The Vagabond - A Fate RPG Playbook
I am working on a book where I apply powered by the apocalypse playbooks to fate core. The setting is Fantasy Wild West. I love in and I hope you do too. This is one of the playbooks. Behold, The Vagabond!

shark vs the universe
DEAR READER
Lint Roller? I Barely Know Her
Misplaced Lens Cap

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taylor price
styofa doing anything

Discoholic šŖ©

izzy's playlists!
Acquired Stardust
Peter Solarz

Andulka
Sade Olutola
we're not kids anymore.

oozey mess
AnasAbdin
Game of Thrones Daily
Cosmic Funnies
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ē„ę„ / Permanent Vacation
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@drabble-roll-repeat
The Vagabond - A Fate RPG Playbook
I am working on a book where I apply powered by the apocalypse playbooks to fate core. The setting is Fantasy Wild West. I love in and I hope you do too. This is one of the playbooks. Behold, The Vagabond!

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Just A Train Job
Just a Train Job
Hook
The Commonwealth Rail line runs from Plessy in the south to Sarklund in the northwest. To get there, it travels through the Badlands, past the Devilās Teeth, and along the Forgotten Shores. The inaugural voyage has just begun but the Dashnel Brotherās gang has their eyes on the mysterious cargo the train is rumored to be carrying. The PCs have been hired to provide extra security by the nervous Mister Brown. The train is 15 cars long.
Twist
The Dashnel gang have disconnected the barracks car and loaded almost all the passengers into another car and disconnected that one, too. Youāve got to catch the train on horseback while Lily Dashnell shoots at you!
Parts of the Voyage
Plessy
Town made of Wood and dust
Sunken Market
Cliffside view of the ocean of blood
Badlands
Whipping Winds: Stay standing (+3)
Yellow grasses and loose sand
Tall, four legged creatures tower in the distance
Craggy rock
Devilās Teeth
Dark Tunnel: LOOK OUT! (+4)
huge white granite rocks cut into strange shapes
Occasional minor earthquakes
Irregular ash pours up from the granite randomly
Forgotten Shores
Uneven track: Stay standing (+3)
Frozen Mountain with polished metal parts rises from the water
a huge metal structure that looks like a noose for a giant
Blinking light from the top of the mountain
Sarkland
Densely packed buildings built up the hills
Buildings made of scrap and wood
Hive of human activity
Progression
Each car is made of 3 zones. Players may always attempt to climb over the cars but Lily will take shots at them the whole time. That means that the big battle takes place over 9 zones. Lily can shoot from one end to the other. Show them that they can take cover by having the ruffians take cover. During the battle in the Cargo car, the doors are open on either side. Thus, people can be kicked off the train to plummet down the mountain below.
Luxury car: The train is barreling down the track at full steam! Board the train safely (+3) then, unlock the luxury car door (+4) or climb above (Lily is posted above and will shoot, warning the gang members!). Once inside, this area is a staging area.
Fancy Chandelier
Fallen Chairs
Whoās Here?
2 ruffians arguing (one has a rusty old revolver)
Dining car: defuse a hostage situation! The train is passing the Badlands where Whipping winds (+3) threaten to knock anything off the train.
Wine and Spirits (flammable!)
Heavy Tables (Cover)
Overhead Lights
Whoās Here?
5 ruffians talking (one has a shiny revolver:DR1)
Ashlyn Mitchell (held hostage)
Cargo car: The cargo car is dark and extra dangerous. It's also filled with enemies! During this time, the train goes through the Devil's Teeth. Every two turns, the train is plunged into darkness for a turn. If trying to get there from above, they have to Look out! (+4) for the dark tunnel that will kill them.
Broken boxes
Loose Luggage
Whoās Here?
3 ruffians (one has a shotgun:DR3)
Abraham Dashnel
3 Passenger cars: The big set piece battle! The heroes must fend off the gang members while being beset by the uneven track (+3) of the Forgotten Shores and their opponents.
Open Doors
Barricade of Luggage (+4)
Scared Bystanders
Whoās Here?
5 ruffians talking (three have a shiny revolver:DR1)
Marcus Dashnel
Lily Dashnel
Devon Stewart (terrified)
Vault car & Caboose: Marcus Dashnel and his gang have been defeated but the train is damaged and will derail into Sorkland if it isn't stopped! The train is out of control due to the throttle being broken off.
Flaring boiler
Throttle repair (+5)
Next hook: after being rewarded a windfall of cash, the nervous Mr Brown asks for help. He has a stake in a town that could really use people with moral characterā¦
The Safe
The Safe is a huge vault bolted to the train.
The vault is Superb (+5)
Inside is a pallet of 100,000 Dollars
Cast
Dashnel Brothers Gang
Marcus Dashnel, Leader of the gang
A 5' 1" tall, red-brown skinned man with neutral, light brown eyes, small ears, a round chin, thick eyebrows and a stubby nose. He has straight, brown hair, wears fashionable clothes.
Eagle-eyed leader
Quick to anger
My pappyās Shotgun
+5: Sight
+4: Brawn, Quick
+3: Brains, Charm, Cash
Mook Shield: Whenever you are attacked, you can spend a fate point to divert the attack to nearby filler enemies.
Kaboom! When you use my pappy's shotgun on all opponents in your zone you get weapon: 3
Double tap: You may make an attack at Weapon: 4 with a +2 but must spend a turn Reloading!
[ ] [ ] [ ] [ ] [ ] [ ]
-2 Consequence Confused
-4 Consequence Drowning
-6 Consequence Fighting his own body
Lily Dashnel, The brains of the gang
A tall and heavily built, white skinned woman with watchful, blue eyes, a stubby nose and large ears. She has wavy, light brown hair, has piercings in four places, has a small welt on her left cheek, and she usually wears a traditional pair of shorts.
Ice cold sniper
Humorless narcissist
āTime to improvise!ā
+5 Sight
+4 Quick, Brains
Ninja Vanish: By spending a fate point, you can make yourself vanish from the scene entirely. Then, at the end of any later turn, you can spend another fate point to make yourself reappear anywhere in the scene and immediately attack.
My trusty rifle, single round lever-action reload, +3 DR / -1 DR (same zone)
[ ] [ ] [ ]
-4 Consequence Broken arm
Abraham Dashnel, The muscle of the gang
A tall and athletically built, white skinned man with friendly, brown eyes, large ears and a small nose. He has curly, dark brown hair, has slender hands, and a short torso and a larger-than-average waist.
Warrior poet
Bull in a china shop
+4: Brawn
+3: Sight, Quick
+2: Cool, Charm, Brains
Human Shield: When you defend with Brawn, you get Armor: 2
Freight train: If you move one zone before attacking, you get Weapon: 2
[ ] [ ] [ ] [ ] [ ] [ ]
-2 Consequence sliced neck
-4 Consequence Crippled
-6 Consequence: Failing Heart
Ruffians
Dirty, Lanky, and beady eyed thugs
+2 Brawl
+1 Sight, Cool
[ ] [ ]
Filler: For every two of them grant +1 to the group but no more than +4.
Bystanders
Devon Stewart, an engraver
A tall and slender, fair skinned person with meaningful, gray eyes, smooth cheeks and large ears. They have straight, golden-blond hair lightly streaked with shades of aquamarine, have toned legs, and strong arms, have a noticeable birthmark on their lower back, and they wear fabulous clothes.
Ashlyn Mitchell, a rancher
A 5' 8" tall, ruddy skinned woman with captivating, hazel eyes, small ears, a flat nose and small lips. She is bald, has long nails, and she wears an unsuitably-coloured foundation and thin eyeliner. She is bleeding.
.NULL_SECTOR::
I was inspired to create a single page TTRPG. It uses a very simple d6 dicepool system. I hope that people find it interesting. I'd love to keep working on it.
A ttrpg about a crew and their space ship trying to make it through the end of the week in the far future.
The Agency: 1941 - A game about fighting monsters and protecting normalcy
The Agency Victoria I. Pimentel Miguel J. Pimentel Maribel Polanco In 1867, a runaway slave, a child genius and a young heiress prevented
This is the working document for The Agency. It allows anyone to comment. Let me know what you think and what I need to work on.
I wrote a little thing to generate adventure seeds for monster of the week. I generates a vague description of a monster, some bystanders, and three locations.
Hopefully you can have fun with it and tell me what you think.

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Listen children it's story time.
Years ago, before the rain, before snow this land made a promise. It said it wasn't perfect but perfect was for suckers and progress was the way. Well, like a lantern lights the way, the land it lied to us every day. We let the suits take charge and they charged us for the privilege of living. They chased the green paper dragon and dragged the rest of us along.
We held our signs and said our words but held our fists back to not cause trouble.
They ignored us.
We stomped our feet and yelled out loud
They ignored us.
We begged to fix it and stop the bleeding.
They ignored us.
They ignored us.
Then came the day when the ice hats went soft and the water came crashing with their markets. Then came the hard days of hunger and hardship for you and me but not them.
They ignored us.
When they ran out of blood to pull from the ground they looked around and found the mess they made.
That's when they looked at us.
They said it was our fault. They did it for us.
Then the hyenas fought over the scraps left and threw their nuclear rocks and death machines
And we bled in their fight.
We bled and broke and battered each other for flags and feelings and fear of the other.
That was when we found our voice. That was when we found our fists, they were in our hands the whole time. We clenched those fists and used those hands and snatched away a place of our own.
We gave birth to this city through nuclear fire and human blood. We built, brick by brick on the bloated remains of the cities left behind. We did this. We made this.
But now the vampire vultures come to violate our votive against the violence. They think thoughts of money and machines. They want to stick a flag in the ground and claim what is ours.
The feds and their secrets, the corps and their money, the gangs and their knives. They've got nothing on you.
Remember your hands, children. There is a fist in each one.
And turn the music up.
Permanant Record
My name was crossed out and my heart sunk. I stared at my feet and listened for my heartbeat. I heard my name and slowly raised my head. The thing beckoned to me with one of its six hands. One was still holding the pen that had sealed my fate, another was holding open the Book of Names, two others were unrolling an ancient-looking scroll and the final handheld a trumpet made of bone.
The thing was thin, skeletally so. Its six hands connected to sickly, elongated arms that led to a humanoid chest that seemed simultaneously thinner and taller than it should be. It tilted its head in a mockery of human behavior and leaned forward as I instinctively tried to appear brave. It was at least twice my height, even bent as it was. The thing's eyes were dark pits with small white lights within them. I looked away, unable to bear the cold gaze of the thing.
"Do you have anything left to be said?"
The noise seemed to drill into my brain, shaking me, and somehow hollowing me out. It unfurled 8, blood-soaked wings and the bright, burning star behind its head crackled, letting forth a lash of blinding plasma and flame. A clawed hand stroked what passes for a chin on the thing. It inhaled and the skeletal cage that passed as ribs flared forward, the screaming faces within clawing from between the blazing, white-hot ribs at something, anything that could free them from their agonies.
"I..."
I swallowed; my mouth dry as a desert at noon.
"I demand to speak to your manager."
The thing grinned.
They said that my heart stopped for twelve minutes before the doctors were able to bring me back but, they're wrong. They don't know that I was aware and between each second, lays and eternity of endless, torturous nothingness.
When I arrived home, my wife looked at me with eyes filled with joy and longing as she sat patiently at the dinner table. Seeing her pale skin and blood-red lips almost made me forget that I had just gone to her funeral.
Fate Core
So... Iāve written up about 200 stunts for The Agency (a setting that Iām working on). Editing is exhausting. If I intend to create a cohesive setting and game, Iām going to have to do the editing but itās so... time consuming. Not that Iām being super-efficient anyway. I am posting here instead of writing. I like to imagine Isaac Asimov sitting around staring at his word processor and going,Ā āwell... screw this, Iām going to listen to 90s grunge and draw pictures of cats.ā It warms my heart.

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And so, it begins.
That dream I spoke about in the last post? It's happening. I'm going north... Which sucks. I'm going to be writing and more sociable. Yay.
When i was a young robot dude on Tumblr, I didn't really think much about the future. I didn't have a plan. Things weren't great for a while. Then, I met my amazing wife. A lady with endless patience, fierce intellect, and a badunkadunk.
Then, I became a dad. I loved it; still do. I'm always amazed that I was allowed to raise a child. I'm even more impressed that he managed to overcome my shoddy parenting, and be such a wonderful person. Not every day was the best, but it wAs always rewarding.
Now, I'm entering a whole new stage. My boy is now an adult. They've inherited the best qualities of his mom, and avoided the worst of mine. I kept wondering, what I would do now? My kid doesn't need me. He's not a kid anymore. So. Who the heck am I?
I'm terrified. I'm excited and happy, too. I'm also incredibly scared. I have to learn to be an adult. I have to grow in a whole different way. I have to push through and reinvent myself. with this new move comes the chance the take risks and try things that I didn't think think I could before.
Anyway, this is long enough. I guess, I just wanted to shout to the world. There will probably be more information and posts down the line. I've got real, tangible projects in the works. If for some reason you chose to read all this, thank you.
I've been thinking about moving to a different state. Some of my close family members have been talking about moving and I am one of those weird people who enjoy their family.
However, thinking about this has awakened old dreams. When I was young and living in New York City, I had no knowledge of the world beyond except for what I watched on tv, in films, and read in books. At some point, I decided that I wanted to be a writer when I grew up. But, I didn't just want to be any old writer.
I wanted to buy a pick up truck and get a dog. I wanted to travel the country in my pickup, with my dog, and write fiction while arriving in small towns to help solve crimes and help people. For some reason, I imagined (in 1993 or so) that I would be writing on a typewriter and smoking out of a wooden pipe.
I would pull into a small town and park somewhere. Unload some gear and... I dunno... Put my typewriter on the floor? I didn't know much about camping. Did I think that I would sleep on the side of some random road? How on earth would I submit work to publishers? And why would anyone want a random Latino dude to show up and help them with their crimes? (Well, to help *solve* those crimes!) I can imagine someone asking me to help paint a house or lay sheetrock; not find their lost necklace from WW2.
Well, I have two words: 1980s Television.
Funny enough... The old dream is coming back and isn't as crazy today. Fancy, that?
Okay no one on Tumblr that Iāve seen has been talking about the wine and cheese thing, but that means no one is reflecting on the absolute weapons-grade hilarity of Boris Johnson trying to inchworm his way out of trouble by claiming that he didnāt know about it
Like⦠that wine and cheese party was the Downing Street works Christmas do. Not just any old social, the Christmas social. There were invitations. There was music. Every single worker in Downing Street was invited, even Debbie from accounts. People who didnāt work there but were important to the government got invited.
And Boris is therefore claiming that all his mates got together and had a party and DIDNāT INVITE HIM.
Not only that, but they deliberately kept it a secret from him, because no one wanted him there to ruin the party because no one likes him, and I justā¦
The key difference between Johnson and Trump always came down to this: Johnson wants to be liked. He genuinely does. Trump wanted to be respected and feared and obeyed, he wanted to be seen as powerful and suave and cool. But he didnāt care about how liked he was. Johnson, though, really fucking does. Heās a deeply pathetic little twat, and he wants people to like him.
So, his choices currently are
Tell everyone in the country that his own friends and coworkers actually cannot stand him, to the point that they arranged an entire Christmas party without him
Admit that he was there and immediately be hated by literally every single human being in the country, including his own voters (hello North Shropshire), because while the rest of us spent Christmas 2020 in a lockdown and unable to see each other and in many cases literally alone, him and his mates held an illegal Christmas party that the police are refusing to investigate
His popularity is now nosediving in the polls, and it really cannot be stated how much that will be burning him.
Also, pro-Brexit Tories are even pissed off with him now. Which is a bit like someone buying a cake called a pus cake with pictures of pus all over the box and a warning sign that says This Cake Contains Pus and Other Bodily Fluids, and then crying because when they tried to eat the pus cake they found it was filled with pus. But also really funny.
Anyway, Iām placing the bet now: we will see a vote of no confidence, OR heāll jump before he has to experience that (because it would kill him), and our next PM will be Rishi Sunak
And donāt forget
THEY HAD THIS PARTY IN THE HOUSE HE LIVES IN!
Heās trying to claim that all his friends and colleagues hosted a party IN THE HOUSE HE LIVES IN while he was upstairs apparently totally oblivious!
He really thinks weāre that stupid to believe that a party could be happening literally TWO FLOORS BELOW him and he not know?
Omg omg I forgot that part and you are so right
They had a secret Christmas party that was so big that they were sending out invites to non government members which they didnāt want him at, so they⦠what, had his mistress drug him with hefty amounts of antihistamines? He went out for the evening (also illegal at the time) and they partied hard on cheese and wine for precisely two hours and 46 minutes, then everyone went silent and snuck out when he came back?
A whole team of cleaners had to tiptoe about for four hours so they wouldnāt wake up the clown upstairs.
What a cover story.
This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but itās also kind of an amazing two-line poem? āHis Wife has filled his house with chintzā is a really elegant and beautiful counterbalancing of h, f, and s sounds, and āchintzā is a perfect word choice hereāsonically pleasing and good at evoking nouveau riche tackiness. And then āto keep it real I fuck him on the floorā collapses that whole mood with short percussive soundsābut itās still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8
I hate that my aesthetic sense agrees with this but everything you just said was correct
I went back to dig up this post because I was thinking about poetry.
This is one of those non-poem things that are among my favorite poems.
As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: āfuck him on the floor.ā The use of āchintzā is indeed great word choice.
Because Iām insane, decided to scan the poem:
Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.
There are further things I love about this poem, though: I like the casual connotations of ākeep it realā juxtaposed with āchintz.ā It causes me to interpret the āchintzā more strongly as meaning something fake, a facade. There is also of course the coarseness of āfuck,ā which is a contrast with āchintzā but a different kind of contrast, gutsy and carnal where āchintzā is flimsy and inanimate.
And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is āfilled with chintzāāsomething that here connotes fakeness, in contrast with ākeep it real.ā
The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wifeās marriage and domestic sphere, but the encounter itself is a taste of something āreal.ā Thatās a story, and itās just two lines.
This is EIGHTEEN SYLLABLES, yāall. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.
From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.
Kept thinking about this ever since I saw it and had to do something
there's art now
"His wife has filled his house with chintz.
To keep it real I fuck him on the floor."
I imagine a smirking fellow, tall and lightly built leaning conspiratorial to his friend across the diner table and saying the pair of lines. The first line delivered as a statement dripping with judgment. The fellow probably runs their hand along their hair as they lean back with a shrug and deliver the second line with a devilish grin. The short couplet crosses old and new, gaudy and plain, and chaste heterosexual marriage with passionate homosexual fornication. There arenāt many couplets that Iāve come across that managed to evoke so much using so few words. A masterwork of brevity that will be decompressed and analyzed in detail so that we can truly appreciate this brief string of words.
Like, Life and stuff. I guess?
1992 me: I donāt matter. Nobody cares. Kurt Cobain and Biggie Smalls know whatās up. 1997 me: WTF? WTF? WTF? 1998 me: I think I got this. 2000 me: I really, really donāt got this. 2002 me: Oh god! Oh god! Oh god! Iām going to ruin everything! 2012 me: Okay. Now, I got this. 2016 me: WTFWTFWTFWTF!?!?!? 2019 me: Australia is on fire. 2020 me: WEāRE ALL GONNA DIE! 2021 me: Well. I guess nothing matters and maybe civil war? 2025 me: Oh! Okay! Now, I get it. 2030 me: I sure miss seeing the sun. 2040 me: Living in underground bunkers sucks but, am I really ready to commit to the Uni-mind collective? 2050 me: No, Uni-mind collective. I donāt want to talk about my carās warranty! 2060: Alien Ashton Kutcher pops up on the moon and reveals that all of earth is on an intergalactic version of the showĀ āPrankād.ā We arenāt allowed to join the galactic union because weāre too entertaining.

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3 Crimes Before Breakfast
Jan Weaver wakes up to the sound of a slow, dripping. She sighs and stands up from the floor where her bed is and angrily strides to the source of the dripping. A patch in the upper corner of her window must have unsealed. For the fifth time this week, she opens the can of sealant and uses a paintbrush to apply the compound in thick strokes. Atop the sealant, she applies a thick patch made from a kind of hardening silicon. She pulls the film off the back of the patch, exposing it to the air. As the patch hardens, the dripping comes to a stop.
āWorth it,ā she whispers to herself, mostly to convince herself that itās true.
She warms up a large cup of breakfast, a kind of powdered seaweed and grasshopper dissolved in water. In other parts of the city, she is sure that there are people who could afford food with more substance but the price just isnāt worth it. The thought of eating actual animals just seems barbaric and disgusting to most people. They tend to enjoy food engineered to maximize taste and nutritional content.
Jan looked out of her window to the oceans.
The Sink is a part of the city that had long been under water. The waves and fish had reclaimed this part of the city a foot at a time over the years until it was swallowed whole. Much of the city was abandoned and ignored by people who were more serious, more realistic, and āknew better.ā A few mad individuals gathered together and worked to reinforce buildings and convert them to being able to survive the oceanās invasion. Artists, engineers, displaced workers, and refugees banded together using foraged materials and creativity to revive a whole neighborhood.
The work was slow. Tensions and scarcity of materials almost broke the ad hoc coalition again and again. Somehow, they stood against the water and then against the opportunists who would attempt to take what they had built. The Sink would hold allegiance to no one. It would be a place free to anyone who was willing to put the effort to keep it alive, and it was certainly alive. Where buildings were close to the surface, bridges and walkways were built to facilitate travel. Where the distances were further, docks were built for all manner of small water crafts. Ultimately, The Sink was a community closer than most others in the city. Itās inhabitants are proud of where they live and how they survive.
A quiet chirping alerted Jan and pulled her out of her thoughts.
She had a quartet of daemons, programs that she had designed to crawl the infonetworks and listen for interesting chatter according to a set of key terms. Pinky, Inky, Blinky, and Clyde had been wandering the networks for over two years. She regularly applied remote upgrades to the daemons so that they evaded capture. But, she was only one person while her opponents were often multinational corporations with nearly endless budgets. Mostly, her modifications had lately been based on improving their methods of avoiding detection and improving their cooperation.
Pinky and Inky had found some interesting information involving the next location of the Night Market. Blinky uncovered a secret meeting being held between Caballero Ventures and a mid-level executive from Lazarus. That means that there is either a defector or corporate espionage. She smiled and moved a small sum of manna onto the stock market to buy puts on Caballero Ventures. Though Blinky seemed pretty confident, Jan didnāt feel that she could risk manna on a call option for Lazarus Medical.
She smiled and sat back.
āPrivacy violations, insider trading, andā¦ā
A chirp interrupted her thoughts and made her chuckle. āThank you Clyde- identity theft.ā Clyde had returned with the usernames and passwords of over 247 users of several minor corporate intranets. As she looked over the list of compromised accounts, there was a name that she hadnāt heard of. It was something called āThe Agency.ā She did a couple cursory searches for information on the company but nothing came up.
A notification popped into the corner of the screen, Anacalypse wanted to meet up. Her real name was Anatoli something-or-other but sheās gone by Anacalypse since theyād met. She was an artist and activist that had a tendency to blur the two into dangerous and incredibly fun āexhibitions.ā Jan got dressed quickly and ran out of her apartment while her shoes were still untied.
She didnāt notice that the data on The Agency was carefully and completely erased from her systems.
Lighthouse photo isnāt mine. Monster is.