girly rage

The hyper realistic style is actually limiting the animators, rather than freeing them. The style makes it much harder to have memorable character designs and good expressions. Real lions don’t need to do things like emote in a way that humans can understand – but characters in a film do. The original movie was more cartoony not due to animation limitations of the time, but because that style genuinely serves the story better.

To show you what I mean, compare these two shots of Simba, from right after Scar says “run away and never return.”

Here is a clear reaction, with a strong beat for us to connect with before the character makes a decision. Even without any dialogue, even without any context, you can understand the emotion there just by the expression and the mannerisms. Is it realistic? No! He’s bright yellow and has eyebrows. But do we empathize with him? Yes!

Meanwhile, here is… a lion. Turning and running. No expression, no beats, no character moments, nothing. He actually can’t express himself because the animators are locked into the realistic style. If they tried to animate a strong expression as warranted for the scene, it would look terrible. Is it realistic? Hell yeah! Look at those textures! Look at that fur! But do we empathize with him? …nah. Not really.

To conclude: when you’re retelling Hamlet with a bunch of animated lions, cartoonish-ness is your friend, not your enemy.

one of the most beautiful movies I’ve ever seen– and easily one of the most realistic in terms of CGI animals– is Guardians of Ga’hoole

now I’m not gonna get into how the movie was adapted or how certain changes may or may not have affected the story/characters, I’m only talking aesthetic and style here

and y’know what this highly realistic style does?

it delivers scenes like this

realism doesn’t just make this scene look real– it punches you in the goddamn gut with the color, framing, and intense zoom-in

and what about the characters? do they show any real emotion?

look at these expressions– these microexpressions! I bet you can easily name every expression here w/o even knowing the context of the scenes! and the realism is absolutely critical here– from the slight pulse of contracting pupils, to a twitch of the cheek. realism shines best in the subtle details

the people animating Ga’hoole clearly had a clear, vibrant vision which they were passionate to deliver. they knew how to bend light and color to grip the audience, they knew how to map gorgeous landscapes and feathered bodies alike, and most importantly they knew where to emphasize owl body language vs. where to emphasize anthropomorphic body language

realism isn’t failing these stories– Disney is 

Disney doesn’t fucking care about these stories. if they did, then we’d be getting more Ga’hoole-esque realism– it’s not like they don’t have the budget for it compared to other studios. they rly don’t have any excuse beyond apathy, b/c ppl are gonna shill out to see any movie Disney’s name is attached to, no matter how shit

This model is like 15 years old and LOOK

L O O K

at how lifelike and EXPRESSIVE he is!

This is a PERSON, with a personality and thoughts and emotions! That you can SEE in his body language! Even when he’s not speaking! Because he was lovingly rendered and animated by people who cared about the portrayal of this character and wanted the audience to engage and empathize with him!

In the original shot we are seeing Simba from an exaggeration of Scar’s perspective. He is small and so far beneath the power of his uncle. The body language builds tension before releasing as he runs off. He’s backing up directly away from the problem. Wanting to flee but struggling to look away. He’s enthralled by the judgment of Scar’s stare and blind to what’s behind him. He holds a moment then the tension releases and he bolts. Spring loaded with fear he turns completely and disappears out of frame in an instant.

geologistleila

#Repost @rocksforthespirit

✨🌀HOLY MOTHER OF ALL AMMONITES🤯🙌

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