Peter Solarz
let's talk about Bridgerton tea, my ask is open

Andulka
noise dept.
we're not kids anymore.
cherry valley forever

@theartofmadeline
Cosimo Galluzzi
RMH
Stranger Things
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay
Show & Tell
Three Goblin Art

JBB: An Artblog!
hello vonnie
seen from Canada

seen from Finland

seen from Spain

seen from United States

seen from Germany
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seen from Brunei

seen from United States
seen from United States

seen from United Kingdom
seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from United Kingdom
seen from United States
seen from Malaysia
seen from Japan

seen from Türkiye
@ekirammari

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Mary Lovelace O'Neal, TID - Flowers and Still Life, Who Expected It, circa 1990s, mixed media on canvas 84 x 60 in
To kvinner ved stranden (Two Women on the Shore), Edvard Munch, 1898
Woodcut printed from one block (sawn into three sections) in dark blue, green, black and red-brown ink with additions in green crayon on cream Japanese paper
Was crazy wonderful having an entire giant castle to ourselves. There is a stage on an upper floor where a theater sometimes performs.
No cause for alarm. The population of an old pear-tree. 1870.
Internet Archive

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"Root system of black raspberry." Fruit Biology. 1966.
Internet Archive
“Perhaps you have forgotten. That’s one of the great problems of our modern world, you know. Forgetting. The victim never forgets. Ask an Irishman what the English did to him in 1920 and he’ll tell you the day of the month and the time and the name of every man they killed. Ask an Iranian what the English did to him in 1953 and he’ll tell you. His child will tell you. His grandchild will tell you. And when he has one, his great-grandchild will tell you too. But ask an Englishman—” He flung up his hands in mock ignorance. “If he ever knew, he has forgotten. ‘Move on!’ you tell us. ‘Move on! Forget what we’ve done to you. Tomorrow’s another day!’ But it isn’t, Mr. Brue.” He still had Brue’s hand. “Tomorrow was created yesterday, you see. That is the point I was making to you. And by the day before yesterday, too. To ignore history is to ignore the wolf at the door.”
- A Most Wanted Man, John le Carré
Anthony Cudahy (American, b. 1989), With St. Lucy eyes (2018-2020), oil on canvas
Victoria Ball
"Spring garden"

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Eva Apostolatou - Brilliant pink and Aerolin yellow, 2025 - Oil on canvas
萩原 卓哉/Hagihara Takuya
Archive
“Cut the Rug (Cake)” ☀ Alana Jones-Mann ◇ Sponge cake with a 400-thread count
Robert Gillmor (British, 1936-2022, b. Reading, Berkshire, England) - Aerial Manoeuvres, Linocut

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Lawrence Paul Yuxweluptun (Tsartlip/Syilx First Nations/Canadian, 1957) - Fish Farmers They Have Sea Lice (2014)
"Nine decorated network patterns upon draperies represented in Attic vase-paintings. 6th–5th century b.c. British Museum." Traditional methods of pattern designing. 1929.
Internet Archive