Everything Everywhere All at Once (2022) dir. Daniel Kwan and Daniel Scheinert

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@craftycrab
Everything Everywhere All at Once (2022) dir. Daniel Kwan and Daniel Scheinert

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Please stop being nonbinary too. God only created one gender. You must conform to that.
THERES ONLY ONE NOW?????
The Coffeyville Daily Journal, Kansas, April 30, 1896
before neil banging out the tunes there was czar scraping the strings
"who do you self insert as when you read?"
This is me when I read:

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If you're comfortable accusing anyone of faking disability, you're not a real ally to disabled people
One time when I was a kid a group of girls and I had to treat another student for hypothermia by ourselves because she had so many invisible health issues that the adults we asked for help didn't believe us. The student in question was actively hallucinating. When I finally ran for help the people I grabbed were slow as shit to respond, casually joking about how "dramatic" the person in question was.
The kid was picked up by an ambulance 30 minutes later.
Now as an adult working in security I get SO MANY folks- upper-middle aged mostly- coming to me to 'rat out' people they think are faking it.
I was once sent into a bathroom because a client demanded that the "fucker won't get out, so go drag them out"- I was NEVER going to do that, so I did a wellness check instead. You know who it was? A person recently released from the hospital after a car accident. They had a hole in their skull and major hearing loss. They couldn't answer the owner because they couldn't HEAR the owner.
Another time about a homeless man who got around town by kicking the ground from his wheelchair. "You know he doesn't actually need that thing, his legs work fine, it's just for pity points"- Oh, so he's not paralyzed, his wheelchair is performative? Funny story Dale, I actually know that guy, he was backed over by a truck and has chronic pain from his shattered pelvis. But sure, let's make him stand up and walk everywhere so nobody feels too bad for him and tries to help him or something.
"She doesn't need that scooter, I've seen her get out of it."
"Look how fat he is, because he just rides around and refuses to get up."
"She doesn't really need that cane- she comes here without it all the time"
Sincerely, truly, from the bottom of my heart- as someone who isn't physically disabled but hears this shit all the time- fuck off
Ummm she's literally sensitive :/
with the resurgence in popularity of calvin & hobbes, Iâm so surprised no one has included this
caramel frappe give me the strength to clean my room
caramel frappe PLEASE
#this art is so evocative. it feels like a goya paintingÂ
thank you so much this is the highest compliment
OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the âpelvisâ making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.
The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.
Itâs also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.
I have a theory about the colors that Iâm not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the twoâ the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk
okay this is my favorite comment on this entire post

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ever since i was a little girl i knew i wanted to deny location sharing and turn off personalized ads and reject all non-essential cookies and not set up siri and face ID
literally tumblr
so funny to me when white american christians are like âooh i incorporate my religious trauma into my art and thats why i draw these stained glass gothic church gold multi eyed reneissance sculpture angels agnus deiâ like i know your protestant southern california ass didnt have any of that. go make some art about this
Damn way to read the assignment and go above and beyond.
the bleakness and sanitized feel of most American protestant churches really is an underused medium.
idk why tf the images were deemed to be âviolating community guidelinesâ, but hereâs what this post used to look like
visited my boyfriend's island
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
đŤś

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Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.