we can no longer protect you forever

sometimes a theme recurs in your work without your permission. and sometimes it reaches a threshold where you're like. well now i think this is saying something about me against my will. don't know what though

media literacy includes understanding why a media product was made, to whom it's being sold, and the assumed preferences of its marketing demographic. narrative is not produced or sold in a vacuum.

you might be totally correct that your ship would be narratively satisfying. I don't know, I'm not watching your show. Whether your ship is likely to happen on the show is a whole different question to whether it's satisfying, because the show is being sold to Netflix or Amazon or the BBC, and they are purchasing a show they think they can market to a particular demographic and that demographic isn't you, the nightmarishly online tumblr user. The show is being made for marketability to a constructed average viewer. It is being funded with that audience in mind. This art is being made to commission, and commissioned art is art, but at some point you have to stop expecting the Church to commission a statue of Lucifer fucking St Michael. It might be narratively satisfying, but that's just not what they're paying for.

Best movie hands down

Crazy thing about #healing #recovery Small Victories is when you'll have some shit going on that's like, saying this would involve admitting how you used to be doing. You know? Like hey guys good news I'm gonna change my bedsheets this year

That's the thing about Doing Really Bad you kinda keep it to yourself. And then you start doing a little better & when you try to tell people this the vibe is like "what do you mean you were living in the sewer this whole time are you good?" while you're standing there like Yeah that's not the important part never mind that. I'm literally out of the sewer

We need more middle aged women making out on television.