Daydreamer

For anyone who hasn't seen them before, Hidden Search Operators are handy tricks you can use when you're either searching or filtering AO3.

summary: string is a generic way of explaining that you can search AO3 for a specific word that appears in a summary. You can do this from the search bar in the header, from the Any Field box at the top of the Advanced Search form, or from the Search Within Results box at the bottom of the filter menu.

Examples:

summary: Bruce

summary: "Bruce Banner"

summary: Bruce OR summary: Banner OR summary: Hulk

You need to put quotation marks around your search term if it is more than one word. The quotes make sure that the site searches for those two words together.

The other two operators listed work best in the Search Within Results box.

expected_number_of_chapters: 1 will return results where every fic has only 1 chapter currently posted.

You can use expected_number_of_chapters: -1 if you want results where every fic has more than 1 chapter currently posted.

I saw your tags @jackdaw-sprite and I figured I could offer you some help? You've got a few options to find fics that are actually about your fave who is often sidelined.

My own personal go-to is to use the Search Within Results filter. You can find the filters by clicking/tapping on any tag. If you're on a wide screen like a laptop, they'll be on the right hand side of the screen. If you're on a narrow screen like a phone, you'll need to press the Filters button at the top of the page to open up the menu.

In that menu, scroll down until you're near the bottom. That's where you can find the box labelled Search Within Results. In that box, you can type

summary: Renhardt OR summary: Rendog

When you filter for that result, you'll get 19 fics with that name mentioned in the summary, and if the name is in the summary you've got MUCH higher chances of them being central to the fic.

There's also a way to find fics with a tag in the X position. Fan coders have had this same issue, and so they've created userscripts that you can add to your web browser (like an extension). Here are a few that might be helpful for you to try:

AO3 Actually Relevant Characters - Sorts and highlights works based on how relevant the tagged character seems in the work's tags and summary.

AO3: Prioritise my Faves - Hide work if chosen tags are late in sequence, or if blacklisted tags are early

AO3 Secondary Character & Pairing Filter - Replaces works with placeholder if the tags you want aren't the first few tags, with option to show work.

Editing to add: this version of the post has a syntax error in it. To remove oneshots with a filter, use

“people who can afford homes —“ are typically 400-600k in debt for them. also if “can own your own home” is your threshold for the rich you are contemplating eating, i think you are genuinely stupid

It pisses me off cause I've seen authors abandoned or delete their fics because of this.

You're getting fanfics for FREE! No one asked for your opinion.

I hope y'all know as authors we get email notifications when you comment so we see EVERY comment that's been left.

really makes you wonder why they're so shocked about sex tourism, like of course you can do depraved shit you're waving money (valuable money too) in front of poor imperialised people. it's almost less empathetic to be shocked by it than to understand why it's such a common thing.

and the attitude that tourists get like "oh everyone's just after my money" and paranoia around getting robbed like of fucking course people want your money you're wearing a luxury watch in front of subsistence fishermen, you're showing off how much money you have even just as a regular citizen of empire to people who'll not only never see a cent of it, but who actively are exploited to make your country rich.

One- Your characters can be bad people, they can do bad things. There doesn't have to be a reason or a moral. You can make them bad if you want to. No other reason needed.

Two- it doesn't have to be good, it just needs to be written. On my last book i literally wrote the words "dumbest version" on the top of the page because I had seen some advice to do that. It changed everything. I stopped trying to make it perfect, I just tried to make it. Period. Full stop. You can edit bad writing. You can't edit a blank page.

Twilight was a minor when he was scouted by WISE. They knew he was a minor; they were able to blackmail him because he was impersonating someone else and they knew that. They impressed upon him straight away that his work will preserve the tenuous peace between Ostania and Westalis, and his work directly impacts the continuation of that peace. They put that weight on him, straight away, as an impressionable young man, little more than a child.

Now fully grown, we can see how that pressure invades every part of Twilight’s psyche; every action, every choice he makes is given over-inflated importance because of the years and years and *years* of conditioning he has been given by WISE, Handler in particular, who as nice a person as she has seemed at times, relished in ripping Twilight’s psyche apart and building him into a tool for Westalis’s use.

This gets even darker when we look at Twilight’s relationships. I’d be comfortable speculating that Twilight has never had a relationship other than those he needed to have for a mission. In other words, relationships he was coerced into having by his employer. Coerced as in forced. Forced as in not his choice. I feel like I need to underline this point because I have seen takes blaming Twilight for tricking the women he had relationships with, as if these relationships were wholly his idea. He was told to find a wife and child at the beginning of Operation Strix with the usual ‘the world will blow up if you don’t succeed Twilight’ bs, so it’s way more likely he was told to forge relationships with women close to particular targets, and he was emotionally blackmailed with the ‘for the mission’ mantra that they bred into him as a weakness. In my opinion, WISE have acted very similar to traffickers when it comes to blithely commanding Twilight to share intimacy with women for their own benefit.

So what does that do to a person, when every instance of intimacy, of romance, of closeness with the opposite sex, has been for false reasons? What does it do to a person when every relationship you’ve ever had is not by your own choice, and on top of that you were told to ‘love’ this person and make it convincing otherwise oopsie, we might get into a war again, kids are going to be orphaned or die and it’s all your fault!

I don’t know whether it’s because Twilight is a man or what but most people can recognise that what Garden did to Yor is deeply unethical at best, and they only required her to kill; not torture, not lie to, not steal from, not have sex with, just kill her targets. Twilight is required to do all the above by WISE, and from the time he was a minor or close to a minor as well, but people don’t seem to recognise the deep harm he has suffered at the hands of WISE.

I have a theory that this is because we don’t see what Westalis is like currently and we only have Handler as a representative of Westalis, the majority of the audience take what she says at face value because they, like Twilight, trust her implicitly. I’d say this is a wildly incorrect reading simply because everyone reading this manga should understand the real-world parallels of Spy x Family enough to realise that WISE is the CIA. And like the CIA or really any covert operation operating in foreign territory, world peace is not a priority, the furthering of their own country’s interests is the priority.

The only reason why WISE and Ostania have their interests aligned *now* is because Westalis and Ostania both have governments that want peace. Operation Strix is basically a play at undermining a sovereign nation changing governments to one that doesn’t align with Westalis’s interests at this time, which is incredibly problematic even if the (stated) intention of preserving world peace is a good one. It’s completely in the realm of possibility that if Westalis’s government changes and their interests change, they can command Twilight and the other operatives to foment unrest and undermine the current Ostanian government, because that’s exactly what the CIA did in many parts of the world in the time period Spy X Family is set. We’re supposed to know this and distrust WISE accordingly. And when we distrust WISE we can see the cruel evil with which they have treated Twilight.

The majority of the projects I am asked to beta include blind characters who cover their eyes. Modern characters wear sunglasses. Other characters wear blindfolds for older settings. The story usually justifies the decision in some way, but I always ask: why?

I also neglected to include this in my post on Things I Want to See More of / Less of in Blind Characters. I don’t think I considered it at the time. However, unlike my post on blind seers, I think this trope actually causes some harm in subtle ways and I usually encourage avoiding it. I’ll discuss why in this post.

What’s Wrong With Blind Characters Covering Their Eyes?

Keep in mind that blind characters are not so common. Because they aren’t very common and because not everyone in your audience knows a blind person in real life, the way the character is represented could lead audiences to believe that is how blind people are. This, coupled with a general lack of information given in everyday life, allows writers or artists to unintentionally influence how real life blind people are perceived.

Sure, blind people create blind characters as well. However, we don’t usually get as much exposure or opportunities. We could be held back by other barriers, such as poverty. This means it can be hard to counteract tropes we don’t like or that activity harm us.

Blind characters covering their eyes is potentially harmful for a few reasons.

One reason is that it is assumed that all blind people always cover their eyes. This means that in real life, blind people are not as easily recognized even when they have a cane. The white cane is supposed to be what alerts others that a person is blind. Instead, people get confused about why a blind person isn’t wearing sunglasses if they’re blind. This leads to unnecessary explanations, lost time, refusal to help, and sometimes hostility. Wearing sunglasses helps some blind people communicate blindness more easily. They may feel forced to adopt the stereotype.

Another reason is that it unknowingly touches on the pressure some blind people face to cover their eyes. This could be because they are self-conscious about them or because of pressure to make other people feel more comfortable. This pressure could originate from the way their eyes look or move, or even due to lack of eye contact. Sometimes, stories present these ideas as normal for blind people, which increases the idea that blind people should be ashamed of their eyes or that they should prioritize the comfort of others for something superficial.

Where Did the Stereotype Come From?

While I am not sure about the exact origins, the stereotype probably comes from a few sources: shorthand symbolism and abled actors playing blind characters.

-Shorthand symbolism could be used in art or plays to indicate a character’s blindness.

-Because films and shows are so popular and more easily consumed, audiences are more often exposed to blind people on the screen. Actors who aren’t blind often wear sunglasses to make them appear blind to audiences who would perceive eye movements as breaking character. The actors in live-action material often wear sunglasses to hide their eyes. Why blind actors aren’t hired initially is another story.

This page discusses the sunglasses trope in films.

-Some blind people who wear sunglasses for any reason may also simply be more recognizable as a blind person as opposed to blind people who don’t wear sunglasses. This means others may not be aware that blind who don’t wear dark sunglasses exist.

The Sunglasses Stereotype

I should mention here that blind people are simultaneously expected to wear sunglasses as a signifier of blindness while also accused of faking for wearing them. The rationale is the idea that blind people can’t see the sun and therefore would never need sunglasses. This, of course, depends on the stereotypes that all blind people are totally blind, which is not true. Most sources I have found over my time writing this blog state that less than 10 to 15% of blind people are totally blind, which means about 85 to 90% of blind people have light perception or some residual vision.

When Should Our Characters Wear Sunglasses or a Blindfold?

Many writers have characters cover their eyes because it feels right. Some assume the character would feel uncomfortable with the way their eyes look and that they prefer to hide them. In order to write this trope well, you must understand your reason behind it.

Let’s examine why blind people wear sunglasses in real life. This page is a good one to read and was very helpful in constructing this post.

Light sensitivity, or photophobia, occurs when people have sensitivity to light, usually sunlight. Blind people can also expirience this.

Sunglasses are used to shield their eyes from the sun when outdoors and from big windows when indoors. Some sources state synthetic lighting is not usually an issue and others state some people may want to wear their sunglasses indoors.

For characters who aren’t modern, the equivalent of sunglasses would probably be a blindfold or eye patch.

Blind people like fashion just as the next person. They might enjoy wearing sunglasses occasionally. However, they don’t wear them all the time.

Blind people might also want to protect their eyes from dust or injury, whether they can see or not. This can be accomplished with sunglasses or regular glasses.

How Do We Write Blind Characters Covering Their Eyes Respectfully?

This is one of those tropes I prefer people avoid. I say “avoid” because I want to come across it less which means way less people need to use it.

Think about why you want your blind character to cover their eyes.

Is it because it simply feels right to you? Is it because you believe it will help audiences understand or accept that your character is blind? Is it because you can’t imagine your character any other way? Is it because your feel deep down that your character’s eyes would make other characters uncomfortable?

Think about where this idea comes from and whether you really want to use it.

If you have decided it makes sense for your character to cover their eyes, here are some tips for you to do it well.

1. If they use sunglasses for fashion, have the blind character go without the accessory periodically throughout the story. Consider avoiding them covering their eyes when they are first introduced, as first impressions can be memorable. Your blind character should not be the only one who happens to wear sunglasses as part of their style.

2. If they are sensitive to light, do research on photophobia. Consider where the character is when covering their eyes. Do they mostly wear sunglasses outside and near big windows? Do screens bother them? Make it clear in the story.

3. I always suggest having more than one blind character in a story. This is important for moments such as this. Having a blind character who doesn’t cover their eyes shows that not all blind people cover their eyes. This, in addition to a writer understanding exactly why their character covers their eyes, will help immensely.

This trope is a problem when no reference to the alternative is made, usually because the writer doesn’t understand what they’re writing about. They haven’t considered the reasons blind people cover their eyes and therefore aren’t aware that not all blind people do so. Having more than one blind character in the story shows more than one experience, including covering or not covering eyes. Showing different experiences eliminates the idea that blind people “just do” certain things. It makes people think.

If you want audiences to think, you first need to ask: why?

When writing marginalized characters, remember that their marginalization decreases the amount of accurate information available about them. Audiences don’t have as many resources to check. They may even lack the inclination to do so at all. This could be because of a desire to maintain biases or simply because they don’t consider blind people much outside of entertainment or pity. Surprisingly, some people are even actively resistant or hostile to the idea of taking time to learn about the experiences of blind people.

This means your story could be more impactful than you realize.