-—×★↑∞↓×★—-
- Kubo/Nico - he/they/one -
(pronouns/name might change in the future?)
more about me:

EXPECTATIONS
"I'm Dorothy Gale from Kansas"
untitled
𓃗
we're not kids anymore.
h

Fai_Ryy

shark vs the universe
tumblr dot com

Product Placement
🪼
Today's Document

Discoholic 🪩
almost home
Monterey Bay Aquarium
noise dept.
seen from Türkiye
seen from Italy
seen from China

seen from Mexico
seen from Mexico

seen from Spain
seen from Greece
seen from Saudi Arabia
seen from New Zealand
seen from Canada
seen from Austria
seen from Armenia
seen from Argentina
seen from Uruguay
seen from Australia

seen from Russia

seen from United States

seen from Türkiye

seen from United States
seen from Canada
@ellemetrixstar
-—×★↑∞↓×★—-
- Kubo/Nico - he/they/one -
(pronouns/name might change in the future?)
more about me:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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fabulous beasts au, birthday doodle, princess tutu au, countdown art
dokjoong
(🦑🐟) anything
it doesn't make sense
"I like it in here"
Okay. But its going to consume you.
"We don't have to change"
Okay. But it's going to consume you.
Eventually you have to leave. Eventually you have to run. And its painful and it's so much harder than staying in the comfort of what you know. In that house that stopped being a home years ago. Living memories you've replayed so many times over and over that the details are warping and becoming hollowed out corpses.
And it will consume you when you least expect it. You'll rot right there along with the building foundations and distort right along with your memories.
You'll have to run eventually, even if that's not how you're wired.
The window was never locked.

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For a little I felt like we missed Clark’s spiral and that’s why the change felt so sudden but in the same scene that Clark shows this “sudden” violent part of himself he says ‘I don’t want to change’.
Clark has always been like this. We saw his extreme anger at the start of the movie. His disregard for those around him with how he speaks to and about them. The implied breaking of the glass was that he threw it, not knocked it over.
I was expecting a spiral but he didn’t need one. He was already there.
I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape
i really love the motif of windows in Backrooms. mary’s book being called “the window within”. the curtains in her office always being drawn. the shot of her behind glass in her own home during the gathering at her house. clark looking through the window into his own house. him being unable to see kat through the glass she can see him through. the window in mary’s mother’s house. the windows in the hospital her mother is brought to that only look out to another building. the drawing that mary finds of captain clark reaching someone up towards a window. the fale window in clark’s “home” in the backrooms that just looks out to more of the same empty space. the window in the interrogation room that’s too high to see out of (and thus to determine if it’s real). the fact that the backrooms lacks any windows to a true “outside space”, and how terrifying that makes it. there is no window within. or, at least, not one that any of them can find
a handprint made in concrete is just the image of a hand, it’s not the real thing. or, it’s the absence of a hand, more than anything, the negative space. the casing around where it should be. it’s an indent that was made from something real - that could not have existed without something real - but it’s not the real thing, it’s just trying to be. maybe it’s not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesn’t even know why it exists, it just does. if we can make copies and not-things from real things in the world, who’s the say the world couldn’t do that itself? does it even need to know why?
Basement Land

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I can't stop thinking about this movie
not all cages have bars.
I love this gif. Me when I need my stool

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how it feels to challenge yourself to an exceptionally difficult drawing and it turns out fucking awesome
love sharing a bday with a character thats literally me