you cannot kill me in a way that matters™

Femininomenon - Very Marius coded. This man could NOT hit it like rompompompom. He could NOT get it hot like Papa John. He could NOT make a bitch go on and on.

Red Wine Supernova - This song is clearly about Cosette. She meets her and is immediately mesmorised. She wants that girl to pull out her wand and her rabbit. Éponine's roommates (don't worry, we're cool!) are Patron-Minette

After Midnight - Marius/Cosette/Éponine. She kinda wants to kiss both of them and is figuring that out

Coffee - Believe it or not, Montparnasse. She can't go anywhere with him, she can't go to the park, or to the bar, she KNOWS where that leads and she doesn't trust herself around him. If she meets up with him anywhere they're gonna fuck and she doesn't want that. Or does she?

Casual - Again, Montparnasse. He would be knee deep in the passenger seat. And yet, where is the relationship. It's just sex to both of them.

Super Graphic Ultra Modern Girl - Marius is the man in the introduction. Cosette is the Super Graphic Ultra Modern Girl she needs

Hot to go - Not about anyone in particular. This is her finding her own worth and taking pride in her own desirability.

My Kink is Karma - Montparnasse. One day he's finally going to get arrested and she's going to take such delight in it

Picture you - Cosette. She's thinking back to Montfermeil and realising she was actually in love with Cosette as a child, and now wondering how Cosette thinks of her.

Kaleidascope - Marius. She's deep in the closet here, pining after the first man who's been kind to her in so long, and doesn't know how to process it. She thinks all love must be this complicated

Pink Pony Club - Cafe Musain is a gay bar now and that's what this song is about

Naked in Manhatten - Cosette. She's getting back into contact after all this time and hoping to maybe spark up something that might be romantic

California - Paris in general. She doesn't miss Montfermeil, she misses when things were simpler and everything felt under control. She doesn't want to want to leave Paris but feels like she has to

i said MAYBEEEEE

btw my friends say they like it when I draw without a thick black line, but I'm not sure…I'll probably keep the line style for comics (because it's easier and faster) and leave the more painterly style for individual works

Proship has never meant anything except a combination of three ideas:

Ship and let ship (your ships don't harm me and vice-versa) and YKINMK (your kink is not my kink, and that's okay; my kink stories don't harm you and vice-versa)

Harassment over fiction is not acceptable

Censorship of fiction is not acceptable either

can we stop making this man so formal please- like yeah he dresses funny but did you see how he dressed as a kid?? bro literally just wore hoodies and im 90% sure that he never really talks formally he just talks in a monotone voice and such. thats not really formal-

canon details about hxh that makes writing and theories IMMENSELY easier.

kurapika seems to have a soft spot for younger children, as he doesn't target any of the younger princes in the succession war (in the manga). not only that, but when he held woble (an infant) for the first time, his eyes softened.

chrollo doesn't seem to enjoy hurting women or children. the only time in the story (kurta clan excluded, we never actually see it happen + it was for a job) where chrollo harms a woman is when he steals neon's nen ability. however, he had even made sure to catch her when she fell, taking care of her at least a little bit. chrollo didn't cause any harm to gon and killua even though it could have been convenient to. plus, during his match against hisoka at heavens arena, chrollo does not control or harm any of the female spectators + the female commentator.

chrollo fools the phantom troupe a lot. in chapter 90, nobunaga states “chrollo/danchou did it again!” when phinks tells nobunaga that chrollo had fooled nobunaga. so chrollo has played trickster a few times within the troupe.

meteor city residents live in extremely small cottage-like “houses” made of wood, although much of the houses have patches. however, many people tend to place cloth over their houses, possibly to keep out rain or snow. outside of many houses in meteor city, older people sit on mats and rugs, perhaps selling something.

the most extravagant and cleanest building in meteor city is the church, which also has numerous sun symbols and signs, implying that chrollo might have gotten the sun and moon ability that he fought hisoka with from the pastor of the church (father lisores).

hisoka seems obsessive over cleanliness and always being clean. he has a total of 6 mobage cards where he is showering, and he showers a total of 4 times in the series.

chrollo is implied to have been groomed as a child by the meteor city elders. the elders imply that chrollo is the key to solving all of their problems when he is an ELEVEN YEAR OLD CHILD because of how intelligent chrollo is. phinks makes a subtle note of this when the troupe goes to meteor city to fight the chimera ants, saying that “they still don’t know what they’re doing” (about the city elders). and in a sad way, they succeeded in their grooming, because chrollo did essentially solve their child k!dnapping problem and decreased much of the crime rate in meteor city.

Happiness:

Smiling genuinely, with crinkles around the eyes.

Open body posture, with relaxed arms and shoulders.

Leaning forward slightly towards the person or object of interest.

Making eye contact with a warm and engaged expression.

Anger:

Tightened jaw and clenched fists.

Furrowed brows and narrowed eyes.

Standing or sitting with a rigid and tense posture.

Pointing fingers or aggressive gestures.

Raised voice or speaking through gritted teeth.

Sadness:

Downcast eyes and a drooping posture.

Slumped shoulders and shallow breathing.

Avoiding eye contact and withdrawing from social interaction.

Sighing or a subdued tone of voice.

Tearfulness, with watery or red eyes.

Fear:

Widened eyes with dilated pupils.

Raised eyebrows and a tense facial expression.

Frozen or rigid body posture.

Backing away or seeking physical distance from the perceived threat.

Trembling or shaking, especially in the hands or legs.

Surprise:

Raised eyebrows and widened eyes.

Mouth slightly agape or forming an "O" shape.

Leaning forward or recoiling backward in response to the surprise.

Quick inhalation or gasp of breath.

Rapid blinking or blinking more than usual.

Disgust:

Curling the upper lip or wrinkling the nose.

Narrowing the eyes and raising the upper eyelids.

Turning the head away or physically distancing oneself from the source of disgust.

Covering the mouth or nose with the hand or a tissue.

Expressing verbal disgust through phrases like "ew" or "yuck."