GREGORY CREWDSON, Untitled, 1998-2002, Digital C-print, Image size: 48 x 60 in. © Gregory Crewdson @crewdsonstudio
todays bird

⁂
Not today Justin
DEAR READER
Stranger Things
I'd rather be in outer space 🛸
Cosimo Galluzzi
🪼
Keni

祝日 / Permanent Vacation
hello vonnie

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
macklin celebrini has autism
he wasn't even looking at me and he found me
Three Goblin Art

shark vs the universe
2025 on Tumblr: Trends That Defined the Year

PR's Tumblrdome
seen from Jordan

seen from Bolivia
seen from Maldives
seen from Iraq
seen from South Korea
seen from Tunisia

seen from United Kingdom
seen from Russia
seen from Tunisia
seen from Kazakhstan
seen from Ecuador
seen from Pakistan

seen from Germany
seen from United States

seen from United Kingdom

seen from United States
seen from Türkiye
seen from Belarus
seen from Saudi Arabia
seen from United States
@dannyfariiia
GREGORY CREWDSON, Untitled, 1998-2002, Digital C-print, Image size: 48 x 60 in. © Gregory Crewdson @crewdsonstudio

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ilê Sartuzi, to vanish, 23 May — 30 July, 2026 Madrid, Galeria Pedro Cera
淵上 直斗 Naoto Fuchigami @naoto_fuchigami_
ℏ - triple particle / interaction #2 455×455×25mm Silicon wafer, epoxy resin, wooden panel 2026
ℏ- observed パネル、半導体、樹脂 500×727×30mm 2023
ℏ- particle / decay 2024 Panel, epoxy resin, silicon wafer 530×530×30mm
ℏ - particle / decay #2 パネル、半導体、エポキシ樹脂 455×455×30mm 2024
Studio Iron by Isamaya ffrench @saatchiyates, XANAX TRIPTYCH, ON DISPLAY AT SAATCHI GALLERY CURATED BY ISAMAYA FFRENCH FOR STUDIO IRON, LEATHER ON BIRCH PLYWOOD, 225 X 174 CM.
Kingsley Ifill (kingsleyifill.com), ‘Floating on the Silence’, 2023 Acrylic on linen in aluminium frame 43.5 x 32.5cm / 17 1/4 x 12 1/2 in
Part of ‘Hyperborea’ group exhibition at @hallen_kunstfestival opening this week in Berlin curated by @schatzshelly.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Łukasz Stokłosa, Schloss Charlottenburg 2017, oil on canvas 50x60cm
Fuga, from the Fall series, Resistance of Fog: Fujiko Nakaya installation view in the Contemporary Art Gallery, Art Tower Mito (2018). Photo by Shintaro Yamanaka (Qsyum!); courtesy of Contemporary Art Center, Art Tower Mito
Robert Rauschenberg, Untitled (Interior of an Old Carriage), 1949 | Gelatin silver print, 10 1/8 × 9 5/8 in | 25.7 × 24.4 cm. Robert Rauschenberg Foundation, New York.
Rose König (@youremykiller), THE CLOSEST THAT WHAT YOU WANT, Photo transfer on canvas, 80x80 cm, 12 mugshots of Gucci Mane and grasse landscape.
Yan Pei-Ming, Wild Game: The Way of The Crocodiles, © Yan Pei-Ming, ADAGP, Paris, 2019

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ambera Wellmann, Clay Pigeon, 2016 [1. Clay Pigeon 26" x 27" Oil on Wood | 2. Clay Pigeon II 26" x 27" Oil on Wood]
MR⬤ 0001 WELCOMING SPRING 0:52:17
Jack Butcher, ’Self Checkout’, Art Basel Miami, 12 4-7 2025
Sean Weisgerber, In the Red (March 2-17, 2016), acrylic on linen, 56 x 35 inches, 2016.
"This painting turns the receipts for its own creation into the artwork itself, exposing the economic realities behind artistic production. Referencing the common financial idiom “in the red” and Baldessari’s “A Painting That Is Its Own Documentation”, it merges self-reference with financial critique. " via: @seanweisgerber
Anna Clegg, Untitled, 2024 oil on canvas, 30 × 35 × 4 cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ludwig Moser, 1833 – 1916
MONTY RICHTHOFEN @monty.unlimited