I finished Orb and bawled
Have my favorite baldy
Acquired Stardust
i don't do bad sauce passes
noise dept.
Keni
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver
almost home
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
Not today Justin

roma★
DEAR READER
Jules of Nature
todays bird

Show & Tell

cherry valley forever
seen from United States

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@daisyachain
I finished Orb and bawled
Have my favorite baldy

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. There is something that I do really like about a Shiraishi who, having some money and having spent ages say 18-28 variously imprisoned, can't bring himself to stay in Japan. Got a view of the wrong end of the law and of society from so many different angles before he got taken away, just for a bit, to somewhere else where he started to feel the world shift under him. Came to value Asirpa and Sugimoto as he did no one else, but he's seen something bigger and he has to go chase after that. I do like the bittersweetness of him being happy with those two and knowing he needs to go. The way it happened though
One thing about choir that it isn't known for: a lot of plausibly gay women.
Omg :') friend came to see our performance
#i drew this on the board in french and my teacher named it
gerald

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GK cover count now that I have them
4x: Sugimoto
3x: Asirpa, Tsurumi
2x: Hijikata, Kiroranke (<3), Tanigaki, Koito, Shiraishi
Bonus - 0.5x: Kirawus and Kadokura
Should have had a volume cover: Sofia, Ipopte, Wilk
Should not: Nikaidou, Boutarou
guy who enjoys german class a little too much: ancient slavs had words of power they used to shout mountains apart
girl who collects crystals: that's actually true as fuck
70 year old professor who sometimes calls students "comrade": faggotry is actually good, I don't have a problem with faggotry, Aristotle was a faggot, Caesar was a faggot...
guy behind me: YOOOOO check it out (pulls up beheading video on a chechen telegram previously unknown to mankind)
Professor: ...Galileo was a faggot, I think Napoleon was a faggot, Comrade Tito probably wasn't a faggot but...
WINCE.
Aaaaaaaa forget if I'd said it before, but Asirpa's switch here shows her starting to condescend to Kiroranke/consider herself his equal/assume some kind of power. He does owe her an explanation for the murder and she's been fully convinced by Ogata and Sugimoto at this point that he's betrayed her, it's why she spares his life—to ask!
Then in seeing his that his instinct on his deathbed is to warn her and give her real advice, she can tell that they're both wrong / same kind of thing as Ogata sussing out the fake village by seeing how the guy cried out in pain. Kiroranke's base instinct is to help :^) so she offers something in return, spares him just a moment before she lets her anger take hold, puts him at peace and eases any regrets she might have come to have. They grow up so fast (':

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Some kind of conversation happening between Kiroranke < - > Ipopte < - > Tanigaki.
Tanigaki and Kiroranke, both non-Ainu men who found commonality with Ainu culture and preferred to adopt it rather than staying in the settler culture. Tanigaki also fatally angry with him over Kiroranke and Inkarmat's feud which, butt out!
Tanigaki and Ipopte, both hunters by tradition who left their home town / abandoned their traditions and come to regret it, both half-orphans, both strained relationship with father.
Ipopte and Kiroranke, both smokin hot, one introduced as the other dies, Ipopte represents the future of assimilation that Kiroranke fears, Ipopte connected to Kiroranke's past via Wilk, Ipopte a beneficiary of Wilk's revised plan for the gold who rejects it; Kiroranke someone who was excluded from that plan but tries to execute it in some way. Fewer commonalities and connections but the design is enough to draw a line and a question mark between them.
heres the thing. i enjoy well done heavy subject matter, you can look at my track record of interests as evidence for that, but i do think writers who wont shut up about how complicated and controversial they are for including ~dark themes~ in their writing need to a christmas carol style be forced to sit down and watch all 4 seasons of 13 reasons why to see what happens if you try to incorporate a bunch of heavy stuff in your work with 0 research or regard for people affected
slight clarification: people in the tags are saying "yea there needs to be levity between heavy moments for a story to be effective", which is also very true! but not what this post is about. this post is about how if you write about abuse and murder and oppression but you dont actually know what youre talking about or have a purpose for including it beside shock value and proving how mature you are your work will read like it was written by a twelve year old
The battle on the ice field marks such a sharp split in Golden Kamuy the same way that Abashiri does. The plot pre-Abashiri is strictly prisoner-oriented, the manga spends a majority of its runtime as an episodic adventure interspersed with cooking and other cultural education.
The characters don’t move much, don’t change much, and have little light thrown on to them that would have the effect of some sort of change. Shiraishi doesn’t fully subscribe to Asirpa and Sugimoto’s plan, nor does he have any opportunity to show it until they reach Abashiri. Even the Shiraishi rescue arc is late, late in the game. The plot also ticks over at a snail’s pace; most of the arcs are about exploring areas of the island and working in different hunting and gathering techniques; it’s critical groundwork for the plot, it’s all time spent telling us what the stakes are. Everything we learn from ch1-130 is what we risk losing if Asirpa doesn’t succeed.
Abashiri generally agreed to mark a change in what the manga does and how it works. I think that poor Kiroranke’s death is the same. Kiroranke forces a change in the main characters up until that point—separates Asirpa and Sugimoto, tells us about Asirpa’s paternal heritage, gets Ogata in the battle that leaves him hallucinating, reveals Tsurumi’s backstory (unknowingly). Once he leaves the stage, the pieces have all been set up for the characters introduced early on and the focus shifts to late additions / characters who were never in the original plan.
Most of Tsurumi’s faction wait until here to get the limelight, the shift in focus has us pretty much split between Tsurumi (told through various POVs) and Asirpa as the two poles of the story. Old hands Hijikata, Tanigaki, and Ogata become secondary, new blood Vasily and Sofia become relevant, and Ienaga and Kiroranke’s deaths close together mark this as the point where the stakes for readers become real.
With so much revealed, the plot increasingly leans on character motivations for fuel; we’re not just trying to collect skins, our protagonists have now worked with and been betrayed by a number of factions, it’s a race against time to try and use whichever new people they meet and figure out who’s going to kill them! The prisoner episodes feel extraneous (gold guy and Jack the Ripper, I do not like), events become increasingly connected, almost every scene directly pushes forward the confrontation between Tsurumi and Asirpa that is to take place.
That, and the setting becomes much more modern all of a sudden; Sapporo and Hakodate are both infrastructure-focused arcs the same as Abashiri, the steamboat and train showcase the tech of the time, and we never really return to the rural settings. It fits with Tsurumi’s increased presence in the story, after all he is modern warfare, he is the future, he is the rise of fascism, but it drastically changes the feel of Golden Kamuy when we leave behind the smaller towns and villages!
All that is to say that Kiroranke doesn’t single-handedly turn the story around, it’s the Sugimoto-Asirpa reunion that is the actual plot point happening here, but it’s still as big a change as the fracturing of the fellowship at Abashiri. Specifically, Ariko’s introduction happening theeee chapter after he dies marks that shift for me. Similar design elements to keep Noda happy (beard, bulk, prominent eyebrows, cool but serious) and a totally different role—an assimilationist rather than a preservationist, a man easily swayed, someone who betrayed his people for personal reasons of comfort rather than someone who gave up comfort for his ideals. Kiroranke doesn’t just die, he puts the ideological underpinnings of the Asirpa faction at stake because they’ve lost the last person who understood Wilk’s original plan. What do we do now without our guide ? What will happen as the forces of technology and politics close in?
Koito’s backstory feeling different on a second read knowing just what he will and won’t get out of it. One. Tsurumi meets Koito and Usami both at 14. Did not register at the time that there was a 2-year time lapse from first meeting to second. Lines up on the creepy end with the transition from childhood to adulthood, the same number to target Koito ~5 years after Usami latches on to him makes it look more like a strategy. Have to ask when was Ogata recruited and how…..one imagines when he was older but who knows.
Two, very, very funny to watch Heiji saying stuff about dying for one’s country + Koito asking to be killed to make him look better. Rip Heiji went down as stupidly as you lived <3 If there’s one thing that I can say for Koito arc it’s that I really like how fearful, resentful, cautious of death he becomes. What a pity that [waves hand]
Three, tee hee, Ogata trolling the entire time. Never not picking fights with a teenager, love to see him get a bloody nose for it from a kid with his hands tied behind his back. Literally could beat him with his hands tied behind his back. Four I forgot that Kikuta was there. Identity of the second masked man unclear even if it probably is Tsukishima, since I don’t know if we ever see Kikuta speak Russian
Don’t give away your position unless something happens to Ariko in which case shoot everything and scream

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Grey day by J-Melmoth
currently explaining "chap hop" to a coworker. they weren't there. it feels like a hallucination
so back in the late 2000s/early 2010s a bunch of reddit white guys thought it would be epic and awesomesauce to tongue-in-cheekly "class up" rap music by performing as antiquated british gentlemen dandies and rapping about only the most distinguished subject matters (like the "nerdcore" craze but so much worse, genuinely) and that's how you got shit as radioactive as this
this godforsaken website is so white that i really should have foreseen real human bloggers shooting for chap hop in the big 2026