Interactive Horror Games

(Game anon) Cassie becomes quiet, whispering something to you. You lean closer to hear her. "Behind you..." A shiver runs up your spine as your eyes widen. The heavy breathing in the room certainly isn't yours. You could face this head on, but you might not have enough time to open the pocket knife. The angry dolls almost look welcoming. Hiding in the closet might give you more time, but you don't trust the dolls. You have to decided quickly. What will you do? (Turn around) (Hide in the closet)

(Game anon) "I chose wrong. I was so so hungry. I opened the chips and ate them. At first, when I woke up it took me a while to learn how to speak again. The others helped me. Being a doll isn't fun. Sometimes I'm not a doll, but I can't remember those times. I miss my sister so much..." Cassie starts sobbing, water leaking out of her glass eyes. You aren't sure how it works, or if it's even real. What will you do? (Comfort) (Stab her with your pocket knife) (Ask what happened to her sister)

(Game anon) Getting closer to the dolls, you see there are tiny gold plaques with words on them. Anna, Allie, Sarah, Stella, Hanna... Cassie is the last. There's an empty, dusty spot beside her. "Thank you," Cassie speaking startles you, "Thank you for choosing us. You didn't at first... Can you find me sister please? We're so lonely." (I will) (I won't) (What happened to her) (What happened to you) (Who is 'we')

(Game anon) The door slams shut before you reach it. It's now quiet in the room. You turn around and see that the dozens of dolls look... angry. All but one. She looks so sad, but not just sad. Disappointed. Your stomach rumbles and the pain is unbearable for a few seconds. You eye the chips. They look newly opened. Maybe fresh enough to eat. You look at the dolls. The sad one is smiling now. What will you do? (Investigate the dolls) (Eat the chips)

(Game anon) The diary gives you information about the owner of the room. A fifteen year old girl named Cassie. She talks of her and her twin sister waking up on a path with no knowledge of how she got there. She and her sister made it to the house but had differing opinions so they split up. It ends there. Twinkling laughter fills the room, along with loud sobbing. In the mirror, the dolls are still. What will you do? (Investigate the dolls) (Eat the chips) (Run from the room)

(Game anon) Your logic was sound... For now. The left room must be a teen's room; the bed looks comfy but has open chip bags on it, the dresser has an open diary on it and in the mirror your weary reflection seems to wink at you, and the closet is full of porcelain dolls. Sharp pain in your stomach makes you gasp; there's no telling how long you've been here but you're so very hungry. What will you do? (Eat some of the chips) (Investigate the diary) (Investigate the dolls)

(Game anon) The snake shows it's fangs in an eerie smile. "Sybil waits for you at the peak, but first you must find her life force. She cannot hear and cannot speak, thus is the gods' remorse. Three deadly doors with temptations await, do not forget yourself lest you become bait. Sybil will sing sweetly when she is saved. Listen, but do not answer." You open your eyes and are back in the house. Which door will you go through? (The open door) (The left door) (The new door)

The snakes bit was one of the most fun bits to write. Especially because that was all free hand, usually for prophecy/warning type stuff I spend ages perfecting it, with a dozen tabs open. This one just came naturally, which makes it a bit more enjoyable, I think. If I remember correctly, I don’t think you got to fulfill this before you got Game Over. Essentially, Sybil was the one who created this time loop. Everything within that area was bound to continue on the same day; the twins, Cassie and Hanna, had really only gotten there the day before you arrived. Out of the time loop, they’d been missing for over sixty years. So, yeah Sybil created the loop because she was in danger but her gods had abandoned her. Sybil means prophet, and she had tried to warn the world of dangers like what’s trapped in the loop. But, similar to the tale of Cassandra, the prophet no one believed, Sybil couldn’t hear or speak. She couldn’t warn mortals, but no gods would entertain her. Which, is why they were remorseful. As the danger grew greater, Sybil trapped herself and the thing together. Towards the end of the game, you would have had the chance to meet her and either strengthen the time loop (which would prevent anyone else from getting trapped; safer route but you’d be trapped forever, as Sybil had grown too weak to continue) OR you’d have the chance to try and destroy the thing with the help of Hanna and Sybil (much more difficult, and either you would die, Hanna would die, Sybil would die, a combination of two would die, or everyone would die. The stakes for this path were a lot higher, and the chance of success was much lower but very satisfying. If you succeeded with everyone alive, the gods would reward you for doing what they could not. No matter which way you failed, the time loop would have been broken and the thing would have escaped and destroyed the world. If just Sybil died, then the time loop would have broken BUT there would have been a chan [albeit increeeeedibly small] that you and Hanna might have been able to defeat/contain the thing.

(Game anon) You get in the car and check the glove box, easily locating a few maps. It seems the owner of the car was prepared for if they get lost. One map shows terrain and is torn in the corner. The other is shows where you are along with illegible comments and things circled. On the back it says 'Sybil's Peak.' Suddenly, a snake wraps around you from behind. Defying logic, it opens it's mouth and speaks instead of hissing. "Will you listen?" (Yes) (No) (Scream) (Don't answer)

(Game anon) As you grab the pocket knife, the snake wakes up and looks at you. You freeze, but the snake goes back to sleep. Now you have a pocket knife, and may be prepared to face one of the doors. As you turn to the doors, the red door creaks open. You can't see what's in the room but chills run up your spine. What will you do? (Enter the open room) (Enter the left door) (Enter the new door) (Leave the house and search the car)

(Game anon) In the kitchen a large snake is sleeping soundly in the corner. There's a puddle of blood underneath it and what looks like human remains. But, you were right. There are an abundance of knives. You're immediately drawn to an intricate dagger that may be made of bone or ivory. But there's also a large blade beside the sink and a small pocket knife beside the snake. It looks like it has multiple uses. Which will you choose? (Intricate dagger) (Large blade) (Pocket knife)

(Game anon) You step into the house, creaking floorboards announcing your entrance. The living room is completely bare but the connected kitchen to your right is full of oddities that smell of blood and death. To your left is a charred door, and there are two in front of you; one is red and the other is brand new. The doors are locked, but there's a key rack between the doors in front of you. Where will you go? (To the kitchen for a knife) (The left door) (The red door) (The new door)

(Game anon) Slowly walking past the snakes worked! They seemed sleepy from eating something. After going further down the path you reach another curve. Past the curve you can see a small run down house. It looked untouched by humans except for the fresh muddy bootprints on the porch. On the curb is a car. It may have a map that can tell you where you are. Will you try to find a map in the car, or search for signs of life in the house? (Car) (House)

(Game anon) As you round the curve, it becomes apparent that the sizzling was in fact the hissing of what must be dozens of deadly snakes. They haven't noticed you yet, so you could turn around now, but further down the path you see signs of human life. Walking past them calmly might work, but one wrong step and you'd be bitten. Running past might work too, but it's just as risky as walking. Which will you choose? (Walk past calmly) (Run past them) (Turn back)

(Game anon) You wake up and find yourself on a worn path. Not knowing where you are, the only choice is to walk until you reach a destination. In front of you the path is covered with shadows; tall trees block too much of the sunlight to know what lies within the thick forest. Behind you, after a few meters the path curves before being completely hidden by trees. This part is lit up by the evening sun, though a sizzling noise comes from somewhere that way. Which will you choose? (Ahead) (Behind)

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