ignore alien orders.

let me. innnnnnnnnnnnnnnnnnnnnn

Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.

HOW’S THAT HOUSE THAT RAISED YOU? - Lev St. Valentine

@tearyeyedcat this was beautifully written, thank you for adding it!

The Vampire Lestat— "The Failures" (1.07)

The Vampire Lestat (2026)

This is one of over 40 portraits of people from the Middle East and South Asia painted at the request of Queen Victoria. Shanker Girr was a Fakir (an ascetic holy man or mystic) from Malabum, Nepal, aged 23 at the time of his sitting for Swoboda. He wears the orange robes traditionally associated with Buddhist monks, but his long, shoulder-length hair has not been shaved close to the scalp. Rudolph Swoboda sailed for India on 7 October 1886. Queen Victoria paid for his passage and gave him £300 to cover his travelling expenses. In return he was to provide the Queen with sketches worth £300. The Queen gave Swoboda specific instructions: ‘The Sketches Her Majesty wishes to have – are of the various types of the different nationalities. They should consist of heads of the same size as those already done for The Queen, and also small full lengths, as well as sketches of landscapes, buildings, and other scenes. Her Majesty does not want any large pictures done at first, but thinks that perhaps you could bring away material for making them should they eventually be wished for.’ When Sir Howard Elphinstone, a contemporary, saw some of the sketches in 1888 he observed: ‘They are very clever indeed, most characteristic of the different types, & drawn with wonderful vigour’. When Queen Victoria received them she was very pleased and thought them ‘such lovely heads… beautiful things’. (source)