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@disappointedpeaches
Not book smart or street smart but a secret third thing.

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unpopular opinion probably but I actually like that ao3 doesnât let people take back their kudos.
unlike social media platforms (which ao3 is not) where people unlike stuff whenever they think or find out the original postersâ moral compass doesnât perfectly align with their ownâs or whatever, and âlikesâ can be taken back at any time, ao3 treats kudos as something sacred. once you give it, itâs the authorâs to keep forever.
Best part is if someone deletes their account, the kudos remains, and it just gets swapped over to a guest kudos instead. The body is gone but the love remains.
Write that long fic. Those two plot points and a fetish will make a great 5+1. It'll be the best oneshot you ever wrote.
Unfriendly reminder that if you're displeased with a piece of fanfiction your courses of action are:
Read something else
Bitch PRIVATELY to friends
Write your own take on the premise (strongly recommend!)
All of the above
Under no circumstances should you try to "politely" critique the author who put the story up as a hobby. For free. Especially if the story in question is multiple years old. Ao3 is not Goodreads
the final rule of being a sports fan is BELIEVE IN MIRACLES

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heyyy! iâm trying to get more into writing and i was just wondering if you had any tips on writing dialogue? i feel my strength lies in descriptive writing, and i always kinda fall short when it comes to dialogue so any advice is greatly appreciated.
also i saw u mentioned Fleabag in another question you answered and omg i love that show so much. itâs incredible!!!
Oh, that's a good question!! I love writing dialogue far more than descriptive prose because I feel like English is such a uniquely great language for it. Everything flows so well, and dialogue feels sooo snappy in English (in my humble opinion).
My biggest technical piece of advice would be this: contrary to popular opinion, dialogue is just as susceptible to good and bad pacing as any other part of your story.
If a conversation is flowing quickly and your characters are bantering or flirting, I think you should cut everything around it down to a minimum. Not so much that it becomes difficult to tell who's speaking - although, if you're really, really skilled at character voice, your readers should be able to tell even without dialogue tags - but don't overcomplicate it.
I use he says a lot, which is often considered bad style, but I actually think it's one of the most invisible dialogue tags you can use. If every line comes with a highly descriptive, specific dialogue tag, your brain automatically latches onto it, and you get pulled out of the conversation much more quickly. For dialogue to flow well, everything surrounding it has to fade into the background.
I studied a lot of drama at university, and I also love reading screenplays because they put dialogue front and centre. If you struggle with writing dialogue, I'd really recommend looking up the screenplays of your favourite films and simply reading them like you would a novel. In my opinion, it's one of the best ways to strip dialogue down to its essentials.
Content-wise, every conversation your characters have should lead somewhere.
Banter often feels like it's just pointless waffling, but I actually think the mark of a great writer is making it feel as though the characters are simply talking without any particular purpose, while you're steering the conversation the entire time.
Every single sentence should either reveal something about a character or deepen the dynamic between the people involved. You should never give your reader the feeling that you're wasting their time. They should never finish a scene thinking, "Well... that was pointless. What did that actually reveal?"
I hope this helped! Of course, this is only what works for me and what I personally enjoy in dialogue, but maybe you can take something from it for your own writing. <3
And yes, aaaah!! I think Fleabag is unmatched in regard to dialogue, oh my god!!! Such an amazing show.
just two idiots obsessed with each other
feeling very weirdly inspired by zero cycle - any tips on how to start writing fics? :)
UH, that makes me super happy to hear! I genuinely think writing fanfic is one of the best ways to get started with writing in general.
My biggest tips are:
Outline and plot before you write:Â With fanfic especially, many writers - particularly when they're just starting out - make the mistake of letting themselves be guided entirely by inspiration. Unfortunately, if you want to write something even a little longer, that's probably the worst thing you can do. Inspiration will leave you about 20% of the way in, and then you're left with an unplanned fic and no idea how to salvage it. That's why I love outlining before I start writing. Not only does it help me find my way once I'm actually writing it, but it also lets me know, before I've even written a single word, whether this fic has any real longevity or whether it's just something I'm momentarily obsessed with.
Write every day: You don't have to write much, but I do think it's crucial - especially when you're just starting out - to build a routine. If you only ever sit down to write when inspiration strikes, or after you've done absolutely everything else and writing has fallen to the bottom of your priority list, you risk never getting to it at all. Writing needs attention, and it thrives on good habits. It is a very, very jealous profession.
Read a lot: Whether it's fanfic or books, there is no writing without reading. Whenever I feel burnt out or like I've run out of words, I sit down with a book and make myself read. You'll notice that other people's words have a way of jumpstarting your own mind. They get the words flowing again and help you find your way back into your groove.
Those are the three biggest pieces of advice I'd give to someone who's just starting out. I know they can sound a little daunting because I take writing very seriously, but if you want to take writing seriously too, these are the things I've learned over the course of a decade of doing it.
I sat in a dry ass lecture and had a vision: yuri landoscar
thatâs it, thatâs the vision

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f1academy: An honour to welcome Malala Yousafzai, @.nobelprize laureate and global advocate for girlsâ education and womenâs rights, to the #F1ACADEMY grid alongside our Managing Director, Susie Wolff
#supporting your husbandâs art dreamstat // dreamlou
MICHĂLE MOUTON [b. June 23th 1951]
âSuddenly I was in the best team with a new car and [with] the best driver in the world Hannu Mikola - so what do you do? I just to fight, and that is what I did.â - Michèle Mouton, 2014.
"Only in rallying is there a superwoman, Michele Mouton from France. It's unbelievable how she does it." - Niki Lauda, 1982
I KNOW they haunt each other at night.
imagine this how franchaela reunion happens in s5. francesca dancing w a suitor and michaela unexpectedly makes eye contact w her. oughhhhh

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MICHĂLE MOUTON at the 1984 AUSTIN ROVER RALLYSPRINT [x]
MICHĂLE MOUTON staring down some men at the 1981 RALLYE SANREMO
My brother introduced me to rallying through her! đĽşđŤś