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Aqua Utopia๏ฝๆตทใฎๅบใง่จๆถใ็ดกใ
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art blog(derogatory)
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@eidolatria
via angelind1sguise on instagram

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I remember life. There was so much. I held it all. I held it all.
Michelle Hulan,ย โThe Universe, as in One Last Song for the Lonely Heartsโ, Chestnut Review
where's that quote abt like. being embarrassed abt the thinness of ur life the way ur embarrassed by a threadbare piece of clothing. bc like yeah
Olivia Laing
im neither an alive girl nor a dead girl but rather a secret third thing

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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memorabilia zine, 2021 (page 14)
My cross necklace collection for a page of a zine I made in December. Itโs not even all of them โฑ
Couplets by Maggie Millner
The Sorrow Festival, Erin Slaughter
Girls That Never Die
a girlโembroidered
a girlโteeth baredโโlocked inside a photograph
a girl dances to the same coiled songโโโ can never leave
keeps her looksโโโโโโ outlives the other guests
filled up with all her teethโโโโnever returns from the party
is never heard from againโโโโis everywhere
Forgotten But Not Goneโโโโโโ
cries into your drink & returns it to you
makes you say her nameโโ salt in the well kills the whole village
โ Safia Elhillo, from Girls That Never Die
ย Sokratesโ central argument, as he goes on to reevaluate madness, is that you keep your mind to yourself at the cost of closing out the gods. Truly good and indeed divine things are alive and active outside you and should be let in to work their changes. Such incursions formally instruct and enrich our lives in society; no prophet or healer or poet could practice his art if he did not lose his mind, Sokrates says (244a-45). Madness is the instrument of such intelligence. More to the point, erotic mania is a valuable thing in private life. It puts wings on your soul.
Anne Carson, from Eros the Bittersweet

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Sylvia Plath, The Unabridged Journals of Sylvia Plath, 1950-1962
ย here, under londonโs streetlights, you will realise nobody actually wants a savage girl. ferocious girl. iโve only seen this wanted in a poem constructed with perfect html, obscure synonyms and times new roman. the last time somebody actually looked into your eyes was a tuesday two months ago. accidentally. on public transport. youโd think it was the last time you made love. but no. you were too busy staring at the ceiling and he was too busy breathing into your neck. when youโre done he tells you how smooth you are โnot a single sharp edge,โ he says, and you dig your nails into your palms.
Salma Deera, from Letters from Medea
electra, sophocles (trans. anne carson) // enough, suzanne buffman // letter to my rage: an evolution, lidia yuknavitch // the ghost is dead, long live the ghost, mara avoth // the importance of being earnest, oscar wilde // i didnโt always salivate over skeletons, blythe baird // persephone the wanderer (ii), louise glรผck // sharp objects, gillian flynn // the carnivorous lamb, agustiฬn goฬmez-arcos (trans.ย william rodarmor) // how to wear your motherโs lipstick, warsan shire.
let the soft animal of your body KILL KILL ATTACK KILL WITH YOUR TEETH RIP IT WITH YOUR TEETH YOUR TEETH
All Quiet On The Frontal Lobe

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What Iโve let men scavenge โ my collarbones, femurs, the fleshy pads of my inner thighs, bitemarks butterflying from the clotted cream that cornmeal death has made of my skin โ given way to blood poisoning.
โ Jennifer Givhan, from "The Excavation," Belly to the Brutal
Margarita Karapanou, tr. by Karen Emmerich, Rien ne va plus