The Super Mario 64 title screen after changing the gameâs code to unload Marioâs mustache. (Source)

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@doubleyootoo
The Super Mario 64 title screen after changing the gameâs code to unload Marioâs mustache. (Source)

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Amazing, breathtaking, stupendous, mindblowing
straight person: but how do you Know when someone around you is gay?
me: today in yoga class our instructor said "this exercise is about being straight" and i immediately said "i've never been good at that" and only one (1) woman laughed. she had four piercings in her ears. what else do you need me to tell you
âronald reagans grave is a gender neutral bathroomâ is the most powerful sentence Iâve ever readÂ
trickle down economics

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never forget that someone at nintendo thought that it would be a great idea to make a stage in super smash bros brawl based off the 1-1 and 1-2 levels of the original super mario bros but as a desolate fucking wastelandÂ
THAT KILLCAM THO
New game cop head.
âWell cop head AND his pal mog man. Theyâll go there today.â
 - that famous tune
Thank you.
Itâs head.
hog man
Thank you.
Itâs hog.

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SOY DEFORESTATION
Most people associate soy with tofu and soy milk. However, only a small portion of soy is consumed directly by humans. In fact, most of the worldâs soy crop ends up in feed for poultry, pork, cattle and even farmed fish. The expansion of soy to feed the worldâs growing demand for meat often contributes to deforestation and the loss of other valuable ecosystems in Latin America.Â
To grow soybeans, vast expanses of land are needed. Production is overtaking huge areas in fragile ecosystems such as:
The Brazilian Cerrado (a relatively flat, mixed woodland and savannah area of central Brazil),
the Amazon,
the Chaco, and
the Atlantic Forests of South America.
This threatens wildlife and biodiversity. It also adversely affects people, the global climate, water reserves and soil quality.Â
In South America, almost 4 million hectares of forests are destroyed every year, 2.6 million of them in Brazil alone.
Limiting (or you know, completely avoiding) consumption of animal-based food products, particularly meat, is one thing people can do to help end this devastating trend.Â
GO VEGAN TODAY
i was expecting scary anti-vegan commentary but i am v happy about the fact that there is none
This is a wonderful post.
Wait werenât they her shitty parents in Matilda?
Yep! It was right after filming it, actually.
Whatâs even better is that Maras mother LOVED the book Matilda. She loved it so much that she got her daughter the part, however she died before she got to see it. Or so Mara thought. Apparently just a few weeks before she died Danny Devito went in to the hospital with a rough first edit of the movie and got to let her watch it before she passed.
more in this great twitter thread by the co-creator of Night in the Woods
[Image description: A series of tweets by Low Level Yankee Luminary, @bombsfall. They are transcribed below as text broken into paragraphs by tweet.]
We need a name for a thing Iâm about to describe. *I* need a name for it at least. Iâm sure thereâs a name for it.
Thereâs a modern (or at least louder in modern era) tendency in both fiction and the interpretation of fiction that every narrative be some sort of very specific kind of hyper-literal puzzle box that can be âsolvedâ by wiki and lore and clues
and that this is in fact the goal of fiction, to create such a thing, the raw materials for this after-the-fact puzzle solving.
All aspects of a work must be read hyper-literally so that they can all be made into puzzle pieces. Metaphors canât really exist except to further the puzzle-solving. All parts are gears, locks, or keys, essentially.
I saw someone refer to this as wiki-culture, but thatâs already a term. Itâs a good one for this, though.
There are a lot of stories that follow these assumptions that I like, btw! Not saying that itâs âlowerâ. Just that it is often assumed to be the âcorrectâ way to do or interpret narrative and that leads to very specific kinds of storytelling and story reading
The replies on this are really great on this already and Iâll RT some in a bit. First, some context:
After we released our game I was really blown away by how large the hunger was for really concrete literal explanations for things that were by design shadowy and vague and open to interpretation.
But like, not in the sense of âhey Iâm curiousâ, but âhey you left this out, when are you going to finish it or write the backstory lore etcâ
Or, for example, we spent a lot of time on in-world fiction. Stories about constellations, fairytales, religious narratives. And Iâd get emails asking if Mae was the descendant of an in-world fictional character. B/c what was the point of the in-world fiction otherwise?
The fairytales have to have a literal fact basis that directly drives the literal facts in the primary plot. They need genealogies. Birthrights. Gear A needs to turn Gear Q, etc.
And again, let me stress, thereâs nothing wrong with stories that do this kind of thing. I like a lot of them! But this mode of /analysis/ just doesnât lend itself to discussing themes, or metaphor, or subjectivity. And those are to me the most interesting parts of stories.
And it leads to seeing things that arenât written like that as incomplete or broken or full of âpointlessâ bits. Itâs like reading Watchmen and trying to figure out how Tales of the Black Freighter literally fits into the literal history of not just the world, but the main cast.
Like Ozymandius needs to be the great great grandson of the guy from Freighter, a thing that actually happened, or else itâs just a vestigial pointless frustrating addition.
When âwe built this cityâ comes on the radio on a family car trip and you know everyone else in the car is just enjoying the song but your stuck in shittily drawn ms paint cow purgatory
Dude missed the entirety of Obama. He went straight from bush to Trump, this poor man

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