🥀👻𝑪𝒐𝒍𝑬𝒕𝒕🐉🥀

Auriel and Silver, version Pomni and Jax 🫶.

Although speaking of this aspect of what one can do for another, even to the point of sacrificing their life for someone, that's something Auriel would canonically do for him if necessary. And the curious thing is, she would cross many lines exclusively for Silver, whatever the consequences and whatever risks she has to take... even Boyka and Albafica 😣. Because there are other people for whom she would take similar risks, like Mu, Olga, Poppy, Rose, including her children. BUT, with them, I think it would be something she'd think about more, even if only once 🤓☝️. On the contrary, if it's about him, if it's what needs to be done, it will be done, no matter what or who.

For this reason and many others, there was debate about whether she should attend Dark Wick, although in the end, allowing her to go to school was more of a relief for her family, and surprisingly, it turned out to be for the best, although she continued to cause problems at school. The intensity of her mischief was less than at home, because there she found other ways to "entertain herself" (with many victims). The three most important factors responsible for his change were the ghouls, Dionysia circus, and Jo (Shion also played a very minor role). Out of curiosity and because it was something new, he adapted, similarly to what happened with Aconito.

🔮The ghouls fascinated her for two reasons: first, because when she arrived at school she had a very different idea of ​​what they would be like, and second, because she didn't understand what was truly special about them. It wasn't until she met some of them that she began to interact with them out of genuine interest.

🧙‍♀️He has a strange, twisted, macabre, and disturbing friendship (if you can even call that friendship) with Shion, because they have a lot in common.

🔮The reason for Columbina being as she is is not something that can be easily explained, nor medically diagnosed because it has to do with her soul.

🧙‍♀️His family is descended from a well-known figure in Chinese history, who was believed to be non-human.

As you can see, Yao has known Jester for a very long time, since before the circus (although I drew him in his old design because I couldn't think of anything else), when his parents died and he was left alone. In my AU, she was the one who, in a way, influenced how Jester became who he is today and the decisions he made to survive. Well, when she found him, it was at a very vulnerable moment, and feeling bad for him (besides not liking how she found him), she gave him advice and took care of him for a little while... in a somewhat rough way XD.

From that moment on, they never saw or heard from each other again, since Yao was a traveler (with many problems) and traveled to various parts of the world shortly after. It wasn't until much later that she learned about the circus 🎪, which had been run by Jester and the others for some time. He didn't recognize her because of the passage of time and the changes Yao had undergone, unlike her, who did remember him. She didn't seem to mind that he had forgotten her, but she used that opportunity to become "acquainted" with him and observe what he had become... later, that curiosity and amusement turned into attraction 😘.

• Yao is a half-breed of ancient races. Her father was the same type of monster as Pierrot, only slightly different, and her mother was of another, nearly extinct, type.

• Chaac, Amimitl, and Leif are shorter than average monsters, about the same size as a human. Their height hasn't changed in years, though they may still grow since they are very young and presumably still developing.

• Yao left eye is not very good; she is almost blind in it due to one of the many times they have tried to hunt her down and kill her.

• Ticket Taker likes the triplets, but he hates Yao. He can't stand her, since Yao teases him because he doesn't like him much either.

• Speaking for the three children, they are artists—well, they call themselves artists since they are very knowledgeable in various art forms, such as painting, music, dance, etc. In fact, they taught Yao to play various instruments and about music.

•The relationship the four have could be described as "familial," BUT, at the same time, not quite that, because she's more like a "grandmother" or teacher. The three of them see her as someone superior and older who is guiding them, since she is very, very old. Meanwhile, Yao basically sees them as something to take care of, even though they aren't hers; they're like her grandchildren, to be precise.

•While Leif and Chaac see humans as a means to an end, like food (they don't hate them, they just don't care about most of them), Yao and Amimitl genuinely like them. In her case, it's because she sees them as pets and somewhat endearing beings, since they used to adore her, and in Amimitl's case, it's because of his childhood.

• Harlequin and the triplets fight a lot, almost always because he provokes them by teasing them when he sees them... making all three of them snap at him at the same time, even though they never win.

• For Doctor, Pierrot, and Harlequin, Yao is like a cool grandma who their dad (Ticket Taker) doesn't like, but she's close to their mom (Jester).

• Like Pierrette (my MC in her human version), she has a huge fondness for colorful things, but the reason for this in Yao is melancholic.

• Leif, Amimitl, and Chaac are from high society; they're very picky, even about food.

•The triplets are Norwegian 🇳🇴 and are inspired by narwhals, different types of unicorns, horses, mermaids 🧜‍♀️, kelpies, and whales 🐳.

•Besides being inspired by the goddess Cihuacoatl, Yao also has influences from dragons, jaguars/panthers, and owls. Of course, this is evident in her monster form.

•Yao has raised human children and "helped" pregnant women without support or with other kinds of problems for many years to create a "family."