The portal-zooms of David Lynch: ERASERHEAD (1977) x MULHOLLAND DR. (2001) x BLUE VELVET (1986) x TWIN PEAKS (pilot, 1990) x DUNE (1984) x INLAND EMPIRE (2006). (That's clockwise from Top-L.)

★
ojovivo

blake kathryn
Monterey Bay Aquarium
dirt enthusiast

Andulka
occasionally subtle
Sade Olutola
One Nice Bug Per Day
I'd rather be in outer space 🛸

@theartofmadeline
Lint Roller? I Barely Know Her
h

PR's Tumblrdome
will byers stan first human second
todays bird
Sweet Seals For You, Always

Origami Around
Show & Tell

JBB: An Artblog!
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@dashboardobsessional
The portal-zooms of David Lynch: ERASERHEAD (1977) x MULHOLLAND DR. (2001) x BLUE VELVET (1986) x TWIN PEAKS (pilot, 1990) x DUNE (1984) x INLAND EMPIRE (2006). (That's clockwise from Top-L.)

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Inland Empire. 2006. David Lynch.
INLAND EMPIRE (2006) Dir. David Lynch
A Woman in Trouble
INLAND EMPIRE (2006) dir. David Lynch
INLAND EMPIRE (2006) dir. David Lynch

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David Lynch, selected paintings and lithographs.
“When I’m not painting, I’m thinking about painting.”-David
In the future, you will be dreaming, in a kind of sleep. When you open your eyes, someone familiar will be there.
Inland Empire (2006) dir. David Lynch
hitchcock found it long before. more effective as well.
Thank you Hitchcock
the most you look like a couple episode
i don't care if mondays fucked, tuesday wednesday kiss my nuts, thursday this shit fucking sucks, it's friday im in love

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sharing a very sage bit of advice from The Simpsons' own John Swartzwelder that i've been trying to hamper down in my writing and drawing alike. let your inner crappy little elf do his worst
[Image ID: Text reading: How much time and attention did you spend on these scripts? Another "Simpsons" writer once compared your scripts to finely tuned machines—if the wrong person mucked with them, the whole thing could blow up.
All of my time and all of my attention. It's the only way I know how to write, darn it. But I do have a trick that makes things easier for me. Since writing is very hard and rewriting is comparatively easy and rather fun, I always write my scripts all the way through as fast as I can, the first day, if possible, putting in crap jokes and pattern dialogue—"Homer, I don't want you to do that." "Then I won't do it." Then the next day, when I get up, the script's been written. It's lousy, but it's a script. The hard part is done. It's like a crappy little elf has snuck into my office and badly done all my work for me, and then left with a tip of his crappy hat. All I have to do from that point on is fix it. So I've taken a very hard job, writing, and turned it into an easy one, rewriting, overnight. I advise all writers to do their scripts and other writing this way. And be sure to send me a small royalty every time you do it. /End ID]
Here’s to 2023, a year of as many little courageous kindnesses as possible. ♥️
To a year of kindness in 2024
Bringing this back for 2025
prettybadco
Go forth, however slowly. ❤️

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There's something that I find equal parts hilarious and terrifying.
On one hand it is so funny watching the generation previous to mine (I was born in 84) absolutely say the most unhinged shit online, doxx themselves, and get fired, after spending my entire childhood teaching me online opsec because every stranger was a potential murderer. Social media done rotted their brains.
But on the other I'm seeing kids coming up, seeing them spew all their personals online, and using that to model their unsafe behavior and put themselves at incredible risk because the internet actually got way more dangerous than it was, ironically, when I was coming up being told I had to basically outsmart the fuckin CIA. Now the actual CIA and other bad actors (government, private, and individual) really are out there and these kids are watching fucking meemaw post a photo of the front of her house practically captioned with her fucking SSN and thinking, "yeah, sure, the adults know what's safe."
I gotta be a fuckin millennial about this and beg younger folx to listen to the VCR generation: hide yourself online. Nothing should go there you wouldn't want in the hands of the person who hates you the most.
Be safe, be smart, be a fucking ghost.
KYLE MACLACHLAN as Special Agent Dale Cooper in Twin Peaks 2.01