she is so unbelievably real
AnasAbdin
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trying on a metaphor

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@datashade
she is so unbelievably real

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staff member getting dunked on by one of their favorite bands you love to see it
i think its funny that the average american has no clue how hormones work so now we have fully grown men convinced that testosterone is like an attack stat in dota 2
Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.
While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.
On some of the uncredited dialogue and story revisions for Star Wars:
On some of her work in Star Wars:
On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:
On her uncredited work in The Empire Strikes Back:
On how her input changed the ending of Raiders of the Lost Ark:
On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:
On editing the climactic ending in the Throne Room in ROTJ:
shipping a consensual, safe & sane pairing all the while i'm shaking my head in disapproval so the audience knows i still love wildly toxic abusive fictional dynamics

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I need to keep making these
ENRICHMENT
I’m sorry I’m trying to read the subtitles.

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we should be [legally regulating] people
can you fucking imagine being 71 years old and a lifelong crazy and depressed person with daily suicide ideation and a doctor comes along and says actually you have really bad allergies and a condition where theres not enough blood in your brain,. take these pills. and you feel normal for the first time in your life.
this is not going to happen to me because usually when i go to a doctor i say "i have ingrown toenail can i get a podiatry referral please" and the doctor looks at my toe and says "no you dont its just an infection, but heres your stupid referral" and i show up at podiatry and he says "you have an ingrown toenail" and i get home and write a mychart message to the first doctor that says "turns out i had an ingrown toenail" and dont hear back
so instead i will have to do everything myself. as usual
Did Harrow use bones of the 200 dead children for necromancy?
One presumes her parents extracted all the usable thanergy to create Harrow, and I'm not sure if material that's been fully drained of thalergy and thanergy can be used by anyone short of the emperor
that post about “you get bandits when you cut soldiers loose without pay” reminds me of the Thirty Years War, because one could say that beneath all the religious schisms and diplomatic jockeying, the heart of the thirty years war was “what happens when you have a state with just enough capacity to raise massive armies but without enough financial capacity to actually pay those armies” and the answer is that the line between professional armies and roving gangs of bandits disappears and every time you try to raise an army it just becomes another independently acting wildfire devouring the countryside. No matter how bad things get, every day I wake up and thank my lucky stars that I do not live in 17th century Europe. Or 17th century China. Or the 17th century Americas. Or basically anywhere in the 17th century.
One of my favorite little anecdotes about ancient mercenaries is that it was tradition for most of history to give your mercenaries two wages- "Bread" and "Gravy." Both were set at a daily value, but where "Bread" was intended to cover regular maintenance and life stuff and therefore paid out frequently (Here's your week's meal and gear repair budget!) the "Gravy" wage was paid out exclusively at the end of the contract as one lump sum. So like, your gravy wage and bread wage might be one silver coin per day each, so you're getting a handful of coins every week to cover food, and then at the end of an 800 day campaign, you get a wheelbarrow with 800 coins.
Employers liked offering this structure because then they didn't have to like, try to guess how long the invasion of spain will take and then carry 800 coins per soldier around the battlefield where it could be captured. It also gives them the chance to budget around the assumption that they take an enemy city and *find* vast sums of treasure even if they don't have the full value at the beginning of the war.
The main flaw of this system is that it's very easy to end up in a scenario where if you have, say, 50,000 guys that have been fighting for 800 days, you now owe 40 million silver to your army, and if the budget has not worked out to a 40 million surplus, you literally can't afford to end the war, but you can probably afford to pay them for a couple more weeks. So then you have to start thinking creatively.
Anyway across all time and history a lot of generals were ultimately beaten to death by men chanting gravy.

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Same exact playbook, down to the "but it was based on a lie."