Jesse Dayan (Australian b.1982), Alke at the Beach, 2016, Oil on linen
trying on a metaphor
I'd rather be in outer space 🛸
Three Goblin Art

Discoholic 🪩
2025 on Tumblr: Trends That Defined the Year
Cosimo Galluzzi
RMH

★
NASA
cherry valley forever
Claire Keane
Cosmic Funnies

ellievsbear
tumblr dot com
Sade Olutola
Xuebing Du
i don't do bad sauce passes
Sweet Seals For You, Always
styofa doing anything
let's talk about Bridgerton tea, my ask is open

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@egrizref
Jesse Dayan (Australian b.1982), Alke at the Beach, 2016, Oil on linen

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Easy Listening - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas , 36 x 48 in.
gay and transgender life in provincetown, massachusetts. chris korda, 1991.
Equiping an armor tutorial
i'll prob make more bc i love talking ab armors
Either explain it or don’t.
When authors include things that don’t fit within the real world–magic, time travel, anachronisms–there is an impulse to explain how it works. Which can be fantastic for worldbuilding, but if you don’t know what you’re talking about, it can make more problems than it solves.
Stephenie Meyer tried to explain some bizarre thing about chromosomes, and it made the biology of vampires and werewolves make no sense. Suspending disbelief worked better in that case before she tried to ground it in the real world.
Lemony Snicket, on the other hand, just has random anachronisms that are never explained, but because there’s nothing even close to resembling an attempt at an explanation, we can just shrug and go, okay, that’s how it works. The magic in Harry Potter seems to basically not be grounded in anything, but we can believe it within the context of the story because she doesn’t try to ground it in anything.
In Jim Butcher’s Codex Alera, on the other hand, he goes into a lot of magic theory, and it gives us a strong feeling of worldbuilding. There’s enough logically coherent explanation for it to feel grounded within itself.
It is possible to go too far (see: Orson Scott Card’s Xenocide and Children of the Mind) where the plot ends up so tied in the reader understanding intricately detailed scientific and pseudo-scientific minutiae that the story is incomprehensible without it.
Generally, though, if you’re going to make something up, either say it exists and leave it at that, or entirely figure out how it works. Halfway is always less believable than nothing at all.
#I have sometimes heard this distinction referred to as ‘hard’ vs ‘soft’ magic #by analogy with hard vs soft sci-fi #in hard sci-fi you spend an entire chapter explaining how dyson spheres work #in soft sci-fi spock does some technobabble and then suddenly reveals that vulcans have extra eyelids #similarly hard magic is when harry potter knows 10 spells with very specific effects #and soft magic is when gandalf appears and shines some weird light in the sky that drives the nazgûl away #I think hard magic is useful for having characters overcome obstacles in interesting ways #because we (the readers) get to see how the pieces work and then how they’re used to solve problems #whereas having the main characters solve problems with soft magic feels like a cop out #like if frodo suddenly revealed that hobbits have extra eyelids that can melt cursed gold #and just straight-up wrecked the ring right then and there #but soft magic is fine if the obstacles aren’t the main focus of the story #e.g. star trek TOS is more about the crew and the scenarios than it is about the science #so it’s still a good story even if the actual conflict resolution was largely technobabble #and I think it’s also really useful for conveying a sense of how big and complex a world is #like we learn a lot of specific things that hermione harry and ron can do #which is hard magic #but we also see dumbledore and voldemort dueling using things we know nothing about #which is soft magic and serves to underline how much the kids don’t understand #similarly frodo’s magic sword and lembas bread are hard magic #because they have well-defined rules for how they work #but gandalf running around doing crazy things underscores how much bigger the world is than frodo will ever be able to know #and thus gives the world a sense of enormity that it wouldn’t have if we understood all the magic in it #tag rants #sort of #magic (sufficientlylargen)

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Incoming - William H. Hays
American , b. 1956 -
Colour reduction linocut print , 9 x 12 in.
WEIRDLY SPECIFIC BUT HELPFUL CHARACTER BUILDING QUESTIONS
What’s the lie your character says most often?
How loosely or strictly do they use the word ‘friend’?
How often do they show their genuine emotions to others versus just the audience knowing?
What’s a hobby they used to have that they miss?
Can they cry on command? If so, what do they think about to make it happen?
What’s their favorite [insert anything] that they’ve never recommended to anyone before?
What would you (mun) yell in the middle of a crowd to find them? What would their best friend and/or romantic partner yell?
How loose is their use of the phrase ‘I love you’?
Do they give tough love or gentle love most often? Which do they prefer to receive?
What fact do they excitedly tell everyone about at every opportunity?
If someone was impersonating them, what would friends / family ask or do to tell the difference?
What’s something that makes them laugh every single time? Be specific!
When do they fake a smile? How often?
How do they put out a candle?
What’s the most obvious difference between their behavior at home, at work, at school, with friends, and when they’re alone?
What kinds of people do they have arguments with in their head?
What do they notice first in the mirror versus what most people first notice looking at them?
Who do they love truly, 100% unconditionally (if anyone)?
What would they do if stuck in a room with the person they’ve been avoiding?
Who do they like as a person but hate their work? Vice versa, whose work do they like but don’t like the person?
What common etiquette do they disagree with? Do they still follow it?
What simple activity that most people do / can do scares your character?
What do they feel guilty for that the other person(s) doesn’t / don’t even remember?
Did they take a cookie from the cookie jar? What kind of cookie was it?
What subject / topic do they know a lot about that’s completely useless to the direct plot?
How would they respond to being fired by a good boss?
What’s the worst gift they ever received? How did they respond?
What do they tell people they want? What do they actually want?
How do they respond when someone doesn’t believe them?
When they make a mistake and feel bad, does the guilt differ when it’s personal versus when it’s professional?
When do they feel the most guilt? How do they respond to it?
If they committed one petty crime / misdemeanor, what would it be? Why?
How do they greet someone they dislike / hate?
How do they greet someone they like / love?
What is the smallest, morally questionable choice they’ve made?
Who do they keep in their life for professional gain? Is it for malicious intent?
What’s a secret they haven’t told serious romantic partners and don’t plan to tell?
What hobby are they good at in private, but bad at in front of others? Why?
Would they rather be invited to an event to feel included or be excluded from an event if they were not genuinely wanted there?
How do they respond to a loose handshake? What goes through their head?
What phrases, pronunciations, or mannerisms did they pick up from someone / somewhere else?
If invited to a TED Talk, what topic would they present on? What would the title of their presentation be?
What do they commonly misinterpret because of their own upbringing / environment / biases? How do they respond when realizing the misunderstanding?
What language would be easiest for them to learn? Why?
What’s something unimportant / frivolous that they hate passionately?
Are they a listener or a talker? If they’re a listener, what makes them talk? If they’re a talker, what makes them listen?
Who have they forgotten about that remembers them very well?
Who would they say ‘yes’ to if invited to do something they abhorred / strongly didn’t want to do?
Would they eat something they find gross to be polite?
What belief / moral / personality trait do they stand by that you (mun) personally don’t agree with?
What’s a phrase they say a lot?
Do they act on their immediate emotions, or do they wait for the facts before acting?
Who would / do they believe without question?
What’s their instinct in a fight / flight / freeze / fawn situation?
What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?
If they’re scared, who do they want comfort from? Does this answer change depending on the type of fear?
What’s a simple daily activity / motion that they mess up often?
How many hobbies have they attempted to have over their lifetime? Is there a common theme?
Interior With Trees, 2024 by Tim Braden (British, b. 1975); Oil on canvas, 140x120cm
Blue Plum Branch - Adriana van Zoest
Dutch , b. 1966 -
Pastel on cardboard , 21,5 x 28,5 cm
Anna Ancher (Danish 1859-1935), Sunlight in the Blue Room, 1891, Oil on canvas

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Sunspots - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas , 36 x 36 in.
Yellow leatherleaf slug, Vaginulus taunaisii, Veronicellidae
Photographed in Brazil by rogerriodias
Delight - Antonia Tyz Peeples
American , b. 1957 -
Oil on linen , 30 x 30. in.
FUCK THIS I SPERFECT, IT SHOWS THE ARM PRONATING AND ALL THE MUSCLES SHIFTING ALONG WITH THE WRIST
IT EVEN HIGHLIGHTS THE ULNA BONE
HEY THIS IS THE ULTIMATE ANATOMY REF, FUCK THOSE MISLEADING TERRIBLE FUCKING “ANATOMY” TUTORIALS THAT GOEAS AROUND TUMBLR, THIS IS ALL OYU NEED, LOOK AT THE LATISIMUS STRETCHING OVER THE SERRATUS, THE PECTORAL MUSCLE MOVESUPWARDS AND OVER THE BICEP AND EXTENDS ALONG WITH THE ARM THERES EVEN THE CORACOBRACHIALIS;. AAAA OMFG I’M SO HAPPYYYYYY
Admin Kin here: This is one of the most helpful references in our library, but I wondered if any of our followers might be able to help identify the color coded muscles? It would be great to be able to know what is what while practicing from these sheets!
EDIT: I had the opportunity to sit down with an medical student last night and figure out how arms work! It looks like in the places where only the upper arm is shown:
-Green is the biceps -Yellow is the triceps -Blue is the latissimus dorsi -Red is the deltoid
In the images showing the back, everything is the same but yellow marks the trapezius. Green marks a whole complex of muscles under the scapula.
In the images showing the whole arm:
-Green is the biceps -Yellow is the triceps -Blue is the brachioradialis -Red marks the ulna (the bone that goes from the ball of your elbow to the outside of your wrist)
I thought this might be helpful for anyone learning how these muscles fit together! Learning that has been extremely useful for me!
Gule rølliker, hvide skærmplanter og brombær ved en mark, 1896 by Emma Auguste Løffler (Danish, 1843-1929)

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[the most low energy you have ever seen me] we’re about to go crazy mode
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
🫶