TVSTRANGERTHINGS
One Nice Bug Per Day
if i look back, i am lost
Lint Roller? I Barely Know Her
ç„æ„ / Permanent Vacation
Product Placement
ojovivo
trying on a metaphor
dirt enthusiast
noise dept.
YOU ARE THE REASON
Andulka
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PR's Tumblrdome
AnasAbdin
oozey mess
almost home
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@abwwia
Maria Luisa Caterina Cecilia Cosway (ma-RYE-ah; nĂ©e Hadfield; 11 June 1760 â 5 January 1838) was an Italian-English painter, musician, and educator. She worked in England, France, and later Italy, cultivating a large circle of friends and clients, mainly as an initiate of Swedish and French Illuminism and an enthusiastic revivalist of the Masonic Knights Templar. Via W | Self-portrait, 1787
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Maria Luisa Caterina Cecilia Cosway (ma-RYE-ah; nĂ©e Hadfield; 11 June 1760 â 5 January 1838) was an Italian-English painter, musician, and educator. She worked in England, France, and later Italy, cultivating a large circle of friends and clients, mainly as an initiate of Swedish and French Illuminism and an enthusiastic revivalist of the Masonic Knights Templar. Via W | Self-portrait, 1787
Born on this day: awe-inspiring and berserk operatic Polish chanteuse, actress and all-purpose diva Violetta Villas (nĂ©e CzesĆawa Maria CieĆlak, 10 June 1938 - 5 December 2011). For anyone not au fait with the wild, wild world of the tempestuous Villas, think of her as an ultra-campy, kitsch outsider artist; a wild low-budget Eastern European hybrid of Yma Sumac, Jayne Mansfield, Anita Ekberg in La Dolce Vita, Brigitte Bardot and Charo; a punk (her image and un-hinged performances can anticipate Nina Hagen or Jayne County); and the self-parodic possessor of a drag queen sensibility (is it deliberate or naive? Certainly, her persona evokes the films of the Kuchar brothers and John Waters). Dubbed "the voice of the atomic ageâ, Villas was a celebrated Las Vegas headliner (at the Casino de Paris at the Dunes) in the 1960s, but her promising international career was cut short by Communism (she bounced back in the 1980s and never stopped being venerated in Europe). I revere this woman and wish she was more embraced as a queer icon in the non-Polish speaking world. I highly recommend investigating old clips of Villas on YouTube (especially her interpretations of âStrangers in the Nightâ, âMy Heart Belongs to Daddyâ and Barbra Streisandâs âFree Againâ). Prepare to have your mind blown!
Katja Novitskova If Only You Could See What Iâve Seen with Your Eyes (2017 Venice Biennale) http://cagrp.org/view/venice2017/index.php?id=14878
Another building showing Pioneering Modernist Women #photographs #modern #book #celebrate these #women and their #architecture ! This is Dorich House, Kingston by Dora Gordine 1936 more views and buildings to follow. Follow @imageofwic to see our #imageofwomeninconstruction project to engage the next generation, through the depiction of women and the roles they work in. A project by @nawicldn #womeninconstruction #justnotforboys #women #diversity #portrait #womeninconstruction #construction #girlsinconstruction . #modernism #midcenturymodern #interior #studio #sculpture #artist #architecturalphotography #building #vscocam @partwcollective @riba @dorichhousemuseum https://ift.tt/2GNG3Z5
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Guerrilla Girls, June 9, 2005, The Venice Biennale, Venice, Italy. Portrait by J.Schmidt
Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. The group formed in New York City in 1985, born out of a picket against the Museum of Modern Art the previous year. The core of the group's work is bringing gender and racial inequality into focus within the greater arts community and society at large. Via Wikipedia
#GuerrillaGirls #artherstory #artbywomen #womensart #palianshow
Zofia PLEWIĆSKA-SMIDOWICZOWA, JEDZÄCE DZIECKO Gwasz, paper; 23.5 x 18 cm Sygnowany ld: PlewiĆska-Smidowiczowa https://onebid.hu/hu/regi-festeszet-zofia-plewinska-smidowiczowa/2153663
Wiktoria GoryĆska (6 July 1902 - 29 March 1945) A Cat on a Branch, 1927 woodcut
Carrie Mae Weems, âMom at Workâ (1978-84) (photo Nereya Otieno/Hyperallergic
Katarina Pirak-Sikku, Dollet (2006).
Katarina Pirak-Sikkuâs drawings, photography, installations and text-based works draw from both immediate family history and historical events and experiences. An engagement with SĂĄmi identity and the integrity of SĂĄmi culture are central to her work, bringing her to explore such themes as the history of race biology, the state treatment of the SĂĄmi and the geography of SĂĄpmi. Pirak-Sikku also uses staged self-portraits to challenge stereotypical gender roles, especially regarding the SĂĄmi woman.
(2022) Sweden-based SĂĄmi Artists Addressing Indigenous Pasts, Presents, and Futures https://arcticartssummit.com/articles/11-sweden-based-sami-artists-addressing-indigenous-pasts-presents-and-futures/
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"Mail Woman" by Yelena Kostenko (1954)
Julia CuryĆo â "Marzanna" The Goddess of Winter and Death (oil on canvas, 2025)
Quiet Morning - Anke Roder , 2026
Dutch, b. 1964 -
Encaustic and oil on wood , 23 x 18 cm.
1. Dante Gabriel Rossetti (1828â1882), âGeorgiana Burne-Jonesâ (c1860), black chalk on paper, 32.5 x 26.6 cm.
2. Edward John Poynter (1836-1919), âPortrait of Georgiana Burne-Jonesâ (1870), watercolour on paper, 25.4 x 35.5 cm.
3-4. Georgiana Burne-Jones (c. 1882), photographed by Frederick Hollyer.
5. Edward Burne-Jones (1833-1898), âPortrait of Georgiana Burne-Jones, with Philip and Margaretâ (1883), oil on canvas, 53 x 76 cm.
6. Burne-Jones, âPortrait of Caroline Fitzgeraldâ (1884), oil on canvas, 52.1 x 82.9 cm.
7. Burne-Jones, âPortrait of Baronne Madeleine Deslandesâ (1896), oil on canvas, 58.2 x 115.2 cm.
Georgiana, Lady Burne-Jones (nĂ©e MacDonald; 21 July 1840 â 2 February 1920) was a British painter and engraver, and the second oldest of the MacDonald sisters. She was married to the Late Pre-Raphaelite artist Edward Burne-Jones, and was also the mother of painter Philip Burne-Jones, aunt of novelist Rudyard Kipling and Prime Minister Stanley Baldwin, confidante and friend of George Eliot, William Morris, and John Ruskin. She was a Trustee of the South London Gallery and was elected to the parish Council of Rottingdean, near Brighton in Sussex. She is known for the biography of her husband, The Memorials of Edward Burne-Jones and for publishing his Flower Book. She became the mother-in-law of John William Mackail, who married her daughter Margaret. Their children were the novelists Angela Thirkell, Denis Mackail and Clare Mackail. via W
one of her children was  the novelists Angela Thirkell: Angela Margaret Thirkell (/ËΞÉËrkÉl/; nĂ©e Mackail, 30 January 1890 â 29 January 1961) was an English and Australian novelist. She also published one novel, Trooper to Southern Cross, under the pseudonym Leslie Parker. via W
Sharon Farmer (b.1951) is an American photographer. She was the first African-American woman to be hired as a White House photographer and the first African American and first female to be Director of the White House Photography office. Via W #PalianSHOW
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Beyond the Brotherhood: female artists of the Victorian era As the National Portrait Gallery in London stages Pre-Raphaelite Sisters, Victorian art specialist Sarah Reynolds illuminates the careers of key women artists of the period https://www.christies.com/en/stories/beyond-the-brotherhood-female-artists-of-the-victorian-era-4aa70b11d3874794ac5142defd15b3d2
Marie Spartali Stillman (1844-1927) Elizabeth Rossetti, née Siddal (1834-1862) Evelyn De Morgan (1855-1919) Emma Sandys (1834-1877) Laura, Lady Alma-Tadema (1852-1909) Eleanor Fortescue-Brickdale, R.W.S. (1871-1945) Georgiana Burne-Jones (1840-1920)
In the centenary year of womenâs suffrage in the UK, a look at the key artists of the period who forged successful careers in a male-dominat
Women Artists Newsletter
Established in 1975, Women Artists Newsletter was published by Cynthia Navaretta, with founding editor Judy Seigel, under the Midmarch Associates imprint along with a staff of volunteer writers, photographers and graphic designers. Functioning as a space for information exchange and communication for and among a community of women artists, the newsletter published books reviews, articles, museumâŠ
