The Text Is Dead. Long Live The Text.

Plot Like A Eunuch Fuck Like A Emperor

when the grumpy one is soft for the sunshine one 🌞 🥰 and the sunshine one doesn't appreciate that kind of condescension from someone who holds everyone else in the world to rigorous intellectual scrutiny 👀🔥👀 and the grumpy one low key thinks the sunshine one is a lil morally bankrupt and self obsessed for maintaining the facade even when acknowledgment of struggle and negativity is necessary for constructive change 🤭 😌 and they get divorced. they get divorced. 🧑‍⚖️❌

What is this thing

californians, consider calling your state assemblymembers in order to object to the current budget proposal stripping Medi-Cal (our Medicaid) from asylees and refugee applicants except in emergencies. also, they’re agreeing to reduce the asset limit for many Medi-Cal recipients back to $2000. That number means that the maximum amount a Medi-Cal recipient who is aged, blind, or disabled can have in the bank at any time is $2000. That figure is obscenely low, and it’s actually lower by about fifty bucks than the amount they’re allowed to get each month in income.* if enacted this policy change will vastly hurt thousands of seniors and disabled people and i’m not kidding. please speak up if you can.

edward likes taking bella to the meadow because she gets eaten up by mosquitos who then become flying little snackies that edward doubles back for. edward leaps about the meadow snatching them up like a bass jumping from a lake

jesusfuckingchrist

tits mcgrits, that’s an eerie shot.

i’m not going to call myself “the friend who’s too woke” or hedge around my opinion because this is my deeply considered belief: horror literature is the theater of disgust, and the disgust that drives the vast, vast majority of classic horror media from the 1890s-1940s—dracula, jekyll and hyde, king kong, nosferatu, the mummy, universal frankenstein, the wolf man, cthulhu, and more—is the exact disgust that drove the worldwide tide of violence in the 1930s and 40s, a tide that has never fully receded, and you have NO business adapting a piece of classic horror media if you aren’t willing to put in the work to identify what is portrayed as disgusting in that property and enter into some form of dialogue with it. if you don’t want your movie to be “about” race or class or gender or sexuality or ability, you’re free to choose a source material that isn’t already about that, but unluckily for you giant hypersexual apes do not exist in a vacuum

you shouldnt have to pay for the dentist. the dentist should pay me for satsifying their weird fetish