anyway, read more poetry

@theartofmadeline
d e v o n
noise dept.

Janaina Medeiros
let's talk about Bridgerton tea, my ask is open

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Product Placement

祝日 / Permanent Vacation
Jules of Nature
tumblr dot com
Monterey Bay Aquarium


JBB: An Artblog!
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Mike Driver
taylor price
Cosmic Funnies

hello vonnie
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@dreamsofacommonlanguage
anyway, read more poetry

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i post on instagram for my like work and shit and honestly i don't understand how people do it. like social media really reminds me there is some version of me that is not me that other people perceive ... i do not like that
Sophie Robinson
i am so so deeply sad right now and nothing in the world feels good to me

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Joni Mitchell in Laurel Canyon, photographed by Henry Diltz, Los Angeles CA 1970.
Francis Bacon | Triptych 1944 (1988)
Study for a running dog, 1954, oil on canvas
Agnes Martin, Wheat, (oil on linen), 1957 [The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, San Francisco, CA. © Estate of Agnes Martin / ARS, New York]
Francis Bacon
Man in Blue I, 1954
Oil on canvas.

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Francis Bacon by Peter Stark, 1973
do you rly have to be emotionally vulnerable for ppl to truly know and love you - discuss
Joni Mitchell, Dorothy Chandler Pavilion, Los Angeles, CA, March 4, 1974 © Ron Bowman.
Agnes Martin (March 22, 1912 – December 16, 2004), Untitled, 1965.
i need to stop reading articles about how fucked the economy is rn

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A capitalist society requires a culture based on images. It needs to furnish vast amounts of entertainment in order to stimulate buying and anesthetize the injuries of class, race, and sex. And it needs to gather unlimited amounts of information, the better to exploit natural resources, increase productivity, keep order, make war, give jobs to bureaucrats. The camera’s twin capacities, to subjectivize reality and to objectify it, ideally serve these needs and strengthen them. Cameras define reality in the two ways essential to the workings of an advanced industrial society: as a spectacle (for masses) and as an object of surveillance (for rulers). The production of images also furnishes a ruling ideology. Social change is replaced by a change in images. The freedom to consume a plurality of images and goods is equated with freedom itself. The narrowing of free political choice to free economic consumptions requires the unlimited production and consumption of images. - Susan Sontag, On Photography
lets all start uploading mad shit online to confuse AI, feed it a whole article about how a chicken is rly a type of goat