Danica's Writing

as 

while 

when,

whilst

 even as

 just as

 just when

 simultaneously as

 so long as

 at the moment that

 at the same time that at the time that

 in the act of

 in the process of 

on the point of

during the time that

 at the same time as

 during the time

 throughout the time

 in the time

 during which

 during which time

for the period that

 at the same time

 meanwhile

 at the time

 as long as

 exactly when

 at the very moment that

at the very time that after

 as soon as

 immediately when

 immediately after

instantly when once

looked

glanced 

gazed 

stared

gaped

peered

focused 

 peeped 

peeked

took a look

taken a look 

watched

considered 

saw 

seen

observed 

viewed

regarded

marked 

checked out

glimpsed 

spotted 

eyed 

took in 

taken 

in ogled

eyeballed 

beheld

beholden 

before

ahead

back

previously

since

sooner

afore

aforetime

ante

antecedently

anteriorly

before present

ere

fore

former

formerly

forward

gone

gone by

heretofore

in advance

in days of yore

in front

in old days

in the past

past

precendently

previous

up to now

smiled

beam

grin

laugh

smirk

simper

be gracious

express friendliness

express tenderness

look amused

look delighted

look happy

look pleased

touch

brush

caress

feel

handle

hit

kiss

lick

pat

reach

rub

strike

stroke

tap

abut

adjoin

border

communicate

contact

converge

dab

examine

finger

fondle

frisk

glance

graze

grope

inspect

join

line

manipulate

march

massage

meet

neighbor

osculate

palm

palpate

partake

paw

percuss

pet

probe

push

scrutinize

sip

smooth

suck

sweep

tag

taste

thumb

tickle

tip

toy

verge

be in contact

butt on

come together

feel up

impinge upon

lay a finger on

exhaled

breathe

emit

give off

let out

discharge

eject

emanate

evaporate

expel

issue

respire

steam

vaporize

nodded

acknowledge

bend

bow

greet

respond

salute

acquiesce

agree

approve

assent

passionate

ardent

dramatic

eager

eloquent

emotional

expressive

fervent

fierce

fiery

forceful

heartfelt

heated

impassioned

intense

poignant

spirited

strong

vehement

violent

zealous

affecting

animated

blazing

burning

deep

fervid

flaming

frenzied

glowing

headlong

high-powered

high-pressure

hot

hotblooded

impetuous

impulsive

inspiring

melodramatic

moving

precipitate

quickened

steamed up

stimulated

stirring

thrilling

warm

wild

but

although

however

nevertheless

on the other hand

still

though

yet

gasped

choke

snort

whoop

blow

convulse

gulp

heave

inhale

inspire

pant

puff

respire

sniffle

wheeze

catch one’s breath

fight for breath

frowned

glare

glower

grimace

pout

gloom

lower

sulk

cloud up

do a slow burn

give a dirty look

give the evil eye

knit brows

look black

look daggers

look stern

movement

act

action

change

development

evolution

exercise

flow

migration

move

operation

progress

shift

advance

agitation

alteration

swirled

boil

churn

roil

twirl

whirl

agitate

coil

crimp

crisp

curl

eddy

purl

roll

snake

surge

swoosh

whirlpool

whorl

got on computer, looked at document, was like “fuck this shit” and got off

wrote like 150 words that consist of bloating the existing useless conversation or scene even more

wrote SO MANY WORDS but it was because you were so desperate to escape the Bad Part

wrote SO MANY WORDS but it was because you were so desperate to get closer to the Good Part

got on your document, ran into research issue, spent like an hour on Wikipedia, ah shit

the somewhat satisfying “fixing everything I hated about the scene I wrote the day before” session

decent amount of progress that took like 3x longer than it should have because you were repeatedly distracted

In The Zone and completely absorbed, just BLAZING through a few thousand words, probably close to the ending, probably listening to playlist

Not actually a writing session, just listening to playlist

the session where you write like a paragraph, suddenly realize the unfixability of your current plot predicament, and cry

that weird session where you don’t have much time and you’re super tired and you write like a page but you reread it the next morning and holy shit these words came from the fingers of god why is it so good

that session that is purely just navigating the boring shit of getting from one scene to the next and it sucks but you leave off on the cusp of something interesting and it feels good

the satisfyingly exhausting session where you write the Good Part and you’re confident it came out pretty well and you’re full of thoughts and stuff about where things are going next but you need to let them rest

open document, spend an hour reading what you already wrote, exchange exactly one word for a synonym, close document

And even better:

open document, add one comma, close document

All your readers have different skin! That means colour and texture. Some of us have darker skin, some lighter. Some of us have spotty skin, some smooth. Please keep this in mind when writing or it becomes more oc than reader-insert. This means that not everyone tans in the sun, some people burn, some don’t react at all so please don’t make the reader have a tan when they’ve been in the sun because not everyone works that way. Another problem is that some people already describe themselves as pale, so saying ‘your (s/c) skin turned pale’ becomes laughable.

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

Same for works on AO3. Sure, maybe some of us have some old works that aren’t up to our current standards of writing. But I, personally, am never going to look at a kudos email and think “ew omg I can’t believe someone found this fic from 2016 why are they liking it”. In fact, I am entirely going to go “nice! people are still reading some of my older works too, I’m glad they enjoyed it”. It’s an archive, it is meant to be a collection of transformative works, old and new, and you are meant to find them. 

In fact, if you find a work that is from five years ago and you really liked it? I bet the author would love a comment even then.

Stories are written to be read. 

Part of why there’s sortable searches at AO3 is to let you find fics for a now-dormant fandom, fics that are no longer canon-compliant after the new episodes, fics that work with fanon tropes that are no longer popular, fics from authors who are no longer actively writing… and just fics that weren’t written recently. 

Gen refers to fic that is not focused on romance. If your fic is not a romance fic, please give it this tag.

Other refers to fic that is focused on romance, but is not specifically male/female, male/male, or female/female (like an OT3 (ship involving 3 people), a ship involving characters that are not male or female, etc). IT IS NOT FOR PLATONIC RELATIONSHIPS. IT IS FOR ROMANTIC ONES. please for the love of all that is holy do not tag your family-relationship-centered fics as “other” you are going to give people a HEART ATTACK.

“Character/Character” is for romantic pairs. “Character & Character” is for platonic relationships like friendship, family, etc. Please do not tag family-centered or adult-and-minor-centered platonic character relationships as character/character for the love of all that is holy

The E rating is for smut and literally nothing else (unless you have other unusual reasons to rate it E–I’ve seen people apply it to non-smut fics as a deterrent to keep minors away from it, but keep in mind it’ll make it so people who are trying to avoid smut will not find your fic). Your fic that has a lot of graphic violence but no sexual content does not need an E rating.

The M rating is for fics that would basically be rated R if they were movies, and may contain graphic violence, some sexual content, and generally more serious subject matter than you would typically show a teenager. However, if your fic is almost entirely smut, please just give it an E rating.

Also, when you post a fic, you WILL want to give it a rating, or else AO3 will assume you’re probably posting smut and will warn everybody who clicks on your fic that it may contain adult content. If you don’t want that on your fic that contains no adult content at all, please just give it the proper rating instead of not rating it at all.

“Creator Chose Not to Archive Warnings” means that at least one or more of the archive warnings (that is, “Major Character Death,” “Graphic Depictions of Violence,” “Rape/Non-Con,” or “Underage”) DOES apply to your story, and you’re choosing not to say which one it is. If you select this option, AO3 will put a warning on the fic that potential readers have to click through.

“No Archive Warnings Apply” means that none of the aforementioned archive warnings apply to your fic.

prewriting, for me, serves two functions: one, to stave off writer’s block and get me hyped up to write, and two, to make sure the tone of my writing stays consistent. i know we’ve all encountered that problem where we’re writing glorious purple prose, take a five minute break, and come back unable to write sentences more complex than those in a picture book. prewriting is, in essence, any refresher of your wip that you look at before you start writing. my prewriting agenda takes about 15 minutes, and it goes like this: