Diane Itter, Triangles, ca. 1977, fiber embroidery, 8 1⁄4 × 8 1⁄4 in. (21.0 × 21.0 cm), Smithsonian American Art Museum, Gift of Carole and Paul Garrison

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Diane Itter, Triangles, ca. 1977, fiber embroidery, 8 1⁄4 × 8 1⁄4 in. (21.0 × 21.0 cm), Smithsonian American Art Museum, Gift of Carole and Paul Garrison

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Zuzanna Mrozowska, Self – supper, 2025, filc, 27 x 33 cm
Alice Fox, Moss Cloth Fragment
Paper yarn, plant-dyed silk/cotton thread, moss (gathered from domestic lawn)
Connie Converse
Elizabeth Eaton Converse (born August 3, 1924 – disappeared August 10, 1974) was an American singer-songwriter, best known under her professional name Connie Converse. She was active in New York City in the 1950s, and her work is among the earliest known recordings in the singer-songwriter genre of music. Before and after the period in which she wrote her music she was an academic, writer, and assistant editor for the Far Eastern Survey (IPR, New York), and editor for the Journal of Conflict Resolution (University of Michigan, Ann Arbor).
Converse spent many years after being a performer as an activist writing memos like Converse's "FEDD" Memo Against Racism and publishing her thoughts on the House Un-American Activities Committee (HUAC).
By 1973, Converse was burnt out and depressed. The offices of the Journal of Conflict Resolution, which meant so much to her, had moved to Yale at the end of 1972 after being "auctioned off" without her knowledge. Converse's colleagues and friends pooled their money to give her a six-month trip to England in hopes of improving her mood, to no avail.[4][15] Her mother requested that she join her on a trip to Alaska, and Converse grudgingly agreed. Her displeasure with the trip appeared to have contributed to her decision to disappear. Around that time, Converse was told by doctors that she needed a hysterectomy, and the information appeared to have devastated her according to her brother. In August 1974, days after her 50th birthday,[16] Converse wrote a series of letters to family and friends suggesting her intention to make a new life in New York City. All were handwritten. via W
Harper’s Bazaar Italia’s February 2024 issue continues with ‘Muses’, a beautiful Ferragamo-sponsored fashion story featuring Solange Knowles in the company of Ferragamo creative director Maximilian Davis.
Fashion director Sissy Vian and Stella Greenspan styled the shoot, photographed by Szilveszter Mako [IG]./Hair by Pierpaolo Lai; makeup by Fulvia Farolfi https://anneofcarversville.com/fashion/2025/2/18/paloma-elsesser-solange-knowles-ferragamo-bazaar-italia

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The Charlotte Colbert ‘Uterus’ bed created with Buchanan Studio for Maison Colbert, and Charlotte Colbert ‘Marshmallow’ side table. Photo: Alicia Waite
photo source: Inside the Surreal London Home of Artists Philip and Charlotte Colbert https://www.vogue.com/article/maison-colbert-interiors
Julia Soboleva (Latvian, 1990)
Home for Christmas,2024
BETYE SAAR, “Rainbow Mojo,” 1972 (acrylic painting on cut leather, 19 3/4 x 49 3/4 inches / 50.2 x 126.4 cm). | © Betye Saar, Courtesy Ortuzar Projects