"Tiredness of this kind proves violent because it destroys all that is common or shared, all proximity, and even language itself."
icyghini twinkie
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will byers stan first human second
Stranger Things
almost home

Product Placement
$LAYYYTER

The Stonewall Inn

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TVSTRANGERTHINGS

Discoholic 🪩
ojovivo
Noah Kahan
The Bowery Presents
Cosmic Funnies
trying on a metaphor
Monterey Bay Aquarium
noise dept.
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@driftglazz
"Tiredness of this kind proves violent because it destroys all that is common or shared, all proximity, and even language itself."

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to anyone in the areas impacted by the wildfire smoke, my #1 biggest piece of advice as someone whos been dealing with wildfire smoke in the NW united states for years, is build yourself a Corsi-Rosenthal Cube
they perform as well as expensive HEPA air cleaners, and are comparatively VERY inexpensive. all you need is a box fan, 4 air filters, a piece of cardboard, and some duct tape!!!!
i think it took us maybe a half hour to put ours together, if that, and we replace the filters every 3 months. it's really made a HUGE difference, both when the air quality is bad, but also with our allergies
Saw these easy to read instructions on Twitter. Stay safe 💚
Great time to start pricing this out by the way, fire season starts… on the summer solstice this year, that’s fun. Signs point to it being a doozy.
Finally watched "They Cloned Tyrone" and can I just say. Black movies made by and for Black people make me so happy. The scene with Yo-Yo and Slick singing a remix of "I'm Goin' Down" in the elevator had me ROLLING. And Fontaine looking back at them like "Forreal??? Right now??" You will NEVER see that in a movie produced by white people. It wouldn't be the same.
If you're a white person and you're not having the experience of watching a movie and kind of not knowing what's going on part of the time, or understanding that there are context clues being dropped that you don't fully understand the context of/for, you need to branch out because you're missing out. Missing out on the wider world out there. Same with books, same with music. Watch (listen to, read) stuff that is clearly interesting or well-made or visionary or that fits within an unfamiliar genre but still leaves you scratching your head sometimes. And then after it's done, go do some research on wikipedia or whatever and learn some damn things.
They Cloned Tyrone was so good for this because it is so clearly made with love and joy by the crew and the actors, and it clearly references a lot of tropes (of a wide variety of Black cultures and media) but in a playful way that isn't static and isn't just for a white audience's gaze.
Took my son to see I Love Boosters last weekend and was able to model this. I invited him (didn't drag him) because it was just the two of us home for the weekend, told him about how wild Sorry To Bother You was and got him intrigued
Jennifer Finch - L7 - 1992 (photo by Pat Graham)
one of my favorite photos of a bass player, hell of any musician, ever. Rest well, Ms. Finch.

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Excerpt from Lou Sullivan's FTM newsletter, December 1990.
the age old debate, does a word rhyme with itself?
Children would be so jealous if they knew how many stickers we have in dive bar bathrooms
“A good question is very hard to answer. The better the question the harder the answer. There is no answer at all to a very good question.” - Flann O’Brien, At Swim-Two-Birds
Audre Lorde, A Burst Of Light

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a balloon for a blunderbuss by alastair reid, illustrated by bob gill, 1961 via childrensbookclub
Fighting Dogs - The Price Of Grain (Poison Girls cover)
Wanna hear a Poison Girls cover done in a borderline-stadium-crust-style from the early 00's? Probably not, but I finally found this mp3 in my archives and this band was pretty important for me for a couple years, so here you go...
Maybe... can have shit in Detroit?
Historic wild rice restoration begins in Detroit River as tribal partners work to bring back sacred grain that disappeared from ancestral wa
[“Securing and preparing food, ensuring it’s safe to eat, being emotionally supportive, being considerate of other people’s complex needs, transporting people, being patient, and finding ways to laugh, be affectionate, have desire, cry, hug, and hold all take immense time and effort. So does navigating the information, bureaucracies, institutions, laws, and rules that regulate our bodies, relationships, and health.
Too many men with influence and power are willfully ignorant about what it takes to keep people alive and well, from the cradle to the grave. They know so little about the intense attention, emotional labor, mental load, and physical demands required to tend to other people, to bodies and their sustenance and well-being.
Because men buffered from intense care demands still make up the vast majority of our political leaders, senior corporate executives, and economists, care demands are chronically undervalued and misunderstood in resilience agendas. Instead, by unspoken and exploitative consensus, mothers, nurses, teachers, health aides, and other people who quietly do the messy work of caring are supposed to do it selflessly, ideally without complaining. At least half of the country genuinely believes women should sacrifice themselves to this crackpot scheme. Worse, as countless internet armchair experts are keen on perpetually and ridiculously pointing out, if women pay a personal price, so be it, because men go to war.
A powerful undercurrent of resilience today is a cultural hostility that maintains that if clamorous women want equality, then we must earn it on preexisting terms and by the standards men have always been held to. Women should sacrifice and be dedicated and ruthless if they intend to compete with men for jobs, money, and influence. Instead of protesting stubborn norms and resisting systemic inequalities, women—in the conventional mold of hardy and resilient men—are supposed to work hard, all the time, and be optimistic, gritty, and grateful.
In the face of obstacles, successful women and good girls know how to take control and turn challenges into opportunities; transform themselves and take a seat at the table. Resilience here is a therapeutic and decidedly capitalist self-management, which would include demonstrating the strength to recognize, for example, sexism as a problem, but to persevere, nonetheless. The Lean In, Confidence Code, and Girl Boss movements of the past ten years aren’t feminist as much as they are expressions of resilience along these lines.”]
soraya chemaly, from the resilience myth: new thinking on grit, strength, and growth after trauma, 2024

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The Bridge (1898)
by Edwin Austin Abbey
Zilphia Horton (1910 – 1956) musician, community organizer, educator, Civil Rights activist, folklorist, and best known for her work with her husband Myles Horton at the Highlander Folk School.