Common ragwort
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Jules of Nature
DEAR READER
macklin celebrini has autism
2025 on Tumblr: Trends That Defined the Year
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@elvenking42
Common ragwort
✿ Print shop: INPRNT

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SHIRLEY MACLAINE as LOUISA MAY FOSTER
WHAT A WAY TO GO! (1964) dir. j lee thompson
Unironically I think the early to mid 20s age group in America has unbelievably bad consent boundaries on all levels and so much language to defend it but this makes me sound like elon musk if I say it however the commonality of someone who will be like “I had 47 panic attacks and it’s your fault” if you tell them no is insane
I rejected someone and got called “the scariest person I’ve ever met” with so much therapy speak interspersed like alright okay alright okay alright okay
“You just say whatever you’re thinking and I don’t know how to handle it” was verbatim part of this conversation. Also everyone hates to see an autistic bitch
When I was in this age bracket, there was a huge emphasis on improving consent culture via graceful rejection, and it's gone by the wayside. Which sucks.
Twice in my youth (once in high school and once in college) I was in situations where I was asking someone out and I could tell they were calculating in their heads the risks of rejecting me, and both times I said, out loud, "you can say no, I wouldn't have asked if I wasn't prepared for either answer." And then they said no. This wasn't some spark of special wisdom I had - I knew to do it because feminist conversations among my age group brought it up regularly. This isn't happening nearly enough anymore.
More recently, I was really glad when we got to "rejection sensitive dysphoria" in my IOP program and it was one of those symptoms where the therapists really emphasized how it affects others. Because it does.
Being someone who cannot handle rejection makes you much more likely to violate boundaries, and yes, that includes sexual ones. Yes, you, reader who has never hurt a fly. If you don't want to stumble backwards into sexually assaulting someone, fix your RSD meltdowns. If you keep them up it's only a matter of time. Because if you're nice enough to interact with, but are known to have RSD meltdowns, guess what happens when your friends and acquaintances need to reject you?
カボチャバシャ
Where the Desert meets the Mountains
Walter Ufer (1876-1936)
American Southwest Artist

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Trying to find an old tumblr post I used to see a lot.
It started with someone listing "places with uncanny energy," like gas stations on a road trip, empty movie theaters, etc.
Then someone reblogged it and said those are called "liminal spaces," defining liminal as in-between, neither one thing nor another.
It was the first time I'd seen the term "liminal" applied to places like that, and it's driving me crazy, I want to find and put a date on it so bad.
NEVER MIND, I FOUND IT!!!
Holy shit I just realized:
Tomorrow (July 4th, 2026) is the 10 year anniversary of the-crepes-of-wrath's comment, which:
Predates the 2020 spike in interest by four years
Predates the original backrooms post, and the the creation of r/liminalspaces by three years
Predates the earliest mention that KnowYourMeme attributes to Twitter by two years
I'm pretty sure this is the moment the term "liminal spaces" was attached to this sort of imagery, and it's TEN YEARS OLD TOMORROW!
LIMINAL SPACES TURN TEN TOMORROW! CELEBRATE BY GETTING LOST IN AN ABANDONED MALL!
All this discourse over who does "painting with light"
Hiroshi Nagai's paintings need sunglasses to look at.
They look like how it feels to walk across a parking lot on a 98° summer day without a speck of shade in sight.
They look like heaven but also like you'd burn your bare feet on the ground.
Even when you can see shade you know it's not enough and the minute you step out you'll be burnt to a crisp like a vampire.
And it's BEAUTIFUL
I'll throw in the wonderful Eizin Suzuki into this ring too, a man whose work just breathes light without actually using dynamic lighting in the usual way. It's no surprise both Nagai and Suzuki are both considered prolific in art pertaining to the city pop genre because they're able to paint these kinds of scenes with a delicate touch.
This feels like I could trip on that radio and fall right into that water, feeling the crystal waves as I drop in.
And this, a nice stroll down a resort strip, where my sunscreened skin could literally feel cooked if I leaned too close to the tiling.
And then a nice stretch of summer street, wherein you could see your face in the flushed red of that car provided it didn't blind you from its sunny reflections.
I don't think I even need to say anything more, Suzuki's a massive influence in how he even places colours so warmly in such unorthodox manner. It's a naturally sunkissed talent~ 🌊
"why do you still bring up charlie kirk" because it's funny. his death is genuinely a running joke to me. you could say it's the greatest contribution he has made to society
unclean = adj. of or pertaining to uncles

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i really liked this essay on why literary fiction is sounding so much Like That these days, especially work by asian american authors:
This entire process selects for homework-doers, personal entrepreneurs, and individualistic bureaucrats. It's why, like I said, the oracular outsiders, the Pauls of the world, who can't conform to society's expectations to check boxes and become legible to the powers that be, aren't in these programs and aren't getting the opportunities that are downstream of them. It's why you end up with tons of fiction about "my white boyfriend" and "everyone online is mad at me" or "anxious strivers in NYC" or "my annoying polycule." These are the obstacles this class encounters. You can't spend time, like Cormac McCarthy did, living in an unheated cabin in the Smokies, or embedding with the Mujahideen like William T. Vollman, or working as a psychotherapist like Olga Tokarczuk. You must move from strength to strength, always turning in your homework on time, and certainly never suffering a psychotic break.
-- Trip, Estragon News, The Oracular Outsiders and the Homework Doers
i quite liked the conclusion to the piece:
Maybe it's because that fiction is being written for the people already bought in. Art that is made for the purpose of institutional legibility and approval is dead on arrival. Writing must stand on the outside, viewing the world at a tilt. Our world is being eaten by word machines that can imitate us perfectly. Unless American letters find the courage to welcome back in the oracular, it will disappear, replaced by machine that can conform to the demands of institutional legibility—really, the demands of capital—better than any human ever could.
I’m literally always saying this. U have to kill yourself to just look like some guy in a shirt
can you imagine being a parent in the pokemon world and your kid comes home with one of those straight up basically human pokemon. i know those motherfuckers can talk.
its morning. i see my childs Throh getting some oj from the fridge. 'morning', i say. he doesnt catch himself in time and says 'morning' back. he freezes and we both stare at each other knowingly. 'throh,' he says, but its too fucking late

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unless its egregious, i'm not embarrassed to be fooled by ai. "oh i got lied to via something made by the Lying Machine the machine we made to Lie really well" like it's gonna happen it's no egg on your face. just be chill about it
don't get me wrong. it's always devastating always humbling. no one wants to fall for the lying machine it just sounds bad. but you can't dwell
Silver tetradrachm, Athens, Greece, 470-450 BC
from The Virginia Museum of Fine Arts