Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves by Sophie Gilbert
he wasn't even looking at me and he found me

#extradirty
One Nice Bug Per Day
Cosmic Funnies

Discoholic 🪩
NASA
Game of Thrones Daily
almost home
Monterey Bay Aquarium

Andulka
Sweet Seals For You, Always

Love Begins
trying on a metaphor
ojovivo

shark vs the universe
I'd rather be in outer space 🛸
dirt enthusiast
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seen from United States
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seen from Brazil
seen from Jordan
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seen from United States

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@teainthegarden
Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves by Sophie Gilbert

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Erin Hanson (born in 1981).
Provence Lavender (2024)
Oil on canvas
76 x 102 cm, 30 x 40 in approx
Biomechanical Siren Skeleton by Alma Seleno
So, if margins are high but investment is low, what have companies done with their profits? Following the money leads us directly to shareholders. [...] corporations have largely returned profits to shareholders in the form of dividends and share buy-backs. Having averaged 10-20 per cent in the 1970s, the percentage of cash flow returned to shareholders has remained above 30, and sometimes substantially more than that for most of the past thirty years, although it dipped during the tech boom in the early 1990s when companies were investing. What emerges from the evidence presented so far is that, just like finance, the financialization of the productive sector extracts value - objectively, rent. But not only in the productive sector. In recent years a wide range of businesses in the UK, from social providers like care homes to utilities such as water, both of which had previously been regarded as steady and unexciting investments, have been subject to financial engineering by new owners, often PE firms. The result is a transformation of public goods into private goods. Financialization has a long arm. It reaches into society as well as the economy, and despite claims that its encroachment into the productive economy is a solution to issues such as average earnings, skills and inequality, the evidence is not encouraging. As John Bogle has noted: 'The highest-earning 0.01 per cent of U.S. families (150,000 in number), for example, now receives 10 per cent of all of the income earned by the remaining 150 million families, three times the 3 to 4 per cent share that prevailed from 1945 to 1980. It is no secret that about 35,000 of those families have made their fortunes on Wall Street.'
Mariana Mazzucato, The Value of Everything: Making and Taking in the Global Economy
Eros GreyHeart
🐱 Transylvanian
📸 Zsolt Bereczki
🎨 Black Karpati [Roan: Karpati (Carpathian) Pattern]
It's like a husky mapped over a kitty!

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I cant believe people actually get married and have children because “it’s what you’re suppose to do” are you insane or brain dead ?
Late Spring (1949) dir. Yasujirō Ozu
PLANET EARTH II 2.02 • Mountains
BUFFY THE VAMPIRE SLAYER - 1.12: Prochecy Girl // 5.22: The Gift
Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves by Sophie Gilbert

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Let's skip dinner?
acrylic, canvas 40*50 cm «Lighthouse of the Northern Sunset» 2025
蜆楽 - Kenraku (2026.5.24)
"The joy of friendship cannot be located in its ideal. It does not materialize when the only thing being met is our own need for other people's attention. It does not transpire when we project our feelings and our unresolved conflicts onto our friends, or simply believe that the reason we know them so well is because they are so much like ourselves. The lasting joy of friendship is a by-product of giving, of gifting our attention. It is an experience of dissolving our barriers and occurs only when we succeed in broadening our own horizons and escaping the prison of our own problems and fears that we are so often trapped in. It materializes when we recognize the person in front of us in their otherness. When we open ourselves up to their emotional reality, to their alternative view of the world. It emerges when we are there for someone else."
Daniel Schreiber, Alone: On Different Ways of Living (2025), translated by Ben Fergusson
“May I rest my weary head on your shoulder?” (insp.)
In the Mood for Love (2000), Rafiki (2018), Cold War (2018), Your Name Engraved Herein (2020), But I’m a Cheerleader (1999), Moonlight (2016), Portrait of a Lady on Fire (2019), And Then We Danced (2019), Eternal Sunshine of the Spotless Mind (2004), My Own Private Idaho (1991), Anatomy of a Fall (2023), Lovesong (2016), God’s Own Country (2017), The Handmaiden (2016), Notorious (1946)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Amazing
Kawase Hasui, Sochu Maekawa no ame: Rain at Maekawa, Sochu, 1932