching all the way down his spine.Â
He stares at four flat tires, slashed open, the gleam of metal along the side where someone had keyed through the paint.
Owen Grant isn't working alone, he catalogues dully. Someone is helping him. Someone did this while he was hurting the pet in an alley.
He can't go home.
The pet remembers his phone only when heâs sitting in the driverâs seat, looking sightlessly through the windshield wondering if the cold things will have gone warm and started going bad in the trunk.
He looks at Jakeâs number for a while, thinks about the small plain bands the three of them wear for each other, and then slowly leans his aching head against the steering wheel.
Jake picks up on the second ring. "Antoni?"
Right. That's his name.
"I need you to call Nat," Antoni says, his voice rough. He pushes down the tears that try to prick his eyes. There is no time for crying, not now. No time at all.
"Why? Ant, you're late coming back from-"
"I met Owen," Antoni says, voice heavy. He feels dizzy, still, and a little sleepy. "I need you to come get me."
There's a pause. "Fuck. And you have my car."
"Mmmhmm." Antoni's going to fall asleep right here and now, the crash of adrenaline and the pulse of pain throughout his body working together to drag him into the dark.
He always liked the darkness best anyway.
"Well... okay, Laken's here and they have a car, we'll be there in fifteen minutes, okay?"
"Okay," Antoni manages, and then hangs up. He doesn't move his head from the steering wheel.
Inside of him, determination grows.
Owen Grant cannot have Kauri.
Not ever again.
Antoni has never allowed his family to come to harm if he could prevent it, and he will not allow this.
CW: Stalking, harassment, references to alcoholism/addiction, creepy whumper
His house is covered in water bottles.
Vince picks them up as he walks by - on his end tables, the countertops, near the door. Dozens of them, but at least they're glass bottles and he sends them back to be sanitized and reused to the tiny bespoke fucking water company he buys them from.
Jesus, he has too much money and not enough sense.
But he needs the sensation of the bottle. He needs the cool glass in his hand, against his lips. It had to feel like something other than water.
He takes a drink, settling the urge to have something making its way towards his liver, then closes the cap and sets it down again. He keeps moving.
He's never been so goddamn hydrated in his entire life.
He has fifteen messages on his phone - his agent, the PR person, the social media intern for the PR person who runs his social accounts, his parents back in Ohio, a producer, a different producer, three news outlets... It's exhausting.
They all want to know what has Vincent Shield holed up at home. They want a glimpse of his face for the public. They want to consume him a little bit more.
Vincent Shield just wants a drink.
He opens a bottle of water and chugs half of it in one go, but the last bit goes down wrong and he ends up coughing so hard he has to grab onto the back of a chair for balance, white spots flashing and dancing in front of his eyes.
Vincent Shield, found dead at his California mansion of an apparent drowning by alkaline water, he thinks, and starts laughing, which just sets off a whole new coughing fit.
Eventually, he stands back up, airways clearing, and moves over to look out the floor-to-ceiling glass windows that face his backyard, his pool. He can't stand to be in the pool sober, they're tied so inextricably in his mind.
It's a wonder he didn't die out there before he tried getting sober.
His phone rings again. His PR person's face stares up at him from the screen, and he sighs and answers it. Why the fuck not. "Hey, Tamara."
"Vince. Honey. Darling. Light of my life, love of my bank account. What. The fuck. I have been calling all day-"
"Yeah, I know, I've been not answering all day. What's going on?"
"We need a statement. We need to put something together."
His doorbell rings, and Vince ignores it, rubbing at his temples with thumb and forefinger. "Statement on what?"
"You haven't seen?! Vince, open your goddamn news apps once in a while! Google your own name!"
"I pay you to Google to my name, Tamara. Just tell me what's going on."
"Vince. I need you to know it wasn't me. It wasn't Cyndi, it wasn't anyone that I can think of. We're still asking for source identities, but we need to put a response together."
His heart goes cold. Mouth suddenly dry, Vince turns, tucking the phone between his ear and his shoulder and opening that bottle of water again. "What, Tam, you have to just tell me-"
The doorbell rings again.
Vince turns and walks towards the door, breath shallow, gulping down water like he could become Christ and turn it to vodka if he just drank it fast enough.
As he swings it open to find nobody there, Tamara says quietly, "Did you have a sexual relationship with Owen Grant when you were 21, Vince? Did you introduce him to drugs? And blacklist him from acting when he ended your-... When he ended it?"
"When he-"
There's a bouquet of flowers on the steps, and the security gate to the drive in front of his house is wide open. Vince looks up - in a set of deep blue cashmere pajamas, and Jesus thank God they match - and sees a crowd of reporter's, paparazzi, and a few scumbags just here to stare taking photos on cameras and cell phones.
"Oh, fuck Christ," Vince whispers.
They start shouting, and he grabs the flowers and ducks inside, heart racing.
"Vince, talk to me-"
He's kept it for almost two decades, Owen's fucking secret. And now it isn't even the truth that will ruin him. No, it's a lie, and he knows who's telling it.
The flowers are tulips in a riot of colors, orange and blue and pink and purple. They'd be beautiful if he could see them clearly through his tears.
He kept his mouth shut. He signed the NDA, he refused to tell anyone how his teeth were knocked out, he made up some story about a mugging. He lied and lied, to protect himself.
To protect his career.
To protect Owen.
He did everything Owen and his mother wanted... except for letting Owen kill him.
He opens the card attached to the bouquet, the distant shouting filtering in through his windows. A helicopter drones by overhead.
He's not surprised by the handwriting, or by the simple message.
"Vince-"
He hangs up the phone, ignores when she calls back. He just sits staring at the card, eyes scanning the jagged handwritten words again and again and again.
I've let you say no to me too many times, Vince. Not anymore. Not ever again. I've never stopped loving you. You don't need AA. You just need to realize you need me.
How the fuck does he know about Vince going to meetings?
He's still stalking him. It's the only possible answer. And he wants Vince to know it.
Carlotta Grant died of a stroke a month ago, he thinks dully. He'd sent some sympathy flowers to... someone. Just out of sheer professional image-maintenance courtesy. She'd dropped right on the floor of the fucking Senate in the middle of a vote on something to do with "widowed pets". It had been her idea, the NDA, keeping secrets, paying his medical bills to buy his silence and using her connections to jump-start Vince's solo acting career... all of it.
She's gotten him away from Owen, her precious fucked-up rapist baby boy, and she'd kept Owen away from him.
But... she isn't here to make Owen stay home anymore.
Vince turns the card over to find one more message on the back.
You're still mine.
Vince puts his hands over his face, pressing his palms against his burning eyes, and from somewhere deep inside of him comes all the screaming he couldn't do when he was tied to that bed.
He's still tied to that bed, isn't he? The years meant nothing. Owen is going to come back into the room, and-
You're still mine.
He grabs one of the glass bottles and throws it as hard as he can, watching it shatter against the wall.
Tips for writing someone dying of sepsis, as a person who survived it:
1. It fucking HURTS!!! Wherever the infection is will be red hot to the touch, and also be in extreme pain. My infection was in my left ankle and if I tapped my left foot on the ground, I would be crying in pain
2. They are not able of having in depth conversations. The infection messes with your head, even if it is far away from your brain. For me, I was so incredibly tired all the time. You could talk to me, but I felt like I was living in molasses the whole time. It was very, very hard for me to hold a conversation with anyone
3. The person is sick in EVERY WAY. I was throwing up constantly, I could barely keep food down, and anything I did eat made me feel sick afterwards. I was also so weak that getting myself into my kitchen from my bedroom would wind me. My apartment is less than 700 square feet. It is not a far distance between the 2
4. The gut feeling. I was keenly aware something was wrong. I knew, in my heart of hearts, that I was dying. Its hard to describe other than your body is telling you "youre about to die"
5. If itâs a modern setting, they will give you SO MUCH IV FLUID in the hospital. SO MUCH. Your kidneys need it to help flush out the toxins. I had to get up to pee literally every single hour for two full days, which was practically torture.
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CW: Ableism, abusive relative, abuse of a minor, pet whump references, BBU, some brief vague noncon references, blood, drowning kinda, death threats, just general âitâs gonna get bloodyâ below the cutâŠ
Sean Malley previously appeared in the the pieces Sean Malley, Learn to Fly, and Paul Higgs: Baby Daze.
-
âWhatâs wrong with him?âÂ
Jo looked over at her older sister, eyebrows raised in perfect arches. Sheâd lined them herself this morning - the whole eyebrow plucking thing had been a fucking disaster, and now she had to draw them on every day.Â
âWhat?â Ronnie looked up. Her sister, not even quite twenty yet, was hovering over a pot of water that would hopefully eventually boil for pasta. She looked older, and tired, and Jo picked at her own fingernails every time she visited to avoid bringing it up.
Two years ago, Ronnie had been seventeen and beautiful - now she was nineteen, nearly twenty, and she hadnât slept well since before Paulâs stupid baby was even born, and it showed. Ronnie did smile more, Jo thought, a little grudgingly. Since sheâd been kicked out of their parentsâ house for refusing to give up Paulâs baby, sheâd moved in with his parents during the pregnancy and now the two of them had an apartment and a stupid marriage, and Jo had to admit Ronnie smiled so much more.
Their parents hadnât gone to Ronnieâs high school graduation, but Jo did. Ronnie had hugged her so tightly it hurt, having to sort of awkwardly shift her hips back so her huge pregnant belly could fit between them.
He wasnât even born yet and the stupid shit was already ruining things.Â
There had been photos, a million of them. Jo had gone home that night and told her parents, âRonnie looks amazing,â and they had turned to each other and kept talking like Ronnie - and anything Jo said about her - didnât exist.
Because of Paulâs stupid. fucking. baby.
But now, two years later, the stupid fucking baby was a stupid fucking toddler, and Ronnie and Jo together watched him - wispy red hair floating like feathers around his head - as he made a low hum, again and again, holding a small plastic dinosaur and repeatedly opening and closing its mouth, staring fixedly at the sharply-formed plastic teeth inside.Â
âOh,â Ronnie said, as if it was totally normal, nothing to worry about. âI donât know, exactly.â
âYou donât know? Iâve never seen a baby just stare at something that long. Arenât they supposed to have, like, no attention span? Or pretend itâs biting him or something? I donât think I have ever seen that kid play pretend.â
Ronnie took in a deep breath. âThey are,â She said, hesitantly. âSupposed to. But Tris⊠I donât know. He does pretend play sometimes, he really does. Not when-⊠when itâs just us, or just the three of us, he does, he just⊠doesnât, so much, when other people are around. His doctor says itâs nothing to worry about yet.â
â⊠yet?â
Ronnie dumped the pasta from the box into the water, and they talked about something else.Â
Joanne Botham comes home - to her sweet little bungalow, snapped up for a pretty penny in a good neighborhood around the outskirts of Berras, perfect for commuting into work at WRU - and dumps her purse on the floor, exhaling in a rush. She kicks off her sensible work heels into the little shoe tray she bought at some home goods store where everything cost about fifty dollars more than it should, but sheâs got money to burn, these days.
Or she used to.
In any case, it could be worse.Â
Luckily, this is more or less a WRU company town, and things arenât so bad here. The Olympics had aired while she was relaxing in the pool at a hotel in Sao Paulo, and she honestly hadnât paid them any attention. Sheâd been vaguely aware of a commotion, a sudden rush of Portuguese from the staff and just about every language on earth from the hotel guests, but when someone said it was a press conference at the Olympics, sheâd lost interest.
It wasnât a terrorist attack or anything important - so she didnât care. She was on vacation, and nothing was going to ruin her visit to Brazil. She had been taking a guided tour while some pet libbers tried to torch the WRU daycare and âfreeâ the workers, leaving the poor things terrified and clinging to each other, running to the handlers who came to help them.Â
One of them was still missing, and probably had wandered off and died somewhere, and wouldnât that be just what those fucking libbers deserved. To be responsible for that.
A handler had gone missing, too. There were rumors the daycare worker had offed him and he just hadnât been found, but Joanne found that hard to believe. Sheâs worked on the copy for commercials with those placid little cow-people for years. None of them have a single brain cell not dedicated to childcare. None of them could swat a fly, let alone murder the handlers who keep them safe.
In any case, all of that had happened while she was still gone, had her work phone off, and ignored anything and everything sent her way.
When her plane touched down, though⊠thatâs when Joanne realized the absolute pile of epic shit WRU had just been thrown into.Â
Two former pets - two people who should be current pets, actually - had spoken at a surprise press conference, and more than twenty Olympics athletes from fifteen countries had shown photos of people they claimed had been coerced, abducted, or otherwise forced into the pet system.
It was all fucking bullshit, butâŠÂ
Well, it wasnât all bullshit.
One of the speakers, turns out, had been none other than Paulâs stupid fucking baby, all grown up. Heâd given out his real name, which the dumbass wasnât even supposed to remember any longer, and it had been enough information for journalists to dig up who he was, what had happened to him, and most importantly, who his living relatives are.
There was an article in TIME magazine. Unlikely Voices - how two runaway human pets from WRU became the face of a movement and the cry for justice from a lost generation.Â
Theyâd done their research, all right. Tristanâs entire life had been laid bare in that article, in excruciating detail, up until⊠until heâd disappeared into WRU.Â
Which meant there had been a mini-profile in a little sidebar. Who is Joanne Botham? A shadowy figure from Tristan Higgsâ past⊠Thereâd been a photo of her, taken without her consent, but her attempt to sue had been dismissed.Â
His little stunt had been making Joanneâs job - and life - hell. She canât even go into work in her own car any longer, there are reporters camped out who know her make, model, and license plate. She has to catch rides with different coworkers. She canât go out to a simple restaurant without someone yelling at her, without discovering protesters at her car when she tries to go home. She canât get her haircut without her stylist - someone sheâs been going to for years! - suddenly refusing to cut her hair any longer.
My son is autistic, her stylist had said, voice cold. Youâve listened to me talk about Gabe all this time, how could you do that when you did what you did?
Itâs not the same-
Itâs exactly the same! Get out of my salon!
No one cares about Joanneâs side of the story.Â
Not that anyone ever has. Everyoneâs always blindsided by Ronnie being obsessed with her kid or Tristan being pretty adorable when he wasnât being terrible. Everyoneâs always got wool pulled over their eyes, and only Jo has ever seen it for what it really is.
Tonight didnât go any better than the last few weeks had. Sheâd been recognized while picking up takeout Thai food for dinner. The pet lib assholes had to be breeding like fucking bunnies, they seemed to be everywhere now. One of them had followed her from the restaurant to her car, asking her if she had any regrets.
âYeah,â Sheâd said, her voice rough and harsh. âTalking to you, thatâs my biggest regret.â
He was probably recording that. Theyâre always recording her, now.Â
At least her house is paid off, this little bungalow bought with cash from her finderâs fee after Tristanâs application had been accepted by WRU. Her carâs paid off, her house is paid off, her 401k looks amazingâŠ
Maybe she should just retire now, and disappear.
How long would it take the pet libbers to pick some new target, if Joanne Botham wasnât an easy enemy to find?
She drops the takeout container on the kitchen counter, the smell of cilantro, fish sauce, and chicken rising through the air, making her mouth water. She canât even remember what she ordered, but it doesnât really matter. Sheâll barely taste it, anyway.Â
She grabs the remote and turns on the TV, checking the news channels with a nervous new habit. Nothing new, though, it looks like. Nothing too big.Â
Nothing to worry about.
She pulls down a bowl, dumping the takeout into it, looking at the chicken and shrimp swimming in noodles, sauce, and sauteed vegetables. They left the mushrooms in, she realizes. She had specifically asked for no mushrooms-
âWhat a lovely little home you have, Miss Joanne,â says an older manâs voice from behind her, slightly creaky with age.
For @whumptober2021 day 10, I chose alternate prompt 14: Battlefield
CW: BBU, Whumper POV, referenced torture, referenced pet whump, recorded past torture & some ableism
Follow-up to I Did Not Sign Up For This and part 2 of the opening salvo of Speak Out.Â
Michael belongs to @card-games-and-pain
Her phone rings, and Karen frowns at the number. The CEO never calls her at home, at least not on her days off.Â
She glances up at the clock - middle of the afternoon on a Saturday, no special time really - and then picks up the slim black rectangle, swiping her thumb up, placing the screen against her ear.
âThis is Karen Renford-â His first sentence has her back straighten and her heart skips a beat.âSir? What do you mean-â
He cuts her off again. Karen is up and out of her seat by the time heâs spoken two full sentences, heading for her home office door, past the broken cane sheâs hung on the wall.
By his third sentence, sheâs halfway down the stairs, running even, her breath caught in her throat. Thereâs an unfamiliar feeling setting her pulse to thrumming, a hummingbirdâs wingbeat trapped in her wrists, her throat, behind her ribs.
She hears Peterâs bedroom door open. âMadam?â
She ignores him. His footsteps - and Michaelâs - are soft behind her on the stairs as she makes it to the landing, glancing to the side. Sebastian is in the kitchen working on a complicated marinade for tomorrowâs dinner, and he doesnât look up from his focus on his work.
She catches sight of the top of Dexâs head. Heâs lying on the couch, taking a break. He needs them more and more, as his body shows the effects of his two decades with her. For some reason, lately, sheâs been allowing it.
Maybe sheâs getting soft in her old age.
âDex, turn on the news,â She says quickly, and he shifts into immediate motion, sitting up and nodding, picking up the remote. None of his motions are fast enough and the CEO is still shouting in her ear.
âDex, channel five! Now!â
His hands shake at the tone in her voice, but he manages to obey. The screen flickers on.
â-proof that WRU lies,â A youngish man in his thirties is saying, staring directly into the screen. He smiles, wide blue eyes in a pretty face, black curls in a sort of artful disarray around his head. Karen vaguely recognizes him, but canât quite remember why.Â
He stands next to a redhead who also seems familiar somehow, and there are athletes sitting at a long table on either side of him, still wearing their nationâs colors, holding photographs. Karenâs eyes scan the photos in their hands and the strange, unpleasant feeling within her intensifies.Â
She canât identify it. Itâs like disgust, or repulsion, but somehow entirely different than either of those feelings.Â
Her heart feels like itâs racing within her, her normally calm pulse a hummingbirdâs vibration. Karen finds her breath catching, hitching, and when she looks down her hands are shaking.
relaxation politely interrupted- for nat (and perhaps involving some rescues)
Nat slips into the water with a grateful exhale. Itâs scalding hot, just how she likes it, soothing aching bones and muscles. The house is quiet, and between the coconut soaking powder and the candle lit on the sink, everything is absolutely perfect.
She lays her braid over the edge of the tub to keep it dry, and settles until the water covers just to the curves of her shoulders. Baths are less a luxury than a demand, at her age, and she wonât move until the waterâs nearly cold.
The last two rescues from her latest group moved out a few days ago, and sheâs taking a break. Just a month, maybe two.Â
She wants the house to herself, just for a bit.Â
Her phone buzzes and her eyes flicker open, vaguely irritated. She reaches over to the little table next to the bathtub, rubbing her hand on a folded towel to dry it before picking up the phone.
Kauriâs name flashes at her, a photo of him smiling at her kitchen table has been his contact photo for years now. Sheâs never changed it. It was the first time he smiled at her so brightly, and she canât stand to lose the moment.
Kauri doesnât call her often anymore, now that he can text.Â
âHey, Kaur, honey. Whatâs up?â
âHey, Nat. Can you get Nine my number and tell him to call me?â Kauri sounds airy, almost breathless, distracted. âPlease?â
âWhat? Uh, I guess I could. Why, is something wrong?â She pushes up in the tub slightly. âDo I need to-â
âNo, no, I just need his number. I know he moved houses, I need to get in touch with him. Could you-... just have him call me?â
âSure, Kaur. Can I-... can I ask why you want to get in touch with Nine?â
Kauri pauses. Someone says something behind him - Chris maybe, the voice sounds like his.
In a low voice, nearly a whisper, Kauri says, âKeira and I want to break into WRUâs system to get Chrisâs intake papers and training tapes, and we need Nineâs help so Keira isnât caught.â
Thereâs a silence.
It draws out, broken only by the dripping of water from the faucet into the tub.
CW: Some vague past noncon references, discussion of traumatic events, referenced minor whump, referenced Oliver being gross as shit - all vague, Akio Gets An Idea, modern slavery
(Lisa Huang appears in Teenage Dream)
âThanks for driving down here, Lisa.âÂ
âNo problem.â Lisa Huang pushes her glasses back up on her nose, sitting back in the hard plastic chair in the side room with its large conference table. The faint sounds of the gym are still audible here. Lisaâs got one ankle laid over the other knee, hands behind her head as she looks around. The heavy knit cap on her head is a deep saturated orange, the rest of her clothes a mix of faded gray and blacks. It makes her look, just a little, like sheâs wearing a pumpkin on her head. âI needed to meet my sister for lunch some time this month, so I figured, two birds one stone. The drive down was really pretty, anyway. Wow, the gym has hardly changed at all, has it?â
âNot really.â Akio gives her a half-smile. Heâs in his own casual clothes, just a hoodie over a t-shirt and jeans. He feels like sheâll see his heart beating, the way he shifts from foot to foot. Lisa was always good at reading people, better than Akioâs ever been, anyway. âNew equipment, new kids, but⊠you know. You probably didnât exactly get lost.â
âHa! No. I could have walked to this room with my eyes closed.â She gestures at a large framed photo across the room, settled along a wall between two windows. âThey havenât even changed the team photo. We were, like, kids when we went there.â
Akio looks over his shoulder.
Heâs right in the center of the photo, next to the old governor, smiling brightly for the camera. On either end of the line, their coaches. Spread throughout the center, all of them, a range of ages, wearing matching windbreakers and gym pants, smiling. All of them, smiling.
One of them, missing, presumed dead.
âYeah, Markâs still really proud of that, I guess.â
âI remember. That crusty old guyâs what got us the WRU sponsorship. Mark just about had a stroke when they wanted to do that whole marketing campaign with us.â Lisa laughs. Akio doesnât. His nerves are shot, and he doesnât want to make small talk about WRU. Not knowing what he knows. Not with whoâs waiting in the hallway.
CW: Self-loathing, some internalized victim-blaming, references to parental death and grief, VERY vague reference to past noncon once or twice
Note: I made a decision to switch a little of the timeline around, so Laken and Chrisâs breakup at this point happens after the original conversations about the Speak Out Arc start happening but before the Olympics themselves. Iâm folding this bit into the larger Speak Out Arc.
Follows Time Apart and It Doesnât Work As Well As Youâd Hoped
-
He curls up on the couch in the coffeeshop, sipping something warm he barely tastes. It might have coffee in it - he feels a little drowsy, and that usually happens when thereâs just a little caffeine.
Maybe thatâs just because he hasnât slept since Jake was hurt, not really. And heâs slept even less since⊠since he and Laken broke up.
Outside, thereâs unseasonable heavy rain. The clouds are low and heavy, a deep gunmetal gray that blocks out the light and has the streetlights on at 9:30 in the morning. The raindrops seem less to fall than to slam into the ground with terrible violence.Â
The baristas talk in low voices about how grateful they are for the rain, burying the wildfires outside the city in a deluge the heat canât overcome. Chris likes the rain, too, if only because it reflects the inside of him, suggests that the world can tell he is a storm within himself and reflects it to him.
He takes another sip.
He hasnât showered in three days. His hair is dulled with it, like a penny left too long in the dirt. Heâs dressed himself like he used to, back before when he was still learning he was a person and not a pet - in one of Jakeâs hooded sweatshirts over his compression shirt, so oversized on him itâs nearly a tunic, and a pair of mesh basketball shorts. His knees still look knobby, he thinks.
He can see the ghosts of the bruises there that used to never quite heal before his Sir sent him to his knees and made new ones to lay over them. He can see a couple of scars, some from training when the baton would crack into the backs of his legs and send him dropping like a stone, some from gymnastics, some from just being a kid.
Chrisâs eyes lower, to look at his own hands holding his coffee cup. He put star stickers on his nails last night, and a few of them have already peeled off. Those that remain glitter, just a little.Â
Something about the sight of it - the memory of when he put star stickers on Lakenâs cheekbones at a concert until they sparkled under the starlight, laughing, a blur of bright eyes and dark hair - makes his throat nearly close, sends a new rush of tears to burn hot behind his eyes.
He has to close them to hold them back.
âYouâve had a hard time of late, have you, then?â
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(I found this prompt while cleaning out my inbox and Iâm so sorry I missed it the first time, Anon! With more than 150+ messages I am finding all kinds of treasures I missed when they came in!)
Prompt:Â â10. True tenderness is silent and canât be mistaken for anything elseâ for Chris? <3
CW: Referenced death of whumper, referenced parental death, grief of an abuse survivor/whumpee, religious abuse, frank discussion of death, referenced past child abuse and survivor anger
Essentially a follow-up to this piece after Oliverâs death
Jake borrows Natâs truck for the trip out to the cemetery, the old stick-shift Ford better able to handle the steep hills outside the city than his own beat-up four door. Chris sits next to him, pale and silent, and itâs a callback to a version of Chris that hasnât existed in years, not since he was a frightened child.
This is a different kind of silence - heavier, it muffles the music from the radio, makes it seem like static and not songs at all. Jake doesnât turn it up, or change the channel. He lets the silence draw out.
Itâs not the same kind of silence, in the end.
The gates, wrought-iron and looking a mix of delicate and eerily strong, are open for them to drive inside. The rumbling engine of the truck catches the attention of an older woman laying flowers on a gravestone, who looks briefly up at them as they pass, but doesnât wave.
She only looks.
Chris doesnât look at her. His hands are folded in his lap, his hair caught low at the nape of his neck, the blue captured by a pale gray clip that holds it back from his face. He asked Jake to get him a suit, for this - heâs never owned one before.
Not since he left the bastardâs house. Â
Jake didnât ask why - he just took Chris shopping, and they bought the suit. Itâs black, with thin gray pinstripes that match Chrisâs hair clip. His button-up and tie are perfectly done - Chris had done them up himself, the vestiges of training he still remembered. Heâs wearing black leather shoes, shined up just for this, and he took out all his earrings, the perfect emptiness of the skin making Jakeâs stomach flip at the way Chris has removed nearly all of the ways he made his body his own.
Jake drives around a curve on the little paved road, and finally comes to a stop.
The grave is unmistakable - the dirt is still fresh and soft, and hasnât fully settled. Itâs just⊠dirt, and behind it a little marker stuck in the ground. A simple name, date of birth, date of death. Thatâs all. The real stone hasnât come in yet.
OLIVER WILLIAM BRANCH
DOB: 09/09/1966
DOD: 04/02/202X
Chris stares at the pile of dirt, and Jake sees his knuckles turn white. Heâs not rocking, not tapping, not humming. Just⊠silent, and still. Like heâs carved from stone.
Statue boy, Chris used to whisper, when he was scared. Be a good boy, statue boys donât move, stillness is better than what I do, statue boys stay stillâŠ
âYou-â Jakeâs voice cuts into the silence, a knife into skin, and he flinches at the sound of his own voice. Heâs just wearing a t-shirt and jeans, and suddenly he wonders if Chris wanted him to wear a suit, too, if heâs disappointed Jake didnât think of it on his own. âYou donât⊠have to do this, Chris.â His voice drops, stays lower.
Chris doesnât look at him, only looks at the grave. His beautiful face is pale, and looks young - more like when he first showed up - and the blue hair suddenly looks wrong, like he shouldnât have it yet. It should still have its coppery new-penny shine. The roots are hinting, just a little, at the color it used to be. âYes, I, I, I, I do.â
Out of curiosity, do Callie and chris ever run into each other/ confront each other after
CW: Referenced head-banging and resulting injury, brief ableism references, gaslighting, vaguely referenced institutional pet whump
(for context, see This Isnât Hypothetical For Chris, âCan You Come Get Me?â, No Words, and Drop)
âUm. Hey.â
Chris, in the midst of a careful, incredibly precise drawing of a tiny Easter Island moai while studying for the Non-Western Art History test, looks up, only to freeze, his fingers tensing around his pencil until he presses so hard the lead snaps off, rolling down the notebook.
His hair is pulled back, caught at his nape with a clip Mari let him borrow, but he wishes all at once that it werenât, so he could shake it over his face, hide behind it. That it wasnât blue but some color no one saw in a crowd, so she wouldnât have seen him and known it was him.
He hesitates too long, and she shifts, moving herself into his field of vision again. âChris, are you-... are you busy?â
âHey, um, hi... hi, Callie,â Chris mumbles, looking back down again, clicking the end of the mechanical pencil to get more lead, enjoying the sound and the very slight press of the eraser against his thumb. âIâm just, just studying. What, um, what do, do, do-do you... what do you want?â
She seems to take it as an invitation, which it isnât. When she pulls out the chair across the table, the legs scrape along the floor impossibly loudly, but only Chris seems bothered by it. The sound makes his teeth itch, a feeling he canât possibly describe in any other way. When he moves the chair, he picks it up, carefully placing it back down, avoiding the sound that shudders through him and digs into the tiniest bones.Â
Everyone else just scrapes.Â
She tucks some of her own bouncy, wavy brown hair behind one ear. Itâs chilly today, it was so foggy this morning Chris could barely see from one side of the bridge to the other when he crossed over the highway to the other side of campus to get some coffee to help him cram before the test. Callie is wearing a heavy cable-knit sweater that drapes just so off one shoulder, showing the silken strap there, and skintight dark jeans. She looks really pretty, but Chris mostly thinks everyone looks pretty.Â
Even Dylan in the morning looks pretty, with his hair all messed up. Even though Chris is still kind of mad at him and probably always will be.Â
Chris is in his usual thick black compression shirt, helping him hold off the weight of the lights, keeping the prickle of the Student Center from digging too deeply into his skin. Over that, a t-shirt from the Lion King musical that Mari brought back from her last trip home - (âI have like five, now, Chris, Iâve seen it in like six different places you can have this one, if you want? Itâs from when I saw it in Chicago.â And of course he did, he is starting a small collection of shirts he had gotten from nearly everyone he knows), and one of Jakeâs heavy sweater-coats, borrowed - but really stolen - from the house last weekend. Jake pretends not to know. Chris brings them back eventually.
Between Chris and Kauri, itâs a miracle Jake ever has anything warm to wear at all.
âSo, I just-... I wanted to, um. I havenât seen you around-... oh, did you get hurt?â She cocks her head to the side, and Chris looks away from her, spinning the pencil in his fingers, his foot tapping on the ground now, nervous energy bubbling inside him.Â
Thereâs a bandage, still, on his forehead. He wishes he could say it was from the day in class, but itâs not. Itâs from a few days ago, after meeting with the grad student to sign stuff to drop the class. Itâs from coming home with all his hurt and fear a spinning top that he could only calm by breaking its rhythm, and heâs, itâs regression, but itâs okay, sometimes you go back and you get back up and go forward again, Dr. Berger says itâs okay sometimes to backslide as long as you know you have people to help you get up-
âIâm fine,â He says, flat and smooth words, barely his own voice at all. âHit my head on, on, on a cabinet.â
Technically true.
She nods, folding her hands in her lap, watching him with those sort of big sad eyes people get sometimes, when theyâre working up to something and want you to know theyâre not the bad guy. Her drink has a cloth sleeve on it with tiny little bow ties. He wonders if she made it herself.
She clears her throat. âOkay, um. Good to hear it. So... I just... I heard you dropped.â
âYep.â Chris keeps his eyes down now, on his pencil. The gentle weight of his feather necklace reminds him that he has other options, too. For now, though, he spins his pencil on top of his open notebook, the drawing of the moai. âWho told you that, um, that-... that I, I dropped?â
âI mean, when you werenât in class for a couple weeks-... you know at first I thought you just, like, you know... the teacher told you not to come by, but then you kept not coming, and...â She kind of throws her hands up. Hers are painted a cheerful blue-toned red. Chrisâs are black, but theyâre heavily chipped. Heâs been picking at them again. âI asked Esh, finally, and he said-â
âEshiram.â
âWhat?â She blinks, confused.Â
âNot Esh. His, his, his nameâs Eshiram.â
âNo, I know, I just-... whatever. Look, so, I get that youâre probably still pretty mad, and... Iâve kind of been trying to hunt you down to say Iâm sorry.â
Chris, caught off guard, pauses in spinning his pencil and turns to look at her again. âWhat?â
âAbout... I would never, ever have wanted you to feel you had to drop the class, Chris, I swear.â She leans forward, all earnest sincerity, and thereâs a look of guilt on her that makes him think she means it. It wasnât her idea, after all - if sheâs even fucking talking to him, she doesnât know what he is, she didnât catch it like the grad student did.
After the drawn out moment, his foot starts to tap on the floor again. âItâs, um, itâs, itâs, itâs okay,â He says, wishing he had his own drink, something to hold in his hands and sip. The nerves start to wind up inside him, and he drops one hand down where she canât see it, starts to tap on the side of his thigh.
âNo, itâs not.â Callie sighs, shaking her head. Her hair moves with the motion and he catches a hint of her shampoo, it smells like fruit and honey. âItâs not, Chris. Look, I just-... I took everything you said super personally, and that wasnât okay. I get that you, you know, you werenât really talking about me.â
Chris turns to look at her, blinking wide green eyes, thinking, Yes, I was.
He opens his mouth to maybe tell her, but the pause goes on too long and sheâs already talking again before he can. âThereâs all these reports about abuse, and everything, I swear more than ever, and it just-... puts me on edge, you know? So I heard you saying-... well, you know. You donât know that things are better at our house. All you know is what youâve, you know, seen on the news.â
Chris takes in a breath and holds it, tapping hard against the seam of his jeans. He isnât going to get angry. Getting angry made him have to drop and lose points off his GPA, getting angry gets him noticed by too many people all at once, angry feels heavy and hurting, angry draws attention, attention mean eyes and hands and-
Let the breath out. Exhale. He has to purposefully remind himself to do it.
âI, I, I know more than, um, than that,â He manages to say, but his voice is small. Heâs no good at being angry, when itâs not in the moment, when thereâs nothing to draw him out of himself. âI donât, donât just... build sets all day, Callie, Iâm, Iâm, I know other, um, other things.â
âYeah, I know, I know. Like, Iâm surprised youâre not, like, a math major or something, like in that movie-â
Chris sits back and snorts out bitter laughter. âYou, you, you mean, um, The Gift?â
âYeah! Vincent Shield did such a good job, they said he did a bunch of like, work to really get into character which is so cool since he was only, like, sixteen when he did that one with that, you know, the other guy he did movies with all the time-â
âOwen-... Owen Grant.â
âYeah! I wonder what happened to him. Anyway-â
âDo you, do... do, do, do you think-... Callie, I suck at, um, at math.â Chris canât help himself. He starts to laugh at the absurdity, and Callie looks like heâs hit her across the face, wide-eyed, shocked. âThis is, um, this, this is, this-... this is a really, really-... really bad apology.â
âYeah, I know.â Callie kind of laughs along with him, then, but thereâs something fake and brittle to her laughter. âBut I swear, I just came to say Iâm sorry. It was just a misunderstanding, I really didnât mean for you to have to drop. I swear, Chris, I donât, like, hate you or think anything bad about you-â
You called me a fucking spastic.
â-or anything like that. I just... can you forgive me for losing my temper? Iâm sorry, itâs just, when my family is attacked by people who donât even know us, I get super defensive, and-... and I should have realized you werenât really attacking us, just, you know, the system.â
Chris stares down at his shoes. He thinks, you are the system, it doesnât exist without people like you who buy us, but he doesnât say anything.
She seems to take this as agreement.
It isnât.
âSo, yeah. Iâm just... Iâm really sorry, Chris. Will this throw your whole, you know, graduation and everything off, or do you think youâll still be good?â
Does she even really care? Chris swallows and raises his head, to look at her again, fixing his eyes just slightly to the left of her face, where it wonât be obvious he isnât focused on her. An old trick, one he used to do to stay safe in training, maybe... maybe before that.
Even though he canât remember a before that anymore.
Because of people who buy people like him.
âIâll, um, Iâll be good,â He says, and the words taste like dust and feel like gravel on his tongue. âI worked out a, a, a-a plan with, with my, um advisor. So Iâll... Iâll be-â
so good for you
âFine.â
âGreat.â She relaxes, all smiles again, and reaches over putting her hand over his left arm, gripping a little. Chris feels the weight of it like the clap of restraints forcing him down on a table and stiffens, looking right at her the way heâs supposed to.
Years go by, but the training isnât gone. Not all the way.
âListen,â She says, voice low. âI really am sorry. But you just-... canât go around thinking everybody who does something you donât like is bad, you know?â
His heart races in his throat, he can barely swallow around it. âYes,â He says, softly. She doesnât hear the first stirrings of panic. But he feels them. âI... know.â
Good boy.
âIâll see you around, Chris, okay? Iâm glad we talked about this.â She pats his arm, like a handler almost, and then pushes herself to her feet. The chair scrapes back and Chrisâs teeth grind together as the sound ricochets around inside him. The dim warm lights overhead lay heavily over the fabric he wears to protect himself from touch like that.
Itâs not enough.
He can still feel the hand on his arm as she walks away, heads out the double-doors and is gone.
Chrisâs hand slides to the feather and he pushes the silicone plastic between his teeth, letting his tongue press up against the carved vanes, sinking into the familiar sensation, letting it wrap around him, calm his pulse, help him rebuild the thin wall he needs between himself and the world.
He stares blankly off into space, chewing the feather, unnoticed by the few other people in the Student Center this early in the morning.Â
She probably feels so much better.
Like so many other people in his life, she made herself feel better by making Chris feel so much worse.
After a while, still chewing on the feather, he picks his pencil back up and starts to draw another moai.
CW: REFERENCED SELF-INJURY FROM HEAD BANGING, negative stimming, panic attack, brief nonverbal episode from panic, meltdown-adjacent
âCan, can, can, can can-can-can, can, can you-... can-â He canât spit the words out, his mind is white-noise chaos, heavy weight, throbbing headache pounding past the fear that is too heavily wrapped up inside him. âCan, can you-... help, can you, can you help me-â
âBaby, whatâs wrong?â Heâs never heard Laken sound like this before. Their voice trembles on the other end of the line, shivers, and the signal sucks in this stupid little bathroom in the stupid English fucking stupid building but he can hear them. Itâs thin, and soft, but itâs their voice. âWhy, whatâs going on, you never came to lunch and you havenât been answering y-your phone, I just, I was-... was so worried, I...â
He jerks in a breath and his lungs for a moment refuse to expand, they freeze, and he chokes on air, coughing. It makes his headache worse. Thereâs a red spot on the wall. He wiped it with a wet paper towel from the dispenser but itâs still there, if you look really closely.
Red on the wall, flat light, red on the wall, red on the-... on the wall, and his head hurts... The connection between thought and word is lost.
He can think could you come get me? but all that comes out of his mouth is a groan, a noise from deep in his throat. His heart is racing and he rocks lightly, forward and back, forward and back. Taps on his stomach. Turns his eyes deliberately way from the tiny spot on the wall.
His fingers twitch to move it. Smear. Paint. Soothe.
âChris - querido - talk to me, please, for the love of God-â
âL-Laken,â He whispers. He can say that much. âLah lah lah Laken. Laken. Laken-Laken, Laken...â
âOh, fuck.â Their voice is soft, heavy with fear for him. He canât remember how to reassure them, the beat of his own heart is too loud in his ears.Â
Redirect, he has to redirect.
How does he do that?
He hums, rocks hard, but no-... thatâs how he hurt himself before. Have to... to stop. Be still. No, donât be still, still isnât true anymore, have to redirect, redirect, find something that works and doesnât hurt...
Fuck, his head hurts so much.
âGPS,â He says, all at once. Each word clear and precise. Perfect stones.
â... what?" He can almost hear Laken blinking.
âMy, my, my my my-my phone. GPS, GPS, Jake h-has, GPS on my phone.â
âWhat... are you saying Jake can find you? I need to call him? Is that-â
He rattles off Jakeâs phone number, the numbers are nice, they round out in his mouth, and he can hear his own thoughts again, racing circles to not hit each other on their crossing tracks. He needs something for his headache.Â
âOkay, okay slow-... okay, slow down-... I got it, okay, I got it, Chris. Iâll call Jake, and... and he can find you, with GPS?â
Chris hums, and hums, and hums.
After a second, Laken hangs up the phone, and Chris tries to remember how to make it stop.
CW: Political protest turns into riot, violence perpetrated against protesters, BBU-specific political violence, trauma response, PTSD. There is a bit at the end that echoes the aftermath of school violence, so stay safe.
For @amonthofwhumpâs 12 Days of Whump Day 11: Sensory Overload
TIMELINE: During Chrisâs college years but before the Speak Out Arc
-
Thereâs some kind of protest happening on campus.Â
Chris looks over across the span of green between the sidewalk heâs on and the Student Centerâs main entrance, pausing with his hands on his backpack straps. He canât even see the doors, thereâs got to be like three hundred people over there. More than that. Maybe five hundred.
A thousand?
However many, he sure canât count them.
Well, there goes my plan to get coffee before Theater as Collaborative Art, he thinks, a little disgruntled. Itâs going to be hard to focus without like⊠a little caffeine. Maybe if he catches Dr. Ysabel before class starts, sheâll let him drink some of hers from the drip pot she keeps going all day.
It tastes scorched, but hey, itâs better than nothing-
The sound of the crowd - shouting, chanting at least two different things at the same time, someone with a bullhorn shouting back - makes Chrisâs head start to hurt, derailing his thoughts. The protest is facing the other way, and he canât really see whatâs written on the signs. But if the noise is this loud and overwhelming from here, he canât imagine being any closer to it.
âWhat, what, whatâs going on?â He asks no one in particular.
A guy walking the opposite way down the same path, a couple years younger than he is, stops as well, shading his eyes with one hand. âMust be the thing about the football team.â
âWhat about them?â Chris blinks, turning away from the protest to look at the guy. Heâs vaguely familiar, the way that people you see every day but never speak to start to be recognizable. Heâs been behind Chris in line at the coffeeshop a bunch, and heâs definitely seen him at the library studying before.
The guy shrugs. âYou didnât hear?â
Chris gives a shy, almost apologetic smile. âIâm not-⊠not super into, um, football.â
âYeah, neither am I, but this shit has been like⊠one hundred percent of the student TV channel news coverage?â
âOh. I⊠havenât been on campus much-â
âOh, yeah, okay. Well, anyway, WRU made like a huge fucking donation to our football team. Like fucking enormous, but the strings are that theyâre going to rename the building after the CEO. The football team all signed this statement refusing the money, but the admin of course is like, youâre just our athletes, nobody cares about your opinion, youâre just the moneymakers. Right? So then the football team is refusing to play until they give the money back, a bunch of alumni went nuts over it, everyodyâs losing their shit. Even Vincent Shield made a statement, that actor whoâs super into pet lib?â
âYeah⊠yeah, Iâve, um, um, heard of him.âÂ
âYeah, so. Itâs all that lib shit. Theyâre trying to get the Dean to give the money back, he said no, now theyâre screaming at him to resign and like⊠saying he belongs in prison for taking money from human traffickers. Plus, someone started a rumor that WRU like fucking abducted the people planning the protests. They turned up just in a normal jail cell but itâs been a whole thing. This girl Haukea set up a whole protest for today, this is just like⊠the first part.â
âThe first part?â Chris brightens at that. âSo, um, so, so all those protestersâŠâ
363 saw 967 again three days after Petersonâs lesson on private categories.
They noticed her before Peterson opened the door.
Something changed in the corridor outside their room. The facility carried sound strangely, flattening most noises beneath the constant mechanical hum of ventilation, fluorescent lights, distant locks, and footsteps passing behind reinforced doors. 363 had learned to separate those noises anyway. They knew Petersonâs stride by now. Measured. Even. Neither hurried nor hesitant. The rubber soles of her shoes made the same muted sound against the polished floor every time she approached.
This time, another set of footsteps accompanied hers.
They were faster.
Uneven.
One foot landed normally. The other dragged faintly before lifting again. A rubber sole caught against the floor with a sharp little squeak, followed immediately by a whispered apology.
Another voice answered.
Flat.
Impatient.
The tone handlers used when an apology hadnât prevented the mistake and therefore had no practical value.
363 stopped chewing.
The bite of rice remained against the inside of their cheek.
Peterson noticed immediately.
She stood near the observation counter with her tablet tucked beneath one arm, watching the slow progress of 363âs meal with the same focused attention she gave everything else. Her eyes moved from the half-finished tray to their face.
âWhat is it?â
363 didnât answer.
Their gaze stayed on the door.
The lock disengaged with a heavy metallic click.
Peterson looked toward it just before it opened.
She entered first.
Behind her came another handler with one hand wrapped firmly around 967âs upper arm.
363 recognized her immediately.
967 had been washed.
That was the first thing WRU wanted anyone to notice.
Her hair had been combed carefully and pulled away from her face. Someone had smoothed every loose strand into place. Her gray trainee uniform looked freshly laundered, the fabric stiff with detergent and almost unnaturally clean beneath the white fluorescent light. The sharp chemical smell entered the room with her, industrial detergent strong enough to bury most of the other scents clinging to her skin.
Almost.
363 could still smell disinfectant beneath it.
Something medicinal.
Old sweat.
The faint metallic trace of blood.
WRU had cleaned the evidence.
They hadnât erased it.
967 held her left arm too close against her body. Not dramatically. Sheâd been trained better than that. Her elbow stayed tucked against her ribs in a position that could almost pass for proper posture if someone wasnât looking closely enough.
363 looked closely.
Her steps were careful too.
She placed one foot normally and shifted only part of her weight onto the other. Her ankle wobbled once before she corrected it.
There was bruising beneath one eye.
Someone had tried to conceal it.
A thin layer of foundation softened the edges of the discoloration but couldnât hide the swelling beneath it. The corner of her mouth had split. Clear ointment covered the small wound, making it shine beneath the harsh overhead lights.
The second handler nudged her forward.
967 smiled.
It was a good smile.
Small.
Soft.
Grateful.
Empty.
363 recognized it immediately.
Theyâd seen trainees practice that expression in reflective glass until the muscles around their mouths shook from exhaustion. Theyâd watched handlers stand behind them, correcting the angle of a chin or the tension around their eyes.
Too frightened.
Again.
Too much teeth.
Again.
You look resentful.
Again.
Relax your mouth.
Again.
Youâre supposed to look relieved.
Again.
WRU punished fear and then punished people again when fear remained visible afterward.
967âs smile had passed inspection.
363 hated it.
The second handler released her arm.
âDown.â
967 lowered herself beside the wall.
Her injured ankle trembled when it bent beneath her.
She suppressed the reaction quickly.
Not quickly enough.
363 saw it.
âPosition,â the handler corrected.
967 adjusted immediately.
Her knees moved farther apart.
Her spine straightened.
Her hands settled neatly on her thighs with the palms down and fingers together.
Her chin lowered to the exact angle WRU preferred.
The handler stepped back and looked her over.
âThere.â
Her voice carried that familiar, falsely approving warmth.
âYou can do it when you try.â
967âs smile widened.
363 looked at Peterson.
Peterson wasnât looking at 967 anymore.
She was watching them.
That bothered 363 more.
â967 is going to remain here while I finish your meal assessment,â Peterson said.
363 said nothing.
âYouâll ignore her.â
The instruction made no sense.
363 looked back at their tray.
A measured portion of rice covered one section. Vegetables cooked until their color had faded into something soft and nearly gray occupied another. A square of processed meat sat near the center. Beside it stood one plastic cup of water.
The meal contained precisely enough calories to satisfy whatever formula WRU had calculated for their height, weight, classification, and training schedule.
Not enough to make hunger disappear.
363 had learned that too.
They picked up the utensil again and took another bite.
967 didnât look at the food.
That was deliberate.
Her gaze remained fixed on the narrow seam where the wall met the floor.
Her breathing stayed shallow.
Each breath barely moved her shoulders.
The other handler moved closer to Peterson and lowered her voice.
âFive minutes. They want her back in medical afterward.â
Peterson glanced toward 967.
âAgain?â
âSheâs fine.â
967âs fingers curled against her thighs.
Tiny movement.
Immediately corrected.
363 saw it.
Peterson saw them see it.
âWhat happened?â Peterson asked.
The second handler shrugged.
âCorrection.â
âFor?â
âInterference.â
Peterson waited.
The handler rolled one shoulder.
âShe stepped out of position during another traineeâs session.â
967âs smile stayed in place.
âShe was warned,â the handler added. âTwice.â
363 chewed slowly.
Swallowed.
They looked at 967.
âWho was being corrected?â
Silence dropped over the room.
The other handler looked at 363 with visible surprise.
Not because the question itself was especially complicated.
Because 363 had chosen to speak.
Petersonâs expression sharpened.
âThat doesnât concern you.â
363 kept looking at 967.
Her eyes lifted from the floor.
Barely.
Only a fraction.
Enough.
363 saw fear there.
Not fear of them.
Not entirely.
Fear of what the question might cause.
âDid she stop them from being injured?â 363 asked.
The other handler gave a short, disbelieving laugh.
âShe made it worse.â
âFor whom?â
â363.â
Petersonâs warning came quietly.
That tone meant stop.
363 understood.
They returned their attention to the tray.
The conversation resumed near the door.
967âs breathing changed.
The control slipped slightly now. Each inhale caught too high in her chest before she forced it down again.
363 counted the food remaining.
Six efficient bites of rice.
Three pieces of vegetables.
Half the processed meat.
One cup of water.
They ate two bites of rice.
Then one vegetable.
They set the utensil down.
âFinish,â Peterson said.
363 picked up the square of meat with their fingers.
Peterson glanced toward the other handler.
Less than a second.
Enough.
363 moved.
They didnât offer the food.
An offer required 967 to make a choice.
A choice could be called disobedience.
They placed the meat against the polished floor beside their own knee and slid it outward with two fingers.
The piece crossed the floor silently.
It stopped beside 967âs right hand.
Close enough that she could cover it without changing her position.
967 stared at it.
Her smile vanished.
For the first time since sheâd entered, the trained expression collapsed completely.
âNo,â she whispered.
The second handler turned.
âWhat did you say?â
967âs face rearranged itself instantly.
The smile came back.
âNothing.â
363 took one of the remaining vegetables and ate it.
Petersonâs gaze lowered.
She saw the food.
â363.â
They looked at her.
âPick it up.â
âNo.â
The second handler made a sharp, incredulous sound.
Peterson lifted one hand without looking at her.
Silence.
Her eyes stayed on 363.
âWhy not?â
â967 is hungry.â
âShe has her own meal schedule.â
âSheâs hungry now.â
âYou donât know that.â
363 looked at 967âs hands.
The fingers of her right hand had shifted slightly.
They covered the meat completely.
âYes,â 363 said.
Their voice remained calm.
âI do.â
967 stopped breathing.
The other handler stepped forward.
âHand.â
967 didnât move.
âShow me your hand.â
Her entire body became rigid.
Her shoulders locked.
Her spine straightened another impossible fraction.
Her smile vanished again.
363 rose.
They didnât think about it first.
They didnât need to.
One moment they were seated beside the tray.
The next they stood at their full height.
The movement happened quickly enough that the second handler stumbled backward.
Her hand went instinctively toward the control clipped to her belt.
Peterson didnât move.
âDown.â
363 stayed standing.
The collar around their throat suddenly felt heavier.
It always did when a room went quiet.
The device rested close against the skin beneath their jaw, smooth and solid and impossible to forget when a handlerâs thumb hovered near the corresponding control.
363 thought they could hear the faint electrical hum inside it.
Maybe they imagined that.
It didnât matter.
The collar was real.
The punishment attached to it was real.
967 still had the food beneath her hand.
â363,â Peterson said.
Her voice remained level.
âKneel.â
The command belonged to several categories at once.
Immediate punishment if ignored.
Useful information.
Potential exploitation.
363 calculated quickly.
Standing longer wouldnât protect 967 more.
It would only increase the severity of whatever happened next.
They lowered themself to the floor.
Slowly.
Controlled.
Petersonâs shoulders loosened by a degree.
âGood.â
363 didnât acknowledge the praise.
The second handler moved toward 967 again.
363 shifted their weight.
That was all.
Barely an adjustment.
One knee changed angle.
Their shoulders aligned.
Their center of gravity changed.
Every person in the room understood exactly what the movement meant.
The other handler stopped.
Peterson stepped between them.
âLeave it.â
The handler stared.
âShe took food.â
âI saw.â
âSheâs encouragingââ
âI said leave it.â
The second handlerâs jaw tightened.
Her gaze cut toward 967 with open irritation.
Then she looked toward the door.
âMedical in four minutes.â
âIâll bring her.â
The handler hesitated.
She clearly hated surrendering control.
Petersonâs authority won.
She left.
The lock sealed behind her.
The room fell silent.
967 stayed perfectly still.
Her hand remained over the piece of meat.
Peterson looked down at her.
âEat it.â
967âs eyes widened.
For a second, she looked as though she thought sheâd misheard.
âNow,â Peterson said.
967 lifted the food from beneath her palm.
Her fingers shook.
She put it into her mouth.
At first, she tried to chew slowly.
Properly.
Training required small bites and controlled movements.
Hunger overruled training within seconds.
Her jaw moved faster.
She swallowed too quickly and winced when the movement pulled at the split corner of her mouth.
363 pushed their cup of water across the floor.
Peterson put her shoe against it.
The plastic cup stopped.
âNo.â
âHer mouth is injured,â 363 said.
âI can see that.â
âShe needs water.â
âSheâll receive water in medical.â
âThat isnât now.â
Peterson looked at them.
363 met her gaze.
Something passed silently between them.
A calculation.
363 recognized it.
Peterson eventually removed her shoe.
363 pushed the cup the remaining distance.
967 didnât touch it.
Not until Peterson said, âDrink.â
Then she picked it up with both hands.
The rim touched the split in her lip.
She flinched.
Water slipped past the corner of her mouth and ran along her chin.
967 wiped it away quickly with the back of one hand.
Her gaze stayed lowered.
âThank you,â she whispered.
363 watched her drink.
Peterson watched 363.
When the cup was empty, 967 placed it back against the floor and returned immediately to position.
Her hands settled on her thighs.
Her chin lowered.
Her breathing slowed.
The tiny amount of food and water put the faintest trace of color back into her face.
It didnât touch the fear hollowing out the space around her eyes.
Peterson crouched in front of 363.
She didnât touch them.
Sheâd learned better.
Unannounced contact still made 363âs body prepare for violence before thought caught up. Their muscles responded first. Their mind came afterward.
Peterson entered their line of sight and waited.
Eventually, 363 looked at her.
âYou disobeyed a direct instruction.â
âYes.â
âYou stood without permission.â
âYes.â
âYou threatened another handler.â
âNo.â
Petersonâs mouth curved slightly.
Not quite amusement.
âWhat would you call it?â
âInformation.â
âWhat information were you providing?â
âThat touching 967 would be difficult.â
A tiny sound escaped 967.
363 didnât look toward her.
Peterson did.
Then her attention returned.
âYou understand that you couldâve been shocked.â
âYes.â
âYou understand you couldâve been restrained.â
âYes.â
âYou understand she still couldâve been punished afterward.â
âYes.â
âAnd you did it anyway.â
âYes.â
Peterson studied their face.
âWhy?â
363 looked at 967.
She held position again.
Almost perfectly.
Only her ankle betrayed her.
It trembled against the floor beneath the weight sheâd shifted away from it.
âShe was hungry.â
âThat isnât an answer.â
âIt is.â
âYou risked correction because another trainee missed a meal.â
âShe didnât miss it.â
Peterson waited.
363âs gaze traveled over 967 deliberately.
The bruising beneath the eye.
The guarded arm.
The damaged mouth.
The swollen ankle.
The excessive cleanliness.
The empty stomach.
âIt was taken from her.â
967âs face tightened.
Peterson didnât ask how 363 knew.
She didnât need to.
WRU punishments had patterns.
Food restriction produced compliance without leaving bruises that complicated presentation photographs.
It weakened resistance.
Made trainees slower.
Quieter.
More grateful when basic needs were restored.
A frightened trainee who needed to appear healthy for assessment was rarely starved long enough to show it visibly.
Only long enough to remember who controlled the next meal.
Peterson rose.
363 watched her.
For one second, they expected her to punish 967 anyway.
Punish her for accepting food.
For drinking.
For becoming the object of 363âs attention.
Instead Peterson turned toward her.
âStand.â
967 moved immediately.
She planted one foot.
Then the other.
Her injured ankle folded.
Her body lurched sideways.
She caught herself against the wall with a strangled breath.
363 moved before Peterson could.
They crossed the distance and caught 967 beneath the arms.
Her body felt startlingly light.
Too light.
363 steadied her.
967 locked completely at the contact.
Her muscles went rigid.
Her first expectation was restraint.
363 recognized that too.
Then she realized who held her.
Some of the tension left her shoulders.
Not all.
âIâm fine,â she said quickly.
The words werenât for 363.
They were for Peterson.
The performance was for Peterson.
363 kept one hand close to her elbow until her balance returned.
âNo,â they said.
Their voice stayed quiet.
âYou arenât.â
Terror flashed across 967âs face.
Immediate.
Bright.
Because truth could be dangerous here.
Peterson saw it.
â363,â she said. âRelease her.â
They did.
Immediately.
967 stood with most of her weight on one leg.
Her hands returned to her sides.
Her chin lowered.
Position restored.
Peterson opened the door.
Before guiding 967 into the corridor, she looked back toward 363âs tray.
Half the rice remained.
One vegetable.
No meat.
The cup was nearly empty.
âYouâll finish whatâs left.â
363 sat beside the tray.
âAnd then?â
Peterson looked at them.
363 expected the white room.
They remembered it immediately.
Blank walls.
Unchanging light.
Nothing to focus on.
No sound except ventilation and their own breathing.
Maybe the collar.
Maybe stress position.
Maybe hours alone until time stopped functioning properly.
Petersonâs expression remained thoughtful.
âThen weâll discuss your failure to follow instruction.â
967 went pale.
363 didnât look away from Peterson.
âWill she be punished?â
Petersonâs eyebrow lifted.
âWhy would that matter?â
âYou know why.â
A silence.
Peterson studied them.
Not their face alone.
Everything.
The set of their shoulders.
Their position relative to 967.
How quickly theyâd stood.
How quickly theyâd obeyed when obedience became the safer choice.
How much food theyâd surrendered.
At last she answered.
âNo.â
967âs shoulders dropped slightly.
âNot for this.â
Peterson guided her into the corridor.
The door closed.
363 listened.
Petersonâs footsteps remained steady.
967âs stayed uneven beside hers.
Step.
Drag.
Step.
Drag.
The sounds gradually faded into the mechanical noise of the facility.
Only after both disappeared did 363 pick up the utensil.
They ate the remaining rice.
It had gone cold.
The vegetables had gone softer.
The water was gone.
363 ate anyway.
Peterson said almost nothing while escorting 967 toward medical.
The corridor stretched ahead in long, identical sections of pale walls, reinforced doors, observation windows, and fluorescent lighting that flattened every surface into the same sterile color. Staff passed occasionally without looking twice.
Peterson adjusted her pace.
Only slightly.
Enough that 967 could keep up without falling too far behind.
She didnât offer an arm.
Didnât touch her.
967 interpreted the absence of assistance as another expectation.
She worked desperately to hide the limp.
Peterson let her try.
Her attention wasnât really on 967.
It remained behind them.
Inside the locked room.
With 363.
The refusal itself had been predictable.
363 refused often.
The willingness to challenge another handler wasnât surprising either.
Neither was their apparent indifference to personal punishment.
Peterson had seen all of those things before.
What interested her was the precision.
363 hadnât acted impulsively.
Theyâd watched.
Counted.
Calculated.
Theyâd reduced their own portion before giving any away.
Theyâd waited until the second handler looked elsewhere.
They hadnât handed food directly to 967 because that would've forced her to openly accept it.
Theyâd slid it close enough for concealment.
When the handler noticed, 363 had refused responsibility for retrieving it.
When the handler moved toward 967, 363 stood.
When Peterson ordered them down and continued standing no longer offered a useful advantage, theyâd knelt.
Every choice had served the same purpose.
Protect 967.
Limit 967âs exposure.
Absorb as much consequence as possible.
363âs disobedience wasnât chaotic.
It wasnât simple aggression.
It wasnât even refusal for refusalâs sake.
It operated according to rules.
Their rules.
That distinction mattered.
Peterson had spent weeks trying to make WRUâs system logical enough for 363 to accept.
Reward.
Punishment.
Permission.
Correction.
Cause.
Effect.
Sheâd assumed resistance existed because 363 hadnât fully internalized those rules yet.
Maybe sheâd misunderstood the problem.
363 understood WRU perfectly well.
They simply didnât recognize its rules as morally binding.
Their own rules outranked it.
Peterson considered that.
363 tolerated hunger.
They tolerated isolation.
They tolerated humiliation.
Pain had limited usefulness for obvious reasons.
Threats against their own comfort produced inconsistent results.
Even the collar gave handlers control over behavior more reliably than belief.
But another traineeâs fear had brought 363 to their feet before the handler had finished reaching for her.
That wasnât resistance.
That was attachment.
Attachment changed the equation.
At the medical door, 967 spoke.
âHandler?â
Peterson looked toward her.
967 immediately lowered her gaze.
âAre they going to the white room?â
Peterson stopped.
967âs injured ankle trembled beneath her.
âYouâre concerned about 363?â
967 swallowed.
âThey helped me.â
âAnd that creates an obligation?â
967âs mouth tightened around the split lip.
âNo, Handler.â
Too quick.
Too rehearsed.
Peterson noticed.
She opened the medical-room door.
A technician waited inside beside a narrow examination bed. Stainless-steel instruments reflected the hard overhead light. The room smelled of antiseptic, latex, and something faintly medicinal.
Peterson guided 967 inside.
The technician took her wrist.
967 flinched before controlling it.
Peterson stepped back into the hallway.
The door stayed open behind her.
She could hear the technician giving instructions.
âArm.â
âHold still.â
âDoes this hurt?â
âNo, Handler.â
âThat wasnât what I asked.â
Peterson stopped listening.
Her thoughts returned to 363.
She replayed the moment theyâd risen.
Not wild.
Not uncontrolled.
Immediate.
Decisive.
Protective.
She replayed the way theyâd positioned themself between 967 and the second handler without actually touching either of them.
The way theyâd knelt the moment escalation no longer served the purpose.
The way theyâd asked whether 967 would be punished before asking what punishment waited for them.
That mattered.
A great deal.
Peterson had been teaching 363 about categories.
Private information.
Useful information.
Dangerous information.
Things people could exploit.
Things they should conceal.
Apparently, 363 had been learning something alongside the lesson.
So had Peterson.
Protectiveness was a form of attachment.
Attachment created predictable behavior.
Predictable behavior could be shaped.
And anything that shaped behavior could become leverage.
The realization didnât arrive dramatically.
Peterson didnât smile.
She didnât celebrate it.
She simply adjusted her understanding.
363 didnât need to fear for themself.
That approach had already shown limited value.
They needed something outside themself that mattered enough to alter their decisions.
Someone.
967 had already done it once.
Peterson looked through the narrow window in the medical-room door.
967 sat on the examination bed while the technician wrapped her ankle.
She looked small beneath the fluorescent lights.
Tired.
Bruised.
Terrified.
Useful.
Petersonâs gaze stayed on her for several seconds.
She wouldnât separate 363 from 967 completely.
Not yet.
That would waste the attachment before it developed.
Instead, she would permit proximity.
Small privileges.
Controlled contact.
Enough interaction for 363 to recognize 967âs comfort as something meaningful.
Then Peterson would make that comfort conditional.
A meal if 363 complied.
Medical attention delivered promptly if they followed instruction.
A safer training partner.
A shorter correction.
A blanket.
Water.
Rest.
Nothing large enough to look like coercion when written in a file.
Nothing that couldnât be described as behavioral reinforcement.
First, 363 needed to learn that 967 could be comfortable because of them.
Then they needed to learn she could be uncomfortable because of them.
After that, the distinction would become very simple.
Compliance meant 967 suffered less.
Resistance meant Peterson could change that.
She turned away from the window.
Inside the room, 967 asked the technician something too softly for Peterson to hear.
The technician answered.
Peterson walked back down the corridor toward 363.
Her footsteps remained measured.
Even.
Unhurried.
By the time she reached the locked door, sheâd already started rearranging the next weekâs lessons in her head.
She wouldnât punish 363 severely for what had happened today.
That would teach the wrong lesson.
Instead, she would make sure they saw 967 again.
And next time, Peterson would give them something they could save her from.
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Sooooo..... we gonna find out what happened to that other trainee, the one in the video? đ
CW: Pet whump, a kind of grooming, dehumanization, drugging, implied noncon, implied dubcon, long-term conditioning and memory loss, BBU, um, a wee spot of murder? A bit?
(Referenced trainee is in Chris's memories in this piece)
-
"Look, you and I both know this is your ticket out of this shitty town," The recruiter said, tipping his head to the side with a smile while Bentley looked down at the brochure. On the cover, three men in black uniforms stood side by side. One held a cup of coffee, one laughed, and one was in mid-sentence, gesturing towards a white-board tastefully blurred in the background.
Each of them had a little patch on their left side, above a pocket, that read WRU.
"You're right," Bentley said, and he sounded more confident about this than he felt. He looked up at the recruiter, whose smile never wavered. He'd been coming to Bentley's campus, and this was their third meetup. "You're right, definitely. But it's a long internship-"
"All fully paid," The recruiter reassured, and slid another piece of paper over the table past the coffee he'd bought.
On it was an offer of employment for a 12-week internship, and Bentley's objections died in his throat when he saw the pay rate.
"This is-... this is more than people even make at home-" He started.
The recruiter laughed. "We hear that a lot," He said. "But, hey, look. You told me about your mom's layoff, how stressed she and your dad are. This money? You won't even need to use much of it, we'll put you up with room and board with some other interns, too. You get a 30-dollar-a-day per diem, plus your lunch is covered at the Facility in Berras anyway. Some of our interns save it up all week long and use it to have fun on the weekends. You can just let that bank account build up, maybe help your mom and dad out a little."
He thought of his mom, bent over the medical bills that just kept coming, the way his father wouldn't look her in the eye. The surgery scar everyone pretended not to see along the back of his dad's head, his short shorn hair only slowly growing back in patches.
"Yeah," He said, softly. "... yeah, yeah okay. You're right. It's just twelve weeks, right?"
"Right. Four months, and you'll have a tidy sum to help out."
Bentley signed the paper, dated, added his initials in a different spot, and then he called his mom to tell her not to worry about the next tuition payment, he was dropping out anyway. If the internship didn't work out, he could always use that money to go back next semester.
He tried not to hear how relieved she was.
"So when do I start?" He asked the recruiter, thinking about how little he owned, how easy it would be to pack up and go.
"Two weeks," The recruiter said. He had a metal filling - it glinted when he looked to the side with his eternal smile. "Sooner if you can, give me a call and I'll work it out."
"Great. And my first paycheck...?"
The bills were piling up, and people were starting to call and call demanding money nobody had.
"Two weeks after starting, but... hey, look." The recruiter's smile gentled. "Tell you what. I'll talk to our Handler Department head and see if we can get your first paycheck as an advance, okay?"
Bentley exhaled.
It was hard to hold back the tears.
"Thank you so much," He whispered.
They shook hands.
-
He didn't mean to, he didn't. He'd only finished up his internship six months ago, only been on the actual job without a supervisor on him day in and day out for half a year.
But he hadn't checked the voltage, before he went to discipline a fighter, and now he had teeth marks that drew blood in a broken oval on one arm and way worse - a damaged Romantic trainee who couldn't be sold to his planned prospective.
He'd have to be sold down the line, secondhand, maybe still fucking twitching or with no short-term memory or something. Bentley couldn't really remember, exactly, what the long-term effects were. He'd studied it during the internship, but... but right now, sitting where he was, he couldn't remember anything but the terror making his heart pound.
"The client is extremely unsatisfied," Karen Renford said, her fingers steepled before her, and he couldn't take his eyes off those blood-red fingernails. The bite mark from the fucking trainee throbbed along his right forearm, bandaged up but he swore he could feel it infecting. "You see how that causes me difficulties."
"Y-Yes, Ms. Renford-"
"Madam," She corrected him, voice thick as glacial ice and just as cold. "This was a million-dollar sale down the drain, Mr. Greenleaf. One. Million. Dollars. And one unsatisfied client, who happens to know other potential clients, who may now avoid us due to worries about their own satisfaction. Difficulty upon difficulty, Mr. Greenleaf."
"Yes, Madam."
Bentley hunched over in his chair. The uniform felt too big, suddenly. He wasn't strong enough to wear it. He'd thought he was doing okay, but...
"I intend to solve my problem," the Director said, sitting back and looking over a small pile of papers, flipping over one and then another until she found what she wanted. "And solve one of yours." She slid the paper across the desk.
It was a photo of his parents, a photocopied article from the newspaper from his local town, celebrating his dad surviving his third brain surgery.
"Medical care is quite expensive in this country," Director Renford said softly. "But I am friends with the owner of the largest hospital network in California. Very, very good friends. And some debts can be erased, forgotten, simply cease to be, when friends are involved."
Bentley swallowed, not quite following, but foreboding made his stomach flip. He looked at his father and mother's smiling faces. Thought of his mother crying to him on the phone that the disease kept coming back, they'd have to sell the house. "Wh-... what should I do to fix it?" He asked, hesitantly.
Director Renford smiled, and Bentley shuddered with the chill.
"I have a piece of paper for you to sign," She said, voice soft. "And then the money you've cost us with your mistakes, and the costs of your father's medical care... all will be forgiven. All you have to do is... well, keep working for us, in a way."
"In a way?" Bentley thought about the contract he'd signed. In the unlikely event that a handler renders a trainee incapable of fulfilling their duties through injury, death, unsanctioned scarring, or other unacceptable breaches of policy...
"Oh, my God," he whispered.
"Either way, you'll sign in the end," Director Renford said, matter-of-fact. "This way, your family at least will be cared for. Isn't that better?"
He swallowed down the lump in his throat. He knew, now, why there was security at the office door, and why his badge didn't work to unlock the hallways today.
Because he wasn't a handler any longer.
He was-
"Yes, Madam Director," He said, and held his hand out for a pen.
"Good boy," Karen said, and watched him sign his new contract.
-
In the cold white room, he hung limp from the wall, hands in iron shackles beside his head, a heavy nylon collar around his neck. A needle was in his arm, and the drug that filtered slowly through him felt so very, very cold.
Chill air blew from a vent he couldn't see, somewhere above him.
He didn't know how long he was there.
He cried at first - but then he had no more tears left.
A woman walked in, vaguely familiar, her black heels clicking against the white tiles, a smear of bloody red under the soles. She looked him over with a cold, analytical appraisal of his appearance, flicked the bag hooked to the IV, watched him shiver and look down and away.
"What's your name?" She asked, and someone behind her wrote notes on a clipboard.
"I... I d'n know," He slurred, looking slowly up to meet her hazel eyes.
She slapped him, palm cracking against skin, and he barely had the energy to whimper. A tear ran down his face, and she rubbed it away with one gloved thumb before shaking her hand out, as if his tears were disgusting.
"No," She said, and despite the slap she sounded pleased with him. Part of him stirred, glad he had done what she wanted, even if not all the way. "You don't. But I know, darling. You are not a name. You do not have one, for you aren't a person. But you have a number."
"'m a number, not a person," he mumbled. He remembered that playing through speakers, deafeningly loud, interspersed with sounds of screaming he thought came from other rooms. He couldn't sleep.
How long had he been kept awake like this?
"Good boy," She said, and this time she patted his cheek gently.
He flinched, anyway.
"Your number is 543887," She said, quietly. "And you will remember that. Eventually."
She turned and left, and he began to cry again.
He couldn't remember why.
-
"Hey, kid."
543887 leaned over, trying to catch the little redhead's attention. The boy was sitting hunched over at a table in the big meal room, his hands in his lap, staring at the big empty nothing in front of him while the trainees around him devoured the flavorless nutrient loaf they'd been given.
"Hey. Look at me." He dared to snap his fingers - the handlers were chatting off in the corner and didn't notice, but the redhead finally looked up. His eyes were hazy, a little dazed - they were keeping him on something. 887 could almost remember what it was called, as if he'd worked with it himself.
He smiled, trying to look kind, but the kid cringed back and away.
âSssshhh, it's okay. Here.â He slipped a half-eaten protein bar into the kid's hand. He'd been so good for his handler, she swore up and down he was rocketing through training faster than anyone she'd worked with before.
Plus, she... felt sorry for him. He knew that. She talked to him like they knew each other, even though they didn't. So sometimes she gave him food.
The redhead looked down at the wrapper, staring in awe at the peanut butter covered in something similar to chocolate.
887 smiled at the little redhead whispered his thanks, and his empty stomach growled.
âI, thank⊠thank you, so much," The redhead said, blinking back tears that turned his green eyes to sparkling jewels. "H-Handler Petrus, he says-â
âItâs okay. Just eat.â 887 stood and patted him on the back.
He walked away, so that no one would realize they'd spoken.
-
The redhead had gotten thinner, and tried to speak less and less. 887 found himself watching him, noting the hint of puppyfat he still had around the edges of his face, slowly turning angular more from starvation than growing up.
WRU wasnât supposed to take people under 18. 887 knew that, although he wasnât sure why.
But when he saw him during meals, well⊠sometimes he tried to do something nice.
He could remember that it was important to do something nice.
âHere,â he whispered, handing the trainee some potato chips in a bag heâd fished out of the handlersâ trash. She didnât notice. She was too busy getting 887 ready to move on, go somewhere else, live somewhere new.
And she was sad about it, but 887 was excited. Getting to leave the Facility and go out into the world to meet his owner was everything he lived for, and he couldnât wait.
âWh-what?â The redhead looked up at him. He had weights hanging from his hands, keeping them still. âBut-â
âYou need it more than I do.â
He smiled, and the redhead smiled back.
887 walked away.
-
âOh, heâs got the look,â A man said, walking in a circle around 887, who stood in Position One, back straight, hands clasped behind him. âMuscles, the square jaw, good chin, teeth are excellent⊠yeah, heâll do just fine.â
âLovely.â Director Renford was all smiles and welcome, but watching her felt like watching a lizard feign humanity. 887 couldnât take his eyes off her as she worked with the man. Papers were signed, while 887 was looked over, felt up - the man even put a hand between his legs, pulled his shorts away from his stomach to âget a look at the merchandiseâ.
He didnât flinch back. He was a good Romantic, and he even found it in himself to tip his head to the side and smile. Bite down on his lower lip.
His collar was simple leather, now.
âAnd he can perform?â
âExactly to your specifications,â Karen Renford said, waving one hand almost idly. âFor any length of time you require, male and female. He has been expertly worked over and retains no specific preference that will interfere with your business.â
âOh, Karen, you always know how to turn a shit situation into solid gold, donât you?â
âI do my best.â Her reptile smile was focused on 887âs face, and he looked away from her, down to the floor.
His handler never said a word - she had no power here, he and she both knew it. The only power in this room was Director Renford and the prospective who had just agreed to own him. He tried to feel the excitement heâd had leading up to this, but he didnât-
He⊠didnât really like men.
Not that he couldnât pretend, butâŠ
âWell. Letâs get him back to the studio.â The man grinned at 887, squaring up with hands on his hips to look him over one more time. âYou ever wanted to be an actor, son?â
887 looked uncertainly at his handler, who only shrugged back at him. Then he looked back at the man. âUm. I-I donât know, sir. A pet agrees to give up any and all memories of their former life in order to more quickly adjust to-â
âI donât care.â The man cut him off, patting him on the side like he was touching the flanks of a horse.
887 didnât know what a horse was, but part of him did, and he still had the thought.
âOkay, letâs get you back. Iâve got a room for you in the studio - thatâs where youâll be living. Weâll give you a couple of days to settle in, and then weâll start filming on Monday. Howâs that sound?â
It wasnât his place to have an opinion, but 887 gave a bright smile nonetheless. âSounds perfect, sir. Iâll have my own room?â
âUh⊠no. Youâll have a roommate.â
887âs smile widened even more, and this time it was genuine. âThatâs wonderful, sir. Thank you, sir.â
As long as he didnât have to be alone anymore.
âGood, good. All right, Shane, letâs go.â
âSh-... Shane?â
âYeah, we already picked your name when it was the other one, the one that got zapped too hard.â
887 didnât know what the man was referring to, but he flushed and felt an odd trickle of shame anyway. As if it were his fault. âOh.â
âYeah. So, from this day on, youâre Shane Sunnysmith.â
It felt good to have a name.
He followed the man out into the sun in the parking lot, dazzled by the promise of a new life.
-
âGood boy,â Scarlett purred, a smile full of vicious desire on her face, as she leaned over him, settling herself in his lap. âYouâre going to make some lucky girl a wonderful Romantic when Iâm done with you.â
He and Scarlett laughed about these movies afterward. In their room, curled up together in the big bed they share. But right now, the drugs lit him up, the purple one pumping through his veins, and all he could think about is how badly he needed to fuck her now.
âPleaseâŠâ Shane nuzzled up for a kiss but she pulled back, smacking him lightly on the arm, making him jump. He pulled at the ropes around his wrists, massaging his thumbs into her hips through the scratchy fabric of her uniform.
She ran her hands through his hair and Shane groaned, tipping his head back as she pulled lightly, the pleasure of it running down his spine, pooling between his legs.
This was a scene, he was meant to be frightened, but he loved Scarlett and sometimes he forgot to be scared of her. Sometimes she forgot she was supposed to treat him like a whore and not her friend.
âVery good boy,â She whispered, and rolled her hips. The pleasure of it made him gasp and moan. Sheâd make fun of his moan later, and the simple fact of the humor theyâll enjoy later when her collar was back on and the two of them could go back to being themselves helped him through the fear that beat just behind his teeth.
He hated the drugs, but they made the scenes easier, and that meant more time alone with Scarlett when filming was done.
She laughed, sliding her hands down. She took him in hand, stroking him slowly, and he ended up rocking his hips into her touch with helpless abandon.
She stood back, and began unbuttoning her shirt. He watched, mouth watering at the sight of her collarbone, the swell of her breasts beneath the black lace bra, the skin of her stomach, all the way down to her belt.
âYouâre going to be such a good boy for me, arenât you?â She asked, and laughed. Not quite mean enough, but that was okay, the man didnât make them stop and do it over so they must not have noticed.
The man held his phone up for one angle, and two other men held small digital cameras at different angles in different places. Theyâd edit this later and release it.
Shane and Scarlett were in heavy demand, and this was the twenty-first movie theyâd made. They were making lots of money for the studio, and some of it⊠some of it was even used to give them things like extra blankets, days out at the zoo, trips to conventions where they pretended to be human and no one asked too many questions.
They just wanted pictures of his abs, and her chest.
âYes, handler,â He said, and she grinned, unbuckling her belt.
âIâm going to fuck you until you canât stand,â She said, wrapping the belt around his throat over his collar. Above her mean acting-smile, her eyes were soft and kind and loving. His friend, his roommate, the other pet he spent every single day with. He knows she would never hurt him more than the movie called for.
âThen when Iâm done,â She continued, âYouâre going to thank me for it. Understood?â
âYes, handler,â He said, slightly breathless as she began to pull the loop of the belt tight.
The cameras were all on his neck as she started to choke him, and she took that second to let her smile soften and wink.
-
âWhat did you do?!â Scarlett screamed the words, her hands up over her mouth. They barely muffled the sound. She was naked, and the handprints bruising already over her hips were an ugly red.
Shane stared down at the body of the man, barely recognizable now. His heart pounded in his throat, but it wasnât with regret, just fear of being caught. He looked over at Scarlett, breathing in heavy pants, and shook his head. âHe was-... he was hurting you.â
âHe was hurting you first!â She shouted, and dropped into a crouch. She rifled through the manâs pockets, ignoring the red stain spreading over his chest where he sat slumped over against the wall.
The hammer Shane had hit him with - heâd nicked it from some construction guys fixing ceiling tiles in their room last week - lay on the floor beside the body.
Scarlett pulled out a wallet, took out cards and IDs. Shane watched her, as the fear in her started to smooth out into something very much like a deadly calm. She moved over to the little dresser they shared and took out a sweater and a pair of lounge pants, pulling them over her head. They had no underwear - anything they needed for a scene was provided by wardrobe, and they didnât wear any otherwise.
âI-... I know he was, but itâs okay-â
âNo. Itâs not.â Scarlett snorted, raking a hand back through her hair to get it out of her face. She slipped the cash and the cards into one pocket, leaving the empty wallet on the bed. âShane, we have to go. If they find him, weâll both be refurbished.â
âGo where?â He looked helplessly around. When heâd brought the hammer down - the man was going to hurt Scarlett after sheâd scratched him, hit him herself when he ordered Shane to bend over the bed and heâs not that kind of pet! Sheâd screamed.
They did scenes together, only together.
They werenât for studio use, but the man had said he wanted to get a physical experience with his investment.
âI donât care. Out. We can-... we can hit up hotels for a few days. It doesnât matter. Iâve been, Iâve been watching TV and movies and I think⊠I think we can do this.â
Scarlett came over to him, taking his hands.
His best friend.
âWeâre going, Shane,â Scarlett said, and pulled his knuckles to her lips to kiss. âOkay? Weâre going, and when we get out there weâre going to see who we were and maybe we can go back to those lives instead.â
âWe gave those up, Scarlett,â He protested, but she shook her head. âWe signed over-â
âI donât care. I want to know who I was, and if anyone misses me. Donât you?â
He swallowed.
He thought of his earliest memory, of the Director asking him his name, and being unable to answer.
âI do,â he said, softly. âI want to know who I was.â
She led him out of their bedroom and out of the studio, into the night, where they asked a taxi driver to take them to the nearest hotel.
-
Three days later, news headlines read;
MILLS WELSON, FOUNDER OF HUMAN PET-THEMED ADULT FILM STUDIO, FOUND MURDERED IN BRUTAL CRIME OF PASSION.
Below that:
SHANE SUNNYSMITH AND SCARLETT DREDD DECLARED PERSONS OF INTEREST IN HOMICIDE INVESTIGATION.
âWe need new names,â Shane said, sitting on a small hotel bed cross-legged, looking at the newspaper unfolded in front of him, a cup of coffee in his hand. âScarlett, we need-â
âI know.â She frowned, drinking her own coffee, staring at the blinds that hid them from the world outside their room. âWe need new hair colors, too. When I was out earlier, I ran into someoneâŠâ
âWho?â
âSome guy. He said heâs with âpet liberationâ, and that they can help us. He gave me a number.â
Shane took a breath.
âWill they separate us?â
âThey said they donât split bonded pairs.â Scarlett frowned. Steam wafted upwards, drifting around her face. âWeâre not bonded, butâŠâ
CW: References to dubcon and noncon, recorded dubcon, referenced past noncon and drugging, alcohol use, underage drinking (not Chris), PTSD, trauma response, negative stimming as a result of overstimulation and panic, panic attack, involves going over the side of a balcony and falling
TIMELINE: Chrisâs first semester at college, before heâs serious with Laken
-
The music is good, at least.
The bass reverberates through the walls, it vibrates under his skin and inside his skull, but heâs pretty sure itâs good music, under that. It makes him feel shaky and uncertain, overwhelmed, but a red plastic cup full of a syrupy liquid in one hand and his silicone feather necklace in the other steadies him.Â
Mostly.
Thatâs why Jake calls it liquid courage sometimes, right? He feels stronger with it. Like he can handle the sound a little bit better, and no one else seems all that bothered by it. They just dance, moving against each other in the dark. Or they laugh, and talk in endless half-screams above the beat.Â
Someone spills a drink on someone else, and thereâs wild applause, half-mocking, half-impressed at the sheer amount of a guy his own age now absolutely soaked in cheap beer.
Antoni would call it dirty water, beer like that.
Heâd call the liquor that went into Chrisâs cup pointless, like taking the cough syrup.
Chris takes a drink, and it⊠it does kind of taste like cough syrup, the non-drowsy kind heâs allowed to take. But itâs not cherry, itâs something else. He tongues along the roof of his mouth, distracted, swaying from side to side as he tries to suss out the exact mix of overwrought flavor to find the different ones, to understand.
The world is swaying with him to the beat of the song, and he closes his eyes, briefly. Hair sticks to the back of his neck with sweat - the house is blistering hot, and the ice in his drink makes each mouthful taste like heaven. Heâs drinking too much too fast, just like Kauri, letting it blaze through him and give him a kind of power he doesnât have sober.
He hums.
His shoulder blades hit the wall behind him before anything else does, letting the back of his head tap there, too. His hips move, unconsciously, to match the beat. He knows how to dance, if he does it the way he was trained to. Not real dancing, just⊠asking to be touched.
âHey,â A girl says from nearby.Â
His eyes fly open and he freezes in place.
Heâs on his third cup of whatever the âhouse cocktailâ in the big pitcher was and some strange girl is talking to him. He looks over to somewhere just near her shoulder, aware of swaying hair, shimmering black with pink streaks that glitter in the dim light, eyeliner ringing equally dark eyes. Sheâs pretty, he thinks.Â
Some deep part of him, never quite shaken off, thinks he would like to kiss her, it wouldnât be so bad with her. Maybe more. Maybe it wouldnât be so bad, maybe he just had bad experiences, maybe itâs just that he doesnât understand.
Even as he thinks it, he knows itâs a lie, deep down. In the life he canât remember, he knows that he never wanted more than a kiss, not really. That hasnât changed.
But itâs never been his decision, how far he goes or who with.
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