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very short one today, this is like,,, an interlude between chapters i guess, let's call it part 3.5
posting this mostly to ramble about the amalgamation of thoughts that make up this eldritch AU:
the idea is that the eldritch thing here isn't the iron lung god, or the eel, it is literally the tree that exploded out at the end of the movie
it gained consciousness/became an interdimensional eldritch being (through handwavey fuckery, idk) the moment it exploded out and it killed the eel
also healed simon,, lizard style, he obv aint human anymoe
the reason it is so fond of simon is because they fused and it gained simons memories (and most prominently of his fond and reverent memories of the tree on eden that the tree came out of)
(also of him taking care of the tree in some way, whether its tending to the soil or spilling blood to it)
somewhere in that logic this giant interdimensional plant thought "ah yes this lump of flesh gave me life and my freedom and it yearns for freedom therefore i shall search for a suitable habitat"
then it spent a few moments and an eternity scrolling through universes where it believed its charge would be happiest, found poor grace, saw the same cinematic parallels tumblr saw and said "aight thats the one"
it connected them like,,, cosmically
(not really relevant to the plot but it infected and changed grace the moment he reached back to it in his dreams to become like simon bc the lifespan difference between ryland and rocky devastates me on a daily basis)
(i don't think anyone mentioned it in the comments of part 3 (or at least i didnt see anyone mentioning it) but one of my favorite little details i added is that the tree roots gradually wrap around graces arm and around his ring finger) (hell yea, symbolism) (so i gave the other end of the tether to simon now :) )
another reason for the interlude is i realized that everything i wrote down was in graces pov so i figured id add a bit of simon before i wrap things up (even if hes unconcious)
thanks for listening to my ted talk, if anyone writes something about this begging on my knees send me a link, i find this stupid concept so interesting
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Something so insulting about your non-artist friend sending you an art tips post unprovoked with a genuine little "thought you might appreciate these :)" like, someone sent me one meant towards beginner artists about line confidence and not doing that scratchy thing and ive never gotten over it. Like do YOU think i draw like that?????
And you cant even be mad about it cuz they were just trying to be nice 😒
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I haven't seen Project Hail Mary yet but I am now reading the book and oh my God, does Andy Weir ever understand scientists. I'm at the point where Grace just figured out that he is one despite not knowing his own name, and everything about his thought process right now screams scientist.
He's puzzling out his own identity via trial and error. He's very, very observant and using every little thing as a clue. He thinks in miles, the tape measure is metric. He took the time to figure out stopwatch controls before an experiment, in the midst of an identity crisis. He knows how to improvise an experiment from really basic supplies.
As Mark Watney would say, he's sciencing the shit out of this. But Grace wouldn't say that because he has like the polar opposite of Watney's swear word vocabulary.
Also the way he just trusts the data and runs with it. He doesn't go "acceleration due to gravity can't be fifteen meters per second, that's impossible," he goes "that can't be true on Earth so I'm not on Earth."
Or it could be a centrifuge. He proceeds to spend half an hour proving it's supremely unlikely to be a centrifuge. Yeah, this man has the scientific method baked into his head.
Ohhhhhh it's the dude who wrote The Martian. I thought so but hadn't confirmed.
Yes!!! I've never even read The Martian but every time I saw stuff about it I was like "wow that is EXACTLY what my best friend (aerospace engineering degree) thinks like"
Saw this rock at the World Museum in Liverpool and thought it was very Adrian coded. Wish I’d taken a photo of its description because I can’t remember what it is
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I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.
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