HOW IS MY SISTER STRAIGHT UP CARRYING A GUZHENG?????
SIS IS FUCKING BUFF

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@costco-wontons
HOW IS MY SISTER STRAIGHT UP CARRYING A GUZHENG?????
SIS IS FUCKING BUFF

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Oh easy mistake. Yearning actually rises from the floor and longing hangs from the ceiling
Behold. My pièce de résistance. Strattsune Miku.
Fascinating how what's considered feminine and what's considered masculine can change over time. The rebranding of being a horse girl into being a stereotypical feminine girly trait needs to be studied.
Look at classic children's novels. As recently as the 50s and early 60s, being obsessed with horses as a girl was depicted as strange and tomboyish, and the very concept of being obsessed with horses from early childhood and loving toy horses and desperately wanting your own horse being a "little girl thing" and not a "little boy thing" would send someone from the 1800s and earlier into a coma.
There's maybe a point to be made here somewhere about how when keeping and riding horses stopped being necessary to the functioning of society and became a more "frivolous" thing, it was rapidly rebranded as silly and girly and for women, but what do I know.
Two Women Teaching a Child to walk by Rembrandt.
Circa 1640, sketch
British Museum, London
There’s a drawing by Rembrandt, I think it’s the greatest drawing ever done. It’s in the British Museum and it’s of a family teaching a child to walk, so it’s a universal thing, everybody has experienced this or seen it happen. Everybody. I used to print out Rembrandt drawings big and give them to people and say: “If you find a better drawing send it to me. But if you find a better one it will be by Goya or Michelangelo perhaps.” But I don’t think there is one actually. It’s a magnificent drawing, magnificent.
(David Hockney)
The head donut is the baby proofing. We put rubber over sharp corners, they put a donut on the baby’s head.
The one below is from the Met and is from the early 19th century. As you can see in the drawing, the design didn’t change much from Rembrandt’s time. According to the Met, they were called bumpers or pudding caps.

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Every time I have seen Hadestown - on stage or in the movie theater - people gasp when Orpheus turns around. I just love how it's so old and yet everyone is still always hoping that this time
I literally CANNOT read the words "supine" or "prone" in anything without thinking about that post that's like "supine is when you lay on your s(u)pine and prone is when you lay on your pronis"
Viktor Lyapkalo Artwork: 'Blowing bubbles' & 'Evening' Painted 9 years apart.
Same woman
Yooo I went and looked up the Artist responsible for these masterpieces and holy shit did this guy love Big Women:
[nudity under the cut]
Lotta great comments in the Notes
🤝
im dying i completely forgot this conversation i had with a friend three years ago 😭
something i adore about hadestown is that it still meant something, y'know what i mean? like okay, no orpheus's song did not convince hades to give up his empire. hades' love for persephone isn't enough to deconstruct the machine he's built and has convinced himself that he needs in order to protect what he has. but he let them go. he saw the love eurydice and orpheus had for one another and it convinced him to let them try. orpheus may have turned around but they still walked, they almost made it. doubt set it but they were right there. that's further than anyone else can say. nobody else had made it that far. who's to say someone else can't make it a few steps further? persephone is able to leave the underworld and go home again when she needs to. spring has come again, if we're lucky autumn just might too. will this change be permanent? we don't know. but it's something. it doesn't knock down the wall but it's one brick out of it. and that means something. it wasn't all for nothing. it's a crack in the wall. there's a reason we keep singing this old song.

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oh to be kissed wetly on my bald head by andre de shields
Saw the "Hadestown" proshot currently in theatres and it's just... It's SO good. I was lucky enough to see a stage production, but not the original, and Persephone and the Fates were my favourite parts then too.
Amber Gray as Persephone is a wonder. LOVED getting to see all of her complicated facial expressions up close. Her body acting is also stunning, but you really can SEE her emotions ripping her apart inside. Brutal stuff. What a woman.
“Come home with me!”
On the road to hell there was a railroad car...
By popular demand: He eat a Wawamelon

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more benches in museums
the benches need to have backs!
I do wish we could make it a little more socially acceptable to wander the streets at night weeping inconsolably I feel like that would have a great catharsis factor for a lot of people