Gerda Wegener (Danish, 1886 - 1940) - The cigarette
Cosimo Galluzzi
$LAYYYTER
macklin celebrini has autism

Kiana Khansmith

blake kathryn
Jules of Nature
Xuebing Du

❣ Chile in a Photography ❣

roma★
Cosmic Funnies
Show & Tell

Andulka
I'd rather be in outer space 🛸

Origami Around
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
h

Product Placement
seen from Italy

seen from Singapore

seen from France

seen from Finland
seen from United States
seen from Austria
seen from China

seen from United States
seen from United Kingdom

seen from Germany
seen from United States
seen from Bulgaria
seen from United States
seen from United States

seen from Austria
seen from United States
seen from United States
seen from Venezuela
seen from United Kingdom
seen from United States
@demonandthesnake
Gerda Wegener (Danish, 1886 - 1940) - The cigarette

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Kazuo Kamimura
Igor Volos Sundive 1998
For the record, OP appears to be thinking of the Canon a 2 cancrizans from J.S. Bach’s Musical Offering. It’s written out as a single melody that can be played forwards, backwards, and the forwards and backwards versions can be played simultaneously in counterpoint with one another.
Either that, or they’re thinking of “Jumping Queen” by Beethoven.
apartment squatted by a group of punks in East Berlin. 1982 by Ilse Ruppert

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Via amandapourlesintimes
the most important virtues for the young woman are as follows: time theft, selfishness, orgasms, irreverence to authority, sacrilegious behavior, a questioning mind, and eating regular meals.
Karen Dalton | Reason To Believe
Maximo Ramos (1880-1944), ''La Esfera'', #835, 1930

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
It all comes back. Perhaps it is difficult to see the value in having one’s self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up announced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange juice and listening to Les Paul and Mary Ford and their echoes sing “How High the Moon” on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could even improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
Joan Didion · “On Keeping a Notebook.” Slouching Towards Bethlehem (1968)
...speaking of "nests" 🖤
A Cat and a Chaffinch, 1885 Bruno Liljefors
vivienne maricevic in photography annual 1984
Ursula Wirtz, Trauma and Beyond: The Mystery of Transformation

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming