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@elphabaoftheopera

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Have you guys noticed how much the internet/technology just does not listen to you anymore? I click âdonât show this artistâ on Spotify and I get recommended a music video by them on the front page. I click âskip this updateâ on a pop up every time I open a file organization app and itâs right back there every time. I click unsubscribe on a newsletter and it keeps showing up in my inbox!! I click âdelete my accountâ and the next time I open the website they suggest I âreactivateâ.
okay tumblr we had a fun time with the polls last week to decide what tumblr's favorite musical was from each decade (out of the ones that got included!!).
Now I present the list of the LEAST VOTED FOR MUSICALS from each decade polls so you may vote for your favorite...of the least favorites.
best of luck!
Favorite musical out of tumblr's LEAST VOTED FOR musicals from each decade
pre-1950s: Show Boat (1927)
1950s: The King and I (1951)
1960s: Sweet Charity (1966)
1970s: Godspell (1976)
1980s: Big River (1985)
1990s: Songs For A New World (1995)
2000s: Seussical (2000)
2010s: Dogfight (2012)
2020s: Dead Outlaw (2025)
Vote for your favorite of the favorites here.
Links to original polls under the cut!
okay tumblr we had a fun time with the polls last week to decide what tumblr's favorite musical was from each decade (out of the ones that got included!!).
Now I present the list of the winners from each decade polls so you may vote for your favorite...of the favorites.
best of luck!
Favorite musical out of tumblr's TOP VOTED musicals from each decade
pre-1950s: The Wizard of Oz (1939)
1950s: The Sound of Music (1959)
1960s: Cabaret (1966)
1970s: Sweeney Todd: The Demon Barber of Fleet Street (1979)
1980s: Les MisĂŠrables (1987)
1990s: Rent (1996)
2000s: Wicked (2003)
2010s: Hadestown (2019)
2020s: Six (2021)
Vote for your favorite out of the LEAST favorites here.
Links to original polls under the cut!
Don't be held back by what you think should be. Think of only what is.
THE LITTLE MERMAID (2023) dir. Rob Marshall

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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so uh. how about that blocking in the next to normal proshot
if you could somehow procure a list of every person in the world who's ever had a crush on you would you do it
yes
no
sometimes it's important to reread your own work and go damn bitch you're onto something
endgame.
they sell items at tjmaxx that even God is not aware of

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Wedding song - now and then
âI wish ALAYM hadnât made Fiyero the instigator, like why is she singing âkiss me too fiercelyâ from 10 feet away?!â like omg yes youâre soooooo close to getting it lmaaaaoooâ
Ahem⌠ALAYM in the screenplay of Wicked For Good:
Thatâs right Elphaba did initiate the interaction with her taking off his jacket rather than him removing her cape, this isnât a Fiyeraba Ambien fever dream, It was just the For Good Screenplay by Dana Fox and Winnie Holzman. Reversing it in the movie wasnât a subliminal message or subtext that Elphaba wasnât into him, it was just an alternate take the director, high on his own hype, thinking he could change the meaning of the song despite the lyrics being incredibly on the nose.
watching a scene with a fav character can be so humiliating sometimes. like yes i'm watching this scene with this character because i want to see the character. yes i've paused it multiple times because i got too excited. before the character fully entered the screen even. guhhhh
It feels like this every time I write a fic
Youâre telling me Olivia Colman is fucking a wicker Alexander Skarsgard on the big screen?

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âLet the Green Girl Goâ - FiyerođŞ
THE SOUND OF MUSIC (1965) - dir. Robert Wise