I wanted this to be a st. George and the dragon style fjord vs ukatoa thing but this guy is too small so he’s just a minion ol’ snake-y sent Fjord’s way.
★

@theartofmadeline

ellievsbear


Kiana Khansmith
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
Fai_Ryy
YOU ARE THE REASON
Keni
Game of Thrones Daily

Game Changer & Make Some Noise
occasionally subtle
d e v o n
I'd rather be in outer space 🛸
Phantogram Three
One Nice Bug Per Day
taylor price

tannertan36
seen from Brazil
seen from United States
seen from Kazakhstan

seen from Australia

seen from United States
seen from United States
seen from Bangladesh
seen from United States
seen from Singapore
seen from United States
seen from United States
seen from United States

seen from United Kingdom

seen from Malaysia

seen from United States
seen from Brazil
seen from T1
seen from Croatia
seen from Canada

seen from United States
@deadpandragon
I wanted this to be a st. George and the dragon style fjord vs ukatoa thing but this guy is too small so he’s just a minion ol’ snake-y sent Fjord’s way.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
legend of vox machina text posts; percy de rolo edition
I couldn’t resist @murraybaeman’s vision and I just… drew the Fathers at fjorester’s wedding |D
Original here.
hello may i interest you in an Essek Thelyss in these trying times? 🤲
i was just thinking yesterday about how in d&d actual play a lot of the times the heroes are simply going to win. like there’s no other option. obviously it’s a journey to get there and sometimes there can be losses along the way (ex: molly), but the heroes are kind of on a very pre-destined path of victory. the path to victory isn’t pre-determined, which is what makes it interesting to watch, but still. it’s just very, very unlikely in the kind of broadcasted actual plays that i watch/listen to that a DM would ever go through with a TPK. which i am very happy with because on the whole i don’t think i want to see a TPK play out in my actual plays. BUT. the idea of a calamity campaign has me so excited because of the sort of counterpart idea of all these characters being destined to fail and destined to perish. the calamity was a long, long time ago and it can’t be stopped. i really love the idea that we’re going back in time within the world as observers, happy to see a new story, but without much of a way to change the ending. i’m so hyped for this.
“This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it. It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst. It is the story of the end of an age.”
- MATTHEW STOVER, REVENGE OF THE SITH NOVEL

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
hey gurl sick ink
darling, take off the mask 🥀
Recent Critical Role fan art!
This is SO controversial to say but... Fjord's narrative does actually hold incredible meaning if he is a cis man. The idea that his narrative is inherently enhanced or made better by him being trans, actually says that his narrative is lesser or diminished if he is cis—and his narrative is not lesser that way. These are different stories, one not better than the other. Fjord's story taken as a cis man unpacking his relationship with masculinity is already at its best as that specific kind of story.
There is a wide gap between "I interpret Fjord as trans" and "the story is better / improved / enhanced if he's trans". These are very different sentiments, and I am very specifically talking about the latter.
Fjord taken as a cis man unpacking his complicated relationship with masculinity, understanding what is and is not valuable in the masculinity he inherited, is incredibly meaningful as is. We cannot ask cis men examine their relationship to their gender, particularly in the course of ultimately rejecting toxic masculinity, then imply such a story is lesser because they are not trans. This is self-defeating, devaluing work undertaken, and signaling that this work belongs only to trans narrative. It's implying that interrogating toxic masculinity isn't AS meaningful if you're not trans.
(Frankly, the idea that cis men unpacking masculinity is lesser is uncomfortably too compatible with awful radfem and TERF rhetoric that men are forever incapable of unpacking masculinity because they are stained by it, that they can never decouple themselves from harmful masculinity, but this post is too long to discuss such.)
I understand the desire for trans narrative, but I feel "this specific story is inherently better if trans" lacks nuance because it starts at the idea that a story about cis masculinity, even one unpacked to reject harmful ideals and to embrace healthier masculinity, is lesser.
Fjord's narrative is not diminished if he is cis. A narrative where he is understanding his masculinity and relationship to himself as a cis man is meaningful, important, and nuanced. Frankly, it cannot be improved in that regard—only made different.
There is incredible, significant, specific poignancy if Fjord is a cis man. That narrative is already at its best as that specific story, and it is actually integral to that specific narrative that he would be cis. In fact, there is specificity in narrative between being a cis man versus a trans man. These are radically different stories, and there IS something if Fjord is cis that can never be achieved by his being trans as vice versa. These narratives are not interchangeable—to act like they are waters down queer experience and narrative. Cis men DO have stories and experiences unique to them.
(Also, Fjord's narrative is significantly about the relationship between race, class, and masculinity. This is often overlooked.)
The story would not be improved or enhanced, only different. This does actually matter. Again: vast difference between "I interpret—" and "It improves—". I'm talking about the latter.
I feel we need to stop saying that cis men unpacking toxic masculinity is not good enough, that we need to stop implying that stories about cis men undertaking that work is lesser.
We cannot want narratives about cis men rejecting toxic masculinity and embracing healthier cis masculinity, then turn around and say that this PRECISE narrative is automatically lesser for the fact that it is about specifically cis men. We need to stop saying or implying that these stories are diminished for being about cis men if we ever want to see stories about healthy cis masculinity.
percy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Lingering nightmares
Guess who’s pumped for the critical role animated series! This gal!! Aww yiss! I haven’t drawn the ship of ships in so long <3 <3
I am LOSING IT YALL
he didn’t expect that
so this is how it went right

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
If it gets what it wants, I don’t think much of Percy will be left.
—
No Mercy Percy! I finished TLOVM without knowing anything about c1 and I just loved it, especially all the reveals about Percy and Orthax—so I brought back the textured brush! I love painting in this style, I should really do it more. This painting was such a blast! (Hehe)
The Legend of Vox Machina + Troubled Birds