Cosmic Funnies
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TVSTRANGERTHINGS

@theartofmadeline
One Nice Bug Per Day
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AnasAbdin
todays bird

Kiana Khansmith

if i look back, i am lost

祝日 / Permanent Vacation

tannertan36
occasionally subtle
Peter Solarz

Love Begins
Misplaced Lens Cap
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he wasn't even looking at me and he found me
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@dollyawesome

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Script structure isn't all about three big acts. There's more going on than all those screenwriting books are tell you -- and that's sequences.
I came across a decent screenwriting blog, www.scriptreaderpro.com. There’s actually a lot of great articles on screenwriting. It is definitely worth checking out.
Despite how much I love this website and it becoming my go-to study tool, there is one article that I have been wrestling with.
In the article above, it states that there are 5 sequences in a script. That is the 5 major plot points that we are all familiar with, plus 2 more. They way they break it down is sequences A, B, C, D, E, F, and G. Act 1 contains A and B. Act 2 contains C-F. Act 3 contains G. I understand that A, B, D, F, and G represent the 5 major plot points. So, what are C and E?
Each sequence supposedly has its own climax, hence the A, B, D, F, and G. Perhaps, C and E are the midpoints for each sequence? I’m not sure how they fit in.
All this script structure is definitely making my head hurt. I’d love to get somebody else’s thoughts on this. Is this a good way to structure a script or is it doing too much?
Any character who goes after a desire and is impeded is forced to struggle (otherwise the story is over.) And that struggle makes him change. So the ultimate goal of the dramatic code, and of the storyteller, is to present a change in a character or to illustrate why that change did not occur.
John Truby, The Anatomy of Story: 22 Steps to Becoming a Master Storyteller
John Truby explains why 3 act structure is not good to use if you're trying to write a screenplay.
First off, I really like Joh Truby. I have his book Anatomy of Story. So, when I came across this article, I had to read it. I’ve heard him say this before and he really goes in depth as to why the 3 act structure is so bad.
Now, y’all know, I love me some 3 act structure. However, after reading this, I definitely understand where John is coming from. In fact, I’ve had a breakthrough in my script this past week (HALLELUJAH!!). I was writing page after page after page. In doing so, I kept in mind the 3 act structure and how the 1st act needs to be 30pgs long. I did feel stifled trying to stick to the 30pgs and I doubt that I will.
All in all, I don’t think the 3 act structure is completely useless. It’s helpful for people like me who needs some kind of road map. Otherwise, I’ll be all over the place with my story. I think it’s good to use for organizing your story. Especially, if you are just starting out like me. Perhaps, the more scripts I write, the better I’ll get with focusing on the story and I won’t need the 3 act structure as much.
I believe the 3 act structure is good to use. Just don’t put sooooooo much emphasis on it.
When I can’t write: I want to write
When I want to write: I can’t write

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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2019 goals
“One reason we struggle with insecurity: we’re comparing our behind the scenes to everyone else’s highlight reel.”
—
Steven Furtick
I AM A SCRIPT READER!!!
A few weeks ago, I was talking about becoming a script reader and I am happy to announce, that goal has been reached. I am interning for a production company in NYC and yesterday was my first day :D
More to come on my adventures as a script reader!
SHARE THIS WITH YOUR FRIENDS AND FAMILY!
This Sundowner horse trailer with NJ plate TNP41W was seen transporting a Black man in the back on I-84.
Please share this!!!

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veggiedayz That one kid that just won’t go to sleep.
Too cute not to repost 😊
me: man i can’t wait to write this when i have free time
when i have free time:
I got free time right now. You think I'm writing? Nope
We explain script coverage headers, logline, synopsis, comments, ratings grid, and recommendation.
Hey guys,
Long time, no see. That sometimes annoying, but still really great thing keeps getting in the way. What’s it called? Oh, yea. LIFE.
Anyways, I have not given up on my goal this year of finishing my first script. In fact, I am currently saving up to enroll in the New York Film Academy’s online screenwriting workshops. They have a few courses that caught my interest.
However, in the meantime, how cool would it be to become a script reader? I need that pressure to read scripts because, quite frankly, I have zero self discipline. I always say I'm going to read more scripts, but I always get halfway through one script, get distracted, and that's the end of it.
So, I started researching script coverage just to get an idea of what is expected of a script reader. After reading the article, I think this is something I can do. Plus, reading scripts will greatly improve my screenwriting abilities.
I miss 25
Today is my birthday. I'm turning 26. I'm not excited. I'm gonna keep telling people I'm 25.
Resource Dump: Creating Characters!
Primary Characters
Your Hero: Top Ten Rules
10 Traits of a Great Protagonist
4 Steps to Creating a Truly Active Protagonist
20 Tips for Creating Relatable Protagonists
How to Center your Story
How to Create Unforgettable Protagonists
25 Things You Should Know About Protagonists
Creating Memorable Characters
Creating Strong Female Protagonists
Creating Dynamic Protagonists
How to Create Characters
Inner Dialogue - Writing Inner Character Thoughts
25 Things a Great Character Needs
5 Ways to Create 3D Characters
Secondary Characters
10 Secrets to Creating Unforgettable Supporting Characters
How to Write Effective Supporting Characters
Question to Ask (& Strengthen) Your Minor Characters
5 Tips for Developing Supporting Characters
Techniques for Creating Great Secondary Characters
5 Steps to Dazzling Minor Characters
3 Ways to Create Stupendous Supporting Characters
Creating Memorable Secondary Characters
5 Archetypes for Supporting Characters
Your Map to Creating a Memorable Minor Characters
Names
Top Ten Tips
8 Tips for Naming Characters
7 Rules of Naming Fictional Characters
Name that Character!
6 Creative Ways to Name your Character
Naming your Characters
A Guide to Naming Characters
Female: 1 | 2 | 3
Male: 1 | 2 | 3
Alien: 1 | 2 | 3 | 4 | 5
Surname: 1 | 2 | 3
Unisex: 1 | 2 | 3 | 4
Traits
List: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9
Developing Character Traits
How to Create Good Personalities for your Characters
Develop Memorable Personalities
Give your Character Personality
How to Create a Character’s Personality
How to Make Sure your Character’s Personality Shines
5 Building Blocks of your Character’s Personality
Appearance
Appearance Generator
Your Character’s Physical Appearance
How to Describe a Character’s Looks
Describing a Character’s Appearance
Character Description Resource
Examples of Physical Characteristics
Describing the Physical Attributes of your Characters
How Great Authors Describe Character Appearance
Ultimate Guide to Nailing your Character’s Appearance
Describing Clothing and Appearance
Character Appearance Help
Character Description Resource
Describing People: A Person’s Physical Appearance
Describing the Physical Attributes of Characters
Speech
Talking About your Character: Speech
Variety in Character Voices
All your Characters Talk the Same
How to Create Distinctive Character Voices
How to Create Characters Who Don’t Sound like You
The Art of Voice in Fiction
Create Varying, Yet Realistic, Speech Patterns
The Art and Craft of Dialogue
Writing Character Voice
Creating Differences in the Speech Patterns of your Characters
Style: Person and Speech
Dialects: 1 | 2 | 3 | 4 | 5 | 6
Backstory
Building Better Backstories
Basic Tips to Create Better Characters with Tragic Backstories
How to Write a Backstory
Writing Characters Using Conflict and Backstory
Backstory Description Generator
Questions to Create Character Backstory
How to Weave in Backstory to Reveal Character
Nail your Character’s Backstory
How to Write Backstory Without Putting your Reader to Sleep
How to Write a Killer Backstory
Diversity
How to Make Young Adult Fiction More Diverse
Writing People of Color
A Few Tips and Resources for Writing Characters of Colour
Writing Characters of Colour Tastefully
Writing With Colour
7 Offensive Mistakes Well-Intentioned Writers Make
Writing Characters of Colour
Describing Characters of Colour
Gender
Female: 1 | 2 | 3 | 4 | 5
Male: 1 | 2 | 3 | 4 | 5
Transgender: 1 | 2 | 3 | 4 | 5 | 6
Non-Binary: 1 | 2 | 3 | 4 | 5
Sexuality
Main Character Sexuality
On Writing LGBTQ Characters: 1 | 2
Writing Gay Characters
Guide to LGBT YA
Avoiding LGBTQ Stereotypes
Writing Bisexual Characters: 1 | 2
Writing Asexual Characters: 1 | 2
Pansexual & Demisexual Characters
How to Write Gay, Bisexual and Pansexual Characters
Introduction
Introducing a Character
Introducing your Main Character
Do’s and Don’ts for Introducing your Protagonist
First Impressions
How to Introduce a Character
How Not to Introduce a Main Character
Introducing the Protagonist
Development
Character Development
9 Ingredients of Character Development
Characterisation 1 - Character Development
How to Develop a Character for a Story
Character Development
Character Development Drives Conflict
Developing your Characters and Making them Interesting
Relationships
How to Write Strong Character Relationships
Character Relationships
3 Keys to Developing Character Relationships
The Secret Behind Great Character Relationships
3 Tips for Character Relationships
Building Believable Relationships
Sibling: 1 | 2 | 3 | 4
Platonic: 1 | 2 | 3
Romantic: 1 | 2 | 3 | 4 | 5 | 6
Strengths
Identifying your Character’s Strengths
Character Strengths and Weaknesses
Introducing the 24 Character Strengths
Character Strengths and Virtues List
Strengths and Weaknesses
A Balance of Strengths
Flaws
123 Ideas for Character Flaws
DarkWorld RPG Flaws List
Character Flaws
Ten Ugliest Character Flaws
The Four Types of Character Flaws
On Giving Flaws and Weaknesses
Character Flaw Index
Goal
Why your Character’s Goal Needs to be 1 of these 5 Things
Goals Define the Plot
Goal Setting for You and your Character
How to Explore you Character’s Motivation
4 Ways to Motivate Character and Plot
Motivation
By Genre
Fantasy: 1 | 2 | 3
Sci-Fi: 1 | 2 | 3 | 4
Romance: 1 | 2 | 3 | 4
Thrillers: 1 | 2
Horror: 1 | 2 | 3
Heroes
Your Hero: Top Ten Rules
How to Write your Own Hero Story
What Makes a Great Hero?
Creating Heroes and Heroines
Write a Story about a Hero
How to Create an Antihero that Readers Love
Heroes vs. Anti-Heroes
Create a Super Hero
How to Create a Brand New Iconic Hero or Villain
What Makes a Hero
Villains
How to Create a Credible Villain in Fiction
How to Make a Purely Evil Villain Interesting
9 Evil Examples of the Villain Archetype
How Not to Create a Villain
Creating Villains People Love to Hate
3 Techniques for Crafting a Better Villain
Basic Tips to Write Better & More Despicable Villains
Writing Tips for Creating a Complex Villain
How to Create a Great Villain
Do’s & Don’ts
Do’s and Dont’s of Writing a Good Character
How to Create a Character
Characterisation Dos and Dont’s
Female Characters of Do’s and Dont’s
Do’s and Dont’s of Dialect
Helpful Writing Blogs
fuckyeahcharacterdevelopment*
writeworld
referenceforwriters
thewritingcafe
aquestionofcharacter *
writingwithcolor
fuckyeah-char-dev
dailycharacterdevelopment
Clichés
Characters and Cliches
Top 10 Character Cliches
7 Lazy Character Cliches
10 Most Cliched Characters in Sci-Fi
Four Worst Character Cliches
Female Character Cliches
Character Cliches to Avoid
The Cliche Character Test
How Cliches Can Help You Make Great Characters
Templates
How to Create a Character Profile
Writing Character Bios
Character Sheets and Character Creation
Gender/Sexuality Generator
Extremely Detailed Character Template
Writer’s Resource: Character Template
Character Description
Currently struggling with creating characters

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Dear everyone who is currently working on a Thing, whatever that Thing may be,
Good luck with the Thing. You can do the Thing. You will do the Thing. You just have to do the Thing.
Best wishes,
Someone who is also doing a Thing
How to Write Relationships Your Readers Can Get Behind
There’s a quote from Harry Potter and the Sorcerer’s/Philosopher’s Stone that I adore:
There are some things you can’t share without ending up liking each other, and knocking out a twelve-foot mountain troll is one of them.
I think it states in simple (silly) terms a complicated truth about friendship and relationships and the moments that cement them.
Real, lasting bonds are formed by acts of support in moments of vulnerability.
The more two characters expose vulnerabilities to each other and the more they support each other in those moments, the stronger their relationship will be.
During the troll fighting incident in Harry Potter, Harry, Ron, and Hermione’s lives are all in danger (vulnerability) and they each play a role in getting one another out of danger (support.)
This example works particularly well because there’s an equilibrium of support and vulnerability. There may be a bond between two people when one person is doing all of the supporting, but it won’t be a healthy one.
Of course, moments of vulnerability don’t have to be life threatening. They can be moments of emotional vulnerability. For example, if person A performs in a dance recital for the first time ever (vulnerability) and person B comes to watch them (support).
As humans, we don’t like to expose our vulnerabilities to people with whom we don’t already have a strong bond. When starting out a relationship, these moments are usually out of the person’s control.
For example, person A walks into a crowded classroom for the first time, looking for an empty seat and person B takes pity and moves their backpack from the seat next to them onto the floor, freeing a place for person A.
After class, person B spills the entire contents of their backpack onto the floor and person A helps pick everything up.
These two moments won’t make person A and person B instantly friends. Bigger moments strength bonds quicker than smaller ones, but the more we support people and the more we expose ourselves to them, the greater our bonds grow. The stronger the bonds, the more likely we are to willingly expose our vulnerabilities to people and purposefully deepen the relationship.
If you’re writing a relationship and you want it to be something built on solid foundations that your readers can support, you’ll want to show these moments of vulnerability and support.
Start small, with moments of vulnerability that are accidental or forced. As the bonds grow stronger, let the characters purposefully initiate the moments, signaling trust and comfort in the relationship. Level One is moving a backpack and freeing up a seat. Level Ten might be fighting a mountain troll together. Level Twenty is handing someone a ticket to your first ever dance recital.
How to Manipulate This Rule to Create Complex Relationships
Just because the foundation for a relationship is there doesn’t mean the characters have to act like it is.
A perfect relationship is boring to read about. Support doesn’t have to be given or received kindly. Especially in those first stages of the relationship. Person B can be grumpy and resentful of having to give up their extra seat to person A, and they might not want to accept person A’s help when person A helps them pick up the contents of their spilled backpack. Even once a person admits to themselves that they like the other person, two people who openly care about each other can still bicker and squabble and disagree. Supporting each other when it counts in no way precludes that.
If you want to complicate the relationship even more, if you want to write about a complex, difficult relationship: have characters fail to support each other in moments. Explore the consequences of those decisions.
As for characters who would die for one another…
Your characters should all have driving motivations. The best way to build strong relationships in your writing is to show your characters supporting each other in those specific efforts.
Show moments of support that come at a cost to the person offering it. Person B goes to Person A’s dance recital, but skips out on a date to do so.
A recommendation: show the non-POV character support the POV character in a moment of vulnerability first. We’re already in the POV’s head and we’re already on their team. We still need to be convinced by the non-POV, as the author, you have to make the reader like the non-POV character before we like the relationship. A quick and easy way to do this is to have them support the character we already like.
If the relationship is more contentious at first or your story doesn’t allow for that, a second option is to have the non-POV character do/say something that the POV disagrees with, but the reader knows is right. it will not only be a point in favor of the non-POV character, but it will show the reader that a relationship with the non-POV will be good for the POV.