Outlines of two alligators that slept through the rain.
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@common-writers-fly-sometimes
Outlines of two alligators that slept through the rain.

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Things to consider when Writing about Schools/Academies!!
⊹ What is this school actually for. training mages? knights? spies? just normal education? because "prestigious academy" means nothing if you don't know what they're prestigious at
⊹ Who gets in and how. is it merit based, do you have to be rich, legacy admissions, secret tests, random selection, born with the right abilities. what happens to kids who don't make the cut
⊹ What's the age range. are these literal children or young adults or mixed ages. because a school with 11 year olds has very different problems than one with 18 year olds
⊹ How strict is it. prison vibes with tons of rules? pretty chill? different rules for different student groups (which is unfair and causes drama)?
⊹ What are the social hierarchies. obviously there are cliques but what are they based on. wealth? power level? what year you're in? family name? talent?
⊹ What happens if you fail or get expelled. are you just sent home in shame or is it worse. do people sometimes not survive the training. how often do students drop out or disappear
⊹ Who are the teachers and why are they teaching. washed up former heroes? people who never left? actually passionate educators? suspicious people using it as a cover? mix of all of them probably
⊹ What's forbidden. certain magic, certain areas of campus, relationships between students, leaving grounds, specific books/knowledge. and obviously your protagonist will break these rules
⊹ How do students get sorted/grouped. houses? teams? specializations? randomly? and do these groups have rivalries because they should
⊹ What's the curriculum actually like. is it actually useful or are they learning weird outdated stuff. are there classes that are just covers for something else. what are the hardest classes
⊹ Where is this school located. isolated castle? middle of a city? pocket dimension? floating island? does it move? can students leave or are they stuck there
⊹ What traditions does the school have. tournaments, festivals, hazing rituals (the dark kind), graduation ceremonies, weird old customs nobody questions
⊹ Is there corruption in the faculty/administration. favoritism, taking bribes, secret agendas, covering up student deaths, embezzling, working for the villain
⊹ What's the diversity situation. is it segregated somehow (by class, species, magic type)? integrated but with tension? do some groups face discrimination from staff or other students?
⊹ What happens outside of classes. clubs? underground fight rings? secret societies? banned parties? students sneaking out? romantic drama?
⊹ Why is your protagonist specifically there. chosen one nonsense? hiding from something? forced to attend? actually wants to learn? found out they have powers and got dragged there confused?
grace every time he says something stupid
They got no clue where tf they're going
I've been rotating them in my mind like a couple of pebbles in a rock tumbler. I have. So many thoughts about stan and edas relationship specifically.
Morty is so dumb that...
1. He regularly disarms Rick's neutrino bombs. The first time he did it it was completely on the fly, no prior experience. Yet, he did it.
2. He has a knack for learning alien languages... as for the tree people in the battery dimension, it was obviously done without any sort of translator or support. (And he took over as their leader)
3. He's quick on his feet and can think his way out in a stressful situation, figuring out things that Rick can't and coming up with innovative solutions.
4. He figured out how to use a portal gun.
5. He can figure out how machines he's never seen nor used before work, and employ them successfully.
6. Beat Rick (smartest man in the universe?) in a board game.
7. Can manipulate said "smartest man in the universe", if he so chooses.
8. Became a successful stock broker. Out of the blue. Just did it.
9. Run. Whole. Freaking. Civilizations (and also toppled them as Marta)
10. Pitches good ideas that Rick typically ignores
11. When suddenly becomes motivated to try, he is good at math
12. His ideas were good enough that he would have gotten a deal for a movie production...!
13. His default intelligence is maxed out.
...At this point, it's only a matter of time before he starts making his own inventions, Eyepatch-Morty-style.
GUYS.
The only reason we've been thinking that Morty is stupid is that Rick has been calling him stupid repeatedly.
Sure, Morty does plenty of dumb stuff, but so does Rick. Rick has the emotional intelligence of a four year old and throws tantrums of cosmic proportions whenever slighted (vat of acid? submit to the selfie?), while often going ahead with complicated, innovative ideas... that in reality solve nothing and are a waste of time (Pickle Rick?? Leg Rick?? Cloning his own daughter? The dumb time-loop in his own dimension? Replacing himself with a robot? Creating a robot ghost to scary Mr Poopybutthole instead of just telling him to leave??) Not to mention his many incredibly lame jokes.
Everyone does dumb stuff occasionally!!! No one is an impeccable genius of non-stop moments of brightness!! (even Eyepatch Morty, the most cautious character, the character who has made basically NO MISTAKES up to now, sounds dumb a couple of times: "I'm gonna do the thing I wanna do, with the curve thing" and "My biggest fear is other people being afraid. Of fear. Itself." lol).
If Rick hadn't been calling Morty a freaking idiot with every breath available, we wouldn't be thinking "oh look haha the moron became a stock broker, what a joke, must be some sort of fluke"; we would be thinking "what an incredibly gifted kid".
We would attribute Morty's many mistakes to lack of experience, to lack of wisdom, to youth, to enthusiasm, to idealism, to teenager hormones, to acting hastily.
We would wish to see him eventually mature, apply his time and effort to worthwhile endeavors instead (mainly) of inane teenage stuff. We would wish to see him do well in school, we would wish to see him reach his full potential and succeed in great things.
Only Rick keeps pounding our heads with how stupid Morty is, and all of Morty's successes are never mentioned again, but getting lost to oblivion in comparison to Rick's (who has 60+ years more experience) genius.
WE VIEWERS ARE BEING UNWITTINGLY MANIPULATED THE EXACT SAME WAY MORTY IS.

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there's a theme here......
you!
crabeater seal + what their teeth look like
okay have a good day
yayyy thank u
some round guys for u @i-hate-you3000
Tips for Writing Courtroom Cross-Examination!!
⊹ First: leading questions only. During cross, you can't ask "What happened next?" You ask "You were driving sixty in a thirty-five zone, correct?" Closed questions that demand yes/no answers. You're not exploring, you're CONTROLLING. Every question should contain the answer you want, forcing the witness to either agree or look evasive contradicting documented facts.
⊹ The Perry Mason moment where witnesses dramatically confess? Doesn't happen. Competent attorneys never ask questions they don't already know the answer to. Cross-examination is performance of facts you've already established through depositions, documents, and investigation. You're telling the jury a story using the hostile witness as your unwilling narrator.
⊹ Real technique: the incremental trap. You ask twenty boring questions establishing tiny facts. "You left work at five. You stopped for gas. You took Highway 40. Traffic was light." The witness agrees because these seem irrelevant. Then: "So you arrived home by 5:30." Now they're boxed in, they can't claim they arrived at 7pm without contradicting everything they just confirmed.
⊹ Objections aren't theatrical showdowns. "Objection, leading" gets a sustained or overruled from the judge in five seconds, and you move on. Lawyers who grandstand get sanctioned. The drama is in watching someone's testimony systematically dismantled through their own contradictions, not in shouting matches.
⊹ What makes cross-examination compelling is, showing the attorney's preparation. The moment they pull out the receipt that contradicts the witness's timeline. The spreadsheet demonstrating financial motive. The email they claimed didn't exist. It's intellectual combat, anticipating every escape route and methodically closing each one.
⊹ Also: witnesses can't just refuse to answer because the truth is inconvenient. "I don't recall" works maybe twice before the jury stops believing you.
A Love Letter to Every Writer who almost quit Today!
You are doing something that has no good explanation when someone asks you about it at a party. You are doing something that looks from the outside like a person sitting alone staring at a screen or a notebook and moving their lips slightly and occasionally deleting everything they just made. It does not look like much. It does not look like anything. And you have spent years trying to find the words to explain to people who will never get it why you keep coming back to this thing that pays badly and humiliates you regularly and asks everything from you and gives back something you cannot even show them properly.
And i want to tell you something. You don't owe anyone that explanation. Not ever. What you are doing is one of the most quietly radical acts a human being can perform and the fact that it doesn't look like it from the outside is part of what makes it so strange and so necessary and so yours.
Here is what you actually do. you take a human being, a real one or an imagined one, and you put them on a page, and suddenly they are alive somewhere they were never alive before. You give them a Life. You give them a specific fear. You give them the way they hold their cup when they're pretending not to be upset. You give them a mother who meant well and failed anyway. You give them a moment where they almost said the true thing and then didn't. And then someone on the other side of the world, someone you will never meet, someone living a life that looks nothing like yours, opens the page and finds that person and goes oh. Oh that's real. I know that. i thought i was the only one who knew that. and something in them that was clenched opens slightly.
That is not a small thing. that is not a hobby. that is one human consciousness reaching through time and paper and language and finding another one in the dark and saying you are not alone in this specific way that you thought was only yours.
People will tell you it doesn't matter. they will say it more politely than that, they will ask what your plan is, they will ask about the job market, they will say they could never be that creative like it's a compliment when it's actually a way of putting what you do in a box they don't have to think about anymore. And some of them genuinely cannot access what you do, they are not built for it, and that is fine, that is not a moral failing, but it means they are also genuinely unable to measure what it's worth. They are measuring silence with a ruler. They are asking how much the color blue weighs. the instrument is wrong. their inability to quantify it is not evidence that it has no value. it is evidence that value comes in more than one currency and they only learned one.
Think about the books that kept you alive. And i don't mean that metaphorically, i mean it exactly. Think about the specific book you found at the specific moment when you needed proof that someone somewhere had felt this feeling and survived it or at least felt it fully enough to write it down. Think about what it meant that someone had already been here before you. That the thing you thought was a private malfunction was actually a human condition that had been written about and wrestled with and turned into something that could live on a shelf and wait for you to need it.
Someone made that. A person, a tired person, a person with doubts and a day job and people in their life who didn't quite get it, sat down and made the thing that would one day be the thing that saved you. They had no idea you existed. They wrote it anyway. That is the covenant you are part of. That is the line you stand in.
And yes, one person reading your work and feeling less alone is enough. I know the world wants scale. I know the world wants numbers and reach and metrics and impact reports. But one person is a universe. One person's interior life is more complex than any system we have ever built. If you write something that changes the temperature inside one person's chest, that ripples. It ripples in ways you will never track and never see and never get credit for.
They will be slightly different in a conversation they have three years from now because of something you made. They will recognize something in someone they love because you taught them the word for it. They will be a little less cruel to themselves on a Wednesday in november because once they read something you wrote and it gave them permission. You will never know, but the work still did it.
Here is something else nobody says enough. You are one of the few people trying to slow time down. Everything else speeds it up. Everything else is designed to get you to the next thing faster, to skim, to scroll, to consume and move on. And you are sitting there trying to make someone stop. Trying to make someone stay inside a moment long enough to actually feel it. Trying to reconstruct the full weight of a single look between two people or the exact specific grief of a particular kind of loss or the strange comedy of being alive in a body with a brain that contradicts itself constantly. You are working against the entire direction of the culture and you are doing it one sentence at a time and that is not naive, that is not precious, that is a form of resistance that doesn't get called resistance because it's too quiet and too slow and doesn't photograph well.
You give people language for things they were living without language for. and living without language for something is a particular kind of suffering. It makes you feel crazy. It makes you feel like the thing isn't real or isn't valid or is too strange to be shared. and then someone writes the sentence that names it and suddenly it exists outside of you. Suddenly it has edges. suddenly it is a thing that can be pointed to and said yes, that, that is the thing, i thought it was only inside me. you did that. a sentence did that. Do you understand how much power that is. do you understand that naming something is one of the oldest forms of power humans have ever practiced and you do it on a page for strangers and ask nothing back.
You let people live lives they will never get to live. You let the person who never left their small town stand in a street in a city they'll never visit and feel the specific loneliness of being unknown and free all at once. You let the person who is dying live a little longer inside a character who isn't. You let the person who is afraid of their own anger follow a character who burns everything down and feel the heat of it safely from the inside. You let the person who has never been loved the way they needed to be loved read about it happening and feel it happening to them, feel it in their actual body, because the brain does not fully distinguish between a real experience and one rendered in enough detail and with enough truth. You are giving people experiences their lives didn't give them. You are expanding what it is possible for a person to feel and know and understand about being human.
You are not wasting your life. i know it can feel like that. i know there are days when the gap between what you imagined and what you made is so enormous and so humiliating that you can't see the point. i know there are years that feel like they produced nothing, years that were actually building something underground that you couldn't see yet. i know the world does a very good job of making you feel like the things it can measure are the things that matter and everything else is self-indulgence for people who couldn't hack the real thing.
that is a lie the world tells because the world is largely run by people who stopped listening to the part of themselves that needed what you make. they stopped and they built systems that reflect that stopping and now the systems say your thing has no value because the systems cannot hold your thing, cannot process it, cannot turn it into a number. that is a failure of the systems. it is not a verdict on the work.
keep writing. keep writing the hard true thing. keep writing the version nobody asked for. keep writing past the part where it's comfortable and into the part where it gets strange and specific and uncomfortably close to the real thing you were actually trying to say. keep writing for the person who needed this five years ago. keep writing for the person who needs it right now and doesn't know yet that you're making it. keep writing because you are one of the people still insisting that the interior life is worth this much attention, this much care, this much time. that insistence matters. in a world that is very loud about very little, the quiet stubborn act of trying to render human experience honestly and fully is not nothing.
it is, actually, close to everything.
Things to consider when Writing about Magic!!
⊹ How does someone get magic in the first place?? are they born with it, do they study for years, does it choose them, did they make a terrible deal with something they shouldn't have. this matters SO much for your storywhat are the limits. please give your magic limits.
⊹ What can't it do. what happens when someone pushes too far. A magic system with no consequences is so boring and also makes your plot unsolvable because why doesn't the protagonist just magic their way out of everything
⊹ Does using magic cost something? energy, years off your life, memories, sanity, blood. the more personal the cost the better honestly
⊹ How do people in your world feel about magic. Feared? Worshipped? Regulated by the government? illegal underground thing? totally normal like electricity? the social aspect is so underrated
⊹ Who has access to it? is it only the wealthy/powerful or can anyone learn it. Because that says a LOT about your world's inequality situation
⊹ Can it be taken away? stolen? blocked? this is great for conflict
⊹ Are there different types of magic or schools of it and do those groups like each other (they don't. they never do. use this)
⊹ What are the physical signs that someone has/uses magic. Glowing eyes, burns on their hands, going grey early, nosebleeds. Little details like this make it feel so real
⊹ Has the magic changed over time? like was it stronger/different a hundred years ago and nobody knows why what happened
⊹ is there a moral line that magic users aren't supposed to cross and who decided where that line was and why does your protagonist keep getting close to it?
⊹ And the most important question is honestly: what does the magic mean thematically. the best magic systems reflect something about the story's core themes and it doesn't have to be obvious but it should be there

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Character Flaws/Quirks in Fantasy Worldbuilding That I'm BEGGING Writers to Explore
Please, please, PLEASE.....
✧ Magic systems with actual consequences that aren't just "ooh I'm tired now." Like your wizard gets hiccups that turn into burps of flame for three days. Your necromancer's hair falls out in clumps. Your healer has to absorb a percentage of the pain they cure and spends evenings crying in the bath.
✧ Fantasy creatures that are just... kinda mid at their designated thing. Dragons who are afraid of heights. Vampires with a garlic intolerance that's more "lactose intolerant at a pizza party" than "instant death." Werewolves who transform but just become a really anxious medium-sized dog.
✧ Prophecies that are vague because the ancient oracle genuinely had terrible handwriting. Nobody can agree if it says "the chosen one" or "the chicken coop" and honestly both are equally possible at this point.
✧ Magic schools where students are failing because the curriculum is actually hard, not because they're the chosen one having drama. Let someone flunk Potions because they can't math the ratios. Academic probation exists in fantasy too.
✧ Dark Lords with the most mundane administrative problems. Yes, he's conquering the realm, but also the castle's plumbing is a nightmare and his generals keep submitting their expense reports late.
✧ Worldbuilding that remembers disabled people exist in fantasy settings too. No, not just "magically healed." I mean fantasy wheelchairs, accessibility spells, sign language variations, service dragons, the whole deal.
✧ Taverns that aren't just quest-dispensing machines. Sometimes the innkeeper is closed for a family emergency. Sometimes there's karaoke night and it's bad. Sometimes they're out of the stew because Greg ordered all of it.
✧ Kingdoms with actual boring stuff that affects the plot. Tax reforms. Infrastructure bills. That bridge everyone uses? Someone had to budget for that. The hero's quest gets delayed because the Transport Committee is arguing about funding.
“Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘What do I care if there is a summer; its warmth is no help to me now.’ Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.”
— Vincent Van Gogh
“If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning.”
- Vincent van Gogh
“What am I in the eyes of most people — a nonentity, an eccentric, or an unpleasant person — somebody who has no position in society and will never have; in short, the lowest of the low. All right, then — even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart. That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.”
- Vincent Van Gogh
if you want butterflies, you need to live with caterpillars.
i am not being metaphorical, i work in a garden center, stop buying plants 'to bring in the bees and butterflies' and then immediately poisoning every caterpillar that dares to consume a single leaf
you will not get butterflies if you kill all the things that turn into butterflies! what are you doing!
As a poet, I also want my viewers to take this rather beautiful allegory into account.
kiss this babey
Me looking at my therapist who starts writing something in his notebook after I told a joke (he's going to steal it)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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@common-writers-fly-sometimes
tagging you bc you have your asks turned off and ik the winter storm has gotten really bad. are you affected? are you doing alright? have some jellyfish
A mating dance (?)
[id: a Douyin video by bailaolao1219. It is two videos stitched together- the top video is of a colorful black-masked lovebird dancing wildly at a blue-varient black-masked lovebird. The blue lovebird seems uninterested in the colorful lovebird's display, and looks away. The bottom video is of two women mimicing the top video- one woman is dressed in colorful flashy clothes and is dancing wildly and is periodically tapping the other woman, who is dressed in blue and white, and is looking away, either shy or uninterested. Upbeat dance music is playing throughout the video. ]
@common-writers-fly-sometimes