Olivia Scott Welch as Heather Nill in Panic (season 1)
I'd rather be in outer space 🛸
Sade Olutola
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Cosmic Funnies

if i look back, i am lost
Claire Keane

Andulka
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art blog(derogatory)
Misplaced Lens Cap

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Jules of Nature
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he wasn't even looking at me and he found me
"I'm Dorothy Gale from Kansas"
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@dghtrofcain
Olivia Scott Welch as Heather Nill in Panic (season 1)

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FRESH (2022) dir. Mimi Cave
You know… Mom, sometimes I think that there are a million strangers out there who love me more than you ever did. Daisy Jones in Daisy Jones & The Six (2023)
sebastian stan + long hair side profile
SEBASTIAN STAN LOS ANGELES TIMES | 2017

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Sebastian❤️
big fan of when stuff is the color green
date a selkie, but don’t hide her cloak. let her go home and visit her family now and then, knowing that she’ll come back and hang her seal cloak in the closet like she always does. trust is important.
The first time she lets the redhead take her home, she’s diligent about hiding her cloak. She folds it carefully against tears and rips and abrasions, and hides it in a sea cave whose entrance is concealed by the tide.
She does the same, the second and third and fourth times, careful, wary, mindful of her mother’s lessons. Remembers the way her mother’s hands had chafed on her soft cheeks, rough with cooking and cleaning for her fisherman husband, the way her mother’s peat-dark eyes had been tense and harsh with the lesson.
“Mind me, daughter. Never let them find your cloak.”
The way her mother’s mouth had curved, a sickle of dissatisfaction and relief and envy, as she had escaped into the waves.
So she minds her mother’s lesson, and she takes care with her cloak.
Would that she had taken as much care with her heart.
The fifth time, she wears the cloak to the girl’s door, clutched about her throat, dripping along the darkened lanes.
She enters the home, welcomed with soft kisses and gentle touches and kindling passion. She drapes the cloak, artful in her carelessness, across an old wooden chair, the one that creaks and tilts slightly if you don’t sit just right.
When she wakes, in the wee hours of the morning, even before her lover, the cloak still rests, supple and dappled by the sea, on the back of the chair.
She frowns into the softening dawn, dons the cloak, and returns to the sea.
And again, the sixth time. And the seventh.
The eighth time, she finally breaks, prickling and hurt with longing, gripping a handful of russet hair in her hand, firm with emphasis.
“Surely you know what I am,” she says to her lover, the cool froth of sea foam and the call of gulls curling around her voice.
“Of course,” her lover responds, soft and tender in the dawnlight, throat arched willingly, pale as the inner whorls of a shell. “You taste of the sea,” the girl whispers, reverently.
She shakes her lover’s head gently, fingers tangled still in russet locks. “Why?” she demands. “Why won’t you keep me?”
A long silence that waits and fills, like a tidepool, stretches between them. Cool as a current. Deep as the Channel.
Her lover’s eyes are dark and tender. “Must I trap you to keep you, my heart? Is that the shape of love that you desire?”
She sinks into the thought, struck and stymied, remembering her mother’s harsh hands, her cold eyes. Her hand eases into russet waves, caresses where her grip had punished. Her lips press cool and damp as the sea against the arching curve of her lover’s shoulder. “What shape of love will you give to me?”
The answer is easy, quick, certain. “Myself. Only myself, whenever you should wish it. Your cloak by the door, your body in my bed, and the freedom to go, whenever you must. As long as you wish.”
It’s not an answer a fisherman could ever give, nor would think to.
The ninth time, she hangs her cloak by the door, draped in careful dappled folds next to a drying oilskin jacket.
Gordon Parks, Untitled, Shady Grove, Alabama, 1956
How will you / have you prepare(d) for your death?
I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him. I kiss him.
— Chen Chen, "a small book of questions: chapter iii," Your Emergency Contact Has Experienced an Emergency

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What I Might Do by Ben Pearce
I hate and love. And why, perhaps you’ll ask. I don’t know: but I feel, and I’m tormented.
Catullus, from Love-Hate (via polinomial)
Dear Hollywood:
I am tired of your fairytale bullshit.
Give me the stories that end without happiness, the ones where the hero succumbs to the bribe and the throne is taken over by sadistic killers. Give me heroes I would be afraid to run into in an alleyway – the ruthless, blood thirsty ones who care for nothing but death and destruction. Give me stories where the lines of good and evil are so far blurred that I don’t know who to root for. Give me stories where the underdog loses and the good king falls to his knees.
Tell me the tales of the enemies that are unstoppable, the ones who will stop for nothing and no one. Give me monsters that have no weaknesses. Give me giants that pick their teeth with the bones of kings and witches that will turn you into ash. Tell me of the farm boys who die with a sword buried in their bellies and an unanswered prayer on their lips. Give me priests that dance with the devil.
Remind me of the stories of forgotten gods. But don’t forget to tell me of the times when the gods became so enraged that they tore the heavens apart to remind the boneless creatures below who was in charge. Give me heroes who dared to look a god in the eye and stand in their way. Tell me of the men on the front lines, forced to play a part in the reckless war. Give me the stories of the men who died first and tell me of the women who fought by their side.
Give me women who want adventure and find it without the need of a savior. Give me ruthless women kings. Give me men who refuse to bow down to a woman and let me watch them get their lungs ripped out. Give me women who harness their sex and remain on top. Tell the stories of women who are not fueled by love, beauty or wealth but by simple power. Women who are sharper with their tongue then with a sword. Give me women who care not about love, tell me the stories of the men who fall in love with these women and then let me watch the women leave them behind.
Tell me the stories of people of colour who have no need for a white savior. Tell me of the times they ruled with an iron fist and a gentle heart. Show me that black does not mean evil. Give me good men who wear black as dark as the night, let me watch the terrible foes dance around in white as pure as snow. Let me watch as their blood stains the ivory.
Show me that sometimes farm boys rescue princes and simple maidens rescue princesses. Give me a princess that fights for her right to marry who she loves and then show me two queens. Prove to me that if one king is so great, that two must be even better.
Give me stories of men and women who choose to defy the odds and die. Tell me of the adventures that got everyone killed. Tell me the stories of collateral damage – of the people who choose to hide in their houses until the dawn breaks. Tell me of a ruler who would fight for their people, and the people who would sacrifice their ruler.
Give me something different.
Saison Marguerite's "How d'you say She claims to be from France (though it's rumoured she's really from Montreal, Canada) Saison is a student at Overland Park High School.
i came into this world covered in someone else blood and screaming and lemme tell you i’m not afraid to leave it the same way

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Shot You Down by Florrie