In the dark times, should the stars also go out?

On the dance floor, everyone's a star! 🪩🐸💚

Well now you can! And so much more!!!!

- the menu at a restaurant is not an ingredient list you can use to create new dishes we could hypothetically make for you instead of the choices on the menu

- we do not have omelets on the menu because we do not make or serve omelets

- yes, i know we have eggs on the menu, but we still do not have omelets.

- yes, i realize omelets are eggs, but not all eggs are omelets, and the eggs we serve are not omelets.

- you cannot out-logic me so that i cave in and ring in an omelet for you. i am better at arguing than you are.

- there are no omelets here. there have not been, and will not be, omelets here. if you want an omelet you will need to go somewhere else.

- i can also promise that you do not want an omelet cooked by line cooks who have not been trained how to make omelets. because we don't sell omelets.

- no, i am not going to single-handedly put service on pause for the next twenty minutes while three cooks google how to make an omelet and then proceed to fuck up multiple omelets that our kitchen is not set up to prepare, so you can have an omelet.

-and we both know you'd bitch if it takes longer than six minutes to come out anyway.

- no, you may not just go back into the kitchen and make yourself an omelet. the line cooks do not take kindly to trespassing. also, what the hell.

- i hear that you want an omelet. that does not change the fact that we do not offer omelets. if you want to eat an omelet, you will need to go to another restaurant that does have omelets on the menu. this is not negotiable.

- i am the manager.

The complete base BG2 party roster in Darkest Dungeon style!

Some of them were used in this scene

I thought that the stylisation is way too fun to limit it to my in-game party (and besides, I sometimes switch party members anyway).

The models (sans my Charname, and including background with Athkatla sewers and Othyugh) are downloadable and usable under CC BY-NC-SA.

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.