Oh, Vileblood.
I still have a ton of problems with coloursā¦T T
Peter Solarz
AnasAbdin
todays bird
$LAYYYTER

⣠Chile in a Photography ā£

Product Placement
Three Goblin Art

Love Begins

Origami Around
Sade Olutola
hello vonnie
styofa doing anything
trying on a metaphor
RMH
he wasn't even looking at me and he found me

romaā

oozey mess
art blog(derogatory)
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@unicorn-argent
Oh, Vileblood.
I still have a ton of problems with coloursā¦T T

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for the most part i don't really care about rpf but the parasocial misery-style insanity we've had ramping up for the last few decades means some of you treat real human beings as if they're a blorbo and you're combing canon for evidence for your specific headcanon and like these are real fucking people
like you're working on gaylor conspiracy levels
darkmoon
Imagine having a car accident and this is the guy who shows up for repair

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please i need him to die on 4th of july gaudy as fuck 'america 250' celebration that would be the funniest thing ever i wouldn't even bitch about the fireworks. i wouldn't even do that.
it s july tird
death to america
British Museum colludes with pro-Israel lobby to erase Palestine from historical exhibits āā An investigation by Middle East Eye has exposed the British Museum for covertly removing the terms āPalestine,ā āPalestinian,ā and āIsraeli occupationā from its historical displays following intensive lobbying by pro-Israel activists. Internal emails obtained via a freedom of information request reveal that the London institution rapidly altered descriptions of artifacts dating back to 7,500 BCE to appease political pressure groups, including the Board of Deputies of British Jews and high-profile figures. While museum director Nick Cullinan publicly claimed the changes were part of a standard curation refresh and backed by audience testing, the newly released disclosures confirm that no visitor research regarding the term "Palestine" was ever conducted. The internal correspondence details a frantic effort by museum staff to pacify complaints lodged between October and December 2024, with one directive explicitly ordering curators to remain hyper-conscious of the anniversary of 7 October. In one instance, a panel describing ancient rulers of āPalestinian descentā was scrubbed and changed to āCanaanite originā within five hours of receiving a complaint from the Board of Deputies. Middle East Eye cross-referenced the redacted emails to identify key lobbyists, including right-wing commentators and historians who weaponized access to the museum's leadership to argue that historical references to an ancient Israelite occupation would stoke modern antisemitism. The targeted erasure has sparked a severe diplomatic and cultural backlash, with Palestinian Ambassador to the UK Husam Zumlot accusing the public institution of betraying its historical integrity to serve political ends. Cultural figures and human rights defenders have condemned the museum for complicity in what the United Nations classifies as an ongoing genocide in Gaza, noting that the bureaucratic deletion of Palestinian history in London directly mirrors the physical destruction of heritage sites on the ground. Despite photographic evidence showing that references to "modern Palestine" were replaced with "Gaza and the West Bank" at gallery entrances, the British Museum has refused to answer specific inquiries, issuing a blanket denial to Middle East Eye that any erasure took place.
I bought my copy of The Joy of Cooking in the late 90s--it was a new print at the time, but the latest copyright in it is 1975, so it has a noticeable amount of old culture holdovers.
and...just...
Our Friend the Zoo Sandwich is getting notes again

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Oh, Vileblood.
I still have a ton of problems with coloursā¦T T
Sleeping Solaire
Random thing for people to consider is that since Laika is the saint of one way trips should Felicette be known as the saint of safe landings since she did make it back to the ground safely
tu LANCES fƩlicette ? tu lances son corps comme la fusƩe ? oh ! oh ! prison pour les scientifiques ! prison pour les scientifiques pendant Un Mille Ans !
You can understand the French perfectly fine with only context but the English translation I got still had me floored
"it's ok to show (x) in fiction as long as the bad guy gets punished!" the bad guy doesn't have to get punished. in fact the bad guy can win altogether. the bad guy can entirely get away with it. hope this helps
and this part might make some people's head explode but: characters can be written to forgive things you personally wouldn't ever forgive. not everything is written as what you'd perceive to be the right choice. not everything is a self-insert & protagonists don't have to be relatable.

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Trouble in Knossos.
don't forget to pre-order spore coming september 7 2008