get in loser we’re living past the end of our myth
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@electronsprotonscroutons
get in loser we’re living past the end of our myth

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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okay. breathe. listen to my voice. can you tell me five things in this room you can fuck?
okay great. now list me four things in this room you can kill.
beautiful. there you go. okay. now: tell me three things you can impose unjust taxes on.
almost done. can you list two things you could shove in a pipe and smoke?
Hey, Bandcamp users. You have probably already heard, but Bandcamp was bought by a music licensing firm, and laid off half its staff "as a cost cutting measure."
I will be downloading everything I purchased from Bandcamp and keeping an eye on it.
In a significant shift of ownership, Bandcamp, the renowned digital music marketplace, has officially transitioned from its previous owner,

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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party like a severed head
look like a severed head
smoke like a severed head
fuck like a severed head
uses my powerful magnetic field to create detailed images of your organs, skeletal system, and all the other soft tissues in your body
uses my powerful magnetic fields to create 69 love songs
wagtail.ani
can you put that thing on a fucking leash *pointing angrily at a butterfly with beautiful iridescent wings thats not flying anywhere near you*

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I usually tell my students that “close reading” means looking at what is actually on the page, reading the text itself, rather than some idea “behind the text.” It means noticing things in the writing, things in the writing that stand out. To give you some idea of what this means, I’ve made up a list of five sorts of things that a close reading might typically notice: (1) unusual vocabulary, words that surprise either because they are unfamiliar or because they seem to belong to a different context; (2) words that seem unnecessarily repeated, as if the word keeps insisting on being written; (3) images or metaphors, especially ones that are used repeatedly and are somewhat surprising given the context; (4) what is in italics or parentheses; and (5) footnotes that seem too long. This list is far from complete—in fact, no complete list is possible—but the list is meant to begin to give you an idea of what sorts of things we notice when we’re doing close reading.
What all five of my examples have in common is that they are minor elements in the text; they are not main ideas. In fact, your usual practice of reading which focuses on main ideas would dismiss them all as marginal or trivial. Another thing they have in common is that, although they are minor, they are nonetheless conspicuous, eye-catching: they are either surprising or repeated, set off from the text or too long. Close reading pays attention to elements in the text which, although marginal, are nonetheless emphatic, prominent—elements in the text which ought to be quietly subordinate to the main idea, but which textually call attention to themselves.
Most of you have been educated to ignore such elements. You have been taught to seek out and identify the main ideas, dismissing the trivial as you go. This has had to be trained into you: read to a young child sometime, you will notice she has the annoying habit of interrupting the flow of the story to draw attention to some minor thing. Close reading resembles the interruptions of that child. It is a method of undoing the training that keeps us to the straight and narrow path of main ideas. It is a way of learning not to disregard those features of the text that attract our attention, but are not principal ideas.
Jane Gallop, “The Ethics of Close Reading: Close Encounters,” Journal of Curriculum Theorizing, Vol.16, No.3 (Fall 2000), pg.7-8 (x)
all o fthis happened because of me
"sorry for party rocking" I don't think you are. I think you're sorry you got caught

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oakoak, 'Free Rothko', 2024 Source
The best thing about this is how much love for Rothko there is in it. Like... here. Here is a rectangle, and if you stand far away it's just two or three colors a bit streaky, and the closer you get the more it opens up until it swallows you whole with the idea of how vast it is, how much bigger than you. If someone framed the real-life sea and sky and told everybody that's what my artwork was like to them I'd kiss them
‘beyond the scope of this paper’ is a dear friend to me. I Am Not Fucking Talking About That