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These opening and closing scenes are two of the most brilliantly written scenes in Gone Girl, at least to me. I really like the idea of these scenes. I think the main idea of starting and ending the film with these scenes is to show us how different Amy Dunne is, how extreme her change is, or I should say; how her husband and all the things happening throughout the whole movie can change her tremendously. We can see in the opening scene, just like how Gillian Flynn describes it, that Amy is giving a look of alarm. That probably means that Amy is under her husband’s control, that Amy might be frightened of her husband because her husband uses her for some inappropriate purposes which makes Amy sees her husband as some kind of threat.
Then look at the closing scene where Amy gives a very different facial expression and movement compared with what she gives in the opening scene. She gives her husband a haunting smile, which means that she has changed into a kind of psychotic woman who is now no longer under her husband’s control, in fact she is the one who’s controlling. She might be a threat for her husband now, and that happens because of her husband himself, because of what he did and has done to his wife, because he didn’t treat his wife well. In other words, he has created himself a villainous wife.
Birdman (2014) dir. Alejandro González Iñárritu
I’m a soldier, man. I like guns.

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AMBUSH x Cassette Playa - Spring/Summer 2011 Collection
I just never have really been the kind of person that’s out in public being inappropriate, I guess. I like to have fun as much as the next person but I tend to do it in private and just hang out with close friends. If I’m going to go out, I’ll just do it with my really good friends.
Korea’s Special Poster for Deux Jours, Une Nuit (source)
No female directors screenwriters or cinematographers and no actors of color were nominated today like why is it even worth watching
A Clockwork Orange | 1971 | Stanley Kubrick

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Memories of Murder (Bong Joon-ho, 2003)
"I can’t remember the last time I saw an American movie where an American woman washed off blood in a shower and the blood wasn’t hers." - Haley Mlotek (requested by anonymous)
Jennifer Connelly in Requiem for a Dream (2000).

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